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A 19th Century Tabriz Carpet, woven in colours of ivory, fawn and wine, the field filled with trailing leaf and floral ornament, on an ivory ground within conforming three stripe borders, signed and woven by "Sabag Etelafi" who was a master weaver, 10ft x 6ft 9ins

James Butler, MBE RA (1931–2022) British, sculpture, ‘Scrambling Pilot’, H. 59 cm, signed ‘Butler 93’, the prototype resin maquette presented by James Butler to Air Vice Marshall ‘Freddie’ Hurrell who commissioned a limited edition of 10 bronze statues of ‘Scrambling Pilot’, on behalf of The RAF Benevolent Fund. Paperwork related to the commissioning of the original sculpture is also included. Provenance: AVM 'Freddie' Hurrell, Director of Appeals for the RAF Benevolent Fund from 1988 to 1995, thence by descent. All proceeds are to be donated to The RAF Benevolent Fund by the family.

The Who 1960's Fan Club items

VARLEY or VARLO (Charles) A Treatise on Agriculture, intitled the Yorkshire Farmer, 2 vols, 8vo, 5 wood-engraved plates (3 folding), 3 folding tables, contemp. sprinkled calf, with contemp. bookplate and owner name on title-page, Dublin, 1766 (2)A near fine set, with the subscribers list, of this work by Charles Varlo or Varley (1725-ca. 1795), inventor of the “Yorkshire” or “Rotherham plough”, who farmed extensively in Yorkshire, Ireland, and America. Fussell II, pp. 90/91.

A CHINESE CANTONESE FAMILLE ROSE PORCELAIN DISH, 19TH CENTURY. Lobbed dish in rose medallion pattern further decorated to the exterior with various figures. 24cm diam. One shallow chip to rim otherwise in good condition with no further chips or cracks. No signs of repair.Provenance: From a local estate. Property of Navy Commander Henry W Jennings R.N. who was stationed in Sasebo Japan between 1946-48. Retired in 1960's and thence by descent.  

A VERY LARGE CHINESE PAINTING ON SILK, 19TH CENTURY. Eight Immortals and Queen Mother of the West with other Taoist figures gathering amongst clouds and crashing waves on a mountain scene. Two red seal marks bottom right. Framed and glazed. Frame size 164cm X 99cm Good overall condition with no major signs of damage.Provenance: From a local estate. Property of Navy Commander Henry W Jennings R.N. who was stationed in Sasebo Japan between 1946-48. Retired in 1960's and thence by descent.  

AN ANTIQUE PRINTED MAP 'CHINA' BY J. WYLD / J. THOMSON, London 1825. Copperplate Original colour. An attractive nineteenth-century map of China with a vignette view of a Chinese village at lower right. The map was published in 'A General Atlas, Containing Maps Illustrating Some Important Periods In Ancient History: And Distinct Maps Of The Several Empires, Kingdoms And States, In The World From Original Drawings, According To The Latest Treaties". James Wyld's maps were engraved by N.R.Hewitt in London and were published by John Thomson & Co. In Edinburgh - the maps bear the imprint of author, engraver and publisher in the lower margin. James Wyld (Senior) was a renowned English mapmaker who went on to become Geographer to His Majesty and was a founder member of the Royal Geographic Society. These maps represent some of his early work andillustrated his skill and the professional respect which it earned.290 by 215mm (11.5 by 8.5 inches).

GLENFIDDICH INSPIRED BY THE ORIGINALSingle malt.Without Glenfiddich, Scotland might not enjoy the same thriving whisky scene it has today. Founded in 1886 by William Grant, and still family owned, Glenfiddich was one of the first distilleries to seriously market single malt whisky as a credible alternative to blends. This decision was prompted by a dispute with their grain supplier in 1963, leading to a scaling back in production of their Grant’s blend. By the late 1960s Glenfiddich single malt was a firm hit with the Jet Set, who were picking it up in their droves from the newly emerging Duty-Free market.That early prescience clearly paid off, as (despite strong competition from fellow Speyside giants Glenlivet and Macallan) Glenfiddich is consistently the best-selling single malt in the world, shifting over 1 million cases every year.This expression is a replica of Glenfiddich's original Straight Malt, which arguably kick-started the single malt revolution.40% ABV / 75cl

HIGHLAND PARK 16 YEAR OLD TWISTED TATTOOSingle malt.Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies.The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood.The Twisted Tattoo is matured in a combination of Bourbon and Spanish Rioja casks.46.7% ABV / 70cl

LAGAVULIN 16 YEAR OLD WHITE HORSESingle malt.The Islay distillery of Lagavulin first gained notoriety in 1862 when it was acquired by the well-known blender, John Logan Mackie. He then passed the reins to his nephew Peter, who is credited with the creation of the highly regarded White Horse Blend. This blend was so successful that by 1924 the Mackie group changed their name to White Horse Distillers, before becoming part of the DCL group a few years later. Lagavulin single malt was still produced under the White Horse Distillers name until the late 1990s when it became part of the Diageo conglomerate.The most famous advocate of Lagavulin is probably fictional character, Ron Swanson, from hit US sit-com Parks & Recreation. However, Nick Offerman (the actor who plays Ron) must also enjoy a drop, as he has partnered up with the distillery to create his own limited-edition whisky.If you were to ask a room full of whisky aficionados what their desert island dram would be, chances are that one of the most popular answers would be Lagavulin’s sublime 16-Year-Old. Its effortless balance of sweet, sherried, dried fruit notes with smoky, savoury undertones has earned it legions of fans worldwide.43% ABV / 70cl

LAGAVULIN 16 YEAR OLD WHITE HORSESingle malt.The Islay distillery of Lagavulin first gained notoriety in 1862 when it was acquired by the well-known blender, John Logan Mackie. He then passed the reins to his nephew Peter, who is credited with the creation of the highly regarded White Horse Blend. This blend was so successful that by 1924 the Mackie group changed their name to White Horse Distillers, before becoming part of the DCL group a few years later. Lagavulin single malt was still produced under the White Horse Distillers name until the late 1990s when it became part of the Diageo conglomerate.The most famous advocate of Lagavulin is probably fictional character, Ron Swanson, from hit US sit-com Parks & Recreation. However, Nick Offerman (the actor who plays Ron) must also enjoy a drop, as he has partnered up with the distillery to create his own limited-edition whisky.If you were to ask a room full of whisky aficionados what their desert island dram would be, chances are that one of the most popular answers would be Lagavulin’s sublime 16-Year-Old. Its effortless balance of sweet, sherried, dried fruit notes with smoky, savoury undertones has earned it legions of fans worldwide.43% ABV / 70clFill level in mid neck.

GLEN GRANT 1967 5 YEAR OLDSingle malt.Glen Grant was the first distillery in Scotland to have electric lighting installed, thanks to its forward-thinking owner, and all-round colourful character, Major James Grant. Grant was an innovator who was one of the first people to realise the potential of exporting whisky abroad. Initially, this paid dividends, and in 1897 The Major began construction of a second distillery across the road. However, as was the case with so many distilleries built around this time, Glen Grant 2 was mothballed after just a few years. Although, it did re-open in 1965 under the name Caperdonich.While it might not be a household name in the UK, Glen Grant is consistently one of the top selling single malts in Italy due to the groundwork laid by legendary importer Armando Giovinetti in the 1960s. It, therefore, seems appropriate that the distillery is now owned by Campari, an Italian company.70° Proof / 26 2/3 Fl OzFill level in mid neck.

ABERLOUR 10 YEAR OLDSingle malt.Named after the small Speyside town in which it resides, Aberlour distillery has cultivated a dedicated following, particularly in France where it is frequently the top selling single malt. The spirit it produces ages extremely well in Sherry casks and has a distinctive note of blackcurrant.Although it boasts an extensive core range, the expression it is perhaps best known for is the consistently excellent small batch A’Bunadh.40% ABV / 70clGLENFIDDICH SPECIAL OLD RESERVESingle malt.Without Glenfiddich, Scotland might not enjoy the same thriving whisky scene it has today. Founded in 1886 by William Grant, and still family owned, Glenfiddich was one of the first distilleries to seriously market single malt whisky as a credible alternative to blends. This decision was prompted by a dispute with their grain supplier in 1963, leading to a scaling back in production of their Grant’s blend. By the late 1960s Glenfiddich single malt was a firm hit with the Jet Set, who were picking it up in their droves from the newly emerging Duty-Free market.That early prescience clearly paid off, as (despite strong competition from fellow Speyside giants Glenlivet and Macallan) Glenfiddich is consistently the best-selling single malt in the world, shifting over 1 million cases every year.40% ABV / 75clSome minor wear and tear to labels.

GLENLIVET 12 YEAR OLDSingle malt.One of the very first distilleries in Scotland to be granted an official licence, after the passing of the licencing act in 1823, Glenlivet distillery has become synonymous with Speyside whisky. So much so, that at one point 28 other distilleries in the area adopted “Glenlivet” as a suffix to their own brand in order to piggyback on the reputation Glenlivet had built for itself. Although that practise has fallen by the wayside in recent years some independent bottlers still use it.The Glenlivet brand is now one of the most recognisable in the world, and despite the distillery undergoing an expansion and upgrade (beginning) in 2010, their iconic 12-Year-Old expression still had to be discontinued for a few years before production was able to catch up with demand.40% ABV / 70clGLENFIDDICH 8 YEAR OLD PURE MALTSingle malt.Without Glenfiddich, Scotland might not enjoy the same thriving whisky scene it has today. Founded in 1886 by William Grant, and still family owned, Glenfiddich was one of the first distilleries to seriously market single malt whisky as a credible alternative to blends. This decision was prompted by a dispute with their grain supplier in 1963, leading to a scaling back in production of their Grant’s blend. By the late 1960s Glenfiddich single malt was a firm hit with the Jet Set, who were picking it up in their droves from the newly emerging Duty-Free market.That early prescience clearly paid off, as (despite strong competition from fellow Speyside giants Glenlivet and Macallan) Glenfiddich is consistently the best-selling single malt in the world, shifting over 1 million cases every year.86° US Proof / 1LGLENFIDDICH SPECIAL RESERVESingle malt.43% ABV / 1L

ROSEBANK 1990 21 YEAR OLD 2011 RELEASESingle malt.Pride of the Lowlands, Rosebank is making a comeback after more than 25 years courtesy of Ian MacLeod Distillers who purchased the derelict Falkirk distillery in 2017. While renovations have been delayed slightly by global events, the new stills were installed in May 2022, so they’re well on their way to resuming production.It might still be a while before we see any new Rosebank expressions hitting the shelves, but until then Ian MacLeod will be tiding us over with several exciting releases drawn from casks laid down prior the distillery’s closure in 1993. The question is, how will the new output stack up against these classics?Distilled: 1990Bottled: 2011One of only 5886 bottles released53.8% ABV / 70clFill level in low neck. Please note that the bottle number has been removed, causing some minor damage to the front label.

GLENDRONACH 1974 18 YEAR OLDSingle malt.Thanks to its rich, weighty spirit and penchant for sherry cask maturation, GlenDronach is often viewed as an excellent (and affordable) alternative to Macallan, despite being just on the wrong side of the Speyside / Highland border.Once providing the heart of the Teacher’s blend, in recent years GlenDronach has become better known as a single malt thanks to substantial investment by Pernod Ricard, who acquired ownership in 2008, and more recently by Brown-Forman (producers of Jack Daniel’s) who took over in 2016.Matured in Sherry casks.Bottle Nuber: 92 / 259043% ABV / 70clFill level in low neck / high shoulder.Please see additional image.

HIGHLAND PARK 1998 20 YEAR OLD DISCOVERY SELECTION CASK #2863 - 2 MINIATURESSingle malt.Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies.The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood.Distilled: 28/04/1998Bottled: 2019Matured in cask #2863One of only 3400 bottles released.Each 57.9% ABV / 5cl

HIGHLAND PARK 18 YEAR OLD 1990SSingle malt.Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies.The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood.This is a 1990s bottling of their excellent 18-Year-Old.43% ABV / 70clMinor wear to tube.

GLENDRONACH 12 YEAR OLD SHERRY CASKSSingle malt.Thanks to its rich, weighty spirit and penchant for sherry cask maturation, GlenDronach is often viewed as an excellent (and affordable) alternative to Macallan, despite being just on the wrong side of the Speyside / Highland border.Once providing the heart of the Teacher’s blend, in recent years GlenDronach has become better known as a single malt thanks to substantial investment by Pernod Ricard, who acquired ownership in 2008, and more recently by Brown-Forman (producers of Jack Daniel’s) who took over in 2016.40% ABV / 75clFill level in low neck.

HIGHLAND PARK 12 YEAR OLD 1980S Single malt.Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies.The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood.We estimate that this old style 12-Year-Old was bottled in the 1980s.40% ABV / 75clSome minor wear to the carton.

LAGAVULIN 15 YEAR OLD WHITE HORSE DECANTERSingle malt.The Islay distillery of Lagavulin first gained notoriety in 1862 when it was acquired by the well-known blender, John Logan Mackie. He then passed the reins to his nephew Peter, who is credited with the creation of the highly regarded White Horse Blend. This blend was so successful that by 1924 the Mackie group changed their name to White Horse Distillers, before becoming part of the DCL group a few years later. Lagavulin single malt was still produced under the White Horse Distillers name until the late 1990s when it became part of the Diageo conglomerate.The most famous advocate of Lagavulin is probably fictional character, Ron Swanson, from hit US sit-com Parks & Recreation. However, Nick Offerman (the actor who plays Ron) must also enjoy a drop, as he has partnered up with the distillery to create his own limited-edition whisky.45% ABV / 75cl Please note that these decanters were sold unsealed by the distillery. However, while we have no reason to doubt the authenticity of this lot, it is impossible to guarantee the liquid inside.Please see additional image.Weight of decanter: 1374g

HIGHLAND PARK 17 YEAR OLD THE LIGHTSingle malt.Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies.The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood.This expression was part of a duo, along with "The Dark", which celebrate the changing seasons on Orkney. "The Light" represents the transition into summer, and is matured in Bourbon casks, whereas "The Dark" is a rich sherry matured whisky that's ideally enjoyed on a cold autumn / winter night.One of 28,000 bottles released.52.9% ABV / 70cl

GLENFIDDICH 1991 VINTAGE RESERVE DON RAMSAY AND GLENFIDDICH SPECIAL OLD RESERVESingle malt.Without Glenfiddich, Scotland might not enjoy the same thriving whisky scene it has today. Founded in 1886 by William Grant, and still family owned, Glenfiddich was one of the first distilleries to seriously market single malt whisky as a credible alternative to blends. This decision was prompted by a dispute with their grain supplier in 1963, leading to a scaling back in production of their Grant’s blend. By the late 1960s Glenfiddich single malt was a firm hit with the Jet Set, who were picking it up in their droves from the newly emerging Duty-Free market.That early prescience clearly paid off, as (despite strong competition from fellow Speyside giants Glenlivet and Macallan) Glenfiddich is consistently the best-selling single malt in the world, shifting over 1 million cases every year.Each 40% ABV / 70cl

LAGAVULIN 16 YEAR OLD WHITE HORSESingle malt.The Islay distillery of Lagavulin first gained notoriety in 1862 when it was acquired by the well-known blender, John Logan Mackie. He then passed the reins to his nephew Peter, who is credited with the creation of the highly regarded White Horse Blend. This blend was so successful that by 1924 the Mackie group changed their name to White Horse Distillers, before becoming part of the DCL group a few years later. Lagavulin single malt was still produced under the White Horse Distillers name until the late 1990s when it became part of the Diageo conglomerate.The most famous advocate of Lagavulin is probably fictional character, Ron Swanson, from hit US sit-com Parks & Recreation. However, Nick Offerman (the actor who plays Ron) must also enjoy a drop, as he has partnered up with the distillery to create his own limited-edition whisky.If you were to ask a room full of whisky aficionados what their desert island dram would be, chances are that one of the most popular answers would be Lagavulin’s sublime 16-Year-Old. Its effortless balance of sweet, sherried, dried fruit notes with smoky, savoury undertones has earned it legions of fans worldwide.43% ABV / 1LFill level in mid neck. There is some minor wear to the carton.Please see additional images.

HIGHLAND PARK CASK STRENGTH BATCH #2 - 6 MINIATURESSingle malt.Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies.The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood.Each 63.9% ABV / 5cl

LAGAVULIN 16 YEAR OLD WHITE HORSESingle malt.The Islay distillery of Lagavulin first gained notoriety in 1862 when it was acquired by the well-known blender, John Logan Mackie. He then passed the reins to his nephew Peter, who is credited with the creation of the highly regarded White Horse Blend. This blend was so successful that by 1924 the Mackie group changed their name to White Horse Distillers, before becoming part of the DCL group a few years later. Lagavulin single malt was still produced under the White Horse Distillers name until the late 1990s when it became part of the Diageo conglomerate.The most famous advocate of Lagavulin is probably fictional character, Ron Swanson, from hit US sit-com Parks & Recreation. However, Nick Offerman (the actor who plays Ron) must also enjoy a drop, as he has partnered up with the distillery to create his own limited-edition whisky.If you were to ask a room full of whisky aficionados what their desert island dram would be, chances are that one of the most popular answers would be Lagavulin’s sublime 16-Year-Old. Its effortless balance of sweet, sherried, dried fruit notes with smoky, savoury undertones has earned it legions of fans worldwide.43% ABV / 70clFill level in high shoulder. Minor wear to carton

GLEN GRANT 1965 GORDON & MACPHAILSingle malt.Glen Grant was the first distillery in Scotland to have electric lighting installed, thanks to its forward-thinking owner, and all-round colourful character, Major James Grant. Grant was an innovator who was one of the first people to realise the potential of exporting whisky abroad. Initially, this paid dividends, and in 1897 The Major began construction of a second distillery across the road. However, as was the case with so many distilleries built around this time, Glen Grant 2 was mothballed after just a few years. Although, it did re-open in 1965 under the name Caperdonich.While it might not be a household name in the UK, Glen Grant is consistently one of the top selling single malts in Italy due to the groundwork laid by legendary importer Armando Giovinetti in the 1960s. It, therefore, seems appropriate that the distillery is now owned by Campari, an Italian company.Distilled: 1965Bottled: 200840% ABV / 70clGood fill level in mid neck.

GLENFIDDICH 12 YEAR OLD CAORAN RESERVESingle malt.Without Glenfiddich, Scotland might not enjoy the same thriving whisky scene it has today. Founded in 1886 by William Grant, and still family owned, Glenfiddich was one of the first distilleries to seriously market single malt whisky as a credible alternative to blends. This decision was prompted by a dispute with their grain supplier in 1963, leading to a scaling back in production of their Grant’s blend. By the late 1960s Glenfiddich single malt was a firm hit with the Jet Set, who were picking it up in their droves from the newly emerging Duty-Free market.That early prescience clearly paid off, as (despite strong competition from fellow Speyside giants Glenlivet and Macallan) Glenfiddich is consistently the best-selling single malt in the world, shifting over 1 million cases every year.Taking its name for the Gaelic for "peat ember", the Caoran reserve is an unsual expression for Glenfiddich in that it's lightly peated.40% ABV / 70cl

ROSEBANK 1990 GORDON & MACPHAIL CONNOISSEURS CHOICESingle malt.Pride of the Lowlands, Rosebank is making a comeback after more than 25 years courtesy of Ian MacLeod Distillers who purchased the derelict Falkirk distillery in 2017. While renovations have been delayed slightly by global events, the new stills were installed in May 2022, so they’re well on their way to resuming production.It might still be a while before we see any new Rosebank expressions hitting the shelves, but until then Ian MacLeod will be tiding us over with several exciting releases drawn from casks laid down prior the distillery’s closure in 1993. The question is, how will the new output stack up against these classics?Bottled: 200643% ABV / 70clGood fill level in mid neck. Some staining to label.

LAGAVULIN 16 YEAR OLDSingle malt.The Islay distillery of Lagavulin first gained notoriety in 1862 when it was acquired by the well-known blender, John Logan Mackie. He then passed the reins to his nephew Peter, who is credited with the creation of the highly regarded White Horse Blend. This blend was so successful that by 1924 the Mackie group changed their name to White Horse Distillers, before becoming part of the DCL group a few years later. Lagavulin single malt was still produced under the White Horse Distillers name until the late 1990s when it became part of the Diageo conglomerate.The most famous advocate of Lagavulin is probably fictional character, Ron Swanson, from hit US sit-com Parks & Recreation. However, Nick Offerman (the actor who plays Ron) must also enjoy a drop, as he has partnered up with the distillery to create his own limited-edition whisky.If you were to ask a room full of whisky aficionados what their desert island dram would be, chances are that one of the most popular answers would be Lagavulin’s sublime 16-Year-Old. Its effortless balance of sweet, sherried, dried fruit notes with smoky, savoury undertones has earned it legions of fans worldwide.43% ABV / 70clFill level in mid neck.

HIGHLAND PARK 15 YEAR OLD 2000SSingle malt.Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies.The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood.This is an older style 15 Year Old from the 2000s.40% ABV / 70clFill level in mid neck. Minor wear to carton.

GLENFIDDICH 1991 VINTAGE RESERVE DON RAMSAYSingle malt.Without Glenfiddich, Scotland might not enjoy the same thriving whisky scene it has today. Founded in 1886 by William Grant, and still family owned, Glenfiddich was one of the first distilleries to seriously market single malt whisky as a credible alternative to blends. This decision was prompted by a dispute with their grain supplier in 1963, leading to a scaling back in production of their Grant’s blend. By the late 1960s Glenfiddich single malt was a firm hit with the Jet Set, who were picking it up in their droves from the newly emerging Duty-Free market.That early prescience clearly paid off, as (despite strong competition from fellow Speyside giants Glenlivet and Macallan) Glenfiddich is consistently the best-selling single malt in the world, shifting over 1 million cases every year.40% ABV / 70cl

GLENFIDDICH MALT WHISKY LIQUEURWithout Glenfiddich, Scotland might not enjoy the same thriving whisky scene it has today. Founded in 1886 by William Grant, and still family owned, Glenfiddich was one of the first distilleries to seriously market single malt whisky as a credible alternative to blends. This decision was prompted by a dispute with their grain supplier in 1963, leading to a scaling back in production of their Grant’s blend. By the late 1960s Glenfiddich single malt was a firm hit with the Jet Set, who were picking it up in their droves from the newly emerging Duty-Free market.That early prescience clearly paid off, as (despite strong competition from fellow Speyside giants Glenlivet and Macallan) Glenfiddich is consistently the best-selling single malt in the world, shifting over 1 million cases every year.40% ABV / 50CLPlease see additional images.

*MATILDA TUMIM (B. 1963) 'Pagan' signed and dated 1996 in pencil to the margin, mixed media on paper, 19cm x 29cmProvenance: Purchased from The Blue Gallery, London, SW3 in 1996Matilda Tumim is a painter and draughtsman, born in London, who was a pupil at Bedales School, 1976–81. She was included in the exhibition Bedales Art & Design, organised in 1999 by the William Jackson Gallery at Art99, in the Business Design Centre. Tumim studied at Chelsea School of Art, 1981–2; Falmouth College of Art, 1982–5; and Royal College of Art, 1986–8. Mixed shows included South Bank Picture Show, Festival Hall, prize winner, 1987; The Discerning Eye, Mall Galleries, prize winner, 1992; Contemporary Art Society Market, 1994; and The Judge Hangs, Michael Parkin Gallery, 1997. She shared a show at Nicholas Bowlby Gallery, Tunbridge Wells, 1998. Later solo exhibitions included Blue Gallery, 1996. Contemporary Art Society, Orkney’s Tankerness House Museum and Islands Council, and Unilever hold examples ('Artists in Britain Since 1945' by David Buckman)

*MATILDA TUMIM (B. 1963) 'Nocturne' 1996, figural study on salvaged wood, displayed in a box frame, 17cm x 34cmProvenance: Purchased from The Blue Gallery, London, SW3 in 1996Matilda Tumim is a painter and draughtsman, born in London, who was a pupil at Bedales School, 1976–81. She was included in the exhibition Bedales Art & Design, organised in 1999 by the William Jackson Gallery at Art99, in the Business Design Centre. Tumim studied at Chelsea School of Art, 1981–2; Falmouth College of Art, 1982–5; and Royal College of Art, 1986–8. Mixed shows included South Bank Picture Show, Festival Hall, prize winner, 1987; The Discerning Eye, Mall Galleries, prize winner, 1992; Contemporary Art Society Market, 1994; and The Judge Hangs, Michael Parkin Gallery, 1997. She shared a show at Nicholas Bowlby Gallery, Tunbridge Wells, 1998. Later solo exhibitions included Blue Gallery, 1996. Contemporary Art Society, Orkney’s Tankerness House Museum and Islands Council, and Unilever hold examples ('Artists in Britain Since 1945' by David Buckman)

*JOHN SKELTON (1923-1999) Male torso signed and dated 1992 to the reverse of the rectangular plinth, 1/10, bronze, with Burleighfield Foundry mark, 21cm high overallSkelton, a letter cutter and sculptor who worked in many materials, was a nephew of Eric Gill and worked in Gill’s studio. His larger scale commissions include work in St Paul’s cathedral, and in other cathedrals including Winchester, Salisbury and Norwich. His style blends the figurative with a degree of abstraction, and the influence of Eric Gill is often apparent. This torso is typical of his small scale work, in bronze, wood and other materials.

*ARTHUR HENRY ANDREWS (1906-1966) 'The Villa Medici, Rome' signed lower right, oil on board, 90cm x 70cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Montmartre' Parisian street scene from the top of some steps, signed lower right, oil on canvas, 66cm x 92cm (unframed on stretcher)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Rock Pools' signed and dated '35 lower right, oil on board, 35cm x 52cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) A still life botanical study signed lower right, oil on canvas, 50cm x 40cmProvenance: The Collection of Bournemouth & Poole College. Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) A profile portrait of a lady head and shoulders, oil on canvas, 39cm x 30cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Vimiero' Portuguese street scene with whitewashed church, signed lower right oil on board, 38cm x 52cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Positano' signed lower left, oil on canvas, 69cm x 51cmExhibited: Wessex Artist's Exhibition, Southampton Art Gallery, 1966, number 47Provenance: The Collection of Bournemouth & Poole College. Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) Stylised landscape with trees signed lower right, oil on board, 42cm x 35cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Mimet, Provence' landscape with buildings, signed lower right, 51cm x 61cm; together with a similar study 'Pianello di Lario, Lake Como', oil on canvas, 50cm x 61cm (both unframed on stretchers) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Whitby' coastal view with Whitby Abbey to the background, signed lower right, titled and dated 1941 verso, oil on canvas, 46cm x 61cm; together with two Continental street scenes 'Marvejols' and 'The Poachers', oils on canvas, both 51cm x 61cm (3)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Keskadale' Woodland landscape with dwelling, signed lower left, oil on board, 65cm x 45cm; together with a similar work 'The Cavendish Pavilion, Bolton Abbey', oil on canvas laid on board, 53cm x 42.5cm (both unframed) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) Venetian scene signed lower right, oil on canvas, 41cm x 51cm; together with a view of a palm lined street, signed lower right oil on canvas, 41cm x 56cm; and a Continental street scene, signed lower left, oil on canvas, 41cm x 51cm (3)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Storiths, Bolton Abbey' landscape with buildings, signed lower right, oil on canvas, 51cm x 76cm; together with a similar study, signed lower right, oil on canvas, 51cm x 76cm (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) Woodland river scene signed lower right, oil on canvas laid on panel, 49cm x 38cm; together with a tree study 'Bleached tree, Bolton Woods' signed lower right, oil on canvas laid on panel, 56cm x 46cm; (both unframed) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) Cottages in a landscape signed lower right, oil on canvas, 41cm x 56cm; together with a woodland study '....Through the Trees', signed lower right, oil on canvas, 56cm x 41cm; and a stylised garden with trees, signed "M.S. Andrews" lower right, oil on canvas, 45cm x 35cm (all unframed on stretchers) (3)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) A portrait of an Officer depicted three-quarter length, seated before a blue curtain, wearing a heavy overcoat with bright red collar, oil on canvas, 97cm x 76.5cm (unframed on stretcher)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) Stylised portrait of a man reading a newspaper under the light of an anglepoise lamp in an interior, oil on canvas, 36cm x 25cm; together with a head and shoulders portrait of a woman 'Joan', signed lower right, oil on canvas laid on panel, 30cm x 25cm; and a nude study of Joan seated in an interior, signed lower right, oil on canvas, 46cm x 40cm (all unframed, the canvases on stretchers) (3)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'Miss Sushila Singh' The wife of the Artist, depicted bust-length, her left hand raised to her collar, wearing a red hat and matching scarf, signed lower right, oil on canvas, 53cm x 47cm; together with another portrait of the Artist's wife 'Sushila, 1930' depicted half-length seated in profile before a plain background, signed lower right, oil on canvas, 51cm x 41cm (unframed on stretcher) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*ARTHUR HENRY ANDREWS (1906-1966) 'The Revelation, Chapters 4-10' mixed media on panel, 103cm x 76cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

A 20TH CENTURY SILVER SALVER: 'THE ARTHUR ANDREWS SALVER' by Sibray, Hall & Co Ltd (Charles Clement Pilling), London, 1911, of circular form, the centre inscribed 'ARTHUR ANDREWS SALVER' within a neoclassical styled cartouche, with the names of the recipients to the outside, pierced border, on three pierced and splayed feet, 30cm diameter, c.919gramsProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

*BETH VAN HOESEN (1929-2010) 'Sally (1979)' signed, dated, titled and numbered 15/100 in pencil to the margin, aquatint, the image 29cm x 34.5cmBeth Van Hoesen (sometimes known as Beth Van Hoesen Adams), was an American artist who was best known for her prints and drawings of animals and botanical subjects.

*MICHAEL NOAKES (1933-2018) 'Self portrait with mauve tie' circa 1969, signed lower right, oil on board, 49cm x 34cmMichael Noakes was an English artist and portrait painter, educated at Downside School and the Royal Academy Schools. He was President of the Royal Institute of Oil Painters and Chairman of the Contemporary Portrait Society.He has painted many of the world's leading figures. Among those who sat for him are Pope Benedict XVI, Queen Elizabeth II, Queen Elizabeth the Queen Mother, King Charles III and Anne, Princess Royal, as well as most other members of the Royal Family. He was commissioned to paint Margaret Thatcher when she was Prime Minister and painted President Clinton, making preparatory studies with the President in the Oval Office – one of only very few painters to have been given such access to any President of the United States.For his portrait of Frank Sinatra, used for the cover artwork for the 1977 album ‘Portrait of Sinatra’ Noakes received a platinum disc, the only painter ever to have been awarded such an honour.

After Jeff Pritchard, "Spitfire Escort", a colour print, signed by the artist, 175 of 1000, also signed by Air Vice Marshall Johnnie Johnson, who was wing commander in the May 1943 scene depicted, 37cm x 53cm, framed, mounted, and glazed

A collection of 12" vinyl records to include Queen, John Lennon, The Animals, The Who, David Bowie, ELO and similar.Condition Report: Generally G - VG+ although some may vary.