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Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure: Pointed Legs signed and numbered 'Moore 7/9' (on the bronze base)bronze with a brown patina22.9 cm. (9 in.) long (including the bronze base)Conceived in 1979Footnotes:ProvenanceWith Adler Fielding Gallery, Johannesburg, from whom acquired byPrivate Collection, U.S.A.LiteratureAlan Bowness, Henry Moore: Volume 5, Sculpture and Drawings, Sculpture 1974-80, Lund Humphries, London, 1983, p.45, cat.no.LH777 (ill.b&w., another cast)'From the very beginning the reclining figure has been my main theme', Moore has declared. 'The first one I made was around 1924, and probably more than half of my sculptures since then have been reclining figures'' (H. Moore, quoted in A. Wilkinson (ed.), Henry Moore, Writings and Conversations, Aldershot, 2002, p.212).The recumbent female form was a theme Henry Moore returned to throughout his nearly sixty-year career. 'The human figure is the basis of all my sculpture,' Moore professed, 'and that for me means the female nude.' Most of Moore's female figures are positioned seated or reclining, a configuration that initially stemmed from Moore's use of stone as his preferred medium and the structural weakness of the material in a standing figure's ankles. 'The reclining figure gives the most freedom, compositionally and spatially. The seated figure must have something to sit on. You can't free it from its pedestal. A reclining figure can recline on any surface. It is free and stable at the same time. It fits in with my belief that sculpture should be permanent, should last for an eternity' (D. Mitchinson, (ed.), Henry Moore Sculpture, with Comments by the Artist, London, 1981, p.86).The beautifully modulating form for the present work exemplifies Moore's mastery of the bronze medium. Propped on her forearms with her attention directed to her left and legs facing a contra-direction, Reclining Figure: Pointed Legs is animatedly alert and captures an instant of the figure's movement. The motion evoked by the form's curvilinear shape endows the figure with a plasticity that seemingly defies the bronze medium. Although reclining, this brilliantly dynamic sculpture presents dramatic profiles when seen from various viewpoints. The points of the figure's head, breasts, and attenuated arms and legs are counterbalanced by the soft curves of the woman's arching back, stomach, and propped legs.The recumbent woman is an artistic trope harkening to Ingres, Delacroix, Manet, among others, and references the Orientalist fantasy of the odalisque, a nude or partially clad harem girl. However, while most of Moore's reclining women are nude, Moore scholar David Sylvester argues: 'though they lie with knees apart or thighs apart, their overall pose doesn't betoken the availability commonly implied in reclining female nudes' (D. Sylvester, Henry Moore, Tate Gallery, London, 1968, p.5). Moore's women are in contradiction to the voyeuristic gaze of his predecessors. 'I am not conscious of erotic elements in [my work], and I have never set out to create an erotic work of art,' Moore stated. 'I have no objection to people interpreting my forms and sculptures erotically...but I do not have any desire to rationalize the eroticism in my work, to think out consciously what Freudian or Jungian symbols may lie behind what I create' (quoted in A. Wilkinson, ed., Henry Moore: Writings and Conversations, Berkeley, 2002, p.115). 'These reclining women are not the reclining women of a Maillol or a Matisse,' Will Grohmann wrote. 'They are women in repose but also something more profound...the woman as the concept of fruitfulness, the Mother Earth. Moore, who once pointed to the maternal element in the 'Reclining Figures', may well see in them an element of eternity, the 'Great Female', who is both birth-giving nature and the wellspring of the unconscious... To Henry Moore, the 'Reclining Figures' are no mere external objects; he identifies himself with them, as well as the earth and the whole realm of motherhood' (W. Grohmann, The Art of Henry Moore, London, 1960, p.43).'I want to be quite free of having to find a 'reason' for doing the Reclining Figures,' Moore declared, 'and freer still of having to find a 'meaning' for them. The vital thing for an artist is to have a subject that allows him to try out all kinds of formal ideas—things that he doesn't yet know about for certain but wants to experiment with, as Cézanne did in his 'Bather' series. In my case the reclining figure provides chances of that sort. The subject matter is given. It's settled for you, and you know it and like it, so that within the subject that you've done a dozen times before, you are free to invent a completely new form-idea' (quoted in J. Russell, Henry Moore, London, 1968, p.48).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Figures from a Cretan Seal signed 'John Piper' (lower left)oil on canvas25.4 x 35.6 cm. (10 x 14 in.)Painted in 1954Footnotes:ProvenanceMyfanwy PiperW.S. Mitchell, thence by descentPrivate Collection, U.K.ExhibitedLondon, Portland Gallery, John Piper: Man and Nature, 26 September-18 October 2019John Piper was introduced to ancient Minoan cylinder seals from Crete by his friend Victor Kenna, who was cataloguing them for the Ashmolean Museum in Oxford. These cylinder seals, often made of precious stones, included subjects such as naturalistic portrayals of human beings and animals. In December 1954, Piper began to make sketches of the cast impressions of these seals in the display cases at the Ashmolean. As David Fraser Jenkins has commented, 'They are readily identifiable, but with a lot more movement and flow than might be expected. It is likely that these spindly, busily active figures also reminded Piper of the Hesiod etchings of Braque, which were only then becoming known, despite having been made in 1932. His enthusiasm for these Cretan seals resembled his earlier love for Anglo-Saxon fonts' (David Fraser Jenkins and Hugh Fowler-Wright, The Art of John Piper, Unicorn Press, 2015, p.279).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Helen Bradley (British, 1900-1979)Waiting at Liverpool to go to the Isle of Man signed with fly insignia (lower left); further signed, inscribed and dated 'Waiting at Liverpool to go to the Isle of Man/Father decided we should all go for a holiday/to the Isle of Man. He said the sail and the/pleasant air of the Island would do us good. George/and I were a little afraid of the paddle steamer. It/made such a noise. Grandma and the two aunts and/the dogs, Gyp and Barney, came with us, so also did/Miss Carter (who wore pink) and Mr Taylor (the Bank Manager). I heard the aunts whisper that/perhaps, with the journey across the water/being so romantic, Mr Taylor might propose/to Miss Carter, but he was most attentive to/Aunt Frances and Aunt Charlotte in turn which/made our holiday most enjoyable and the/year was 1906/Helen Layfield Bradley 1969' (on a label attached to the backboard)oil on canvasboard45.8 x 61 cm. (18 x 24 in.)Footnotes:ProvenanceSale; Christie's, London, 30 June 2005, lot 251, where purchased by the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Alfred Wallis (British, 1855-1942)A Steamship and a Schooner Passing the Coast (recto); A Path Through a Wood (verso) signed 'alfred wallis' (lower right; recto)oil and pencil on an artist's paintbox30 x 37 cm. (11 3/4 x 14 1/2 in.)Footnotes:ProvenanceAcquired directly from the artist circa 1937 byBernard Forrester, thence by family descentPrivate Collection, U.K. ExhibitedLondon, Tate Gallery, Alfred Wallis, 30 May-30 June 1968, cat.no.177, with Arts Council tour to City Art Gallery, York, Aberdeen Art Gallery, and Abbot Hall Art Gallery, KendalLiteratureRobert Jones, Alfred Wallis, Artist and Mariner, Halsgrove, Devon, 2001, p.96 (col.ill.)The present work was acquired from the artist circa 1937 by the potter Bernard Forrester, who was working in Bernard Leach's workshop in St Ives.We are grateful to Robert Jones for his assistance in cataloguing this lot.For further information on this lot please visit Bonhams.com

Christopher Wood (British, 1901-1930)Portrait of a Young Man oil on canvas41.2 x 33.6 cm. (16 1/4 x 13 1/4 in.)Painted in 1927Footnotes:ProvenanceP.H.B. BurtonWith Mercury Gallery, London, 28 June 1977, where purchased by the family of the present ownerPrivate Collection, U.K.ExhibitedLondon, The New Burlington Galleries, Christopher Wood: Exhibition of Complete Works, 3 March-2 April 1938, cat.no.249London, Mercury Gallery, Christopher Wood: Paintings, Watercolours, Drawings, 29 June-23 July 1977, cat.no.6, exh.no.201LiteratureEric Newton, Christopher Wood 1901-1930, The Redfern Gallery, London, 1938, p.70, cat.no.249In 1927 Christopher Wood left London and returned to Paris where he moved into Tony Gandarillas' new Passy apartment. It was a tough time for the artist who was dissatisfied with much of his recent work, which was predominantly a mixture of still life, landscape views of the Passy streets and the River Seine. However, it was also at this point that he completed one of his finest works, the almost life-size Self-Portrait (Kettle's Yard, University of Cambridge) that oozes with self-confidence and illustrates the artist as a young man, standing on the balcony, holding a paintbrush and with a background of houses amidst a captivating Prussian blue sky.The only other portrait listed in Eric Newton's 1938 literature on the artist from this year is the present work, Portrait of a Young Man. Like the aforementioned Self-portrait, which was likely painted earlier in the year, it is a confident example which no doubt depicts an attractive member of Wood and Gandarillas' male circle. The head and shoulders of the sitter dominate the canvas with little room for anything other than the intriguing background, which with its moody sky and formation of clouds gives no clue of specific location but hints at Surrealism. Wood's use of the dark palette is characteristic of his time spent in Vence later in the year where he was nursing his friend René Crevel, a member of the Surrealist movement, and inspired to paint darker landscapes that were influenced by Van Gogh's paintings of St Rémy.For further information on this lot please visit Bonhams.com

Vanessa Bell (British, 1879-1961)Self Portrait signed with initials, inscribed and dated 'VB/Self Portrait/50?' (in Duncan Grant's hand, verso)oil on canvas42 x 31 cm. (16 1/2 x 12 1/4 in.)Painted circa 1952Footnotes:ProvenancePossibly Adams Gallery, London, 1961, where purchased byCyril ConnollySale; Christie's, London, 1 July 1993, lot 22Sale; Christie's, London, 11 March 1994, lot 117Private Collection, U.K.ExhibitedLondon, Adams Gallery, Exhibition of Paintings by Vanessa Bell, October 1961, cat.no.39London, Belgrave Gallery, British Post-Impressionist and Moderns, February-March 1985, cat.no.1London, National Portrait Gallery, Mirror, Mirror: Self Portraits by Women Artists, 12 September 2001-20 January 2002; this exhibition travelled to Leeds, Leeds City Art Gallery, 18 April-9 June, Bath, Victoria Art Gallery, 22 June-1 August and Canterbury, Royal Museum & Art Gallery, 7 September-2 November 2002London, Dulwich Picture Gallery, Vanessa Bell, 8 February-4 June 2017LiteratureSarah Milroy & Ian A.C. Dejardin, Vanessa Bell, Philip Wilson Publishers, London, 2017, pp.178-9 (col.ill)Richard Shone, The Art of Bloomsbury, Roger Fry, Vanessa Bell and Duncan Grant, Tate Gallery Publishing, London, 1999, p.236, fig.133 (ill.b&w.)There are five extant self-portraits by Vanessa Bell dating from her last decade. All in their ways are revealing of her gradual withdrawal from the world as she confronts herself in her attic studio at Charleston. To anyone who knows something of Bell's character and art they can be mined for their biographical and aesthetic disclosures on several levels. For anyone knowing nothing of her, they might strike a chord of detachment, painted in a modest, even tentative style, the brushwork behaving itself in front of her watchful presence. The tonal range is quite low; it is warm but not effusive; the drawing is soft-edged, following but not emphasising the contours. Here she is, in her studio beneath the eves in the near silence of Charleston's second floor, among the few sounds, those barely audible ones of the painter's activity – the unscrewing of a paint tube , the exchange of brushes, the mixing of oil and turpentine. It was up here that, as her daughter Angelica said, 'she was in heaven'.The present Self-portrait contains paintbrushes, a plate for a palette and a framed painting by the artist, probably an Italian townscape, leaning against shelving behind her. The chair is covered in the fabric Bell had designed for Alan Walton's company in the early 1930s. A beam at top left shows the sharp slope of the studio ceiling; the room is lit from a long window overlooking Charleston's walled garden. Bell wears a broad sunhat to temper the distraction of light above her: when one is seated in her studio, there is only sky to be seen through the window. The hat shades her face whose features are indicated rather than spelt out, much as she had done forty years before in several portraits and figures . She looks extraordinarily like Virginia Woolf in her well-known painting of her sister in a deckchair of c. 1912. Some commentators have read this near-blankness as deliberate self-effacement but this goes against what we know of her personality and aesthetic. She was never a 'symbolic' painter; she did not aim to convey states of mind or make the viewer alert to some psychological undertow (though this is not absent from some her works). It is from her manner of painting, her choice of subject and colour scheme, her refusal to be drawn away from what she sees in front of her that we can deduce, especially in this painting, those elements of reticence, modesty and watchfulness that characterise her work, 'steeped in emotion deep but contained' as her friend and admirer Dunoyer de Segonzac wrote of her .We are grateful to Richard Shone for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Roger Fry (British, 1866-1934)Portrait of E.M. Forster oil on canvas73 x 60 cm. (28 1/4 x 23 5/8 in.)Painted in 1911Footnotes:ProvenanceThe ArtistEdward Morgan Forster (1879-1970)Florence Barger, thence by family descentWith Anthony d'Offay Gallery, London, 1984Private Collection, U.S.A.ExhibitedLondon, Alpine Club Gallery, Paintings and Drawings by Roger Fry, January 1912, cat.no.2 (as A Novelist)London, Arts Council, The Arts Council Gallery, Vision and Design: The Life, Work and Influence of Roger Fry, 17 March-16 April 1966, cat.no.10; this exhibition travelled to Nottingham, University Art Gallery, 27 April-22 May, Leeds, City Art Gallery, 28 May-18 June, Newcastle upon Tyne, Laing Art Gallery, 25 June-16 July, Manchester, City Art Gallery, 23 July-13 August 1966London, Courtauld Institute Gallery, Portraits by Roger Fry, 18 September-14 October 1976, cat.no.6, pl.3; this exhibition travelled to Sheffield, Mappin Art Gallery, 23 October-21 November 1976London, Anthony d'Offay Gallery, The Omega Workshops: Alliance and Enmity in English Art 1911-1920, 18 January-6 March 1984, cat.no.23LiteratureQuentin Bell, Bloomsbury, Futura Publications Ltd., London, 1974, pp.48-9 (ill.b&w.)S.P. Rosenbaum, The Bloomsbury Group: A Collection of Memoirs and Commentary, Croom Helm, 1975Philip Nicholas Furbank, E.M. Forster: A Life, Volume One, The Growth of the Novelist 1879-1914, Secker & Warburg, London, 1977, pp.205-7 (front cover illustration)Frances Spalding, Roger Fry, Art and Life, University of California Press, California, 1980, pl.51Richard Shone, The Art of Bloomsbury: Roger Fry, Vanessa Bell and Duncan Grant, Tate Gallery Publishing Ltd., London, 1999, p.93, fig.80 (ill.b&w.)Wendy Moffat, E.M. Forster. A New Life, Bloomsbury, London, 2010, p.106The sitter in this arresting portrait needs little introduction. In 1911 Edward Morgan Forster (1879-1970) had recently reached a new audience and a breadth of critical acclaim with his fourth novel Howards End, published in 1910. He was not, however, a well-known figure in the London literary world. He lived comfortably with his widowed mother in Weybridge, invariably stayed in a club if he visited London for a night and kept to a relatively small circle of friends. Several of these he had met through the Cambridge University society known as The Apostles. Friends from an earlier generation at King's College included the writer Goldsworthy Lowes Dickinson (1862-1932) and Roger Fry (1866-1934). Dickinson and Fry were close friends and both followed with great interest Forster's career, beginning with his first novel Where Angels Fear to Tread (1905). Over the years, Fry seems to have read everything Forster published. There was great praise for A Passage to India (1924) – 'a marvelous texture – really beautiful writing,' he wrote to Virginia Woolf, although he had reservations about the intrusive mysticism towards the end of the novel (as well as in other writings by Fortser). The novel was translated into French by Fry's friend Charles Mauron whom Forster came to know well and whom he appointed as his French translator. (He also translated Woolf's Orlando). And a few months before his death, Fry read Forster's biography of Dickinson:'it's beautifully done, I think', he wrote to Gerald Brenan, 'and it was a desperately difficult thing to do' (implying that the British public were not yet ready for male foot fetishism).Very early on, before Fry and Forster came to know one another, Forster admired a series of Adult Education lectures on art that Fry gave in Cambridge, in his pre-Post-Impressionist years. Later, in an early draft of A Room with a View, Forster included a character called Rankin (later dropped from the novel), an art historian attending tea-parties in Florence at which Florentine attributions were a leading topic and 'pictures were snatched from one great name and thrust upon another, or slighted and left as doubtful [. . . ] or utterly damned as the work of a clever forger who flourished in the middle of the nineteenth century at Hamburg'. In her recent book Roger Fry and Italian Art (London 2019), Caroline Elam gives an excellent, detailed account of Fry and Forster and the influence of the former's aesthetics on the latter (although Forster was never entirely converted to Fry's full-on formalism). Fry drew curious endpapers and a non-figurative cover for Forster's book of short stories The Celestial Omnibus, published in the same year as the present portrait was painted. Just as Fry was completing the picture (painted in his house at Guildford), Forster wrote to a friend, that he appeared to be 'a bright healthy young man, without one hand, it is true, and very queer legs, perhaps the result of an aeroplane accident, as he seems to have fallen from an immense height on to a sofa' (letter to Florence Barger, 24 December 1911). Actually Forster liked the picture and bought it but, after it was shown in Fry's one-artist exhibition in 1912, he gave it to his great friend Florence Barger and it was not seen again in public for well over fifty years. This is an important work in Fry's development as a painter and is certainly among his most accomplished portraits. Forster is depicted as both alert and yet slightly ironic in expression, finding himself plopped down among Post-Impressionist-seeming fabrics. Earlier in the year Fry had been in Turkey with Clive and Vanessa Bell and had sent a mass of textiles, mostly from Brusa, the historic centre for Turkish textile production, back to England. Some may well feature among the variety shown here and would have influenced Fry's own designs; the patterned cushion by Forster's left shoulder pre-figures textiles he designed for the Omega Workshops a year or so later. Frances Spalding has rightly drawn attention to the faceting and angularities of Forster's head (which Lytton Strachey called 'triangular'), almost certainly derived from Picasso's 1909 portrait of Clovis Sagot, which Fry had included in his momentous exhibition Manet and the Post-Impressionists held in London in 1910-11. In the same exhibition was Matisse's 1908 Girl with Green Eyes which also appears to have guided aspects of Fry's work here – the simple frontality of a figure seen against a busy but essentially flat background. The green modeling on Forster's face is further indebted to Matisse's recent portraits of his wife and himself.A number of painted and sculpted images of the men and women associated with Bloomsbury have become canonical and are frequently reproduced. Among them are, of course, several works by Grant and Bell (such as portraits of Virginia Woolf of 1911-12); Strachey by Henry Lamb; Maynard and Lydia Keynes by William Roberts. Forster was often photographed but not much painted – two portraits of him by Carrington and Vanessa Bell, and drawings by Grant, William Rothenstein and Paul Cadmus. The present portrait deserves to be better known, commemorating as it does, not only a warm personal friendship but also the association of two highly influential figures from the early twentieth century whose reputations have not dimmed.We are grateful to Richard Shone for compiling this catalogue entry.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

DAI JIAN (19TH CENTURY) LANDSCAPE A Chinese scroll painting, ink on paper, dated the dingyou year (1837), signed with two artist's seals and one collector's seal, with an antique shop label, 60.5cm x 28cm. Provenance: from the collection of Carol Cameron who was a British chargée d'affaires in Beijing. The painting was purchased from an antique shop in Beijing c.1965.戴鑑（晚清） 山水 設色紙本 立軸款識：經營縹緲意如何，漠漠青山遠遠波，豈但穠華謝桃李，空林紅葉已無多。丁酉夏清和寫為，郎邨老弟台雅正，石坪戴鑑。鈐印：臣鑑、石坪、昨日少年金白頭。來源：Carol Cameron女士收藏，Carol曾擔任英國駐華大使，在北京工作及生活了10多年，所有字畫於1965年左右購於北京文物商店（附標籤）。

A CHINESE BRONZE 'LAOZI AND BUFFALO' INCENSE BURNER AND COVER 17TH CENTURY The cover formed as Laozi wearing loose-fitting robes, he sits upon the back of a recumbent water buffalo holding a ruyi sceptre in his right hand, the animal depicted with its head raised and mouth agape revealing its tongue, detailed with swirling tufts of hair to its forehead, 21.8cm, 1.3kg. (2) Provenance: from an Asian private collection. Laozi was a semi-legendary philosopher and is regarded as the founder of Daoism. According to legend, Laozi became disillusioned with the corruptness at the Zhou dynasty court and abandoned his position there as a record keeper. He rode away on a water buffalo to the West, only to be recognised by a border official at the Hangu Pass who asked him to write down his wisdom. It is believed that what he wrote became the Daodejing, the sacred text of Daoism.十七世紀 銅老子出山薰來源：亞洲私人收藏。

A CHINESE FAMILLE VERTE 'SIXTEEN SONS' OVOID VASE KANGXI 1662-1722 Painted in coloured enamels with a joyful scene of four concubines and sixteen boys at play in a garden, the base with a paper label for Sydney L Moss Ltd, together with a wood stand and reticulated cover, 20.6cm. (3) Provenance: from an English private collection, Wiltshire, purchased from Sydney L Moss Ltd on 5th December 1968. A copy of the invoice is available. This subject is derived from the Shang dynasty story of Jiang Ziya, the senior military counsellor who famously appointed sixteen good generals.清康熙  五彩四妃十六子罐來源：英國威爾郡私人收藏，1968年12月5日購於Sydney L Moss Ltd （附發票複印件）。

ZHANG DAQIAN (1899-1983) FAREWELL TO A GOOD FRIEND A Chinese painting, ink and colour on paper, inscribed and signed Shu Jun Zhang Daqian, presented to Pan Feilu (Penfield), dated the thirty-third year of the Republic Period (1944), with two artist's seals, the reverse with a paper label which has a translation of the inscription: 'James K Penfield (Pan Feilu), who called on me twice at Ta Feng Hall while I was out, as a token for his return to the United States', 76cm x 43cm. Provenance: formerly in the collection of the late James Kedzie Penfield (1908-2004). Mr Penfield was part of an American diplomatic team which travelled during the 1930s and 1940s. In 1961, he was appointed as the American Ambassador Extraordinary and Plenipotentiary to Iceland. The image of a scholar under a willow tree represents friends saying goodbye. Breaking a willow branch to give to a leaving friend on their departure for a long journey is a custom which can be traced back to the Han dynasty (206 BC-AD 220), and the imagery is frequently used in Chinese literature. The idea is that once the friend has arrived at their destination, they can plant the broken willow branch and it will regrow into a tree at this new place. The Chinese character for the word 'willow tree' is homophonous with the character liu, meaning 'to stay'. Gifting a willow branch is therefore a gesture of asking the departing friend to stay as well as a way of showing how they will be missed and expressing good wishes for the future. This painting by Zhang Daqian (1899-1983) was a gift to his friend the late James Kedzie Penfield (1908-2004) before Mr Penfield's return to the United States from China. Mr Penfield visited Zhang Daqian's studio twice before leaving, but he was out both times and so they were unable to say goodbye in person. With regret and a heavy heart, Zhang Daqian painted this picture depicting himself as a scholar underneath a willow tree as a means of saying farewell and wishing his old friend all the best for the future.張大千（1899-1983）柳畔送友圖 設色紙本 立軸款識：潘飛露先生兩過予大風堂不遇傾墨美國寫此以送其行，中華民國三十三年十二月蜀郡張大千寫。鈐印：張爰、三千大千。來源：潘飛露先生（1908-1983）舊藏，畢業於斯坦福大學，遂加入美國外交大使團訪華。在其工作期間結識了張大千等著名藝術家及名流。註：古有詩經云：昔我往矣，楊柳依依。明代郭登詩：年年長自送行人，折尽邊城路旁柳。在潘飛露先生回美之前，曾兩顧大風堂訪大千而不遇。張大千聞之，借古人折柳贈別寓意，做高士圖立於飛絮之下，回首遙望遠方，以此聊寄不捨之情。

QING KUAN (1848-1927) LANDSCAPE A Chinese scroll painting, ink and colour on paper, signed and dated the bingchen year (1916), with two artist's seals and an antique shop label, together with two other paintings of a horse and landscape after Wen Zhengming, 82.5cm x 41.5cm. (3) Provenance: from the collection of Carol Cameron who was a British chargée d'affaires in Beijing. The painting was purchased from an antique shop in Beijing c.1965.慶寬（1848-1927）山水圖 設色紙本 立軸款識：思盡工已拋棄廿餘年，近遐無聊後重習自娛，偶擬燕文貴山樓仙館圖，並錄原題山靜北太古日長如小年今荷庚子難友。敷民老弟見索即贈為一哂，丙辰十月望日，松月居士慶寬時年近七十矣。鈐印：臣慶寬印，筱珊。來源：Carol Cameron女士收藏，Carol曾擔任英國駐華大使，在北京工作及生活了10多年，所有字畫於1965年左右購於北京文物商店。

PU RU (1896-1963) GAZING AT A WATERFALL A Chinese painting, ink and colour on paper, inscribed and signed Xinyu with four artist's seals, framed and glazed, 100cm x 32.5cm. Provenance: from an English private collection. Formerly in the collection of Tsui Tsuntong (1941-2010), also known as T T Tsui, who was a famous Chinese art collector, entrepreneur and the founder of the Tsui Art Foundation. Tsui purchased this painting at Sotheby's Hong Kong on 17th May 1990, lot 75. The current owner lived and worked in Hong Kong for over 20 years, the last two of which were spent working in T T Tsui's group of companies. During this time he acquired many Chinese artworks, and this particular painting was given to him directly from T T Tsui. Pu Ru was a cousin of Pu Yi, the last Emperor of China. In this painting by him, the scholar stands in front of a waterfall, admiring its beauty and listening to its cascading waters, comparing the sound to music played on the qin, a traditional Chinese instrument.溥儒（1896-1963） 山澗聽泉 設色紙本 鏡面款識：行盡崎嶇路萬盤，滿山空翠濕衣寒。松風澗水天然調，抱得琴來不用彈。心畬。鈐印：松巢客、舊王孫、溥儒、西山真逸。來源：英國私人收藏。趙從衍舊藏（1941-2010），購於1990年5月17日香港蘇富比，編號75。註：現藏家曾在香港工作二十餘年，其中有兩年曾與趙從衍共事，此期間與趙建立了深厚的友誼。在其回英國之際，贈此畫作別。趙從衍出生於江蘇，1948年移居香港。著名中國藝術品收藏家、企業家、趙從衍基金會創始人。

LOU XINHU (1881-1950) LEIFENG PAGODA A Chinese scroll painting, ink and colour on paper, inscribed and dated the gengwu year (1930), signed Xinhu, with two artist's seals, 67.5cm x 31cm. Provenance: from the collection of Carol Cameron who was a British chargée d'affaires in Beijing. The painting was purchased from an antique shop in Beijing c.1965.樓辛壺（1881-1950）雷鋒夕照圖  設色紙本  立軸款識：亂碧垂楊殘紅照，水晚風輕拂歸船。數幾番遊，新愁舊恨相牽，寒碪莫把秋心擣，聽南屏鐘也淒然。更堪憐，壯麗西關慘澹荒煙，何時劫火鉛華洗，耐金甌，破闕翠髻添妍萬點，驚鴉巢枝頓失，依眠斜易一抹淒，無語枉騷人，淚灑吟邊剩殘甎，怕見陀羅怕說湖山。琥莆仁兄方家雅屬，寫雷峰夕照遺跡，庚午年十月辛壺。鈐印: 樓虛、辛壺，元始齋。來源：Carol Cameron女士收藏，Carol曾擔任英國駐華大使，在北京工作及生活了10多年，所有字畫於1965年左右購於北京文物商店。

YUAN YING (QING DYNASTY) ADMIRING THE FULL MOON A Chinese scroll painting, ink and colour on paper, title-slip by Chen Songqing and with two artist's seals, signed by Yuan Ying with two artist's seals and one collector's seal, with a Beijing antique shop label, 92cm x 44cm. Provenance: from the collection of Carol Cameron who was a British chargée d'affaires in Beijing. The painting was purchased from an antique shop in Beijing c.1965.袁瑛（清）  湖心賞月  設色紙本  立軸署簽：袁二峰先生山水真跡，陳嵩慶署簽。款識：臣袁瑛恭畫。鈐印：嵩、慶、華、畫。來源：Carol Cameron女士收藏，Carol曾擔任英國駐華大使，在北京工作及生活了10多，所有字畫於1965年左右購於北京文物商店（附標籤）。

QIAN ZAI (1703-93) BAMBOO, PINE AND ROCK A Chinese scroll painting, ink on silk, title-slip by Fan Jia, signed and dated by Qian Zai with three artist's seals, also inscribed and dated to the twelfth year of the Jiaqing period (1808) by Yi Bingshou (1754-1815) with two artist's seals, also with one collector's seal, 104cm x 41cm. Provenance: from the collection of Carol Cameron who was a British chargée d'affaires in Beijing. The painting was purchased from an antique shop in Beijing c.1965.錢載（1703-1793） 伊秉綬題枯木竹石圖 水墨絹本 立軸署簽：錢䕪石先生枯木竹石伊墨卿題，光緒庚寅秋樊嘉署簽。題跋：乾隆年間畫推南華學士䕪石侍郎解子難以並論也，侍郎晚年純伍玄機進乎道矣。嘉慶十二年四月，思定先生借觀於六一堂，汀州伊秉綬。款識：己酉秋窗偶得觀石田先生作雲林筆意遂作此以遣意百福蒼八十二老人錢載。鈐印：錢載、萬松居士、䕪石書畫、墨卿、伊秉綬印、恩亭珍藏。來源：Carol Cameron女士收藏，Carol曾擔任英國駐華大使，在北京工作及生活了10多年，所有字畫於1965年左右購於北京文物商店。註：錢載是乾隆時期著名的士大夫畫家，善水墨，尤工蘭竹。清乾隆進士后授內閣學士兼禮部侍郎，尚書房行走。《四庫全書》總纂，官至二品。

A CHINESE WHITE JADE RECTANGULAR-SECTION SNUFF BOTTLE 19TH CENTURY The plain body surmounted by a cylindrical neck and flanked by two lion masks holding rings in their mouths, all raised on a short tapering foot, the slightly recessed base incised with the hall mark Xing You Heng Tang, the pale stone of an even tone, 5.5cm. The hall Xing You Heng Tang is known to have been the residence of the Manchu official Zhai Quan, who was one of the great grandsons of the Qianlong Emperor. Zhai Quan was a famous collector of works of art during the Daoguang and early Xianfeng periods before his death in 1854. Cf. R Kleiner, Chinese Snuff Bottles in the Collection of Mary and George Bloch, p.101, no.58 for another jade snuff bottle with this hall mark which was sold at Bonhams Hong Kong on 27th May 2012, lot 131; see also Sotheby's Hong Kong, 2nd June 2016, lot 8 and Christie's London, 6th November 2012, lot 145 for a jade waterpot and brushpot also marked Xing You Heng Tang; see also The Complete Collection of Treasures of the Palace Museum, Yixing Ware, pp.94-95, no.70 for an Yixing teapot incised with this hall mark and p.171, no.139 and p.188, no.154 for a Daoguang vase and bowl also with this mark.十九世紀  白玉雕獸耳方形鼻煙壺《行有恆堂》楷書款註：行有恆堂是定親王愛新覺羅·載銓（1794-1854）的私人專用堂款，載銓為乾隆帝玄孫，工詩，富收藏，著有《行有恆堂集》。目前所見的《行有恆堂》款的器物最早可至嘉慶六年（1801），晚可至咸豐四年（1854）。故宮博物館有一件紫砂壺刻有“行有恆堂主人”（故宮博物館文物珍品全集 ，《紫砂器》，頁94-95, 編號70）。另見，香港邦瀚斯2012年5月27日編號131一件白玉鼻煙壺同樣有行有恆堂款。

An interesting Edwardian diary of a gentleman named Frederick Baker, who from Tuesday 5th October 1090 set out to the United States of America to join the SS Newton Hall as fourth engineer. The near day-to-day diary of highly legible passages with intricate illustrated pages and annotations detailing the long journey, illnesses, islands encountered, friendships made on board, wildlife encountered and day-to-day life on board and off

Golf Tommy Aaron signed 10x8 colour photo. Thomas Dean Aaron (born February 22, 1937) is an American former professional golfer who was a member of the PGA Tour during the 1960s, 1970s and 1980s. Aaron is best known for winning the 1973 Masters Tournament. He is also known for an error in the 1968 Masters Tournament, when he entered a 4 instead of a 3 on Roberto De Vicenzo's scorecard, which kept De Vicenzo out of a playoff for the championship. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Golf Mark James signed 7x5 colour photo. Mark Hugh James (born 28 October 1953) is an English professional golfer who had a long career on the European Tour and captained Europe in the 1999 Ryder Cup. He has also played senior golf on the European Senior Tour and the U. S. -based Champions Tour. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Boxing Carl Thompson signed 12x8 colour montage photo. Adrian Carl Thompson (born 26 May 1964) is a British former professional boxer who competed from 1988 to 2005. He held multiple championships at cruiserweight, including the WBO title between 1997 and 1999, and the IBO title twice between 2001 and 2005. Additionally, he held the British title in 1992 and 1999, and the European title in 1994 and 2000. He is also a former Muay Thai fighter, who fought in 1987 and 1989 for World Titles. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Motor Racing Neil Hodgson 8x12 signed colour photo. Neil Stuart Hodgson (born 20 November 1973 in Burnley, Lancashire) is a former British motorcycle racer who won the 2000 British Superbike Championship, and the 2003 Superbike World Championship titles. He then went on to have a moderately successful four years in the American Superbike Championship, with a best 5th place championship finish. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Horse Racing William Buick 8x12 signed colour photo. William Buick (born 22 July 1988) is a Norwegian-born flat jockey who holds both British and Danish citizenship. He shared the champion apprentice jockey title in 2008 with David Probert and won the Lester Award for Apprentice Jockey of the Year in 2007 and 2008. His first group race victory was in the St. Simon Stakes. His first group one race victory was in the E. P. Taylor Stakes aboard Lahaleeb. In 2010 he was hired by John Gosden as his stable jockey and won his second group one in the Dubai Sheema Classic. He is currently hired by Godolphin Racing for whom he won the 2018 Epsom Derby on Masar. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Rugby Union Word Cup Benham Cover signed by Paul Ackford PM Twickenham Middx 11 June 91 . Paul Ackford (born 26 February 1958) is a former English rugby union international who played lock forward. He was formerly an inspector in the Metropolitan Police, and is now a columnist for The Telegraph. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Football David Sadler signed A Tribute to George Best commemorative Sporting Legends Cover. David Sadler (born 5 February 1946 in Yalding, Kent, England) is an English former footballer. He was a skilful central defender who could also play usefully in midfield or even as a forward. He is currently secretary of the Manchester United Former Players' Association. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Football Ivor Allchurch signed 16x12 black and white photo. Welsh professional footballer who played for Swansea Town, Newcastle United and Cardiff City, as well as the Wales national football team. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Mike Summerbee autographed large photo. High quality 16x12 photograph signed by Manchester City and England legend Mike Summerbee. Mike Summerbee (born 15 December 1942) is an English former footballer, who played in the successful Manchester City side of the late 1960s and early 1970s. Playing on the right wing, Summerbee was one of the most influential players in the Manchester City side which won four trophies in three seasons from 1968-70. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Sammy McIlroy autographed large photo. High quality 16x12 photograph signed by Northern Ireland football legend Sammy McIlroy. Samuel Baxter McIlroy (born 2 August 1954) is a former Northern Ireland international footballer who played for Manchester United, Stoke City, Manchester City, Örgryte (Sweden), Bury, Admira Wacker (Austria), Preston North End. As a player for Northern Ireland McIlroy won 88 caps and scored 5 goals. He played in all of the country's matches during both the 1982 World Cup, where Northern Ireland defeated the host nation Spain and advanced to the second round, and the 1986 World Cup in which he captained the team. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Mike Summerbee autographed football photo. High quality black and white 16x12 inch photograph autographed by former Manchester City footballer Mike Summerbee seen scoring against local rivals Manchester Utd. Mike Summerbee (born 15 December 1942) is an English former footballer, who played in the successful Manchester City side of the late 1960s and early 1970s. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Mike Summerbee autographed large photo. High quality 16x12 photograph signed by Manchester City and England legend Mike Summerbee. Mike Summerbee (born 15 December 1942) is an English former footballer, who played in the successful Manchester City side of the late 1960s and early 1970s. Playing on the right wing, Summerbee was one of the most influential players in the Manchester City side which won four trophies in three seasons from 1968-70. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Horse Racing 23x30 approx titled Istabraq Champion Hurdler by the artist Susan Crawford. Istabraq (born 23 May 1992) is a retired Irish Thoroughbred racehorse who was most famous for his hurdling. He won the Champion Hurdle on three occasions. He was trained by Aidan O'Brien and owned by John Patrick McManus. Jockey Charlie Swan rode him in all of his 29 races over jumps. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

A cast iron Liverpool street sign 'Louis Cohen Place', white painted background, indistinct faded red number, 33 x 104cm. Footnote: Louis Cohen was an English violinist and conductor who played with the Hallé Orchestra, he formed the Merseyside Symphony Orchestra and presented free concerts for the Armed Forces in WWII.

Collection of Six 35mm Projector Films, titles include: With Ancient Pomp the King & Queen attend the chapter of the order of the Garter at Windsor; Pathe's Animated Gazette N.273A; Paris Fashions; Only 200,000 got away the rest, including all men of military age were taken as prisoners to the interior; The Man Who Lays The Drag; St Lawrence Collision, the lady Grey arrives at Quebec with the victims of the Empress of Ireland disaster.

Grouping of Third Reich Paperwork & English Edition of Mein Kampf, various documents, letters, addressed envelopes etc. Small grouping relating to a casualty Georg Schindler, an Infantry regiment Gefreiter who was killed on the Russian front. English translation edition of the Mein Kampf, first volume published in 1942 by Hurst and Blackett.

Very Rare WW1 British Army War Dogs School Message Collar, brown leather, impressed ‘War Dogs School’. Large pouch on side containing the original waterproof message bag. Very good condition. The idea of training dogs to deliver messages was promulgated by a British officer, E.H. Richardson, in the lead up to WW1. This led to the founding of the ‘British War Dog School’ at Shoeburyness in 1917, terriers and collies being preferred to carry messages in the trenches. Eventually, around 20,000 served in the British Army at the frontline. Richardson’s British War Dog School was seen as a huge success and stories of heroic dogs started to appear in the media. One story was of ‘Airedale Jack’ who was used to send reinforcements that saved an entire battalion. With all lines of commutation cut, the Sherwood Foresters were trapped by heavy fire and an advancing enemy. In desperation, the troops attached a message to dog’s collar asking for reinforcements to their location. Jack managed to make it through enemy lines to get the message to headquarters. Reinforcements were then sent to the battalion’s location. The Sherwood Foresters were saved, but Jack died from his injures getting the vital message to HQ.

JOHNNY CASH SIGNED ITEMS. Collection of memorabilia from the 1985 'Carling Country Music Festival' in Cork, Ireland to include: programme/map signed by Johnny Cash and band members, an official pass signed by Johnny Cash, matchbooks, programme. Also a CD recording made during the Johnny Cash and band concert a The Cork Opera House, which is believed to be the only copy of the recording from the concert. All obtained by the vendor who organised and booked the festival.

ROY ORBISON SIGNED POSTCARD. An original London Records promotional postcard signed in blue ink with inscription by Roy Orbison. From the archive of Radio One producer Don George, who obtained the signature.

MUSIC/ENTERTAINMENT STARS SIGNED. 19 signed items (chiefly 8x10" promotional photographs) from circa 1970s stars of stage and screen. All from the archive of Radio One producer Don George, who either obtained the signatures in person or was sent them. To include: David Cassidy (x 3), Lulu, Barry Manilow, Tony Bennett, Sarolta, Bill Simpson, Michelle Mathieu, Julie Rogers, Gilbert Becaud, Herb Alpert, Guy Darrell, Gullivers People, Ken Dodd, Rosetta Stone and more.

FAIRFIELD HALL CROYDON FLYER ARCHIVE - THE WHO. An original handbill for The Who at Fairfield Croydon on 21st September 1969. Measures 14 x 28cm. NM condition.

FAIRFIELD HALL CROYDON FLYER ARCHIVE - THE WHO. A promotional fold out poster/biography sheet, printed for the September 1969 concert at Croydon Fairfield Hall. Measures 32 x 48.5cm. NM condition with some very light losses.

FAIRFIELD HALL CROYDON FLYER ARCHIVE - THE WHO. An original handbill for The Who at Fairfield Croydon on 21st September 1969. Measures 14 x 28cm. NM condition.

SEX PISTOLS MANCHESTER LESSER FREE TRADE HALL PHOTOGRAPHS WITH COPYRIGHT. Incredible selection of original photo prints, all taken by our vendor who is one of those who was 'actually there' at both of the legendary 1976 Sex Pistols concerts in Manchester at the Free Trade Hall. This set of 8 photos were snapped at the second concert, the famously anarchic July 20th 1976 date with Slaughter and the Dogs. Five pictures depict the Pistols at their preening, cocksure best, with two more showing the Buzzcocks performing at their first ever gig, and one other photo showing Slaughter and the Dogs. All the images are sold here with full copyright. Included is a Manchester music magazine with the vendor's images used for a piece on the concerts, a ticket to a reunion event. Six pictures measures 7 x 5" with one of Buzzcocks approx 5 x 3". Very good condition.

BEATLES POLL WINNERS CONCERT 1963 PHOTOGRAPH WITH COPYRIGHT. A 35mm transparency of an image depicting The Beatles on stage at the NME Poll Winners concert at Wembley Empire Pool in April 1965. The image was taken by the vendor who was present at the concert and the lot is sold with full copyright transferral. Accompanied by letter or provenance and also an approx 8 x 10" photo print of the image.

PENNIE SMITH SIGNED PHOTOGRAPHS - BOB MARLEY/THE WHO/THE CLASH. Six black and white photo prints, all signed to reverse by photographer Pennie Smith. Three to measure 10 x 12" and three to measure 8 x 10". Depicting The Who, Marvin Gaye, The Clash, Only Ones, Todd Rundgren, Bob Marley.

DAVID BOWIE SCRAPBOOKS WITH ORIGINAL POSTERS. Four excellently curated scrapbooks - compiled by the fan who obtained signatures, letters and fan clubs materials as seen in previous lots. Includes many original music magazine posters, typically separated so as to be presented in two pages in the binders, many newspaper announcements of tours etc.

THE WHO POSTERS. Five posters to include: Who Face Dances Black Banner (24 x 16"), It's Hard (25.5 x 33") , John Entwistle (20 x 27") , Who Silk Screened Splash Poster 1970 (20 x 30", many tears), One Stop (25 x 33"). Condition varies but generally VF.

70s - 80s NEW WAVE / SOUL / FOLK ROCK - 7". Varied collection of about 170 x 7", including some promos. Artists/titles include The Jam (x4) inc. David Watts (DPQ 6109), The Eton Rifles (DPQ 6177), Start! (DPQ6202) and That's entertainment (2059 324), Bob Dylan - Changing of the Guards (Promo, S CBS 6935), Elvis Costello, Derrick Morgan, Mari Wilson, State 808, The Delcords, The Unclaimed, George Fame, The Creation, The Action, The High Numbers, Andre Brasseur, Rabbi Joseph Gordan, Advertising, Cilla Black, The Pretty Things, Small Faces, The Psychedelic Furs, The Shakin' Pyramids, Ducks Deluxe, Dwight Twilley Band, Mackey Beers, The Who, Human League, Slade, The Stargazers. Condition is generally VG+ to Ex+.

60s BEAT / POP / ROCK - 7"/EPs. Rockin' collection of about 400 x 7" and 10 x EPs. Artists/titles include Kinks (x20) inc. Better Things, Dead End Street, Lola, Everybody's Gonna Be Happy, All Day And All Of The Night, Till The End Of The Day, Autumn Almanac and Dedicated Follower Of Fashion, Small Faces (x15) inc. All Or Nothing, Almost Grown, My Way Of Giving, My Mind's Eye, The Universal, Donkey Rides, Lazy Sunday and I Feel Much Better, The Who (x20) inc. My Generation, Bald Headed Woman, The Seeker, Dogs Part Two, Happy Jack and Baby Don't You Do It, The Yardbirds, Freddie and the Dreamers, Simon & Garfunkel, Herman's Hermit, Brian Poole & The Tremeloes. Condition is VG+ to Ex+.

CLASSIC ROCK / POP / ELECTRO - 7". Varied collection of about 650 x 7". Artists/titles include Depeche Mode, Yazoo, The Who, Pink Floyd, Medicine Head, Badfinger, Thin Lizzy, Dire Straits, Erasure, Culture Club,Pet Shop Boys, Chicagos, Sting, Rod Stewart, Howard Jones, Daryl Hall & John Oates, David Sylvian, The Proclaimers, Chris Rea, Loose Ends, The Farm, The Timelords, The KLF, Orange Juice Jones, Fleetwood Mac, Creedence Clearwater Revival, Emerson Lake & Palmer, Yes, Foreigner,Family, Steeleye Span. Condition is generally VG+ to Ex+.

MIXED ROCK & POP/DANCE - LPs/7"/12". Smart mixed collection of 9 x LPs, 5 x 12" with 18 x 7". Artists/titles (LPs) include Rolling Stones - Through The Past, Darkly (2019 ltd edition RSD pressing on orange vinyl, 7185581 - as new), Fleetwood Mac - Rumours (2011 EU RE 9362-49793-5 - sealed), Led Zeppelin - II (K 40037, UK green/orange labels RE), The Beatles - Let It Be (PCS 7096, barcode RE) and 1962-1966 (stock black vinyl), The Jam - Snap! (SNAP 1, with 7", with hype sticker), Johnny Cash and The Jackson 5. With sevens from Rolling Stones (Five By Five and Got Live If You Want It EPs), The Who (My Generation, Brunswick 05944), The Beatles, The Clash and The Drifters. Condition is generally VG to Ex+.

NOEL GALLAGHER'S HIGH FLYING BIRDS - 7"/10/12"/LP COLLECTION WITH BOOK. Big brother now with this superb collection of 7 x 7", 2 x LPs, 2 x 12", 1 x 10", 1 x book and even a programme for the Gig On The Green festival in 2000! Titles are Who Built The Moon? (JDNCLP27 - 2 copies including the limited edition picture disc copy and stock black vinyl edition), If Love Is The Law (2 copies including the picture disc and coloured vinyl editions, both sealed), The Dying Of The Light (Demo) (ltd edition 10" release, number 1827, also with the green vinyl 7"), Ballad Of The Mighty I (ltd edition pink glitter 7"), Lock All The Doors (ltd edition yellow 7"), Riverman (ltd edition clear glitter 7" with CD), In The Heat Of The Moment (black 7"), AKA... What A Life (black 7"), The Death Of You And Me (black 7") and Any Road Will Get Us There... (book, excellent condition). Condition is primarily Ex+ or 'as new'.

MICHAEL JACKSON - DANGEROUS - PICTURE DISC 'TEST PRESSING'. Extremely unusual and perhaps never seen before promotional picture disc of the 1991 LP from Michael Jackson. The story goes that a handful of picture discs for the album were produced in Brazil in 1992 which were then sent to record company executives, however the record didn't play Michael Jackson rather a Christmas album by Richard Clayderman! This copy was seemingly produced prior to this 'error' and contains no music at all. The condition of the disc is excellent showing very few marks. Housed with a receipt from Bonhams who had valued the item at between ú2500 - ú3000 back in 1999. The 'record' is housed in a gatefold designed PVC plastic cover.

OASIS - 12" PROMOS. Now Listen Up, here's an exquisite pack of 5 x Oasis 12" promos! Titles are Lord Don't Slow Me Down (RKID39TP, single sided from 2007 - Ex+ or 'as new' record/Ex a couple of light creases to the sleeve), The Masterplan Sampler (CRELP 241 - Ex+ or 'as new' record/Ex+ original black sleeve), Who Feels Love? (RKID 003TP single sided - Ex+/Ex+ very little wear), My Generation (RKID 26TPX - single sided - Ex+ or 'as new' throughout!) and The Shock Of The Lightning (RKID52TP - Ex+ or 'as new').

THE WHO - MY GENERATION LP (UK ORIGINAL - BRUNSWICK LAT 8616). Well presented original UK pressing of the iconic debut long player from The Who. The record (Brunswick, LAT 8616, with M/T tax code on both sides) is in VG condition - with surface/hairline marks these are no often heavier though there is a light scratch on track A4. 1B/1B matrix endings. The sleeve is in VG+ condition - the front in super clean condition with only a little laminate wear around the edges, there is some light discolouration and ringwear on the reverse.

CLASSIC ROCK POSTERS. Six posters to include: The Who - Face Dancers US 1980s WB promo poster (27 x 39"), a The Who Pace poster (27 x 34"), The Alarm (40 x 60"), Joe Jackson (37 x 29.5"), Lloyd Cole (40 x 60"), Rolling Stones (18 x 25").

CLASSIC/HEAVY ROCK - LPs. Rockin' bundle of 11 x essential LPs. Artists/titles are The Who - Live At Leeds (UK 2406 001 with red lettering sleeve, complete with the 12 inserts including Maximum R&B Leeds poster - glossy Ex record/solid VG sleeve, light splitting), Jesus Christ Superstar (scarcely seen 1st UK pressing on yellow MCA labels, MKPS 2011/2 - lovely Ex and Ex+ records/with booklet/VG original sleeve, edgewear and some light creases), Black Sabbath - Born Again (VERL 8), The Dickies - Dawn Of The Dickies (AMLE 68510) and The Incredible Shrinking... (AMLE 64742), UFO - Strangers In The Night (CJT5), Bernie Torme, McCoy - 'Mini Album' and Think Hard, Knebworth comp and Cozy Powell - Tilt. Condition is generally VG+ to Ex+.

DEEP PURPLE - LP COLLECTION. Fantastic run of 18 x LPs - a great part of Deep Purple's discography chiefly in top condition! Titles include The Book Of Taliesyn (SHVL 751, boxed Harvest Heritage RE - Ex+/Ex+), Deep Purple (SHVL 759, boxed - Ex+/Ex+), In Rock (FA 3011 RE), Fireball (SHVL 793), Who Do We Think We Are (TPSA 7508), Come Taste The Band (TPSA 7515), The House Of Blue Light, Made In Japan (TPSP 351), Concerto For Group And Orchestra, Last Concert In Japan, The Anthology, Perfect Strangers, Nobody's Perfect, Powerhouse, 24 Carat Purple and Scandinavian Nights. Condition is most often Ex to Ex+ or 'NM'.

DAVID BOWIE - LPs. Star selection of 7 x choice LPs from The Duke. Titles are Ziggy Stardust (UK original SF 8287 with 'Titanic/Chrysalis' credits on the LP, 1E/2E matrix endings - Ex+ fantastic condition record with only a couple of very light and wispy hairline marks/with inner/Ex clean og no Mainman sleeve, a little light ringwear), Hunky Dory (UK SF 8244, orange labels 4E/3E matrix endings - very fine Ex record/with A Gem Production inner, some foxing/Ex very well presented no Mainman original sleeve), The Man Who Sold The World (LSP 4816 orange labels 2E/1E - Ex+/VG+ w/inner), Heroes (PL 12522 beige labels - Ex+/Ex+ w/insert), Low (UK PL 12030 A1/B2, STERLING on both sides - Ex+ very clean record/Ex track listing pasted), StationToStation (APLI-1327 orange labels 1E/1E - Ex+/VG+ with insert) and Young Americans (UK RS 1006 2E/2E - Ex+/VG+). Very clean records.

CLASSIC ROCK & POP (LARGELY 60s/70s) - LPs. Nice mixed collection of around 66 x (largely) LPs along with around 18 x 7". Artists/titles include King Crimson - In The Court Of The Crimson King (UK pink rim copy, ILPS 9111 - VG+/Ex nice and clean sleeve), In The Wake Of Poseidon (Spanish Polydor 24 75 696) and Lizard (Polydor 2302-059), The Who, Rolling Stones - Satanic Majesties (stereo boxed green label RE, non-lenticular sleeve, with red swirl inner), Genesis - Nursery Cryme (CAS 1052, mad hatter), Status Quo - Piledriver (swirl UK og), The Beatles, East Of Eden, 10CC, Queen - Greatest Hits, John Lennon, Al Stewart, Simon & Garfunkel, Yardbirds, Beach Boys, Cream, Sting and Mike Oldfield. Please note that condition can vary.

CLASSIC ROCK - LPs. Superb quality collection of around 70 x essential LPs, mainly from the 70s. Artists/titles include The Who - Tommy (US copy, Track 613 013/4, with inserts), Quadrophenia (EU pressing), Who's Next (UK 2408 102, plain white inner), David Bowie - Ziggy Stardust (UK og, SF 8287 with 'Titanic/Chrysalis' credits, 1E/1E matrix endings - Ex very clean record/VG+ og no Mainman sleeve, top and bottom glue unstuck, an easy fix, with inner), Pinups and The Man Who Sold The World (LSP-4816, with inner and poster), Stone The Crows - Teenage Licks (UK og, Polydor 2425-071- Ex+/VG+), Led Zeppelin - II (K 40037, green/orange RE), The Pentangle - Basket Of Light (TRS 114 RE), The Moody Blues, Eric Clapton, Big Brother & The Holding Company, Osibisa, Robin Trower, Carole King, Deep Purple - In Rock (SHBL 777, boxed), Queen - S/T (EMC 3006 3U/2U - Ex+/neat VG+), John McLaughlin, Tangerine Dream, It's A Beautiful Day, Genesis, Yes, Fleetwood Mac, Santana, Jimi Hendrix - In The West and Isle Of Wight, Rolling Stones, Wishbone Ash, Free, Elton John, America and Supertramp. Condition is typically VG+ to Ex+ (records) with plenty Ex with the sleeves generally VG to Ex+.