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Preisdatenbank abonnierenDERBY COUNTY v MIDDLESBRO First Division game played 28 Apr 1928, Derby won 2-1. A highly significant match for Middlesbro who at the time were 6th from bottom, they also got beaten in the last game of the season and finished bottom with 37 points scoring 81 goals!! Derby with 44 points finished 4th!! Dated and number written on front, score/team changes noted, tick mark against players names. Light fold. Generally Good
SCOTLAND - ENGLAND 1945 Scarce programme, personal property of Eddie Baily who served in the Royal Scots during the war. Scotland v England, Christmas Day 1945 at Detmold, Germany. Organised by 7/9th (Highlanders) Battalion, The Royal Scots. Baily (spelt Bailley) played for the English team. Includes message from the Commanding Officer and a note to the effect that "It is to be hoped that the result will NOT cause diplomatic repercussions on the political front". Four page programme, folds, no writing. Generally good
WEST HAM - EDDIE BAILY Before rejoining Tottenham in 1963 as assistant manager, Eddie Baily had been a scout at West Ham and this Lot is a fascinating Hardback book with Gilt Inscription "W.H.U.F.C SCHOOLBOY REPORTS". Claret cover. It covers 1962-63 to 1976-77. Baily had 11 years as Assistant manager at Tottenham before rejoining West Ham as Chief Scout. The book lists individual schoolboys, their school, age, height, weight, position, with remarks, who had seen him and the date seen. Hundreds of names and games noted including some familiar names who "made it" including T.Brooking and other West Ham players and possibly one or two who made it elsewhere (Perryman). Fascinating book for West Ham fans. Very good
LEYTON ORIENT 1962 Signed menu for the Official Civic Reception to Leyton Orient Football Club at Leyton Town Hall, 14/5/62. Leyton Orient won promotion to Division 1 in 1961-62 although sadly they only lasted one season in the top flight. This menu was the property of Eddie Baily who played for Orient between 1958 and 1960. Half a dozen signatures on the back cover. Generally good
TOTTENHAM HOTSPUR Two cloth blazer badges, different designs, belonging to Eddie Baily who was both a Spurs player and Assistant Manager. One design has the cockerel standing above "THFC" in a shield design. The other badge is more colourful and has the club motto "Audere est Facere" below the club crest. Generally good
LIVERPOOL 1950 Autographed menu for Shareholders' Celebration Dinner at Reece's Restaurant 25 Sep 1950, relating to Liverpool's appearance in the 1950 Cup Final which they lost 2-0 to Arsenal. Signed to front by 15 including 8 who played in the Final, Liddell, Stubbins, Sidlow, Taylor Paisley etc. VIP issued with red ribbon. Vertical fold. Plus Wembley 1950 Players' Souvenir Brochure. Generally Good
RANGERS 1972 B/W 12x8 photo showing the Rangers team celebrating in the dressing room after their victory in the 1972 ECWC Final, signed by all 11 who played on the night inc Jardine, Greig, Johnston etc, together with a col 8x6 photo of the team posing with their trophy signed by 9 inc Stein, Conn, McCloy, McLean etc. With dealers COA. Good
Walter Crane for Minton - Eight Nursery Rhyme tiles, each having polychrome transfer printed and painted decoration and comprising: Jack & Jill, Here We Go Round The Mulberry Bush, Little Bo Peep, Who Killed Cock Robin, One Misty Moisty Morning, How Does My Lady's Garden Grow, My Pretty Maid and I Had A Little Nut Tree, 15.5cm x 15.5cm, framed Condition: All tiles are within modern stained green wooden frames which obscures the edges of the tiles so impossible to determine the degree if any of nibbling along the edges - **General condition consistent with age
Fine quality modern Lotto style carpet based on the design shown in the Renaissance portrait of Richard Sackville by William Larkin, having central blue and cream geometric decoration on a red ground within blue ground multi borders with conforming geometric decoration, 359cm x 231cm exclusive of tassels This rug was made by Mannam Carpets of Lahore Pakistan, the craftsmen who made the Lotto style carpets for Stirling Castle Palace in Scotland. Its original cost was £7,200 Condition: Please see extra images and TELEPHONE department for further details
H.M.S. LONDON SHIPS SOUVENIR BLACK FABRIC CLAD PHOTOGRAPH ALBUM, the front cover embossed H.M. London 1929-1931, and with line etched image of the ship in full steam picked out in metallic silver and containing black and white photographs of the ship with crew 'man ship' at Gravesend, Stanley Baldwin and Lord Mayor on deck, action images showing broadsides and launching torpedoes, Barcelona with visit from King and Queen of Spain, images of Grand Harbour Malta, many being photographic postcards chronicling the ships tour of duty finishing with cards and personal photographs in New Zealand, in total approx 300 cards and images (the album with losses to board edges and back cover detached) NB. The Album belonged to Jack Eastham (see photograph) who served as a Chief Electrical Artificer - Royal Navy on H.M.S. London, which was a County Class heavy cruiser. He later served during World War II as was killed in action off the coast of Norway
A George V silver rectangular paperweight/photograph frame, inscribed I Will Go In The Strength of the Lord - Andrew Montague Hamilton Scott, 24th March, 1938, Birmingham rubbed Andrew Montague Scott was a British Officer who served with 2nd Green Howards in India, Arakan, Burma, etc 1944 - 1945, Served as second in command to W Coy 1st Northumberland Fusilier's in Korea 1950 - 1951
SCOTTISH FOOTBALL ASSOCIATION SCOTTISH CUP WINNERS MEDAL in fifteen carat gold, won by Joseph Dodds of Celtic F.C. season 1910-1911, approximately 10.9g in total Note: Joseph 'Joe' Dodds (14th July 1887 - 14th October 1965) was a Scottish international footballer who played club football for Celtic (in two spells), Cowdenbeath and Queen of the South. Dodds was unbeaten in his three full caps for Scotland and was a quick and dependable left back. Born in Carluke, Lanarkshire, Dodds joined Celtic in the summer of 1908 from Carluke Milton Rovers. He made 351 league appearances. Dodds was considered among the Celtic greats of his era and, along with Shaw and Alec McNair, was considered to have formed one of the greatest club defences in British football. Provenance: Joe Dodd's brother was one of the troops injured in the Quintinshill Rail Disaster on 22nd May 1915 outside the Quintinshill signal box near Gretna Green in Dumfriesshire. The sister of the grandfather of the vendor was the nurse who looked after and aided the injured soldier. Grateful for her help and assistance Joe Dodd presented the nurse with his Cup Winners medal by way of thanks. Upon her death the medal passed to the vendor's grandfather and hence by descent.
FOREVER CHANGING: THE GOLDEN AGE OF ELEKTRA 1963-1973 BOX SET a hardbound 12" x 12" book, the four main 'Themed' CDs, a heavy card folder containing four 8" x 10" B&W Elektra artist's photos, 8 x heavy-gauge postcards, 4 x heavy-gauge, high-quality semi-gloss prints of LP cover art; along with 'The Who Live compiled by Ross Halfin, 29/1500, Genesis Publication Ltd; and 'The Times Comprehensive Atlas Of The World'
ATTRACTIVE DOUBLE SIDED GLASS 'AITCHIE'S ALE' ILLUMINATING PUB SIGN with two decorative glass panels within a japanned metal case, fitted with two suspension hooks, 95cm wide, 64cm high, 18cm deep Note: The Kirkfield Brewery was established in Peebles, Scotland, in 1730 by William Kerr and was acquired by William Atchison in 1810. Then in 1830, the latter built a brewery on the South Back of Canongate (now Holyrood Road) in Edinburgh, Scotland and brewing subsequently ceased at Peebles. William Aitchison died in 1837 and was succeeded by his son, John Aitchison, founder of the Edinburgh Brewers' Association. After John's death in 1857, the business was run by his eldest son, William John Aitchison. William was subsequently joined by his brother, Thomas S Aitchison, who acquired the firm after William's death in 1878. In April 1895, John Aitchison & Co Ltd was registered as a limited liability company to acquire the business of the same name at the purchase price of GBP 60,000. The company acquired Victoria Bottling Co Ltd of South Shields, Tyne & Wear, England, and a number of licensed houses in Tyneside in the 1900s. A large part of the neighbouring Edinburgh and Leith Brewery on St John's Street was purchased from Edinburgh United Breweries Ltd in 1925. McLennan & Urquhart Ltd, Dalkeith Brewery, Dalkeith, together with 6 licensed premises, was acquired in 1955. Brewing ceased on this site in 1958, although bottling continued until 1961. The company, along with 68 licensed houses, was acquired in 1959 by Hammonds United Breweries Ltd, Bradford, England, and merged the following year with John Jeffrey & Co Ltd, brewers of Edinburgh, to form Aitchison Jeffrey Ltd. John Aitchison & Co Ltd went into liquidation and brewing at the Canongate Brewery, 21 Holyrood Road, Edinburgh ceased in 1961.
An early 20th century lacquered bras scientific microscope by E. Leitz Wetzlar, once the possession of Dr. Oliver Sacks CBE, the celebrated neurologist and popular scientist and author of 'Awakenings' and 'The man who mistook his wife for a hat'. Serial number: 24872, sold with original factory certificate and an edition of Longitude, with a dedication by Oliver Sacks.
FINE JAPANESE LATE MEIJI/EARLY TAISHO PERIOD SATSUMA BOWL circa 1880-1920, probably Kinkozan School of Kyoto, of round fluted form in the shape of the sixteen petalled stylized chrysanthemum blossom of the Japanese Imperial Kamon, interior painted with an Imperial procession of retainers and Norimono (Japanese palanquin) with a circular cameo of Nijo Castle in Kyoto, exterior with a continuous similar procession scene, both rims with detailed gilt border, four character mark in square seal to base, 12.5cm in diameter Note: The Kinkozan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shoren'in, a temple closely tied to the Imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkozan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyo Satsuma's glazing technique and by 1872 they began their export in full scale. The Kyo Satsuma techniques invented by Kinkozan Sobei VI (1824-1884) were then passed down to his son, Kinkozan Sobei VII (1868-1927), who further developed the ware. The Kinkozan continued to enlarge their business throughout the Meiji period to the point where the production of Kyo Satuma exceeded the original Satsuma made in Kagoshima.
Karen Gregory (20th century): 'The Miners' Strike '84', etching, hand signed, titled & numbered 1/3 in pencil, H 23 x W 19.5 cm; together with Gustavo Monroy (Mexican, born 1959): Untitled etching, hand-signed in pencil & dated '92, H 11.5 x W 17 cm. Provenance: The collection of Ellie Sice, formerly the manager of 'Safe Studios' artists workshop, part of the Whitechapel Gallery, from 2003-2011. During this period she met many known and up and coming artists who presented her with their works as tokens of appreciation
A Victorian Rifle Officer's sword, 83.5cm blade by Henry Wilkinson, serial no. 24657 for 1881 and purchased by Lieutenant David Gamble, etched with scrolling foliage, crowned strung bugle horn, crowned VR cypher and owner's initials D.G. Jr, regulation steel gothic hilt incorporating a crowned strung bugle horn, wire bound fishskin grip, contained in its black painted steel scabbard complete with leather transit case and various copy research. The purchaser of this sword was Lieutenant (later Major) David Gamble, 2nd Volunteer Battalion, The Prince of Wales's Volunteers (South Lancashire Regiment), of Talardy, St Asaph, Flintshire (born 1856). In Army Lists of the period David Gamble is consistently referred to "David Gamble Junior" due to the fact that he was at all times serving under his father, Sir David Gamble C.B. (1823-1889), who commanded the 2nd Volunteer Battalion, South Lancashire Regiment, from 5th July 1860 and was subsequently Colonel of the regiment from 17th December 1887. David Gamble Junior was first commissioned Lieutenant, 11th January 1882, promoted Captain, 7th January 1888 and retired with the rank of Major, 10th August 1898. David Gamble Junior's brother, Josias Gamble, also saw service with the 2nd Volunteer Battalion, South Lancashire Regiment. The Gamble family were involved in the personal care and cleaning products industry and were the Gamble part of what went on to become the international conglomerate "Proctor and Gamble".
A pair of 32-bore silver mounted Papal Guard double barrelled flintlock coaching pistols by the Thiollierre Brothers, 5inch two-stage slightly swamped barrels engraved with a foliate flourish at the mid-point, bevelled locks signed THOLLIERRE FRERES to the right locks and ST ETIENNE to the left locks, full stocks carved about the mounts and with a bouquet about the barrel tangs, silver mounts to include foliate embossed ramrod pipes, foliate trigger guard terminals, the trigger guards decorated with a stand of arms, long-eared butt caps decorated with stands of arms to either side and on the butt caps, the latter also engraved PIE VII, the crowned shield shaped escutcheons engraved with a cross, ivory capped wooden ramrods. The engraving to the butt cap PIE VII refers to Pius VII, an Italian, born in 1740 who entered the Roman Catholic Church and was elected Pope in 1800 on the back of large support from the French Cardinals. Pius VII initially got on well with Napoleon agreeing the re-establishment of the French Churn in 1801. Pius visited Paris in 1804 for four months and "crowned" Napoleon as Emperor. A turn around in support saw a French army invade Rome and the Papal territories in 1808. At some stage these were either presented to Pius VII, an Officer of the Papal Guard or a member of the Papal Entourage. One fore-end repaired and one wrist. Purchasers will require a CITES certificate if they wish the ramrod tips to accompany these pistols outside of the EU. Purchaser in America will not be able to have the ramrod tips.
Harry Kernoff RHA (1900-1974) [MISCELLANEOUS OBJECTS], NORTH BRAY HARBOUR, COUNTY WICKLOW, 1935 oil on board signed lower right 27½ x 35in. (69.85 x 88.90cm) Acquired directly from the artist by the present owner's family RHA, 1936, catalogue no. 86; 'Exhibition of Recent Paintings by Harry Kernoff RHA', Mill's Hall, 1 - 15 December, 1937, catalogue no. 38 While perhaps better known for his city paintings, a large section of Harry Kernoff's oeuvre is concerned with the depiction of coastal resorts in close proximity to Dublin. Over the course of his long and productive career, the artist frequently visited and painted scenes of day-trippers and holiday-makers at Howth, Dollymount, Portmarnock, Dun Laoghaire, Sandymount, and as seen in this painting, Bray. As is typical of the artist's style, these paintings are generally painted in a bright, cheerful palette, complete with active figures and lively details. Bray was a popular destination for visitors from home and abroad: in 1933, the Irish Times praised the town for its 'fine esplanade and good facilities for bathing. It is fully provided with the best of hotels and boarding houses, and is an admirable starting place for motor and omnibus tours… .'(1) The present work shows a busy section of the beach, replete with boats and bathers. Against a blue sky, an idle train carriage stands on the embankment, and the frame of a gasometer (demolished in 1979) can be seen in the upper left hand corner. While some figures rest easy, such as the girl tentatively tanning her legs from the shadow of one of the boats or the man in a peaked cap enjoying his pipe, others are imbued with a sense of purpose and movement: a well-dressed woman walks resolutely past the pleasure-seekers, and a boy, perhaps fresh from the water, leaves with a towel wrapped around his shoulders. The Traveller caravan is a colourful, if slightly anomalous addition to the composition, while the 'Up Dev' slogan hints at the underlying political context of the period. Kernoff made a sketch for this painting on the 3 July, 1935 (NGI. 7766.352), and there are few differences between his initial notation of the scene and the finished oil painting; with the pale sunbather and small child in the lower right-hand corner forming the only additions. Born in London to Russian-Jewish parents, Kernoff and his family moved to Dublin in 1914. In addition to serving as an apprentice cabinetmaker to his father, Kernoff attended the Kevin Street Technical Schools, before graduating to evening classes at the Dublin Metropolitan School of Art. Success in the Taylor Scholarship in 1923 allowed the young artist to attend the DMSA as a full-time student, and his first one-man exhibition was held in 'The Gallery', 7 St Stephen's Green, in 1927. For the majority of his life, the artist lived at 13 Stamer Street, and became a well-known figure in Dublin - a reputation fastened by his dedication to portraying the city and its environs in his art. Kernoff's fondness for the Irish coast and landscape is recoded in his answer to a letter from Seán Ó'Faoláin, who wrote to the artist in August 1940 asking, 'what is the most beautiful thing you ever saw in Ireland?' He replied, 'A sunset from the top of Tibradden, away to Bray head and the Sugar Loaf…' FOOTNOTE [2]Dr Kathryn MilliganESB Fellow, ESB Centre for the Study of Irish Art, National Gallery of IrelandApril 2016Footnotes:1. 'Holiday Attractions', Irish Times, 12 August 1933, 13.2. Harry Kernoff Papers, National Library of Ireland, Ms 20, 917. L
Gerard Dillon (1916-1971) WEST OF IRELAND COUPLE AND HORSES oil on canvas signed lower right; with partial handwritten label on reverse detailing artist's name and address [26 Lower Clonard Street, Belfast]; also with canvas stamp verso [CH West / 115 Finchley Road / N.W.] 16½ x 21½in. (41.91 x 54.61cm) Collection of Phil Rafferty (friend of the artist);Thence by descent Roundstone and Inishlacken were recurring sources of material and inspiration for Gerard Dillon, who became preoccupied with the 'Western idyll' (1) following his first trip to the west of Ireland in 1939. The present work shows a couple taking a leisurely stroll at the days end. Ahead of them along the narrow road are two horses grazing and, their bodies coupled with the neat stone walls, invite the viewer's eye into the picture and towards the centre of the composition. The peacefulness of the rural setting is echoed in the soft rhythmic brushstrokes and gentle changing of light in the dominant sky. There is an aura of calm surrounding the scene and this is further enhanced by the horses who appear unaffected by the approaching pair. Horses appear in several examples of Dillon's west of Ireland paintings such as The Jockey and Omey Island Ponies; the latter shown at the artist's retrospective exhibition in 1972-1973. In these works the figures are also shown interacting in a very natural way with the animals, riding bareback and with minimal reins. In 1949 Eileen Philomena (Phil) Rafferty (1919-1996) - to whom the present work pertains - and Alice West, both amateur artists, accompanied Dillon to Roundstone. Dillon had met Rafferty in London where he was working on building sites and they became firm friends. Dillon's oeuvre had a significant impact on her work and she would later exhibit at the IELA in 1960. In subsequent years Dillon's pilgrimages west drew others such as artist George Campbell and his wife Madge, author Kate O'Brien, Drogheda artist Nano Reid, Dr Maura McQuaid and artist Oisín Campbell among others.Footnote:1. White, James, Gerard Dillon: An Illustrated Biography, Dublin: Wolfhound Press, 1994, p.60 L
Kenneth Hall (1913-1946) MEDITERRANEAN COVE oil on canvas 'K. Hall' inscribed on reverse; also with 'Wertheim' on reverse 20 x 24in. (50.80 x 60.96cm) The location of this scene is possibly Glyfada , Greece or a nearby coastal village where the artist spent time in the late 1930s. It is likely that this work formed part of the Lucy Wertheim (1883-1971) collection and was exhibited at her gallery of the same name in Albany, London. Wertheim was an avid supporter of emerging artists in London, many of those who formed part of the 'Twenties Group', such as Hall, Rákóczi, Kitwood and Norah McGuinness, all of whom benefited enormously from her patronage and support. Kenneth Hall would later be a key member of the ‘White Stag’ group in Dublin 1939–1945. L
FRANK CHARLES BLACK (CANADIAN d 1988), FALL TIME, TERRACOTTA oil on board, signed 40cm x 50cm Framed Note: Frank Charles Black, was a British-born, Toronto-based artist who was an associate of some members of the Group of Seven and shared their initial profession - commercial art - and their disdain for it. He retired from the business as soon as he could and moved to Georgetown, Ontario, just west of Toronto, where he taught art basics to pay the bills but finally got down to painting what he wanted to paint. He died in 1988. (The Group of Seven, also known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890-1945), Lawren Harris (1885-1970), A. Y. Jackson (1882-1974), Frank Johnston (1888-1949), Arthur Lismer (1885-1969), J. E. H. MacDonald (1873-1932), and Frederick Varley (1881-1969). Later, A. J. Casson (1898-1992) was invited to join in 1926; Edwin Holgate (1892-1977) became a member in 1930; and LeMoine FitzGerald (1890-1956) joined in 1932)
1939 - Wizard Of Oz (The) - US One Sheet - One of the most successful films ever produced from Hollywood and a classic tale with glorious technicolour. Judy Garland stars as Dorothy who travels over the rainbow. This version is the first re release of the film. Condition: Linen Backed Near Fine
A J Munnings original lithograph: "Derby Night at Great Eastern, June 4 1919" Profile of Francis Henry Crittal, Munnings great friend and benefactor who hosted a dinner on this night in honour of the artist's election to full membership of the Royal Academy, in contemporary oak frame, 25 x 15cm
A possibly Canton export early 19th century folding fan with carved ivory guards, pierced and shaped sticks forming cartouches and mother of pearl edged rivet, the paper mount printed and overpainted with a scene of ladies encountering a gentleman who has arrived by boat, in the European taste, with writing in pencil verso (possibly suggesting what the figures are saying), guard length 26.5cm, width approx 42cm, in a box with pull top. CONDITION REPORT: Front guard has been sympathetically reinforced, some wear to folds, paper stuck to one of the sticks, otherwise in good condition. Box in good condition.
Magnificent 4- storey Georgian dolls house with all contents and a box of spares to complete a few unfinished areas. 1/12 scale from a household who have worked as miniaturists for many years, most of the interior items have been made by hand including handstitched rugs and seat cushions (the dining table seats are handstitched silk). The front panel lifts away to reveal the interior (the missing piece of door portico and side window is stored inside for re-fixing Measures approximately: 80cm wide, 39cm deep, 100cm high overall and unopened. PLEASE VIEW LOT 171 IN THIS AUCTION TOO - a fascinating book on Dolls Houses
Magnificent dolls house in the form of a shop. 1/12 scale from a household who have worked as miniaturists for many years, most of the interior items have been made by hand - there is an enormous amount of handcrafted food items in this one. There is a row of attic rooms in the roof, making this a 3-storey houseMeasures approximately: 95cm wide, 36cm deep and 90cm high, unopened PLEASE VIEW LOT 171 IN THIS AUCTION TOO - a fascinating book on Dolls Houses
Ravi Shankar (Tom Wilkes). original Civic Auditorium poster, San Francisco 1967. East meets West coast. Sheet measures 29.5 x 52 cm. Part of a private collection - from a vendor who was in San Francisco in the late '60s and amassed a large collection of psychedelia era posters over a 40yr period. This is unframed and may be rolled in a tube for posting.See our Important Sale Information page here on the-saleroom.com for packing and postage information, or opportunities for personal handover location information. We try to make it as easy as possible for you to get hold of auction lots.
Anna Pavlova - Spirit (Kelley/Mouse). original Family Dog poster 1968. Anna was a great dancer, and Spirit was a great band. Mouse's poster was a little spooky. Sheet measures 33 x 56 cm. Part of a private collection - from a vendor who was in San Francisco in the late '60s and amassed a large collection of psychedelia era posters over a 40yr period. This is unframed and may be rolled in a tube for posting.See our Important Sale Information page here on the-saleroom.com for packing and postage information, or opportunities for personal handover location information. We try to make it as easy as possible for you to get hold of auction lots.
Jack Bruce (David Singer). Original Fillmore poster 1970. Jack had already wowed the Fillmore with Cream. Here he returned with a different “super group”. Original Fillmore poster. Sheet measures 35 x 55.5 cm. Part of a private collection - from a vendor who was in San Francisco in the late '60s and amassed a large collection of psychedelia era posters over a 40yr period. This is unframed and may be rolled in a tube for posting.See our Important Sale Information page here on the-saleroom.com for packing and postage information, or opportunities for personal handover location information. We try to make it as easy as possible for you to get hold of auction lots.
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