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Original vintage propaganda poster titled When the People and the Army Unite as One Let Us See Who in the World Can Challenge Us. The poster shows a group of soldiers - one is armed with a missile and wearing a helmet with a red five point communist star and the others wear pilot uniforms and soldier’s uniforms, armed with machine guns and bayonets, clutching red books. In the distance warships sail across the sea. The poster background is red and black, with white text. Fair condition, restored paper loss, staining, foxing, restored tear, creasing. Country of issue: China, designer: Unknown, size (cm): 75x52, year of printing: 1960s

Original vintage anti USA propaganda poster. The poster features a thermal photograph of three soldiers dressed in uniforms holding weapons. Text in English below the image reads - From the people who brought you the war in Vietnam, the contras in Nicaragua, death squads in El Salvador, the occupied West Bank and Gaza, the invasions of Panama and Grenada, the invasion of Lebanon, the bombing of Libya... U.S. Out of the Middle East. Design by Fireworks Graphics Collective, a project of Prairie Fire Organizing Committee, an anti-imperialist political organization active between 1970-1990, producing street art to agitate and organize for change. Excellent condition, minor crease in top left corner. Country of issue: USA, designer: Fireworks Graphics Collective, size (cm): 58x44, year of printing: 1991

Original vintage anti USA propaganda poster. The poster features a thermal photograph of three soldiers dressed in uniforms holding weapons. Text in English below the image reads - From the people who brought you the war in Vietnam, the contras in Nicaragua, death squads in El Salvador, the occupied West Bank and Gaza, the invasions of Panama and Grenada, the invasion of Lebanon, the bombing of Libya... U.S. Out of the Middle East. - Design by Fireworks Graphics Collective, a project of Prairie Fire Organizing Committee, an anti-imperialist political organization active between 1970-1990, producing street art to agitate and organize for change. Excellent condition. Country of issue: USA, designer: Fireworks Graphics Collective, size (cm): 58x44, year of printing: 1991

Original vintage French propaganda poster issued at the end of teh Second World War in France featuring artwork by L Chretien. A policeman is shown restraining a Nazi soldier in green uniform, who is clutching stolen items including an ornate gold clock, women’s lingerie, food and cutlery. The policeman is raising his baton above the soldier’s head. In the top right corner is a poem in French, written in cursive black font. Printed in Paris by Les Fils de F Lescure. Good condition, foxing, browning, paper loss on bottom left corner, creasing. Country of issue: France, designer: L Chretien, size (cm): 39.5x29, year of printing: 1945

Original vintage cinema poster for the German language 1965 re-release of Gone with the Wind / Vom Winde Verweht starring Clark Gable - Vivien Leigh - Leslie Howard - Olivia de Havilland and produced by David O Selznick. The illustration shows Clark Gable in an unbuttoned grey shirt carrying Vivien Leigh who is wearing a purple shoulderless dress lined with fur, on a dark blue background. Metro Goldwyn Mayer logo in the bottom right corner. Gone with the Wind was originally released in 1939 and is based on the 1936 book by Margaret Mitchell. Horizontal. Poor condition, folds, tears, paper losses, creasing, tape on image, staining. Country of issue: Germany, designer: Unknown, size (cm): 84x118, year of printing: 1967

Original vintage film poster for the Danish release of the 1970 British drama Groupie Girl - titled in Danish Beat-Pigen starring Esme Johns and Billy Boyle. Text reads hun har stjerner i oknene og stjerner i sengen - She has stars in her eyes and stars in her bed. The design shows a topless platinum blonde woman in white trousers covering herself with her hands. In the background is a black line drawing of a band and two cars - the background is purple and fades to pink. Directed by Derek Ford, Groupie Girl follows a teenage girl who becomes a groupie in order to meet celebrities in the rock music scene. Fair condition, creasing, staining, tears. Country of issue: Denmark, designer: Unknown, size (cm): 84x61, year of printing: 1972

Original vintage exhibition poster titled Outamaro chez Huguette Beres 1754-1805 / Utamaro at Huguette Beres 1754-1805. Held May 1954 in Paris, 7th arrondissement. The featured image is Utamaros’ 1802 ukiyo-e woodblock print Yama-uba Nursing Kintoki showing a woman with wild long black hair wearing an open kimono breastfeeding a toddler who is looking off to the side. Yamauba is a figure from Japanese folklore who, according to one tale, found the orphaned baby Kintoki in a forest and adopted him. Utamaro (1754-1805) created over thirty prints focusing on Yamaubo and Kintoki. Kitagawa Utamaro (1754-1806) was a Japanese artist, notable representative of ukiyo-e woodblock print and painting. Printed by Mourlot. Good condition, minor creasing, minor foxing, pin holes, minor paper loss in corners, minor staining. Country of issue: France, designer: Kitagawa Utamaro, size (cm): 66x47, year of printing: 1954

Original vintage advertising poster for the 1000 kilometres World Championship Sports Car Race Brands Hatch - held 12 April 1970 and sponsored by BOAC. The poster features a dynamic painting by Dexter Brown (b.1942), a renowned impressionist painter who specialises in paintings of racing cars and celebrity portraits. The image shows orange and blue cars racing towards the viewer. Fair condition, creasing, pin holes, folds, browning, minor foxing, repaired tears. Country of issue: UK, designer: Dexter Brown, size (cm): 76x50.5, year of printing: 1970

The Pagoda's crisp understated looks, subtle elegance and legendary build quality have assured its continued popularity.This 1964, left-hand drive, German-spec, 230SL was delivered new to Berlin finished in Dark Bordeaux Red (DB573G) with a matching hardtop, Parchment interior and Beige soft topExported to Texas in the mid-sixties by its next owner who subsequently sold it to an enthusiast in Virginia, who was to use it lightly for the following 32 yearsThe engine was replaced in 2007 with a factory-correct M127 II unit (included in a £15,000 bill). Only some 3,000 miles sinceMuch recent attention by our vendor including welding to the floorplan, new carpets and a new soft topDark Bordeaux Red is a rare colour for a Pagoda and when combined with the lovely Parchment interior and the new Maroon carpets piped in beige, the result is a real head-turnerIn our vendor's words "It drives beautifully, it's unrestored, a good quality driver or a full nut and bolt candidate later on"With 122,200km (75,310m) indicated, and only 3,000 of these on the new engine, we feel this remarkably pretty little 'Pagoda' is sensibly guidedSpecificationMake: MERCEDESModel: 230SLYear: 1964Chassis Number: 11304212008981Registration Number: CCN 748BTransmission: AutomaticEngine Number: 113042120089811Drive Side: Left-hand DriveOdometer Reading: 21207 KMMake: LHD

A unique opportunity to purchase an unregistered, virtually as new, 1976 Lancia Gamma Berlina.This amazing Gamma Berlina was ordered new (in RHD) in 1976 through a Lancia dealer in Turin for an English client who was working in Italy at the time. On taking delivery of the car the dealer was unable to track down the prospective buyer and simply pushed the car to the back of the workshop where it stood for 38 yearsOur vendor managed to purchase the Lancia in 2014 with only 16 miles on the clockAlthough the car had only covered delivery miles, it was in need of some recommissioning. The owner wanted the car to be left as new and had a local company, Originale Italiano, carry out the workAt some point during its 38 years with the dealer, the 2.5 engine was removed and substituted with a 2 litre. During the recommission, a 2.5 litre engine of the correct vintage and age was sourced from the Netherlands and overhauled. A specially commissioned hardback book illustrates the 600+ hour recommissioning programmeRecently featured and road tested in Auto Italia MagazineOnly 79 miles recorded – mostly by the above road testImported to the UK on a NOVA with all taxes paidSpecificationMake: LANCIAModel: GAMMA BERLINA 2500Year: 1976Chassis Number: 830AB005740Registration Number: TBCTransmission: ManualDrive Side: Right-hand DriveOdometer Reading: 79 MilesMake: RHDInterior Colour: Black

A very special track machine complete with spares, tyres and trailer.Sylva Autokits is a kit-car manufacturer based in Lincolnshire that was founded in 1981 by Jeremy Phillips and has developed and produced a number of small and lightweight sports carsThe Phoenix was a built-for-racing machine (also known as the Mk4 Striker). The core chassis was similar but the fibreglass bodywork was developed for race purposes with a curved and lowered front and wheel covering outer edgesUsed extensively in the kit-car race series, the design was sold by Sylva to Stuart Taylor Motorsport who have since sold it on again. It has recently found a new home with Raw EngineeringUnderstood to be only one of two examples produced with the Honda VTR Firestorm 1,000cc motorcycle engineWeighs just 460kgs with 134bhp, 102nm torques, revs to 9,500rpm; 4-valve heads, baffled modified sump for circuit racing, oil cooler, fuel injection, and re-packable stainless steel side exhaust, electric fan, 6-speed sequential gearbox, Quaife reversing box, clutch-less shifts when rolling and a Sierra long ratio differentialComes with two spare (near-complete) Honda Firestorm engines and spare injection bodies4x 13” Minilite wheels plus 2x 14” Minilite rears for a fast circuit; Yokohama 2x 14” 0038 soft , 4x 13” 0038 soft and 4x 13” wetsRoll-cage, 5-point harness, plumbed-in fire extinguisher, Anderson remote plug, gel battery and quick-release steering wheelAVO coil-overs dampers (nearly new), 4-pot discs brakes all round, foam filled tank (long range) and lap timer fittedAccompanied by a four-wheeled lockable Brian James Trailer (original invoice in photos attached), with full PVC cover, ramps, extra ply floor, spare wheel, lock, winch, internal wheels and tyre rack (for 6)Please enquire for full specification of car (plus attached photos) and spares packageThe vendor is kindly donating £1,000 of the sale price to Whittington St. Giles Hospice, near Lichfield in the West MidlandsSpecificationMake: SYLVA AUTOKITSModel: PHOENIXYear: 2003Chassis Number: TBCRegistration Number: UNREGISTEREDTransmission: ManualMake:

A well presented and very usable example of the rare Series 1.5.The Series 1.5 is widely regarded as the best combination of form and functionEasily recognised by its 4.2-litre engine, open headlights, small air intake and raised rear lightsSupplied originally by Henlys Ltd of London to Superspeed Conversions of Ilford in EssexFinished in Carmen Red with a matching interior and red carpetsSubtle upgrades include an uprated braking system and improved coolingMaintained by our vendor who is a retired Jaguar TechnicianWith its Heritage Certificate and a lovely history file including old receipts and MOTsThe cherished registration number, 99 VKX, will remain with the carSpecificationMake: JAGUARModel: E-TYPE S1.5 FHCYear: 1968Chassis Number: 1E21724Registration Number: 99 VKXTransmission: ManualEngine Number: 7E149479Drive Side: Right-hand DriveOdometer Reading: 98000 MilesMake: RHDInterior Colour: Red

1969 Ford Ranchero 5.8 V8 Auto LHDMake: Ford Model: Ranchero Year: 1969Mileage: 21750VIN: 9K48H174033Configuration: Left Hand DriveRegistration: RFG354GTransmission: automaticSmall block 351 Windsor V8. This Californian car, first registered in 1969, was imported into the UK in 2019. It is being offered by the owner of Practical Performance Car magazine who has owned the car for the past two years and has used it for various exhibitions and shows. Comes with copy Californian title document, DVLA documents and NOVA. The mileage is recorded at 21,750. PLEASE SEE BELOW FOR VIDEO PRODUCED 15TH OF JUNE BY ACA OF THIS CAR.

1989 VW T25 Westfalia LHDMake: VWModel: T25 WestfaliaYear: 1989Mileage: 113821VIN: WV2ZB0258KH025499Configuration: Right Hand DriveRegistration: XXI8867Transmission: ManualSince having come to the UK in 2005 from the California, USA, this 2.1-litre Volkswagen T25 Westfalia camper has had just one owner, who has used it for many trips around the UK and mainland Europe. The current odometer reading is just under 114,000 miles, which is largely backed up by the MoT certificates in the history folder - at its first UK test in 2005, the mileage was 78,423. It is described by the vendor as 'very reliable' and our check of the vehicle confirms that it drives well, with no warning lights on, and no smoke or excessive noise from the engine. It comes with all the usual Westfalia camper equipment, plus several factory optional extras such as air conditioning, cruise control and an awning. The documentation folder includes most old MoTs, handbooks, and a great many bills chronicling lots of care and attention plus conscientious servicing, throughout the T25's British life. There are also owner's manuals and instructions on how to use some of the interior equipment. The vehicle has been a Category F insurance loss in the past.

1993 Saab 900 S Aero LPT T7 Converted by Abbott RacingMake: SaabModel: 900 S Aero TurboYear: 1993Mileage: 149032VIN: YS3AD35S3P2014079Configuration: Right Hand DriveRegistration: L941GJDTransmission: manualThose who know Saabs will appreciate that any car that has been tweaked by Abbott Racing Motorsport is something a little special. This is one such Saab. Starting life in 1993 (right at the end of the original 900 model's production run) as a low pressure turbo (LPT) 900 S , it was modified by Abbot Racing with a T7 upgrade prior to its first sale - with just nine miles on its clock. The T7 kit included Abbott's 'Chargecooler', intercooler, a stiffer spring in the wastegate, and a reprogrammed ECU, giving 175bhp (instead of the standard 145bhp), no turbo lag, and no compromise in drivability. There were four previous owners - one being a Saab enthusiast who had it for 17 years followed by a marque specialist - before the current vendor, who acquired it in 2016. Under his custodianship, the car has had new headlining, clutch, radiator and some light restoration and welding to the offside front wing, plus refurbished three-spoke alloy wheels. New drive belts and ball joints are also recent additions. The history folder contains most MoTs back to 1996, which confirm the current mileage of 149,000 miles, as well as a range of invoices, with the bulk from 2016 onwards. These include servicing every year from 2016 to 2020. There's also a bodywork and paint accident repair certificate for front end damage dating from 1998, as well as the Saab leather owner's pack. This contains the quick reference guide, owner's manual, fully stamped-up service book - showing the most recent service during November 2020 at 148,190 miles - and other Saab literature. In addition, there's an Abbott Racing Motorsport booklet detailing the T7 upgrade and an Abbott card confirming the conversion in August 1993 at nine miles. Spare keys are also included. Exterior and interior condition is very good, making this a fine example of its type with, of course, its desirable Abbott tuning mods (and a discreet badge on the rear hatch to let other enthusiasts know that this is more than just a stock 900 S LPT).

1967 MG B GTMake: MGModel: B GT Year: 1967Mileage: 0VIN: GHD3124655Configuration: Right Hand DriveRegistration: JOD117ETransmission: manualThis MG B has been owned by the vendor since 2009 who has undertaken various works. These include a reconditioned engine in 2013 which has covered 1,600 miles since and reconditioned gearbox. New wiring loom, painted wire wheels, full bare-metal respray in 2015, new carpets and white leather roof lining. Comes complete with a full folder of history going back to 1988 including receipts, various MoTs to 2016 when last issued, documents and photos of bare metal restoration. PLEASE SEE BELOW FOR VIDEO PRODUCED 16TH OF JUNE BY ACA OF THIS CAR.

2000 Jeep Cherokee 4.0 Auto Make: Jeep Model: Cherokee Year: 2001Mileage: 136973VIN: 1J4FJB8SXYL200803Configuration: Right Hand DriveRegistration: W747RTVTransmission: automatic First registered in Cyprus before UK import in 2001. Offered directly by the film company who advise that this Jeep has been used on set of BBC's Silent Witness as Jack's past car. Recently fitted with bull bars for another production. This 4.0 Jeep is fitted with a tow-bar and is described by the vendors as a practical and useable classic. It comes with early stamped service history from 2001 to 2004, some MoTs and receipts, handbook and wallet. The mileage is recorded at 136,973. PLEASE SEE BELOW FOR VIDEO PRODUCED 10TH OF JUNE BY ACA OF THIS CAR.

2001 Nissan Micra 1.3 SE 16vMake: Nissan Model: Micra Year: 2001Mileage: 37206VIN: SJNEDAK11U4087100Configuration: Right Hand DriveRegistration: Y635FAHTransmission: manualRegistered in 2001, this second generation facelifted K11C Nissan Micra SE 16v passed to its second owner in February 2002, who then kept it until very recently. It was used very sparingly, resulting in a current mileage of just 37,206 miles. This low total can be warranted, thanks to the fully stamped-up service book, showing servicing every year (regardless of mileage) since 2002, with the last service at 36,991 miles in March 2020. The documentation folder also includes the owner's manual, V5, and 2016, 2020 and 2021 MoT certificates.

2004 Jaguar XJ8 3.5 V8 SE AutoMake: JaguarModel: XJ8 Year: 2004Mileage: 0VIN: SAJAC72N53RG07612Configuration: Right Hand DriveRegistration: BW53OKJTransmission: automatic Offered direct from the film company who describe this luxury Jaguar with full SE specification as stunning. It was driven over 100 miles to the auction premises and is without fault. The car has formerly been used on set filming as Katherine's car in Killing Eve. Comes complete with the original service book containing nine stamps between 2004 and 2017 at 95,923 miles, MoT history, handbooks and spare keys. Five owners from new. The mileage is warranted at 102,592.

1977 Triumph Dolomite 1300Make: Triumph Model: Dolomite Year: 1977Mileage: 53000VIN: WH9880DLConfiguration: Right Hand DriveRegistration: TDX593RTransmission: manualThis Dolomite was last driven by an elderly uncle who died in 1992 and has been stored in a barn ever since. It was in full working order and running well when last used. It comes with an older style V5 showing three owners, MoT's dated 1991 and 1992 at 52,415 miles and service bills from the same years. The current mileage is recorded at approximately 53,000.

1975 Saab 96 V4Make: SaabModel: 96 V4Year: 1975Mileage: 33424VIN: 96752005078Configuration: Right Hand DriveRegistration: GVL436NTransmission: manual1,498cc. First registered on the 1st January 1975. Owned by the vendor from new, who is selling due to his ill health at 90 years old. He advises that this car was last on the road in 1992 and has remained garaged ever since. The car requires recommissioning and some minor restoration. Currently unable to find his documents, it is being offered without any paperwork at this time. The mileage is recorded at 33,424.

1977 Triumph Stag 3.0 AutoMake: TriumphModel: StagYear: 1977Mileage: 95024VIN: LD42515AConfiguration: Right Hand DriveRegistration: RMK981RTransmission: AutoPurchased by the vendor and his father during lockdown as an easy project. It was discovered that the engine and gearbox may require taking out but they could not find a local garage that were prepared to do that until after lockdown as they were all too busy at that time. They have now lost interest in the project and, the father, who is 77 years old, wants his garage back. The car has been off the road for several years but the engine has been running, which sounded good, but they can only now get it to run for a few seconds. The gearbox requires attention and other works are needed to complete but the vendor has been advised that it appears solid underneath. It comes with both soft-top in good condition and hard-top. The history file contains a large quantity of receipts dating from the 1980's and 1990's, copy older V5s with all owners listed and MoTs dating from 1982 to 1994. The mileage is recorded at 95,024.

1962 BMW Isetta 300Make: BMWModel: IsettaYear: 1962Mileage: 42339VIN: A332138Configuration: Right Hand DriveRegistration: WSJ471Transmission: manualHaving been registered in 1962, this is one of the last British BMW Isettas to be built. Isetta of Britain began manufacturing these distinctive and idiosyncratic little machines under licence in Brighton during 1957 and ceased production in 1962. UK cars, as here, had their doors hinged on the right-hand side, while those constructed elsewhere had their hinges on the left. Finished in white with a blue and red tartan interior and red carpet, this 298cc example has passed through the hands of two previous owners prior to its current one, who has owned it since at least the 1990s. The current mileage reading is 42,339 miles. There's a large file of receipts dating back to 1999 and the folder also includes the original maintenance manual and some relevant old newspaper clippings.

1977 Toyota Celica Liftback 2000 STMake: Toyota Model: Celica Year: 1977Mileage: 105485VIN: RA28018137Configuration: Right Hand DriveRegistration: PUW716RTransmission: manual1,968cc. Purchased new by the vendor's elderly relative who passed it to him in 2020, the car registers two owners. The vendor advises that the car has been garage stored and untouched for many years and, although there is no reason to believe it would not run, the car has not been started in anyway. It is described as having good body work but will require recommissioning including the brakes, bearings, all fluids and tyres. The history file contains the original bill of sale and corrosion guarantee, receipts including those for servicing until 1981, MoTs dating from 1980 to 2000, Automata manual and the original jack and tool-kit are retained. Mileage is recorded at 105,485.

1978 Peugeot 604 Auto Father & son owned from newMake: PeugeotModel: 604Year: 1978Mileage: 72258VIN: 6584547Configuration: Right Hand DriveRegistration: CLT68TTransmission: Automatic2,664cc. Purchased by the vendor's late father from new who lovingly cherished and preserved this Peugeot. The original AA and other motoring badges remain in place. It has covered 72,258 miles and comes with early stamped service history from 1978 to 1986 and nearly all MoTs dating from 1983 to 2020. The history file includes original manuals and spare keys. Comes with a few spares.

1979 Pontiac Firebird Trans Am LHDMake: PontiacModel: TransamYear: 1979Mileage: 37500VIN: 2W87K9N141187Configuration: Left Hand DriveRegistration: XLA674XTransmission: automatic 6,600cc. Following the passing of her late husband, who had owned this Trans Am since 2014, the vendor has now made the decision to sell it on. It recently benefits from new parts including front coil springs, shocks, rear leaf springs, front anti-roll bar and petrol tank. The original specification sheet, issued at the General Motors assembly division in Ohio, confirms that this example was finished in Gold paint with Gold wheels and Camel Tan cloth interior. It was imported new by Lendrum & Hartman of Hammersmith. Just prior to the vendor's ownership, the car had spent six years in storage. The receipts that are included in the history file, covering from 1989 to the present, would suggest that the car has been well cared for. It also comes complete with every MoT dating from 1988 to 2006 and more recent MoTs. The mileage is recorded at 37,500. UK registered in 1982. Mot June 2022PLEASE SEE BELOW FOR VIDEO PRODUCED 20TH OF MAY BY ACA OF THIS CAR.

1998 Suzuki Wagon R+ The Alchemist" Built by Andy Saunders"Make: Suzuki Model: Wagon Year: 1998Mileage: 39766VIN: JSAEMA81S00200610Configuration: Right Hand DriveRegistration: S447BAATransmission: manualThis 1,171cc Suzuki Wagon R is now known as 'The Alchemist' after being heavily modified by renowned customiser Andy Saunders in 2007 as a vehicle for his own use. Intended to look like a 'baby Hummer', the extensive alterations included a roof-chop and redesigned front end with new grille and lights, plus bespoke bumpers. Even 'The Alchemist' lettering on the rear hatch was specially created by John Langdown, who also came up with the lettering for Dan Brown's Angels and Demons novel. The car is overall in very good condition, with its colour having been changed from blue to gold by Andy. Current mileage is 39,000, with three former keepers recorded. PLEASE SEE BELOW FOR VIDEO PRODUCED 22ND OF JUNE BY ACA OF THIS CAR.

1969 Bond Equipe ConvertibleMake: BondModel: Equipe Year: 1969Mileage: 42231VIN: BHC51621HEConfiguration: Right Hand DriveRegistration: XPG833GTransmission: manual1,998cc. Purchased by our vendor in 2011 from the previous owner who had stored the Bond in a garage since the 1980's. In 2011 a programme of works commenced that included getting the car running and a full respray. The project was never completed and has remained garage stored since. Six owners from new. Comes with original green log book, current and older V5s. a few receipts, MoTs dating from the 1970's and 1980's and original handbook. 42,231 recorded miles

1959 Norton Model 50 ProjectReg. no. 15 CVOFrame no. P13 82682Engine no. P13 82682The Norton Model 50 was a very user-friendly motorbike. The 350 single was not a high compression road burner but a reliable economic easy to start long stroke engined motorbike with solid pulling power and would cruise all day at anything up to 60mph or so. In 1959 it was given the iconic wide-line featherbed frame with short road holder forks up front which meant it could now ride and corner with the best of them.This bike was first registered on the 9th June 1959 by Kings Motors Ltd and was in 1978 purchased by the present owner who is its 6th owner from new. It was stripped for restoration but unfortunately with so many other projects on the go the owner never got around to restoring it.Comes with - Its original Buff log book, an old V5 and its current V5C.This is a project motorcycle and it is offered as seen. The correctness, condition and completeness of the items within this lot are for the prospective purchaser to assess prior to bidding.   

1959 Francis Barnett Plover 150Reg. no. NJT 187Frame no. A9747Engine no. 295B - 35647The company was founded in 1919 by Gordon Francis and Arthur Barnett who after WWII focused on producing small lightweight commuter bikes and used the reliable, cheap to run two stroke engines from Villiers. Later they were taken over by AMC and the Villiers engines were replaced with AMC units. The owner said the bike was purchased a couple of years ago and stripped down and rebuilt with new parts if anything needed replacing. It was then repainted and although road tested at the time it has not been used since, so will require the usual checks and recommissioning prior to use.Comes with - V5C   

1938 Ariel Square Four 997cc CombinationReg. no. CFM 841Frame no. P1092 the prefix ‘P’ is for rigid frameEngine no. DD 1052 the prefix ‘DD’ is for year 1938Although originally launched as a 500, the Edward Turner designed Square Four was soon enlarged to 601cc to compete in the lucrative sidecar market. In the 1930s this bike was the height of most riders ambitions as it was a luxury purchase for the lucky few who could afford it. This continued until 1937 when to overcome the overheating issues the rather fragile OHC engine was completely redesigned as a stronger more reliable OHV 996cc unit. The new Model 4G made the ‘Squariel’ a very enticing prospect for the sidecar enthusiasts.Condition - This beautiful bike was first registered on the 1st April 1938 and has been in the same family ownership for the last 47 years. Fully restored around ten years ago to a very high standard by the knowledgeable and highly skilled owner, the bike has had little use since, although it has been fully maintained throughout and started regularly and still looks fantastic. Fitted with electronic ignition, the bike starts easily and runs well with everything appearing to work as it should. The buff log book for 1946 shows its taxation class was ‘Motorcycle and Sidecar’ and still has one fitted today in the form of a fully restored Launch type sidecar.Comes with - A current V5C, three buff log books, tax discs going back to 1943, an owner’s guide and a spares manual plus a comprehensive folder of restoration receipts and other documents. 

1951 Triumph Tiger T100Reg. no. KDF 647Frame no. 1650 NAEngine no. 1650 NAThe natural evolution from the very popular 85mph ‘Speed Twin’ was the Tiger 100 that was even faster and could reach 100mph in road trim. In the Triumph advertising for this model it states “The Tiger 100 is an ultra-high-performance sports machine with a specially tuned engine capable of completely satisfying the desires of all who wish to travel fast and far. At the same time, it retains its flexibility and smoothness which make it a very pleasant motorbike when high speeds are not desired”.This sprung hub equipped bike is in good condition and the engine has 3134 competition cams with 11/8” radius followers, 8:1 compression ratio pistons, hardened valve seat inserts and an oil pressure relief valve fitted with oil seal mod in the timing chest. Said by the owner to run and ride very well, it is only being sold to reduce the size of his large collection due to a house move.Comes with – a buff log book, a current V5C, a letter from the previous keeper explaining the bikes background and minor fire damage prior to rebuild, an authentication and valuation letter from the Triumph Owners Motorcycle Club and a twin seat base. 

1964 Triumph Greeves TES Mk.II 500cc Trials BikeReg. no. DAP 46BFrame no. 24 TES 360Engine no. 21H 4307 (1958 Triumph T21 engine)Bert Greeves was a British motorcycle manufacturer who over the years produced everything from road machines to very successful competition bikes for road racing, trials and scrambles and even a three-wheeler for disabled drivers called the Invacar.This Greeves is equipped with a totally rebuilt Triumph 21 engine to 495cc specification, 12-volt electrics, twin leading shoe front brakes and Triumph rear swinging arm suspension. This Triumph - Greeves combination has become extremely popular in trials circles as it combines the sharp steering and handling of the Greeves frame along with the smooth power delivery and torque of the Triumph engine. This example is owned by a very knowledgeable Greeves collector who is now reducing his collection.Comes with – a current V5C and MOT (May 2022), receipts for work carried out and parts purchased.   

1927 New Imperial 350ccReg. no. RY 4546Frame no. Not Found (log book states 18075)Engine no. C5957 (log book states C4489)Described by New Imperial as ‘A superb machine for the man who will have the best’, it came in two specifications firstly the 3a De-luxe Touring Model and secondly the 3b a De-luxe semi sports. The only discernible difference being the tourer had a pneumatic rubber footboards and upturned underslung touring handlebars. The engine was the same 346cc side valve.According to the engine coding prefix ‘C’, this is for a 350cc Model 3A although the old duplicate buff log book issued on the 22nd January 1934 says it is a 1927 Model 3B. It has been fitted with a separate oil tank that fits onto the down tube and a petrol only fuel tank. These items were available for the Model 3 bikes according to the included catalogue ‘Illustrated list of Frame, Engine and Gear Box parts for all models 1926,7 and 8’.This motorcycle will obviously require restoration, but the gears appear to select, and the engine turns over, using the rear wheel.Comes with – an old buff log book, the current V5C and several items of New Imperial literature.   

Selection of Mexican lobby cards to include: La Espia que me Amo (The Spy Who Loved Me), Sociedad para el Crimen (The Thomas Crown Affair); Lo que no se Perdona (The Unforgiven); Horas Desesperados (The Desperate Hours): La Reina Africana (The African Queen)

Seven albums by The Who to include ‘Who’s Next’, ‘Two’s Missing’, ‘Live at Leeds’ etc. Condition between VG to VG+

Sigmund Pollitzer (British, 1913-1982) Head of Constantus on pedestal, signed and dated 67, oil on canvas, 83cm x 107cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Arches, signed and dated 76, oil on canvas, 101cm x 80cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Bust on plinth, signed and dated 67, oil on canvas, 85cm x 94cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Gravestone of Roman Matron, signed and dated 69, oil on canvas, 73cm x 121cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Statue of Bernini-Ponte Rome, signed and dated 71, pen and wash, 53cm x 66cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Classic Torso on pink ground, signed and dated 67 , oil on canvas, 80cm x 104cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Doorway, signed and dated 66, pen and wash, 60cm x 48cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Roman bust, signed and dated 70, oil on canvas, 111cm x 111cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Head of Constantius, signed and dated 65, oil on canvas, 125cm x 79cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Shadow of Campanik, signed and dated 72, oil on canvas, 112cm x 85cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Corbels, signed and dated 67, pen and wash, 46cm x 59cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Horse and Rider, signed and dated 67, pen and wash, 46cm x 59cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Head of a Young Man, signed and dated 68, pen and wash, 41cm x 56cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Architectural, signed and dated 63, pen and wash, 60cm x 48cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Head of a Young Man, signed and dated 62, chalk, 43cm x 57cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Head of Scipone, signed and dated 66, oil on canvas, 62cm x 122cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Male Nude, signed and dated 70, pen and wash, 50cm x 65cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Horses head, signed and dated 71, pen and wash, 46cm x 58cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Arches, signed and dated 71, oil on canvas, 111cm x 75cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Antinous, signed and dated 68, oil on canvas, 84cm x 84cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Antinous, signed and dated 68, oil on canvas, 108cm x 74cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Female Nude, signed and dated 72, pen and wash, 48cm x 64cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Shadow, signed and dated 72, oil on canvas, 75cm x 84cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.

Sigmund Pollitzer (British, 1913-1982) Dead Hen, signed and dated 44, ink and wash, 49cm x 64cmBorn in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and PollitzerHe went to Germany aged 17 to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel.From 1933-1938 he became Chief designer at Pilkington Glass at St. Helens and was responsible for engraved and etched architectural glass for numerous public buildings and ocean liners including the Queen Mary.After war service in the Army, he moved to Cyprus where he lived and worked before moving in the late fifties to Positano in Italy.During the late forties and fifties, he exhibited work not only in Cyprus and Italy, but had many shows in London at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco amongst others, as well as museums and art galleries around the country. He shared his shows with most of the great names of contemporary art of the immediate post war years. His sales were considerable over three decades, and he was also an avid collector of contemporary work. A particular Summer Exhibition at the Redfern Gallery for the July to September Exhibition 1948 his name is seen alongside Matisse, Moore, Nash, Picasso, Piper, Sutherland, Lautrec and Renoir to name but a few.As a self-taught artist, his own original eye, with a true mastery of line and form. He died in 1982The Victoria and Albert Museum hold examples of his glass designs.