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CLASH OF THE TITANS (2010) - Stunt Argos SwordA stunt Argos sword from Louis Leterrier's fantasy-adventure remake Clash of the Titans. Soldiers in the royal guard of Argos, including Solon (Liam Cunningham), wielded their swords throughout their travels with Perseus (Sam Worthington), who borrowed one while dueling Draco (Mads Mikkelsen).This dense rubber stunt sword is molded around metal and ornately etched with ancient symbols. It features a crest down the blade, a studded grip, and a capped pommel painted to resemble bronze. The sword exhibits blue discoloration from exposure, and the rubber is flaking at the tip and sides, exposing the metal interior. Dimensions: 28" x 3.5" x 2.25" (71.25 cm x 9 cm x 5.75 cm) Estimate: $600 - 800This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

BIG TROUBLE IN LITTLE CHINA - Animatronic Wild-Man Head, Hands, and FeetAn animatronic Wild-Man head, hands, and feet from John Carpenter's supernatural action comedy Big Trouble in Little China. A monster who served the cursed warlord Lo Pan (James Hong), the Wild-Man kidnapped reporter Gracie Law (Kim Catrall) and stowed away in Jack Burton's (Kurt Russell) truck. This lot consists of a fiberglass facial appliance with an interior metal and plastic apparatus affixed with brown painted latex features and hair, resin teeth, acrylic eyes, a chin strap for attaching to a performer, and several black cables protruding from the back. Also included are a pair of matching beige latex hand and foot appliances with hair accents, resin claws, and metal and plastic interiors. They exhibit signs of wear from age and use, including extensive cracking and degraded foam and separation of the claws on the hand and foot appliances. The head appliance comes complete with a rubber head stand for display. Dimensions: 20" x 20" x 20" (51 cm x 51 cm x 51 cm) Estimate: $5,000 - 7,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

BLADE - Blade's (Wesley Snipes) SFX Daywalker SwordBlade's (Wesley Snipes) SFX Daywalker sword from Stephen Norrington's action horror Blade. The half-human, half-vampire wielded his signature sword in multiple scenes throughout the film, including when he battled Deacon Frost (Stephen Dorff).This version of the Daywalker was created for SFX inserts of its grip piercing the hands of anyone besides Blade who held it. The sword features a polished steel blade inset into a ribbed, machined aluminum grip engraved with vampiric glyphs and inset with four concealed, spring-loaded small blades. There is a mechanism within the handle where a pin at the handle's base is depressed to make the handle's inset blades retract. The mechanism retains some functionality, but does not work perfectly. A blue plastic fishing line is also wrapped around the blades and may have been used as part of the gag in the film. The grip has a rotating neck collar, as seen in the film, though this has no functionality. The grip is finished in black and silver-color paint. This sword exhibits some scuffing to its finish, a loose screw in the pommel, and a loose ridge around the hilt from production use and age. Dimensions: 35.5" x 5" x 2.5" (90.25 cm x 12.75 cm x 6.5 cm)Contains mechanical components; see notice in the Buyer's Guide. Estimate: $20,000 - 30,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

DOCTOR WHO - Set of Continuity PhotosContinuity photos from the production of Geoffrey Sax's 1996 sci-fi film Doctor Who: The Television Movie. The Seventh Doctor (Sylvester McCoy) battled The Master (Eric Roberts) and was newly regenerated as the Eighth Doctor (Paul McGann).This set consists of eight color behind-the-scenes Polaroid photographs featuring McCoy, McGann, and the Doctor's sonic screwdriver. The photographs' borders are marked with scene numbers and other continuity information in red, blue, black and green ink by production. They exhibit some minor staining on the borders. Dimensions: 8" x 11" (20.5 cm x 28 cm) Estimate: $500 - 700This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

ELVIRA: MISTRESS OF THE DARK - Doug Beswick Collection: Crock Pot MonsterA crock pot monster from James Signorelli's supernatural comedy Elvia: Mistress of the Dark. When former TV horror host Elvira attempted to cook for Bob (Daniel Greene), she accidentally created a monster who attacked them.This lot comes from the collection of Doug Beswick, an effects artist well-known for his stop-motion animation and creature effects work. It consists of a blue and white plastic and wood crock pot containing a moss green foam and resin puppet with a pink and blue mouth affixed with a row of sharp white teeth. Also included is an arm puppet consisting of articulated moss green foam affixed on a wooden interior. It exhibits extensive aging and cracking on the foam elements, including missing appendages on the arm. Dimensions: 16" x 20" x 15" (40.75 cm x 51 cm x 38.25 cm) Estimate: $1,500 - 2,500This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

END OF DAYS - Lot # 701 - Satan's (Gabriel Byrne) Bullet-Riddled CostumeSatan's (Gabriel Byrne) bullet-riddled costume from Peter Hyams' supernatural action thriller End of Days. Arriving in 1999 New York, Satan possessed an investment banker (Byrne), as he searched for Christine York (Robin Tunney), who he'd been prophesied to marry.This costume consists of a black wool blend overcoat with a pair of bullet holes in the back marked "#1 BULLET HOLES"; a black wool jacket and matching pants; a gray cotton blend collared shirt with a pair of bullet holes on the front; a black silk blend tie; black leather gloves; metal cufflinks with black accents; a black leather belt; and black leather and rubber shoes. Estimate: $1,200 - 1,800This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

BRUCE LEE - Bruce Lee's Hand-Drawn and Signed Flying Kung Fu Warriors IllustrationA rare, ornately detailed hand-drawn illustration by martial arts legend Bruce Lee. Lee, a gifted visual artist who loved to draw martial arts-related subjects and themes, hand-rendered this alluring illustration of four classical Kung Fu warriors in mid-fight, with each one brandishing a signature weapon. The drawing is beautifully articulated in Lee's distinctive style and features his personal signature in the top left corner in green ink. Lee gifted this drawing to his younger brother, Robert, between 1968 and 1970, shortly before he returned to Hong Kong to launch his groundbreaking career in film with Golden Harvest Studios. In the years before his death, Lee had been developing a script entitled "Northern Leg, Southern Fist," a film intended to showcase his extraordinary abilities with classical Chinese weapons. The artist also engaged in two historic photoshoots - one at Golden Harvest Studios and the other at Shaw Brother's Studios - in which he dressed as iconic historical, literary, and pop cultural Chinese characters or archetypes. As he hoped to star in, direct, and produce a film in the popular martial arts sub-genre, it is likely such a project as "Northern Leg, Southern Fist" was on his mind when he created this evocative illustration. Bruce Lee drawings with this level of detail are extremely rare. This illustration exhibits significant creasing and tanning along the right edge, and mild tanning and creasing along the left edge. The main body of the illustration and the signature, however, retain their original clarity and vibrancy. Dimensions: 10.25" x 8" (26 cm x 20 cm)Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: $8,000 - 12,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

THE HILLS HAVE EYES (2006) - Lizard's (Robert Joy) Chain WeaponLizard's (Robert Joy) chain weapon from Alexandre Aja's horror remake The Hills Have Eyes. A cannibal mutant who lived with a group of deformed hill people, Lizard used his signature chain weapon in battle against Doug (Aaron Stanford). This weapon consists of a series of rusted metal-color rubber spikes with circular joint bases attached to a metal armature. The ends of the chain feature exposed metal loops which allow the weapon to be worn bandolier-style. It exhibits wear throughout, including some missing spikes and cracking on several of the rubber elements. Dimensions: 18" x 16" x 18" (45.75 cm x 45.75 cm x 45.75 cm) Estimate: $1,800 - 2,800This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

I LOVE LUCY - Bob Carroll, Jr. Collection: Staff Writer's Complete Series Set of 179 Bound ScriptsA complete series set of 179 bound scripts from the production of the classic television comedy I Love Lucy. Housewife and band leader couple Lucy and Ricky Ricardo (Lucille Ball and Desi Arnaz) became involved in a series of comedic predicaments and misunderstandings throughout the series.This lot comes from the collection of renowned television writer Bob Carroll, Jr., who was a key member of the I Love Lucy creative team. It consists of 18 brown leather-bound books with gold-color lettering noting the book's series and volume. Each book contains multiple scripts of the series in sequence which encompass the series' entire 179-episode run. Several pages in many of the books contain handwritten notes, strikethroughs and revisions, as well as many being marked with Carroll's name on the title page, and some reference bookmarks inserted throughout. These vintage scripts are Carroll's personal working copies of each episode script; the printing technologies and paper stocks of the era are evident in looking through them.This lot encapsulates the complete history of one of the most successful American television shows of all time. Lucille Ball and Desi Arnaz remain prominent figures in pop culture and were recently the subjects of Amy Poehler's acclaimed documentary Lucy and Desi, which featured Bob Carroll, Jr. Original I Love Lucy scripts are always collectible and this opportunity to obtain the entire run at once, with direct provenance to a key member of the creative team, may be unique. Interested parties are encouraged to preview the lot in person to understand its full depth. The volumes exhibit minor scuffing on the exteriors and some yellowing on the interior pages but are in excellent condition overall. Dimensions: 36" x 12" x 10" (91.5 cm x 30.5 cm x 25.5 cm) Estimate: $50,000 - 70,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

LAST AIRBENDER, THE - Pair of Fire Nation and Northern Water Tribe MapsTwo Fire Nation and Northern Water Tribe maps from M. Night Shyamalan's fantasy adventure The Last Airbender. On Commander Zhao's (Aasif Mandvi) orders, the Fire Nation used maps to strategize their attack on the Northern Water Tribe, who, in turn, used their own maps to plan their city's defense.This pair consists of one color-printed Northern Water Tribe paper map with cities encircled and one color-printed paper scroll map wound around an ornate wooden roller. Both are extensively treated by production to resemble aged parchment and resultantly exhibit smudging and nicks throughout. Dimensions (each): 23" x 19.25" x 2" (58.5 cm x 49 cm x 5 cm) Estimate: $400 - 600This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

LEAGUE OF THEIR OWN, A - Racine Belles CostumeA Racine Belles costume from Penny Marshall's sports comedy-drama A League of Their Own. Kit Keller (Lori Petty) was traded from the Rockford Peaches to the Racine Belles, another All-American Girls Professional Baseball League (AAGPBL) team, who wore yellow uniforms.This cotton-polyester blend yellow dress features a three-button front enclosure, a side-zipper, waist belt loops, a brown and yellow "City of Racine Belles" embroidered chest patch depicting a beehive, a patriotically colored AAGPBL embroidered patch on the left sleeve, and a large brown "11" sewn onto the back. The uniform exhibits some wear from use and age, including a stain on the chest. Estimate: $1,000 - 1,500This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

LEATHERFACE - THE TEXAS CHAINSAW MASSACRE III - Crew JacketA crew jacket from Jeff Burr's horror sequel Leatherface: Texas Chainsaw Massacre III. Production gifted jackets to various crew members who worked on the film. This blue denim button-up jacket features two side and breast pockets on the front. It is embroidered on the back with a large patch featuring an armadillo wielding a bloody chainsaw with a Texas flag-themed body and "LEATHERFACE III" on the blade. It exhibits minor color fading throughout. This lot comes from the collection of renowned special effects artist Tom "Brooklyn" Bellissimo. A letter of authenticity from Bellissimo is included. Estimate: $300 - 500This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

THE LOST BOYS - Paul's (Brooke McCarter) Skull and Dagger EarringPaul's (Brooke McCarter) skull and dagger earring from Joel Schumacher's teen vampire thriller The Lost Boys. Brothers Michael (Jason Patric) and Sam (Corey Haim) Emerson moved to California, only to discover their small beach town was secretly home to a gang of young biker vampires, including Paul, who sported the menacing-looking earring.This silver-color metal earring features a wire hook and a skull charm with a scimitar-like knife charm beneath it. The earring exhibits minimal wear from production and age. Dimensions: 2" x 0.5" x 0.5" (5.5 cm x 1.5 cm x 1.5 cm) Estimate: $1,500 - 2,500This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

MATRIX, THE - Big Cop's (Bernie Ledger) Broken Arm Practical Effects RigBig Cop's (Bernie Ledger) broken arm practical effects rig from the Wachowski's sci-fi action adventure The Matrix. Hacker and resistance fighter Trinity (Carrie-Ann Moss) broke the arm of a police officer who attempted to handcuff her before she kicked him in the film's first "Bullet Time" effect shot.This rig consists of a flesh-tone, hard rubber hand affixed to a foam rubber arm via a metal armature inlay. The arm is attached to a contoured plastic shoulder rig with black nylon straps. The armature's hand attachment raises and lowers independently of the arm via a swiveling detail. It exhibits signs of wear from age and use throughout, including some aging on the foam rubber elements. Dimensions: 26" x 20" x 8" (66 cm x 51 cm x 20.5 cm) Estimate: $2,000 - 3,000This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

MATRIX RELOADED, THE - Chateau Battle TridentA chateau battle trident from The Wachowski's 2003 sci-fi action sequel The Matrix Reloaded. Information-dealing program the Merovingian (Lambert Wilson) ordered his men to attack Neo (Keanu Reeves), who employed the use of a trident in the attack. This trident features three dense rubber spear tips with metal inlays fastened to a long wooden painted staff. The ornate junction is cast from resin and features etchings of Celtic knots. It exhibits signs of wear from age and use, including some bending on the spears and extensive paint chipping on the staff. Dimensions: 78" x 23" x 3" (198.25 cm x 58.5 cm x 7.75 cm) Estimate: $1,000 - 1,500ΔThis lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

JIM HENSON PRODUCTIONS - Jim Henson-Signed Muppets Inc. Legal DocumentA Jim Henson-signed Muppets Inc. legal document from Jim Henson Productions. Employees of Henson's production company were given legal documents to sign.This two page black-and-white paper document is noted as an "EXPLANATION OF QUALIFIED PRERETIREMENT SURVIVOR ANNUITY." It is signed on the second page by Henson, who also dated the document "Jan 28 1988." It exhibits staple holes on the top left corner of both documents. Dimensions: 12" x 9" (30.5 cm x 23 cm) Estimate: $600 - 800This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

NUTTY PROFESSOR, THE - Sherman Klump (Eddie Murphy) SFX Makeup Test BustA Sherman Klump (Eddie Murphy) SFX makeup test bust from Tom Shadyac's comedy remake The Nutty Professor. Klump swallowed a chemical which turned him into the handsome, but obnoxious, Buddy Love.This lot comes from special makeup effects artist Rick Baker, who with David LeRoy Anderson won an Academy Award® for his work. It consists of a hand-painted brown foam latex Klump makeup test appliance with a textured black mustache and a black cotton turtleneck collar mounted to a foam-padded fiberglass bust. The latex is tearing in several places from age, exposing the foam. Dimensions: 11" x 20" x 19" (29 cm x 51 cm x 48.25 cm) Estimate: $1,000 - 1,500This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

DEXTER - Dexter Morgan's (Michael C. Hall) SFX Scalpel and Syringe with TranquilizerDexter Morgan's (Michael C. Hall) SFX scalpel and syringe with a tranquilizer from Showtime's psychological thriller Dexter. Dexter used his syringe to inject fellow serial killers who had yet to face justice with tranquilizers, then used his scalpel to collect blood samples from their cheeks. Scalpels and syringes were Dexter's signature instruments throughout the series and some of the most memorable props from the show.This lot consists of a stainless steel Thermo Electron 745 surgical scalpel with a plastic SFX blood reservoir bulb glued onto the reverse; an SFX plastic syringe equipped with a retractable hypodermic needle; and a faux glass tranquilizer bottle with a metal cap and a production-made label reading "Etorphine Hydrochloride (M-99)" applied. The bottle contains orange liquid from production which is not safe for consumption. It exhibits warping at the bottom from production use, and the syringe exhibits flaking paint and staining. Dimensions (largest): 7" x 1" x 1" (18 cm x 2.5 cm x 2.5 cm); (smallest): 1.5" x 1.5" x 3" (4 cm x 4 cm x 7.75 cm) Estimate: $12,000 - 16,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

JODOROWSKY'S DUNE - Circa 1980s Bound Copy of Storyboard and Design Bible for Alejandro Jodorowsky's Unproduced DuneA circa 1980s bound copy of the storyboard and design bible for Alejandro Jodorowsky's unproduced version of the sci-fi epic Dune, based on the novel by Frank Herbert. Director Jodorowsky and producer Michel Seydoux went through an extensive development period in 1974 and 1975 for their never-realized version of the film, working with famed artists Jean Giraud, known as Moebius, Chris Foss, and H.R. Giger. As they developed and attempted to finance the project, they produced a visual bible containing a complete illustrated storyboard for the film done by Moebius, as well as concept illustrations for vehicles, characters, and sets by Moebius and artists Foss and Giger. These binders, produced in 1974 or 1975, were used by the creative team to express the vision for the project. They were bound in cloth, with a printed color cover attached to the front along the lines of a promotional poster. Only a small number were produced for the key team members of the project.In the 1980s, a very few exceptional printed copies of the original design bible were created. These copies were distinguished by their red leather covers and gold title lettering. They also included the full storyboard and numerous design sketches by Foss, Giger, and Moebius and are believed to be complete reproductions of the original production-era bible. A copy of the original cover is also bound into the red-leather version. They were a larger size than the original binders, and as they were likely an additional generation along in the copying process, binding can be seen on the right edge of many of the printed pages in this version of the design bible. The red-leather books were created at Jean Giraud's company Starwatcher Graphics and only a handful of these later copies are known to exist; this example has been with the current owner since approximately 1988 and was received from Starwatcher at that time.This printed book opens with seven color printed pages of character designs and moves into more than 250 black-and-white printed pages containing extensive storyboards for all 90 scenes of the proposed film, along with intermittent printed design sketches for vehicles, sets, and other visual elements of the film. The storyboards were originally drawn by Moebius, who also created most of the costume designs. Many other design sketches and illustrations were created by Foss and Giger. The storyboard pages contain text descriptions in both French and English.Jodorowsky's Dune project has been heavily studied by cinephiles and celebrated in the 2013 documentary Jodorowsky's Dune. These design bibles are therefore well-known to fans of his work, despite their exceeding rarity; only a couple examples of the production-era bibles have been offered in the past, and this is believed to be the only "second edition" (circa 1980s) version to come to auction. The book exhibits minor wear on the corners, and some variation on the quality and clarity of the printed images on the interior. Dimensions: 18" x 12" x 2" (45.75 cm x 30.5 cm x 5 cm)Sold without copyright; see notice in the Buyer's Guide. Estimate: $40,000 - 60,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

SPIDER-MAN - Pair of Spider-Man's (Tobey Maguire) Prototype Web ShootersSpider-Man's (Tobey Maguire) prototype web shooters from Sam Raimi's superhero film Spider-Man. Peter Parker became Spider-Man, a vigilante who shot spiderwebs out of his wrists, after a radioactive spider bit him at Oscorp.Both of these production-made prototypes for the final Spider-Man web-shooting rigs feature black resin panels mounted to a brass bracelet with a circuit board stapled on top. Servos designed to squeeze "webs" through a nozzle on the front of the board are also included. Neither shooter features functional mechanical or electronic components, and both exhibit rusting, loose or missing panels, and discoloration from production and handling. Dimensions (each): 7" x 2" x 2" (18 cm x 5 cm x 5 cm) Estimate: $3,000 - 5,000This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

SPIDER-MAN - Set of Five Daily Bugle Newspaper CoversFive Daily Bugle newspaper covers from Sam Raimi's superhero film Spider-Man. Various Daily Bugle covers critiquing Spider-Man's (Tobey Maguire) every move appeared throughout the film.This lot consists of five production-made, color-printed newspaper covers headlined "Who is Spider-Man?," "N.Y. Fears Costumed Freak!," "Spider-Man Green Goblin Terrorize Bugle," "Enough!," and "Big Apple Dreads Spider Bite!" alongside pictures of Spider-Man and Bugle editor J. Jonah Jameson (J.K. Simmons.) The interior and back pages all feature unrelated filler stories and advertisements. The set exhibits vertical fold lines and edge wear throughout from production use. Dimensions (each): 15" x 11.5" (38.25 cm x 29.25 cm) Estimate: $2,500 - 3,500This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

FORBIDDEN PLANET - U.K. QuadA U.K. quad poster from the promotion of Fred McLeod Wilcox's sci-fi adventure film Forbidden Planet. Loosely based on the plot of William Shakespeare's The Tempest, Forbidden Planet is considered a pioneer in the science fiction genre, debuting cutting-edge special effects, high production and design values.It was one of the first movies to include a robotic character that displayed human qualities. The vibrantly colored U.K. quad is one of the scarcest formats for the title and features Robby the Robot - who featured heavily on the film's worldwide advertising campaign - holding Altaira (Anne Francis). The background consists of a planet-filled landscape, mountains and the subterranean Krell city. Presented linen-backed, the poster exhibits some light restoration and touch-ups to the female's body, light creasing along the top edge, and the fold lines have been flattened out. Dimensions: 30" x 40" (76 cm x 102 cm) Estimate: $10,000 - 15,000ΔThis lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

FORREST GUMP - Set of Three Ping-Pong PaddlesThree ping-pong paddles from Robert Zemeckis' comedic drama Forrest Gump. After mastering the sport while recovering from a gunshot wound in Vietnam, Forrest Gump (Tom Hanks) competed in a ping-pong-based Chinese-American diplomacy program.Paddles were used by Forrest Gump along with other ping pong players. These are original ping pong paddles from the film, but due to their generic nature it is not possible to know who used them.This set consists of one wooden paddle with red rubber, another paddle with red rubber, and a third with green rubber. The set exhibits visible signs of production use, with the latter two paddles' rubber particularly damaged, exposing the wood beneath. Dimensions (each): 6.5" x 10.5" x 1" (16.5 cm x 26.75 cm x 2.5 cm) Estimate: $2,000 - 3,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

STAR WARS: THE PHANTOM MENACE - John Knoll-Autographed Exploded Republic Cruiser PanelAn exploded Republic cruiser panel from George Lucas' Star Wars: The Phantom Menace autographed by Industrial Light & Magic's (ILM) chief creative officer, John Knoll. Republic cruisers appeared throughout the film, including when the Trade Federation destroyed one used by Qui-Gon Jinn (Liam Neeson) and Obi-Wan Kenobi (Ewan McGregor) on Darth Sidious' (Ian McDiarmid) orders.This red and gray resin panel is inscribed "To Mike 3" and signed by Knoll, who served as the film's senior visual effects supervisor. It is designed by production to appear damaged in an explosion, exhibiting cracked sides, scuffed paint, and applied grime. Dimensions: 3.5" x 2" x 0.25" (9 cm x 5 cm x 0.75 cm) Estimate: $600 - 800This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

TEAM AMERICA: WORLD POLICE - Terrorist's Large-Scale Miniature VehicleA terrorist's large-scale miniature vehiclefrom Trey Parker's Team America: World Police. After joining an elite counter-terrorism organization, actor Gary Johnson (Parker) was sent to Cairo with the mission of infiltrating a meeting of terrorists, who drove their vehicle as they attempted to escape.This piece is made from metal, fiberglass, and plastic components. It is painted green and features a custom license plate written in Arabic. The interior of the vehicle is lightly detailed and the windshield features blood from the terrorist's clash with Team America. The piece exhibits significant wear from age and use, including cracking, a broken steering wheel, and several missing elements throughout. Dimensions: 54" x 24" x 20" (137.25 cm x 61 cm x 51 cm) Estimate: $2,500 - 3,500This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

TIME MACHINE, THE - Hunter Morlock's (Bryon Weiss) Armor ComponentsHunter Morlock's (Bryon Weiss) components form Simon Wells' sci-fi period adventure The TIme Machine. When inventor Alexander Hartdegen (Guy Pearce) used his time-travel device, he journeyed to a distant future where he encountered Morlocks, pigmentless creatures who spent generations underground to avoid disasters on the Earth's surface.This costume consists of a leather and rubber vest with metal accents; a pair of brown leather bicep armor pieces and a pair of brown leather gauntlets, both with metal accents; a pair of brown leather wrist guards with metal studs; a brown leather codpiece with metal accents; a leather skirt with metal and rubber accents; a pair of moss green cotton and canvas chaps; a leather belt; and a pair of leather, rubber and metal shin guards. All pieces are marked on the interior for the performer. It exhibits some wear including styrofoam packing remnants. Estimate: $400 - 600This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

X-FILES, THE - David Duchovny-Autographed Screenplay with Still and Chris Carter-Autographed "A" Camera ClapperboardDavid Duchovny-autographed screenplay with still and Chris Carter-autographed "A" camera clapperboard from Carter's sci-fi mystery series The X-Files. In the episode "The Unnatural" (619), Fox Mulder (Duchovny) discovered that a retired baseball player was actually an alien.This 56-page paper screenplay is bound by a pair of metal brads. It is signed on the cover by Duchovny, who also wrote and directed the episode. Also included is a white acrylic "A" camera clapperboard with a black-and-white wood slate. It is labeled in black and green text for Duchovny and director of photography Bill Roe and signed on the back by Carter. A color still of Duchovny holding the slate on set is also included. The screenplay exhibits minor creasing. Dimensions: 18" x 18" x 4" (45.75 cm x 45.75 cm x 10.25 cm) Estimate: $1,200 - 1,800This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

X-FILES, THE - Chris Carter-Autographed "Unnatural" Baseball Jersey Crew GiftA Chris Carter-autographed "Unnatural" baseball jersey crew gift from Carter's sci-fi mystery series The X-Files. In the episode "The Unnatural" (619), Fox Mulder (David Duchovny) discovered that a retired baseball player was actually an alien. Upon completion of filming, Duchovny, who also wrote and directed the episode, thanked the crew by giving them personalized jerseys and organizing a baseball game at the location. This button-up gray cotton jersey features black trim throughout. The front reads "UNNATURAL" in place of a team name while the back features the classic X-Files logo with "CARTER" directly above it and Carter's signature underneath. Estimate: $600 - 800This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

Original Titanic PlanThis is a rare piece. Original Titanic site navigation plans, found in an old Harland and Wolff tradesman?s box that was passed down to a descendent from Robert Falconer Keith, the man who launched the Titanic. The box sat for many decades unopened and emerged during a clear-out. In amongst old tools was the Titanic plans, with the lovely patina from daily use by tradesmen.These were plans issued to the workers on the Titanic so they could find their way around the ship while they were working on it. As the ship was not named at the time there is no name on the plansThe plan would be a Gel-Lithograph copy of the original plan thus the red outlines, the condition is as you would expect for something that was carried around in a toolbox and used by workmen to find their way around. Plenty of good wear and tear but still intact and in good condition. As a working navigation plan this has much more character than the standard plans.A rare chance to own a piece of history, this plan almost certainly has been on the Titanic as it was used on the ship to navigate around the hull.

FÉLIX DE AGÜERO (León, 1964)."Ciertos caminos", 2005.Oil on canvas adhered to panel.Signed and dated in the lower right corner. Signed and titled on the back.Measurements: 162 x 162 cm; 167 x 167 cm (frame).Félix de Agüero is an artist from León, who has participated in numerous individual and collective exhibitions, among which we can highlight: "Suites". Auditorio Ciudad de León, "Iluminaciones y días previos" Sala Santa Nonia, CajaEspaña-CajaDuero, León, Zamora and Palencia, "Iluminaciones". Diputación de Valladolid, "Preliminaries". La Casona. Carriegos Foundation. León, "The sea from afar" Arte Lancia Gallery. León, "Esquecimentos". MCO Gallery. Oporto, "Metábolas" Sala Provincia. ILC. Diputación de León, "Metamar". Bores & Mallo Gallery, Cáceres, Arte Lancia Gallery, León, "Las horas distintas", Alameda Gallery, Vigo, "Volver a mirar", Alameda Gallery, Vigo, "Paisajes Encontrados", Centro Arte, León, Arte&R Gallery, Málaga, "Levitaciones" J&C Art Gallery, Valladolid, "Alegorías", Lucio Muñoz Gallery. Junta Castilla y León, "Passages". Centro Arte Gallery, León, Red Arte Joven. Autonomous Community of Madrid. His work is currently in numerous collections of great artistic relevance such as; The Wellington Foundation Angel Painting Awards, Fundación Carriegos Museo de Puertollano, The Stonehage Group.Jersey.UK, Caja de Guadalajara, Caja España-Duero Junta Castilla y León, the Instituto Leonés de Cultura (Diputación de León), the Instituto de Estudios Giennenses (Diput. de Jaén), the Instituto de Estudios Giennenses. (Diput. de Jaén), the City Council of León, the City Council of Aranjuez, the City Council of San Andrés del Rabanedo (León), Valdearte, O Barco de Valdeorras, (Ourense), and the Official College of Doctors of León, among others.

ISMAEL GONZÁLEZ DE LA SERNA (Guadix, Granada, 1898 - Paris, 1968).Untitled, 1937.Mixed media on panel.With stamps from private collections: E. James and Daniel-Henry Kahnweiler.Presents label of the Clovis Gallery, Paris.Measurements: 39 x 46,5 cm; 57 x 64 cm (frame).In the year this piece was made, 1937, Ismael González took part in the Spanish Pavilion at the International Exhibition in Paris, thus proving his worth as a painter and establishing his career in the eyes of the critics and the public. However, although this was a good professional period, the ravages of the war had left a strong impression on the artist that is reflected in his painting. This work is an example of this, as we can see how he gradually eliminated his Cubist influence and introduced a much more expressive and tragic chromatic range. In this still life, the main motif, the fruit bowl, still retains this cubist heritage both in form and in the artist's treatment of shadow. However, the space with the background open to the outside, the score and the presence of the letters show us a compositional conception with a classical heritage. Ismael González de la Serna began his art studies in Granada and completed them in Madrid, at the San Fernando School of Fine Arts. In his early years he developed an eclectic pictorial style, drawing on Impressionist, Symbolist and Modernist sources. One of the first examples of his youthful language can be found in the illustrations he made for his childhood friend Federico García Lorca, in what was to be his first book, "Impresiones y paisajes" (1918). That same year, Ismael de la Serna held his first exhibition in Granada, and shortly afterwards he presented his works at the Ateneo in Madrid. In 1921 he moved to Paris in order to broaden his artistic horizons, joining the circles of the School of Paris. Among his Parisian friends was Pablo Picasso, who influenced his work but was, above all, the Granada painter's protector. During this period De la Serna's style was permeable to the influences of the avant-garde, particularly Cubism and Expressionism, which he worked in a highly personal manner. Likewise, the initial influence of Impressionism was always evident in his work. The year 1927 marked the beginning of a period of strong influence on his work, which began with the painter's solo exhibition at the influential Paris gallery of Paul Guillaume. This exhibition was followed by many others, both in Paris and in Berlin, Brussels, Copenhagen, Granada and Mexico. In 1928 he was commissioned by the director of "Cahiers d'Art", Christian Zervos, to illustrate a special edition of twenty sonnets by Góngora. The key to his recognition lies in his sensual interpretation of the forms of Cubism, based on the relevance of a drawing with a sinuous and highly decorative line, combined with strong chromatic contrasts. With a marked spatial sense and without ever abandoning figuration, De la Serna mainly depicted still lifes, in which he emphasised the sensory aspect of his painting with metaphorical sensory references such as music, fruit or open windows. He also worked on landscapes and portraits. After inaugurating the activities of the Asociación de Artistas Ibéricos in Madrid with a solo exhibition in 1932, the painter embarked on new avenues of artistic experimentation which, after the Second World War, led to a more schematic and simplified style of painting, close to contemporary abstract solutions. Ismael de la Serna is represented in the Patio Herreriano Museum in Valladolid, the Reina Sofía Museum in Madrid, the Fine Arts Museums of Granada and Seville, the ARTIUM in Vitoria, the Popular Museum of Contemporary Art in Vilafamés and the Museum of Modern Art in Paris, among many others.

JORGE PÉREZ (Badalona, 1978)."And".Acrylic on canvas.Signed.Size: 73 x 60 cm.Jorge Pérez has been living in the Basque Country for 15 years. A painter who has been moulding his concerns in very different ways of understanding his painting at each moment. He is self-taught. He has exhibited in several cultural halls in Bizkaia. 2007 exhibition at the Santa Clara cultural centre (portugalete) 2008 exhibition at the hotel ciudad de Vitoria (Vitoria) 2010 exhibition at the hotel balneario orduña 2018 exhibition at the tower house in Santurtzi Winner of the zamudio festival poster competition 2015 Accesit in the Santurtzi festival poster competition 2014 Winner of the local painter in the fast painting competition Santurtzi 2019 In 2019 selected in the spring realist painting salon competition.

TOMÁS DÍAZ MAGRO (Madrid, 1941)."Tiovivo", 2020.Silk thread, wood and polychrome cardboard.Signed and dated on the base.Measurements: 44 x 32 x 28 cm.Known for his successful career as an industrial designer, Tomás Díaz Magro began his professional career in 1959 with the Spanish Society of Design. His research into the curved wood system won him the Gold Medal at the Brussels Inventors' Exhibition in 1961. Three years later, he was a founding member of the ODM, for the development of materials. From 1968 he worked for Talleres de Arte Granda, and for other companies such as TAG, Otaola, Huarte muebles or LOEWE. Throughout his career he has won numerous awards, including the IFI International Prize. 1988, the Brúmel International Award (prefabricated and mobile platform for Renfe.1991, and the BEDA International Award. 1993, among others. In addition, in 1998, he took part in the exhibition "Industrial Design in Spain; a century of creation and innovation", which was held at the Reina Sofía Museum and Art Centre. From the 1980s onwards, Tomás Magro, who has always been linked to the world of design, began to devote himself entirely to artistic creation. His knowledge of materials and mastery of matter have given him a skill that he develops in his balanced works of art, in the words of the author himself; "This daily contact with matter, imagination and drawing, has created a world full of ambition, understood as how to make the different proposals that were being generated a reality. I observed the artists' works and I continue to look at them out of the corner of my eye, I don't want to know more about them, I don't want to learn too much, their burden will weigh me down. However, I enjoy them inside me like a collector, some of them live with me".

TOMÁS DÍAZ MAGRO (Madrid, 1941)."Glass faces".Methacrylate with mesh and polystyrene on plastic base.Signed on the base.Measurements: 42 x 16 x 11 cm.Known for his successful career as an industrial designer, Tomás Díaz Magro began his professional career in 1959, with the Spanish Society of Design. His research into the curved wood system won him the Gold Medal at the Brussels Inventors' Exhibition in 1961. Three years later, he was a founding member of the ODM, for the development of materials. From 1968 he worked for Talleres de Arte Granda, and for other companies such as TAG, Otaola, Huarte muebles or LOEWE. Throughout his career he has won numerous awards, including the IFI International Prize. 1988, the Brúmel International Award (prefabricated and mobile platform for Renfe.1991, and the BEDA International Award. 1993, among others. In addition, in 1998, he took part in the exhibition "Industrial Design in Spain; a century of creation and innovation", which was held at the Reina Sofía Museum and Art Centre. From the 1980s onwards, Tomás Magro, who has always been linked to the world of design, began to devote himself entirely to artistic creation. His knowledge of materials and mastery of matter have given him a skill that he develops in his balanced works of art, in the words of the author himself; "This daily contact with matter, imagination and drawing, has created a world full of ambition, understood as how to make the different proposals that were being generated a reality. I observed the artists' works and I continue to look at them out of the corner of my eye, I don't want to know more about them, I don't want to learn too much, their burden will weigh me down. However, I enjoy them inside me like a collector, some of them live with me".

A LATE VICTORIAN ORMOLU-MOUNTED EBONISED QUARTER STRIKING MANTEL CLOCKBy Winterhalder & Hofmeier, Friedenweiler und Schwaerzenbach, retailed by H. Lewis, 172, New Bond Street, London W, circa 1890The arched case with two finials, above the 7 in. arched brass dial with pendulum regulation in the arch, the silvered chapter ring with fully marked minute ring, on a stepped base and scroll feet, the twin train rectangular movement stamped W & H Sch, striking the quarters and hours on two blued steel gongs41.5 cm highCondition report:1 pendulum. We do not guarantee the working order of this clock or that it keeps good time. It is not currently running at time of report and we can recommend professional homologises who would be able to supply a detailed report if necessary.Case: Marks and scratches and loss of colour to the corners, with a patch of blistering to the top (see photograph).  Dial: Small amount of rust to end of hands and marks throughout. 

1999 Rover 200 LE BRM - Low mileage example- Motd until September 2022- Brooklands green paint work with red leather upholsteryBased on the 200Vi, the BRM had a variety of sporting features such as lowered and stiffened suspension and was styled in tribute to the classic BRM racers. Limited to only 800 examples in the UK, fewer survive today making these describable amongst Rover enthusiasts. The vendor who has owned the car for the last 7 years is selling to create more space in his garage. Notable mechanical work includes a head gasket and belts change at 42,000 miles along with regular servicing. All BRMs finished in Brooklands green paint work, distinct orange front grille and comes with red leather upholstery with this example coming in great condition. With prices of hot hatches consistently on the rise, this provides the perfect opportunity to purchase an exciting hot hatch.- Our buyers premium on all cars, motorbikes and scooters is 10% + VAT. - We encourage any interested parties to inspect the vehicle on our viewing days and prior to sale on Thursday 2nd December to satisfy themselves on the car's condition, please check our buying terms and conditions for cars and bikes available online or via email. - Transportation options may be available, please contact us for a quote.

Four Important Polish Bergen-Belsen Concentration Camp 1945 Liberation Red Cross cloth dolls, a cloth faced doll with painted features, blonde wool hair, hinged cloth body, traditional costume, red head scarf and yellow felt 'Jude' star armband, written in ink on petticoat 'Dolls name is J. Wessoloski STG17 Bergen Belsan' and a piece of brown paper sewn onto petticoat 'This doll is one of 6 dolls to come out of Belsen signed M. Thompson, Mrs.; F.Smith, Miss; and P. Johnson, Miss' --18½in. (47cm.) high; a stockinette headed and armed cloth doll with large blue painted googly eyes and features, yellow wool hair in two plaits, hinged body in traditional costume, yellow star drawn and painted on right arm, written in ink on petticoat 'P. Micolichic's puppen Bergen Belsen Camp doll' and 'British Red Cross - Caring for people in crisis' paper label sewn to front of petticoat --17in. (43cm.) high; a cloth doll with stitched features, brown wool hair, rigid body in traditional costume, written in ink on inside of dress 'Marie Kitowski' and down leg 'Marie Kitowsk Polish Bergen Belsen', a stitched on remains of paper label to inside of dress 'British Red Cross - Polish Dolls. ....(Made?) by a Polish family interned .......an Prisoncamp, during the ...... World War. The family was....... a British Red Cross and... signed M. Thompson and F. Smith' and hung around her neck a rare 1943 5 Mark Ghetto coin (drilled) --18½in. (47cm.) high; and a cloth doll with painted face with pin pricked features, hinged cloth body in traditional costume and written in ink on right arm '/ de Winter BL29. Bergen Belsen Concentration Camp doll, given to Miss Johnson of the British Red Cross' --19in. (48cm.) high - History - Bergen-Belsen was liberated on the 15th April 1945, a simple internet search will provide you with all the horrific facts, but there was a party of British Red Cross nurses and doctors who stayed and nursed those they could, back to health, so they could leave the camp. They were slowly reintroduced to food and as they gained their strength, the women were given scraps of cloth and made this type of doll. Provenance - these dolls were made by Polish women/girls and six of these dolls were gifted to Mrs Thompson, Miss Johnson and Miss Smith (later Mrs Bailey), Red Cross nurses; one of these women took them to Jackie Wyartt's grandmother in 1953, who ran Birmingham's Dolls' Hospital, Jackie inherited her grandmother's doll collection. Rarely have these dolls been seen in public, for a short while they were toured around England by the Women's Institute (approx 1956-1960) and Jackie also showed them to Anne Frank's father, Otto, in the late 1970s.

A post-war Chad Valley teddy bear, with blonde mohair, orange and black plastic eyes, pronounced muzzle, black stitched bulbous nose and mouth, swivel head, jointed limbs with painted cloth pads, growler and square Queen Mother label on foot --21in. (53.5cm.) high (sight wear and dusty, one eye lost black colour); and a Pedigree black hard plastic doll - the childhood toy Gaynor Hadley who was born in 1950, she was given him when she was four and comes with a recent photo prints of Gaynor with her bear as a child

The fine mid-19th century childhood Dolls' House of Katherine Jeffray (1841-1929), an important English simulated stone painted wooden dolls' house, on detachable wooden stand with four turned legs terminating in lacquered brass castors, the breakfront three-bay façade with two storeys, the central key-lockable wood-grained four-panelled front door with brass knob, opening, with concealed hook releasing to open the whole front of the house, the door framed by pilastered Tuscan portico and painted glass Adam-style semi-circular fanlight above, roof pediment, five large twelve-light windows to the front and two to each end, grey-painted tiled pitched roof, trough gutter, stone painted chimney at each end with two angled upper sections, two flues to each chimney, the front opening to the left of the front door in two parts to reveal four large rooms with original decoration and furnishings, the ground floor on the left, kitchen with wooden fitted blackened range, burgundy, black and cream plaid wallpaper, painted paper marblised ceiling paper, blue and brown patterned glazed cotton chintz curtains, rush-effect embossed oil-cloth floor, a tin spit with 'clockwork' bottle jack on stand with drip tray, basting spoon and skimming spoon, Evans & Cartwright painted tinplate - yellow rush seat chair, yellow log basket and green kettle, six tin graduated meat covers, two copper kettles, six pewter platters with embossed food and a similar basket, a wooden birdcage with yellow feather canary and two Grödnerthal female servants (one missing legs); to the right on the ground floor, dining room with grey marblised wood fireplace with black Evans & Cartwright tinplate embossed surround with gilt-painted grate and fender, green and red wavy water simulated silk wallpaper, a pair of blue and white printed cotton patterned curtains with pelmet, silk blue rosette and white fringing, marblised painted paper ceiling, painted grey floor with teal silk velvet fitted carpet printed with pink roses, a pair of Evans & Cartwright painted wood-grained tinplate console tables in manner of William Kent, a simulated 'tortoiseshell' covered card gilt paper trimmed bookcase bon-bon or sewing box in the form of a glazed bookcase, a working pewter urn of spherical form with brown spirit-wash, a mahogany tilt-top circular table, a gentleman Grödnerthal doll in white jacket with a blue zig-zag line decoration, red waistcoat, cotton shirt and black britches, a lady Grödnerthal doll, a china shoulder-head doll, skirt made into a pin-cushion, in cream evening dress with train, five blown stemmed wine glasses, a gilt painted wooden clock in dome, a Waltershausen work-table and green paper covered circular box with various card discs with applied printed images, probably a game; the first floor left, sitting room with Siena marblised painted wood fireplace with black painted tinplate Evans & Cartwright embossed surround and gilt-painted grate and fender, red, black and cream plaid wallpaper, burgundy, pink and cream printed pattern curtains with pelmet and white fringing, painted marblised paper ceiling, blue and brown cotton chintz fitted carpet, a large Waltershausen Biedermeier style bureau with mirrored niche, a German eleven piece chromolithographed wood grain and inlay paper covered suite of furniture with purple velvet upholstery including sofa, unusual elaborate floor standing clock, square piano and six chairs, four currently in the dining room (one chair missing two legs), a china shoulder head doll with jointed wooden body, china limbs and green dress with lace trim, five Grödnerthal children (various limbs missing), Murano glass vases under glass domes, one with original glass roses (some damage), a turned painted wooden tea set on tray and a stack of handwritten calling cards for 'Miss Jeffray'; and the top floor right, bedroom with deep and light pink wavy stripe simulated water silk wallpaper, grey painted marblised fireplace with black painted tinplate Evans & Cartwright embossed surround with gilt painted grate and fender, painted marblised paper ceiling, grey, burgundy, pink and cream printed cotton curtains with pelmet and white fringing, a teal silk velvet fitted carpet printed with pink roses, grey and white printed cotton bed curtains with white fringing hung on left wall, an Evans & Cartwright painted tinplate washstand with green tinplate jug and basin and a toilet mirror, an interesting set of nine Biedermeier style blonde wood furniture with black ink decoration comprising sleigh bed, day bed, two tables, chest of drawers and four chairs, a china shoulder head doll with jointed wooden body, china limbs and green dress (missing one china leg) a washstand with bone shaving brush, cut throat razor, two nit combs and strap, a home-made card and pink silk half-tester bed, a German pink painted tinplate three piece bath set, two gilt metal leaf shaped chamber sticks, two bottles of Patchouly oil (for clear skin) and a bottle of Ambroisie; two small beds with tiny Grödnerthal babies and seven calling cards, two printed for Gnr Tom Thumb and five handwritten for Aunt Henrietta, Aunt Mary, Aunt Elisa and Aunt Caroline (who were Katherine's aunts on her mother's side) and a Miss Whitehead --57½in. (146cm.) high x 39½in. (100.5cm.) wide x 19in. (48.5cm.) deep (slight damage to house, crack down right hand side and top front left window broken, some slight damage to contents); and sold with an original painted portrait of Katherine Jeffray circa 1864 (aged 23) in gilt frame in leather carrying case --8¾in. (22cm.) height of image --16¾in. (42.5cm.) x 14¾in. (37.5cm.) size of case (case worn) Provenance - this house and contents have come directly down a female line of the family from Katherine; the house appeared on the BBC Antiques Roadshow in Dorking in 1998 and Homes & Antiques magazine in December 1998. Family tree - Grandparents Paternal - James Jeffray 1759-1848 was a Professor and born in Aberdeen, his wife was Margaret Lockhart 1775-1864 born in Stirling, Grandparents Maternal - Thomas Millar (Preston), 1767-1840 and his wife Catherine May, 1775-1844, Parents - Rev Lockhart William Jeffray, rector at Aldford, Cheshire (1815-1862) and Catherine Millar (1809-1900) born in Preston, Catherine Millar’s siblings - Anne Marshall (1800), Elisa Horrocks (1804), Thomas (1811-1865) married Henrietta Pitt (Winckley Preston), Mary Cairns (1812) and Henry (1813) married Caroline Robbins (Thistleton), Katherine Jeffray who owned the dolls' house was born in 1841 and died in 1927.Married Archibald Hamilton, 29th May 1867 at St Mary’s, Windermere.Children - Alexander Cairns Hamilton (1878-1928), Lilihs, Elsie (1869-1960) and Stella (1872-1955)

A 1920s teddy bear, probably French with short golden mohair, orange and black glass eyes, pronounced muzzle with black stitched nostrilled nose and mouth, swivel head, jointed limbs, rounded hump and inoperative growler --21½in. (55cm.) high (tear around base of head, wear and thinning, pads recovered) - the childhood bear of Vera Barnes who was born in Islington in 1919; Vera's history and eight jpeg images of Vera through her life are available from the department

A rare group of Westacre Chinoiserie black lacquered dolls’ house furniture, wood and papier-mâché comprising a desk —2½in. (6.5cm.) high, a bureau bookcase with seventeen books (missing fold down desk), a desk top book stand with five books, a circular occasional table, a wall mirror, a wire standard lamp with paper shade (shade torn), a blotter, a bundle of envelopes and inkwell with quill - Westacre Village furniture was made in Castleacre near Kings Lynn in Norfolk after the World War One; it was started by Ysabel Birkbeck who lived at Westacre High House in Castleacre; simple materials were used: card, wire, beads, string, paper, fine Liberty fabrics, wool and paint.

The childhood bear of Jan Felix Kelemen a World War Two Czechoslovakian refugee, a late 1920s Czechoslovakian teddy bear with white mohair, black stitched nose and mouth, red felt tongue, swivel head, broad shoulders and jointed limbs --9½in. (24cm.) high (missing eyes, slight wear and discoloured) - Jan was born in Banská Bystricia (now in modern day Slovakia) in 1928. He and his family were Jewish refugees, coming to the UK in March 1939, and arrived with no English; seven years later he won a place at Trinity College, Cambridge, where he read history and law. He then worked in the UK as a solicitor, as does his daughter, who is now selling his bear

A rare 1820s painted carton primitive rabbit toy with provenance, running or hopping with head turned to the right, painted black and white with brown and black eyes with fur ears —10in. (25.5cm.) long (some damage and wear); with a handwritten card ‘This toy belonged to Great Grandmother Anne Hurt of Alderswasle Hall near Wirksworth Derbyshire, who was born in 1819. It was made by one of the gardeners on the estate, the skin hare’; it is believed that this toy is professionally made by a toy man and not the work of a gardener, the ears of skin, compared to the rest of carton - perhaps this is the contribution from the gardener? - this rabbit and the following six lots are from the same family as Katherine Jeffray’s dolls’ house, Lot 784

The Thompson Wine Glass: a highly important Beilby enamelled crested wine glass, circa 1769The ogee bowl with a slightly deceptive base, painted with the crest of the Thompson family in purple, white and yellow, an arm in armour embowed quarterly or and azure, holding in the gauntlet proper a broken lance of the first, on a ribbon wreath supported by a scrollwork bracket and flanked by foliage in opaque white, the reverse with a branch of fruiting vine, faint traces of gilding to the rim edge, on a double-series opaque twist stem containing a multi-ply corkscrew within two pairs eight-ply spiral bands, over a conical foot, 15cm highFootnotes:ProvenancePeter Lazarus CollectionSotheby's, 21 November 2006, lot 68Chris Crabtree Collection, Bonhams, 19 May 2010, lot 46Darell Thompson-Schwab CollectionLiteratureJames Rush, A Beilby Odyssey (1987), p.131, no.94ExhibitedBristol Museum and Art GalleryL'Association Internationale pour l'Histoire du Verre Exhibition, Ashmolean Museum, Oxford, 1979, no.44The Decorated Glasses of William and Mary Beilby, Laing Art Gallery, Newcastle-upon-Tyne, 1980, no.68The crest on this exceptional glass has been previously attributed to Stephen Thompson (1699-1763) of Kirby Hall in Little Ouseburn, North Yorkshire. However, he died without issue in 1763 and this perhaps just predates this glass. Upon his death title passed to his brother John Thompson (1701-1773). John's eldest son and heir Henry Thompson (1743-1814) married Mary Spence (1750-1843) on 30 January 1769 and it is likely that this glass was commissioned from the Beilby workshop to celebrate the occasion. To the wealthy, titled Thompson family Mary brought her own considerable inheritance as the only child of Thomas Spence of Harts Hall, Suffolk. Indeed, it is now known that Beilby glasses such as this were commissioned to celebrate marriages, with the most notable perhaps being the set of armorial Marriage Glasses made for the marriage of Jane and Crosier Surtees in September 1769, sold by Bonhams on 23 June 2021, lots 9-12.Whilst other Beilby crested and armorial wine glasses are known to have been made in sets, the present glass would appear to be the only example recorded bearing the Thompson crest. A portrait of Mary as Rachel at the Well by the American artist Benjamin West hangs in the Chrysler Museum of Art (inv. no.71.720). Interestingly, Henry Thompson's great-granduncle was Jonas Thompson (1608-1648) of Killerby in Yorkshire, who had married Frances Beilby (born about 1610) of Killerby and Micklethwaite Grange, Collingham, in 1629. The Beilbys of Newcastle-upon-Tyne were directly descended from the Micklethwaite Grange branch of the Beilby family, Francis being the great-grandaunt of the renowned enameller William Beilby. A related armorial goblet bearing the arms of Beilby Thompson (1742-1799) of Micklethwaite Grange was sold by Bonhams on 16 December 2009, lot 58.For further information on this lot please visit Bonhams.com

A rare pair of early glass candlesticks, probably French, late 17th centuryPerhaps Bernard Perrot, Orléans, with cylindrical nozzles folded at the rims, resting on collars above solid quatrefoil knops containing small tears, the broad drip pans set between knops and moulded with twelve radiating ribs to the undersides, set on a wide collars above tall spreading feet moulded with fourteen gadroons to the upper parts, the rims of the drip pans and feet folded over, 18.5cm and 18.7cm high (2)Footnotes:ProvenanceSotheby's, 23 June 1944, lot 65No other similar candlesticks would appear to be recorded in the literature. The solid quatrefoil knops have very close similarities to a series of ewers or jugs attributed to Bernard Perrot (1640-1709), a glassmaker of Italian origin who was active in Orléans from 1662, see the exhibition catalogue, Bernard Perrot 1640-1709 (2010), p.141, nos.77 and 78 and pp.148-9, no.101.For further information on this lot please visit Bonhams.com

An important and early sealed wine bottle, dated 1683Of 'Onion' form in pale green glass, the large shouldered body with tapering sides, a prominent string rim trailed around the short stubby neck, applied on the shoulder with a large moulded circular seal inscribed 'R How/ at/ Chedworth/ 1683' with a deep 'kick-up' base, 15cm highFootnotes:ProvenanceSotheby's, 4 December 1978, lot 1David Burton CollectionLiteratureDavid Burton, Antique Sealed Bottles (2015), pp.501-2This significant bottle is the earliest dated bottle of 'Onion' form with this style of short stubby neck. Whist sealed bottle with earlier dates exist, these are of transitional 'Shaft and Globe/Onion' form and not true 'Onion' bottles, making this one of the most important dated sealed wine bottles recorded. Chedworth is a village in Gloucestershire just north of Cirencester. The seal can be attributed to Sir Richard Grobham Howe, 3rd Baronet (circa 1651-1730, an MP for Wilshire who died without issue).For further information on this lot please visit Bonhams.com

A good set of four Wedgwood creamware custard cups and covers, circa 1808Of elegant urn shape with twin loop handles and ball finials, finely moulded flutes around the lower sections and covers, painted in brown with arcaded borders, 10.8cm wide across the handles, impressed WEDGWOOD (8)Footnotes:ProvenancePurchased directly from Wedgwood and Byerley by J C Mansfield Esq, 2 June 1808, thence by descentJohn Callard Mansfield married Catherine Hardy, the sister of Sir Thomas Hardy, who commanded HMS Victory at the battle of Trafalgar.For further information on this lot please visit Bonhams.com

A rare and early baluster goblet, perhaps Liège, late 17th centuryIn soda glass, the generous round funnel bowl heavily moulded with 'nipt diamond waies' at the base, the unusual multi-knopped stem moulded with fine flutes or ribs, with an upper hollow shoulder knop set between double collars above a wide cushion knop and hollow baluster also set on double collars, over a short plain section and conical foot nearly folded at the rim, 25.1cm highFootnotes:ProvenancePrivate British CollectionThe technique of 'nipt diamond waies' originated in Venice and was popular in northern Europe, particularly the Netherlands, in the 17th century. The term was first used in 1677 by George Ravenscroft who used the technique to decorate early English vessels of lead glass. The ribbed stem formation is most unusual and there do not appear to be any parallels recorded in the literature. A late 17th century table bell in the form of a double wine glass with 'nipt diamond waies decoration, attributed to Liège and now in the Grand Curtius Museum, is illustrated by Joseph Philippe, Glass History and Art (1982), p.88, fig.125 and may be of related manufacture. For a late 17th century English armorial baluster goblet of comparable form but in lead glass, perhaps a product of the Savoy Glasshouse at the end of the Hawley Bishopp period, see that sold by Bonhams on 21 November 2014, lot 81.For further information on this lot please visit Bonhams.com

A rare sealed armorial wine bottle, circa 1710-15Of 'Onion' form in olive-green glass, the large bulbous body with a short tapering neck trailed with a string rim, applied to the side with a circular seal moulded with the arms of Incledon, a chevron engrailed between three tuns, surmounted by the initials 'R I', with a shallow basal 'kick-up', 15.6cm highFootnotes:ProvenanceRobert Incledon and thence by descent through the Chichester familyChichester Collection, Sotheby's, 11 November 1996David Burton CollectionLiteratureDavid Burton, Antique Sealed Bottles (2015), p.1423The arms on this bottle are those of the Incledon family of Buckland, near Braunton in Devon. The initials relate to Robert Incledon (1675-1758), who built Pilton House in Barnstaple in 1746. The family had a particularly strong connection with the Chichester family of Hall, near Barnstaple, with Robert's eldest brother Lewis marrying Susannah Chichester in 1714. Indeed, this bottle formed part of the Chichester collection when sold by Sotheby's at Hall in 1996. This is the only recorded bottle with a seal bearing these arms.For further information on this lot please visit Bonhams.com

Two Staffordshire 'Martha Gunn' Toby Jugs, circa 1810-20Modelled seated and holding a foaming jug and a cup, their black hats worn over white mob caps, one wearing a purple dress trimmed with a light blue collar, the other with a sprigged dress, purple collar and yellow apron, 22.8cm high (2)Footnotes:ProvenanceJames and Timmey Challenger Collection, ChicagoMartha Gunn was the most famous of the Brighton 'dippers', responsible for assisting the bathers on Brighton beach. Her notoriety was due to her reported friendship with the Prince of Wales who first visited the town in 1783.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Battersea enamel box, circa 1751-53Of rectangular form with gilt metal mounts, the hinged cover printed in brown on the exterior with 'Paris presenting an apple to Hibernia', the interior with a portrait of Maria Gunning, the base with a lion and cherubs, panels of children representing the arts to the sides, engraved by Ravenet, 6.7cm wideFootnotes:ProvenanceWith Simon Spero, June 1981E and J Handley Collection, illustrated 18th Century English Transfer-Printed Porcelain and Enamels (1991), p.260Simon Spero exhibition, 2000, no.44Bunny and Paul Davies CollectionThe scene on the exterior of the cover is a reference to the famous Irish beauty, Maria Gunning, who arrived in England with her younger sister in 1750. Her portrait on the interior shows her fashionably dressed in Turkish style taken from a mezzotint by R Houston after Liotard. See Egan Mew, Battersea Enamels (1926), fig.12. She later became Countess of Coventry and her sister Duchess of Hamilton.For further information on this lot please visit Bonhams.com

Henry Pierce Bone (British, 1779-1855)A portrait miniature of the poet and playwright, James Thomson (1700-1748). Enamel, signed on the counter enamel and dated, James Thomson./ London. June 1834. Painted by Henry/ Pierce Bone. Enamel Painter to her Majesty and/ their Royal Highnesses the Duchess of Kent and/ Princess Victoria. After the Original by Aikman/ in the Collection of Lord Lyttelton, Hagley,/ Worcestershire., gilded composition frame with floral and foliate detail. Oval, 152mm (6in) highFootnotes:The original oil portrait by William Aikman (1682-1731) was exhibited in the Art Treasures Exhibition at the British Portrait Gallery in Manchester in 1857 (cat. 278, loaned by Lord Lyttelton). Of all the most famous 18th century landscapes, George Lyttelton's Park at Hagley was celebrated in its day by some of the era's most enlightened minds and James Thomson's first visit inspired his poem, 'The Seasons'. Lyttelton was a patron of Thomson, who is also best known for his poem, 'The Castle of Indolence', and for the lyrics of 'Rule, Britannia!'.For further information on this lot please visit Bonhams.com

A Royal Worcester pâte-sur-pâte vase by William Pointon, circa 1875-80Ovoid with gilded false-ring handles on the shoulders, decorated in white relief on a celadon green ground with a heron by a pool edged with aquatic plants, signed with initials 'WP', the reverse with bulrushes, 25.5cm high, embossed factory markFootnotes:Royal Worcester pâte-sur-pâte by William Pointon is discussed by Bernard Bumpus, Pâte-sur-Pâte (1992), p167. Pointon probably taught the technique to Charles Noke who later went to Doulton.For further information on this lot please visit Bonhams.com

A collection of LP records, including Led Zeppelin (x8), Pink Floyd (x8), Traffic (x8), The Who (x9), Deep Purple and related (x18), Uriah Heep (x4), Man (x3), Hawkwind (x3) and twenty-three others, (84).

British National Antarctic Expedition 1901-04. A silver plated fork engraved 'Discovery 1901' formerly the property of Louis Charles Bernacchi: 20.5cm long.*Notes- Louis Charles Bernacchi was born in Belgium in 1876 to Italian parents who subsequently emigrated to Australia. Attending Melbourne Observatory in 1895 he developed an interest in Antarctic exploration and joined Carsten's Borchgrevink's Southern Cross expedition (1898-1900) when he was just 22 years old. This was the first expedition to spend the winter on the Antarctic continent and the first to sledge towards the South Pole. Louis then joined Robert Falcon Scott's Discovery expedition (1901-1904) and was the only man on board the Discovery who had previously been to the Antarctic (in relative terms he was a "veteran" of the Antarctic) . As one of the scientific officers on board his role was to collect geomagnetic data as they approached the South Pole, something that had not been studied to any extent before. Scott was Louis's best man at his wedding. He was awarded the Polar Medal and the French Legion d'honneur amongst other awards.*Provenance- By direct family descent.

An oak and copper plaque constructed from material of HMS Foudroyant: the central copper repousse plaque with Royal Coat of Arms flanked by shields inscribed with launch date and wreck date, over an image of the ship aground with legend beneath 'Made from the Old Foudroyant' with floral border in a fielded oak panel frame with carved leaf spandrels, 38.5x30cm.*Notes- laid down in 1789, this was the second ship to be given the name Foudroyant and was the second two-decker to be built carrying 80 guns. Modelled upon the French Foudroyant, Nelson took great interest in her development and had intentions of making her his flagship as soon as she was launched, but took the Vanguard instead as Foudroyant had not yet been completed. Nelson transferred his flag to the Foudroyant in 1799 while dealing with the return of the Neapolitan Royal family to Naples, she returned under the flag of Captain John Clarke Searle in June 1801. Foudroyant returned home after the Napoleonic wars to become the guardship of Plymouth in 1819 and was converted to a gunnery training ship in 1862, a role she undertook until 1894 when she returned to port duties. In 1891 she was sold out of service and immediately resold to a German shipbreaking company, the ensuing public protest led to her being repurchased by Wheatly Cobb who refitted her as a training ship. In order to recoup the £20,000 cost of refitting she was taken around English seaside resorts for exhibition, but was wrecked at Blackpool in 1897 during a violent storm. The wreck was sold for £250 to a Mr Hayhurst who began to dismantle the ship, but relinquished the task when a passer by was injured by a dynamite blast, after which she was purchased by the Manchester firm of Goodall Lamb & Heighway.

A scale model of the Mevagissey Lugger FY150 'Margaret' by D Proctor: fully rigged above open deck with correct fixtures and fittings, planked hull painted black to waterline and brown beneath, raised on a mahogany plinth with dinghy and inscribed plaque, overall size, 70 x 58cm.*Notes- Built in 1903 by Henry Roberts in Mevagissy. She was sold in 1950 and in 1977 purchased by a gentleman who restored her and commissioned this model to be made in 1986.

Sir Alfred Hubert Roy Fedden, MBE FRAeS (1885 -1973) Two Yachting World Endurance Trial 100 Nautical Miles silver plated plaques: for meritorious performance 1930 and 1931 mounted on a circular plinth 19.5cm diameter, together with a silver plate and enamel Yachting World 'Outboard Drivers' Championship' plaque, Bristol Yacht Club 1934 on an oak plinth, 9cm x 11cm.*Notes- Sir Alfred Hubert Roy Fedden was an engineer who designed the majority of the Bristol Engine Company's successful piston aircraft engine designs. He was the uncle of the British modernist artist Mary Fedden (1915-2012)

The following three lots relate to the WWI German U-boat fleet surrender at Harwich, November 1918 to April 1919. A lacquered brass and bakelite handled magnifying glass inscribed 'UB 25. Surrendered at Harwich 2nd December 1918': also numbered '483' to bezel, 29cm long.* Notes- After the signing of the Armistice at the end of WWI, the German fleet began to cross the Channel and surrender. As the only natural deep water harbour between the Thames and the Humber, Harwich was chosen for the surrendering fleet of over 150 U-Boats and other vessels to be secured. Rear Admiral R Tyrwhitt ruled that there should be 'no communication whatsoever' with the German sailors who were transferred straight onto transport ships and returned home leaving the vessels in what became known as 'U Boat valley' *Notes UB 25 was launched on the 22nd November 1915 and commissioned on the 11th December 1915 under the command of Hans Nieland. She was broken up in Canning Town in 1922

The wooden sternboard name from the Brixham Trawler BN18 'Mannequin':, with gilt carved letters 12 x 104cm.* Notes- Built as one of the last large fleet trawlers for Brixham she was sold in 1937 to the novelist A E W Mason who renamed her 'Muriel Stephens' hence the removal of the original sternboard name 'Mannequin'