We found 19970 price guide item(s) matching your search

A GOOD SMALL 19TH CENTURY, NORTH ITALIAN ROSEWOOD AND MARQUETRY BOMBE THREE DRAWER COMMODE, the top, sides and drawer fronts all inlaid with classical emblems and floral spprays, the drawers with ornate cast brass escutcheons, the legs with cast brass female caryatid figures and sabots. 2ft 10ins high x 2ft 6ins wide x 1ft 2.5ins deep.

A GOOD SMALL 19TH CENTURY, NORTH ITALIAN ROSEWOOD AND MARQUETRY BOMBE THREE DRAWER COMMODE, the top, sides and drawer fronts all inlaid with classical emblems and floral sprays, the drawers with ornate cast brass escutcheons, the legs with cast brass female caryatid figures and sabots. 2ft 10ins high x 2ft 6ins wide x 1ft 2.5ins deep.

A RARE 18TH CENTURY AMERICAN SERPENTINE FRONT COMMODE, pine lined with a large oval to the top, long frieze drawer over a brushing slide, three long graduated drawers below all with brass oval handles, repousse with a building and supported on bracket feet. 3ft 6ins long, 1ft 9ins deep, 2ft 10ins high.

Antique mahogany framed commode 47x43.5, height 31cm

AN ANTIQUE FRENCH MARQUETRY LOUIS XV STYLE TWO DRAWER COMMODE. W 105 D 52 H 85cms

Biedermeier-Kommodenuhr. 1. H. 19. Jh. Messingwerk mit Viertelstundenschlag auf 2 Tonfedern, Pendel mit Fadenaufhängung, läuft, revisionsbedürftig. Weißes Emailzifferblatt mit arabischen Zahlen, Minutenkranz und Messingzeigern. Wurzelholzfurnier, nussbaumfarben gebeizt, teils ebonisiert. Ca. 42,5 x 31,5 x 16,5 cm. Hohes Stufengehäuse mit offenem Rundbogensockel und freischwingendem Sonnenpendel vor verspiegelter Rückwand, seitlicher Repetitionszug. Leichte Alters- und Gebrauchsspuren, partiell Defekte und Fehlstellen, inaktiver Anobienbefall, Zifferglas fehlt. Mit Pendel, Schlüssel. Biedermeier commode clock. 1st h. 19th c. brass movement with quarter-hour strike on 2 tone springs, pendulum with thread suspension, running, in need of revision. White enamel dial with Arabic numerals, minute ring and brass hands. Root wood veneer, walnut stained, partially ebonized. Approx. 42.5 x 31.5 x 16.5 cm. High stepped case with open round-arched base and free-swinging sun pendulum in front of mirrored back, lateral repetition train. Light signs of age and use, partial defects and missing parts, inactive anobia attack, dial glass missing. With pendulum, key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Barock-Kommodensekretär. Nussbaum und andere Hölzer furniert und maserfurniert. Ca. 106 x 115x 67 cm. Schreibschrank mit 3-schübigem, geschwungenem Korpus und Aufsatz mit schräger Schreibklappe; dekoriert mit gespiegeltem Maserfurnier und üppigen Bronze-Applikationen; innen Kabinettausstattung mit 8 kleinen Schüben und 5 offenen Fächern. Alters-/Gebrauchsspuren, restauriert mit Ergänzungen. 4 Schlüssel. Shipping not available.Baroque commode secretary. Walnut and other woods veneered and burl. Approx. 106 x 115x 67 cm. Writing cabinet with 3-bay curved body and top with sloping writing flap; decorated with mirrored burl veneer and lush bronze applications; inside cabinet fittings with 8 small drawers and 5 open compartments. Signs of age/use, restored with additions. 4 keys. Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Barock-Kommode. 18. Jh. Nussbaum furniert und maserfurniert. Ca. 88 x 118 x 63 cm. 3-schübige Kommode mit leicht geschwungenem Korpus, verziert mit gespiegeltem Maserfurnier und Rocaillen-Bronzebeschlägen. Wohnfertig restauriert. 1 Schlüssel. Shipping not available.Baroque commode. 18th century Walnut veneered and burl. Approx. 88 x 118 x 63 cm. 3-bay chest of drawers with slightly curved body, decorated with mirrored burl veneer and rocaille bronze fittings. Restored ready for living. 1 key. Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Barock-Kommode. 18. Jahrhundert.Nussbaum furniert und maserfurniert. Ca. 83 x 117 x 61 cm. 3-schübige Kommode mit geschweiftem Korpus, auf geplätteten Kugelfüßen, dekoriert mit gespiegeltem Maserfurnier und mit Schwanenhals-Messinggriffen. Alters-/Gebrauchsspuren, restauriert mit Ergänzungen.1 Schlüssel.Shipping not available.Baroque commode. 18th century.Walnut veneered and burl. Approx. 83 x 117 x 61 cm.3-bay chest of drawers with curved body, on flattened ball feet, decorated with mirrored burl veneer and with swan neck brass handles. Signs of age/use, restored with additions.1 key.Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Barock-Aufsatzsekretär. Ende 18. Jh.Nussbaum und andere Hölzer furniert und marketiert. Ca. 210 x 112 x 68 cm. Schreibschrank mit aufklappbarer Schreibplatte und 2-türigem Aufsatz mit geschweiftem Giebel; kommodenförmiges Unterteil mit 3 frontal geschwungenen Schüben, auf geschweifter Sockelzarge, dekoriert mit Bandintarsien und rocaillenförmigen Schlüsselbeschlägen; evtl. passend ergänzter Aufsatz innen mit 2 Einlegeböden und 3 kleinen Schüben, Schreibteil mit 1 offenen Fach, 6 kleinen Schüben und 1 größeren Schub. Restauriert mit Ergänzungen, Alters-/Gebrauchsspuren, min. Trockenrisse.2 Schlüssel.Shipping not available.Baroque top secretary. Late 18th centuryWalnut and other woods veneered and marbled. Approx. 210 x 112 x 68 cm.Writing cabinet with hinged writing top and 2-door attachment with curved pediment; commode-shaped lower part with 3 frontally curved drawers, on curved plinth frame, decorated with ribbon inlays and rocaille-shaped key fittings; possibly. matching supplemented attachment inside with 2 shelves and 3 small drawers, writing part with 1 open compartment, 6 small drawers and 1 larger drawer. Restored with additions, signs of age / use, min. dry cracks.2 keys.Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Barock-Kommode. Wohl Ende 18. Jahrhundert.Nussbaum furniert und maserfurniert. Ca. 80,5 x 106 x 62 cm. 3-schübige Kommode mit geschweiftem Korpus, auf geschwungener Sockelzarge, dekoriert mit gespiegeltem Maserfurnier und Bandlwerkmarketerie, verziert mit Schwanenhals-Messinggriffen und Grotesken-Beschlägen. Alters-/Gebrauchsspuren, restauriert mit Ergänzungen.1 Schlüssel.Shipping not available.Baroque commode. Probably late 18th century.Walnut veneered and burl. Approx. 80.5 x 106 x 62 cm.3-bay chest of drawers with curved body, on curved plinth frame, decorated with mirrored burl veneer and ribbonwork marquetry, decorated with swan-neck brass handles and grotesque fittings. Traces of age/use, restored with additions.1 key.Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A late 18th century North Italian walnut and marquetry commode, rectangular top above three long drawers, ring handles, tapered legs, 89cm high, 117.5cm wide, 55.5cm deep, c.1790

The Bateman Family - a George III silver commode shaped teapot stand, bright-cut engraved with wrigglework, reeded outswept feet, 18.5cm wide, Peter & Ann Bateman, London 1798, 160g

19TH CENTURY OAK BOX SEAT COMMODE - 50cms H, 52cms W, 43cms D, and a similar period single door cupboard with interior shelves, 83cms H, 66cms W, 32cms D

Victorian mahogany armchair commode, hinged lid, folding arms, pottery pan, width 51cm, depth 47cm, height 44cm.

COMMODE LOUIS XIV EN BOIS DE PLACAGE À MARQUETERIE GÉOMETRIQUE, ORNEMENTATION DE BRONZE DORÉ RAPPORTÉEEn partie fin XVIIe siècle A LOUIS XIV ORMOLU-MOUNTED AMARANTH, BOIS SATINE, WALNUT AND EBONY-BANDED PARQUETRY COMMODE Late 17th century and later Veneered overall with lozenge parquetry, the shaped rectangular top with moulded brass border, above three long drawers with handles and profile-centred putti shaped escutcheons, the pilaster angles surmounted by large foliate chutes and terminating in splayed foliate feet, the scrolling foliate apron centred by a espagnolette mask, the sides inlaid with a large lozenge motif, remounted. 85cm (33 1/2) high x 133cm (52 1/4in) wide x 65.5cm (25 3/4in) deep.Footnotes:部份為十七世紀晚期 路易十四時期紫芯木、緞木、胡桃木及烏木幾何細木鑲嵌貼面鑲鎏金銅抽屜櫃For further information on this lot please visit Bonhams.com

COMMODE D'ÉPOQUE LOUIS XV EN MARQUETERIE GÉOMETRIQUE DE BOIS DE ROSE, SATINÉ ET AMARANTE, ORNEMENTATION DE BRONZE CISELÉ ET DORÉ, ESTAMPILLE DE JACQUES DUBOISVers 1755A LOUIS XV ORMOLU-MOUNTED TULIPWOOD, BOIS SATINE, AMARANTH AND PARQUETRY COMMODE, JACQUES DUBOISCirca 1755Overall veneered with contrasting lozenge motifs, the shaped and moulded brèche d'Alep marble top, with two small drawers variously shaped above one long drawer, each with shaped reserves for foliate handles and cartouche shaped escutcheons, flanked by extensive pierced foliate chutes, the sides centred by a large stylized shell foliate mount, above splayed legs terminating in lion-headed foliate scrolling sabots, stamped 'I.DUBOIS' and 'JME'. 84cm (33in) high x 123cm (48 1/2in) wide x 58cm (22 3/4in) deep.Footnotes:Jacques Dubois, maître ébéniste in 1742.Jacques Dubois was born in 1694 from Marguerite Montigny and Louis Dubois. His half-brother, Noël Gérard, born before 1690 is the son of Marguerite Montigny' previous union with Nicolas Gérard. Noël Gérard quickly became one of the most important cabinetmakers and marchand-mercier in Paris, based in the Hôtel Jabach, rue neuve Saint-Merry. It was exactly in the workshop of his half-brother Noël Gérard that Jacques Dubois began his career in the 1720's, and logically became quite influenced by Gérard. Interestingly, Dubois did not receive his master's degree until much later in 1742, at the age of 48. After the disappearance of Noël Gérard in 1736, Jacques Dubois had to rely on other marchands-mercier to sell his furniture until he obtained his 'maîtrise'. In the 1740's Jacques Dubois is known to have excelled in his production of floral marquetry, inspired by the work of Bernard I Van Risenburgh and by that of Jean-Pierre Latz. In addition, Jacques Dubois often incorporated Chinese and Japanese lacquer into his repertoire, but always paid particular attention to the ormolu mounts which he retained an essential element. Our commode marks an evolution in Jacques Dubois's oeuvre, both its shape and the parquetry (marqueterie à cubes) are in harmony with the Transitional style and evoke the beginning of the goût Grec which will have a huge impact in the years to come. It is interesting to note that on the death of Jean-François Oeben in 1763, Jacques Dubois was commissioned by the heirs of Oeben as an expert to value the remaining content of Oeben's workshop. We find the same type of cube parquetry on certain pieces of furniture by Jean-François Oeben, with whom he probably collaborated. While this shaped parquetry commode is quite atypical in the oeuvre of Jacques Dubois, we can observe the interesting contrast between the finely presented ormolu mounts backed with by similarly shaped contrasting veneered cartouches, and the amusing arrangement of the drawers, where the top drawer is divided in one third-two third sections while the lower one is a single drawer, creating surprise. Assez atypique dans l'œuvre de Jacques Dubois, cette commode de forme galbée tient son intérêt dans l'harmonieuse présentation de son ornementation de bronzes ciselés et dorés placés sur des cartouches de forme identique contrastant le fond à motif géométrique, ceci est particulièrement visible sur les poignées feuillagées, les entrées de serrure et les riches bronzes feuillagés centrés de coquilles stylisées placés sur les côtés qui sont ainsi mis en valeur. De plus, l'arrangement des tiroirs est surprenant, en partie supérieure on trouve deux tiroirs divisés en un tiers et deux tiers, alors que celui inférieur est un long tiroir, l'avantage esthétique étant de ne pas briser la ligne, de jouer avec le ressaut présent et surtout de créer la surprise. Jacques Dubois naquit en 1694 de l'union entre Marguerite Montigny et Louis Dubois. Son demi-frère, Noël Gérard, né avant 1690 est le fils de la précédente union de Marguerite Montigny avec Nicolas Gérard. Noël Gérard deviendra rapidement un des ébénistes et marchand-merciers les plus importants de Paris, installé dans l'hôtel Jabach, rue neuve Saint-Merry. C'est dans l'atelier de son demi-frère Noël Gérard que Jacques Dubois a commencé sa carrière dans les années 1720, et il a été passablement influencé par Gérard. Dubois n'a reçu sa maîtrise que bien plus tard en 1742, à l'âge de 48 ans. Après la disparition de Noël Gérard en 1736, Jacques Dubois a dû s'appuyer sur d'autres marchands afin de commercialiser ses meubles jusqu'à l'obtention de sa maîtrise. Jacques Dubois est connu pour avoir entamé sa production de marqueterie à motif feuillagé en bois-de-boût dans les années 1740, en s'inspirant de l'œuvre de Bernard I Van Risenburgh ainsi que de Jean-Pierre Latz. Outre la marqueterie, Jacques Dubois a souvent incorporé la laque de Chine et du Japon dans son répertoire. Il a toujours attaché une attention particulière à l'ornementation en bronze doré, et à la présentation de celle-ci, souvent mise en valeur, comme dans ce cas. La commode ici présentée signe une évolution dans l'œuvre de l'ébéniste, sa forme ainsi que la marqueterie géométrique sont en harmonie avec le style Transition et évoquent déjà le début du goût Grec qui fera rapidement son apparition. Il est intéressant de noter qu'a la mort de Jean-François Oeben en 1763, Jacques Dubois a été mandaté par les héritiers de Oeben en tant qu'expert pour la succession. On retrouve le même type de marqueterie à cubes sur certains meubles de Jean-François Oeben, avec qui il a probablement collaboré. Jacques Dubois est mort la même année, en 1763. 約1755年 Jacques Dubois製路易十五時期鎏金銅飾鬱金香木、緞木及紫芯木幾何細木镶嵌抽屜櫃For further information on this lot please visit Bonhams.com

COMMODE D'ÉPOQUE TRANSITION EN BOIS DE ROSE ET FILETS D'AMARANTE, ORNEMENTATION DE BRONZE CISELÉ ET DORÉ, ESTAMPILLE DE CLAUDE-CHARLES SAUNIER, MARQUE AU FEU DU DUC DE PENTHIÈVRE À CHATEAUNEUF-SUR-LOIREVers 1770A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND AMARANTH-BANDED COMMODE, CLAUDE-CHARLES SAUNIER, BRAND OF DUC DE PENTHIEVRE AT CHATEAUNEUF-SUR-LOIRECirca 1770 The rectangular moulded brèche d'Alep marble top above three drawers sans traverse framed by a contrasting veneered encadrement and rosettes and an ormolu border, with escutcheons and ring handles, the sides conformingly veneered, above slight cabriole legs terminating in upswept acanthus foliate sabots, stamped 'CC SAUNIER' and 'JME', with Châteauneuf-sur-Loire château brand 'C9' centred by an anchor. 89cm (35in) high x 131cm (51 1/2in) wide x 56cm (22in) deep.Footnotes:Provenance:Louis-Jean-Marie de Bourbon, duc de Penthièvre, Grand Amiral de France (1725-1793), at Châteauneuf-sur-LoireSotheby Parke Bernet & Co., Monte-Carlo, 15 June 1981, lot 126Published:P.Kjellberg, Le Mobilier Français du XVIIIème siècle, Paris, 1998, pp.772-773, pl.AA.Pradère, Les ébénistes de Louis XIV à la Révolution, Paris, 1989, p.369, pl.443Claude-Charles Saunier, maître ébéniste in 1752.Claude-Charles Saunier (1735-1807), brought up by a family of cabinetmakers established rue du Faubourg Saint-Antoine, obtained his master's degree (Maîtrise) at a very young age, in 1752. It is in 1765 that he took over the family workshop producing mainly luxurious and tasteful furniture predominantly in the Neoclassical style. This chest of drawers belongs to a group of furniture that Saunier was particularly fond of. He executed this very type of commode in different variations. The sober decoration, absence of breakfront and discreet-looking facade is enriched by a double framing, here as an amaranth filet delicately contrasting the horizontal veined tulipwood, and an outer ormolu frame 'encadrement' highlighting the drawers sans traverse. A practically identical commode of smaller size was sold anonymously Christie's Paris, 500 Ans: Arts Décoratifs Européens, 5 May 2011, lot 321. Another one was sold at Hôtel des ventes Piguet in Geneva on 13 June 2012, lot 1001. A related chest of drawers was sold at Cheverny in June 1990; while another closely related example was offered for sale at Christie's New York in October 1991.The Duc de Penthièvre, Grandson of Louis XIV and son of Louis-Alexandre de Bourbon, Louis-Jean-Marie de Bourbon (1725-1793) also had the title of Grand Amiral de France, a title he retains from the early age of twelve. Owner of Château de Rambouillet, which he had to give up in favour of Louis XVI in 1783, the Duke de Penthièvre, one of the richest men in Europe as a result of inheriting land from his uncle the Duke of Maine, owned the Hôtel de Toulouse (now the Banque de France) and through inheritance became the owner of various important châteaux as Sceaux, Aumale, Dreux, Gisors and of Anet. Over the years, the Duke of Penthièvre also acquired a few other prestigious properties, as Chanteloup and the Château at Châteauneuf-sur-Loire in 1784 from the Rohan-Guéméné family, with all its content. Following the Duke's death in 1793, the contents of the Château were seized during the Revolution and later sold in Paris. The brand used by the Duke of Penthièvre is that of the anchor, which refers to his title of Grand Amiral de France, with the addition of the letters specific to each castle, in this case in a very modern and original innovative spirit: 'C9' for Châteauneuf-sur Loire. Claude-Charles Saunier (1735-1807), issu d'une famille d'ébénistes établis rue du Faubourg Saint-Antoine, obtint sa maîtrise très jeune, en 1752. Il reprit en 1765 l'atelier familial produisant essentiellement de luxueux meubles de goût Néoclassique. Cette commode fait partie des meubles qu'affectionna particulièrement Claude-Charles Saunier. Il réalisa ce type même de commode avec différentes variantes. Les lignes précises, le décor sobre, la façade d'apparence discrète est enrichie d'un double encadrement discret, premièrement en filet d'amarante contrastant délicatement le bois de rose, et finalement en bronze doré soulignant les tiroirs sans traverses sans ressaut. Petit-fils de Louis XIV et fils de Louis-Alexandre de Bourbon, Louis-Jean-Marie de Bourbon (1725-1793), duc de Penthièvre et Grand Amiral de France, propriétaire du château de Rambouillet qu'il dût céder à Louis XVI, était également propriétaire de l'hôtel de Toulouse à Paris (aujourd'hui la Banque de France). Louis-Jean-Marie de Bourbon devient un des hommes les plus riches d'Europe par suite de l'héritage du patrimoine foncier de son oncle, le duc de Maine. Il sera propriétaire des différents châteaux hérités: Sceaux, Aumale, Dreux, Gisors et bien entendu Anet. De plus, dans le courant de sa vie, il fera également l'acquisition d'autres nobles propriétés, comme Chanteloup ainsi que le château à Châteauneuf-sur-Loire. La marque de château à l'ancre se réfère au titre de Grand Amiral de France, titre que Louis-Jean-Marie de Bourbon a depuis l'âge de douze ans. On ajoute à la représentation de l'ancre les lettres spécifiques à chaque château, soit dans ce cas et dans un esprit moderne : 'C9' pour Châteauneuf-sur-Loire. Châteauneuf-sur-Loire a été construit par Mansart à la fin du XVIIème siècle. Il a été racheté par le duc de Penthièvre en 1784 auprès de la famille Rohan-Guéméné, avec tout son contenu, pour la somme de 50.000 livres. Le duc est mort en 1793, et le contenu du château est saisi sous la Révolution et dispersé à Paris en vente. Une commode de forme pratiquement identique mais plus petite a été vendue chez Christie's à Paris, le 5 mai 2011, lot 321, et une autre, à l'Hôtel des ventes Piguet à Genève, le 13 juin 2012, lot 1001. Une commode similaire a été vendue à Cheverny en juin 1990, alors qu'une autre est passée en vente chez Christie's New York en octobre 1991.約1770年 路易十五晚期鬱金香木及莧紫木鑲鎏金銅斗櫃來源：路易·讓-瑪麗·德·波旁，彭蒂埃夫爾公爵，法國海軍上將 (1725-1793)舊藏，盧瓦爾河畔新堡蒙特卡洛蘇富比，1981年6月15日，編號126出版：P.Kjellberg, 《Le Mobilier Français du XVIIIème siècle》，巴黎，1998年，頁772-3，圖AA.Pradère, 《Les ébénistes de Louis XIV à la Révolution》，巴黎，1989年，頁369，圖443For further information on this lot please visit Bonhams.com

GRANDE COMMODE À RESSAUT D'ÉPOQUE LOUIS XVI EN ACAJOU ET ACAJOU MOUCHETÉ, ORNEMENTATION DE BRONZE CISELÉ ET DORÉ, ESTAMPILLE DE GUILLAUME BENEMANVers 1790 A LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND PLUM-PUDDING MAHOGANY LARGE COMMODE, GUILLAUME BENEMANCirca 1790 Of rectangular break-front form, the grey-veined white marble top above three frieze drawers with encadrement mounts and foliate escutcheons, on two long drawers sans traverse but with three encadrement mounts, with foliate swagged handles and ribbon-tie cornucopia escutcheons, the brass-mounted channelled rounded angles surmounted by brettés panels and terminating in turned tapering toupie feet, stamped four times 'G.BENEMAN'. 99cm (39in) high x 175cm (69in) wide x 66cm (26in) deep.Footnotes:Provenance:Probably from the collection of the late Sir Fairfax Cartwright, G.C.M.G., G.C.V.O., Christie's London, 27 June 1968, lot 84Christie's Monte-Carlo, 7 December 1985, lot 120Related literature:A.Pradère, Les Ebénistes de Louis XIV à la Révolution, Paris, 1989, pp.405-411Guillaume Beneman, maître ébéniste in 1785.In 1785, Guillaume Beneman (circa 1750-1811), of German origin, then almost unknown, was chosen after having participated in a call for tenders launched by the Royal Garde-Meuble, to become the main supplier of the Garde-Meuble de la Couronne to replace Jean-Henri Riesener, which had become slightly out of fashion and too expensive, following the decision to cut costs. Beneman who until then had been working freely in the Faubourg Saint-Antoine, was quickly received as a master cabinetmaker in 1785. Exempted from the rights and conditions of access to the profession, he was mainly chosen for his talent and for the similarity of his production to Riesener's one. Beneman was initially responsible for restoring, modifying, updating and copying existing important pieces of furniture from the royal collection, under the supervision of the talented and influent wood sculptor Jean Hauré. In just a few years (1786-1792) and with the help of fifteen to twenty craftsmen at his command, he delivered no less than 235 pieces of furniture for a total of 59.555 livres. At the same time, Beneman kept up to date and was inspired by the latest trends propagated by the important marchand-mercier Dominique Daguerre, whose ideas were often executed by the not less talented cabinetmaker Adam Weisweiler. C'est en 1785 que Guillaume Beneman (vers 1750-1811), d'origine allemande, alors quasiment inconnu, est choisi après avoir participé à l'appel d'offre lancé par le Garde-Meuble de la Couronne, comme principal fournisseur du Garde-Meuble royal en remplacement de Jean-Henri Riesener devenu trop cher, suite à la décision de réduire les coûts. Beneman exerçant jusque-là librement au Faubourg Saint Antoine, est donc rapidement reçu maître-ébéniste en 1785. Dispensé de droits et conditions d'accès à la profession, il est principalement choisi pour sa maîtrise de son travail et pour la précision de son exécution proche de Riesener. Il devient donc le dernier ébéniste fournisseur du Garde-Meuble de la Couronne. Il est d'abord chargé de restaurer, modifier, mettre à jour et copier certains meubles importants de la collection royale, sous la supervision du talentueux sculpteur sur bois Jean Hauré. En quelques années (1786-1792) et avec l'aide d'une quinzaine de collaborateurs à ses ordres, il livre non moins de 235 meubles pour un total de 59.555 livres! Parallèlement, Beneman suit et s'inspire des dernières tendances propagées par l'influent marchand-mercier Dominique Daguerre, créations souvent exécutées par Adam Weisweiler. Ce type de grande commode à ressaut aurait été développé initialement par Adam Weisweiler vers les années 1745, soit en acajou ou en laque du Japon. Mais c'est vers la fin du règne de Louis XVI que ce type de commode est à son apogée. La sobriété des lignes et la pureté du dessin sont caractéristiques de la meilleure production de la fin du XVIIIème siècle. 約1790年 Guillaume Beneman製路易十六風格桃花芯木鑲鎏金銅飾大邊櫃來源：或為費爾法克斯·卡特賴特爵士G.C.M.G.，G.C.V.O.舊藏，倫敦佳士得，1968年6月27日，編號84蒙特卡洛佳士得，1985年12月7日，編號120相關出版：A.Pradère，《Les Ebénistes de Louis XIV à la Révolution》，巴黎，1989年，頁405-4111785年，為了減少開支，法國皇家傢俱貯藏庫（Garde-Meuble de la Couronne）公開招標時，選擇了當年默默無聞的德國籍細木傢俱製造商Guillaume Beneman（1750-1811 年）作為皇家傢俱保管府（Garde-Meuble Royal）的首要供應商。 Guillaume Beneman由此取代了當時價格過高的供應商Jean-Henri Riesener。 Beneman此前一直是巴黎聖安托萬市郊路的自由傢俱製造商。 這一年，他也很快獲得「高級細木傢俱製造大師」的殊榮。 被免除了例行的行業費用和規定，Beneman入選首要供應商的成功因素是他無可挑剔之專業水準和與Riesener不相上下的精雕細琢之工藝。 他也因此成為法國皇家傢俱貯藏庫的最後一位傢俱供應商。 在異稟天賦的木製雕刻家Jean Hauré的督察下，他最初負責法國皇家傢俱貯藏庫里一些重要傢俱的修復、改造、更新和複製。 之後短短幾年裡，他和他十幾位工匠師製作了不下235件總值達59 555法國里弗爾的傢俱。 同時，Beneman跟隨引領潮流的「奢侈品轉銷商」Dominique Daguerre宣導的最新時尚... For further information on this lot please visit Bonhams.com

A Loom type commode together with an ironing board and walking stick

A Victorian barley twist dining chair, Georgian oak tripod table, and Victorian beech commode chair. (3)

A 19th century provincial mahogany child's rocking commode chair, height 70cm

COMMODE, 19th century central European, painted with three long drawers and ceramic handles, 105cm H x 121cm W x 61cm.

COMMODE, Gustavian style grey painted with three long drawers, canted angles and square section supports, 90cm W x 45cm D x 86cm H.

COMMODE, 74cm x 52cm x 83cm H, 19th century French, Napoleon III, grey painted, of small proportions, with four long drawers.

A 19th century mahogany tray-top night commode, w.51cm

A pair of late 19th century floral carved mahogany framed and buttoned needlework fabric upholstered pad back and seat parlour side chairs; together with a 19th century mahogany commode chair; and a single stool (4)

A 19th century mahogany night commode, w.48cm

Quantity of furniture to include Leather toppped swivel stool, commode chair, rosewood cantebury, Edwardian library chair.

GEORGE IV MAHOGANY THREE-TIER COMMODE BED STEPS, each tread with tooled leather panel, two with hinged lids, and a drawer, turned feet, 66 h x 43 w x 76cms dProvenance: contents of Machen House, Lower Machen in the County Borough of CaerphillyComments: restorations

COMMODE CHAIR,along with a suitcase stand (2)

French Louis XV style commode, early 19th century.Carved and polychromed wood with chinoiserie.Gilt bronze handle.Missing key and lock.Wear and tear due to time and use. Needs restoration. The envelope has a crack.Measurements: 78 x 92 x 45 cm.Louis XV style chest of drawers standing on four cabriole profile legs. Its front has two drawers that occupy the whole length of the front, provided with gilded bronze handles, and two smaller drawers on the upper level. All are lockable. The skirt has a mixtilinear format. The front of this chest is richly decorated with genre scenes of pagodas, landscapes, peasants, birds and vegetation inspired by traditional Asian painting. In Europe throughout the 19th century, both China and Japan were a constant source of inspiration, both for painting and for the design of furniture, interiors and decorative objects.

An oak writing desk; a commode; a folding cakestand and two lamp standards. (5)

Collection of late victorian dolls house furniture Collection of late victorian dolls house furniture to include four dining chairs, one carver armchair, a stool, commode, dining table, cabinet and mirrored side cabinet with inset settee. The tallest piece is 20.5cm highQty: 10All pieces are play worn, many re-glued and upholstered items are threadbare. mirrored side cabinet has tinfoil mirror and left pedestal has been assembled for the photograph but is loose and required regluing. No makers marks.

Kingwood commode chest Late 19th century French Kingwood veneered serpentine front commode chest, rouge marble top with moulded edge, lower section with floral marquetry inlays, cast brass handles and escutcheon plates.width 117cm (46"), depth 55cm (22"), height 85cm (33")Some minor surface scratching to marble top, otherwise complete with no cracks or chips, lower section generally in good order, veneer to both back feet small sections missing (see photographs).

A good 18th century George III period tray top mahogany commode: three-quarter gallery above a full-width single highly figured cupboard door (as two) and a pull-out commode section below with large brass swan neck handle, the top section with canted corners, bottom section with square moulded legs (54.5cm wide x 48cm deep x 80cm high)

A late 18th century serpentine fronted mahogany commode: moulded top above four full-width graduated drawers (probably with original cast swan neck handles), raised on shaped bracket feet (103cm wide x 61cm deepest x 91cm high)

A mid 19th Century Copeland part tea service pattern no: 8351 with stripped orange and blue decoration, comprising 6 cups, 8 saucers, slope bowl and a matched earthenware Victorian washing set to include shaped bowl, jug and commode (1 box) 

A dining table, five chairs, mirrors, commode and barley twist table etc.

A Georgian mahogany single drawer bedside commode chest on square chamfered supports Condition Report:Available upon request

A Victorian mahogany demi lune hall table, stained mahogany plant pedestal and a mahogany commode (def) (3) Condition Report:Available upon request

A 19th century mahogany commode with twin hinged lid over pair of cabinet doors over single drawer on square supports Condition Report:Available upon request

Large copper ladle, Paris commode transport map, various card games and other collectables (1 box)  

An Edwardian mahogany and inlaid china cabinet, the upper part with swan neck pediment and plush lined interior, the doors with Y-shaped glazing bars, the serpentine commode with drawer above pair of panelled doors decorated with urns, the inlaid decoration including spots of ivory, 220cm h; 49 x 102cmPlease note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: Q9N2YFEJThe front faded to mellow colour but good condition

Victorian mahogany cylindrical commode with a hinged lid

Small Victorian button upholstered nursing chair, together with a box commode and a mahogany two door cupboard

French kingwood marquetry inlaid and ormolu mounted commode, the grey flecked marble top above three short and two long drawers, raised on turned tapering and fluted supports, 48ins x 19ins x 34.5ins high

19th Century mahogany commode, the rouge marble top above three short and two long drawers with cast brass handles, raised on bracket feet, 43ins x 22ins x 32ins high

A George III mahogany pot cupboard with galleried top over twin panelled doors and pull out commode drawer, with shaped apron and turned lid within, with pierced carrying handles to the sides and on square legs, 60.5cm wide x 45.5cm deep x 82.5cm highMinor marks, dents and scratches overall due to age and use. Some minor watermarks to the top. The ebony handle to the single cupboard a replacement and partially damaged. The two doors standing very slightly proud over the front. Splits horizontally to the left and right hand sides. The lid to the commode broken and coarsely repaired.

A 19th century French walnut three drawer commode with cast handles and escutcheons, and all standing on short carved scrolling feet, 133cm wide x 63cm deep x 94.5cm highMinor marks, dents and scratches overall due to age and use, some slight water marks to the top surface, some signs of old woodworm damages particularly to the left hand side of the lower drawer.

A pine commode with needlework seat; and a Victorian mahogany commode

A Victorian mahogany commode

An Akura compact disc and record player and a commode

COMMODE, 90cm H x 56cm D x 121cm W, mid 19th century Louis Philippe fruitwood with five drawers.

COMMODE, 111cm W x 52cm D x 91cm H, 19th century French Napoleon III walnut, marble top above four long drawers and silvered mounts.

AND SO TO BED COMMODE, 107cm x 54cm x 100cm H, with a marble top and three drawers and a bedside chest to match 65cm W. (2)

PIERRE-EUGENE MONTEZIN (FRENCH 1874-1946)Vase d'oeillets sur las commode,oil on canvas65.5 x 81.3 cm (25 3/4 x 32 in.)framed dimensions: 76 x 100 cm (29 7/8 x 39 3/8 in.)signed lower rightPROVENANCEPrivate collection, MarseilleSotheby's, New York, 7 October 2008, lot 209Acquired at the above by the current owner

Royal Doulton 'Old Mother Hubbard' Series Ware biscuit casket, modelled in the form of a commode, the cover printed with a design by William Savage Coope, with factory backstamps and Reg no. 459880, (a/f with hairline to side) 15 x 19cm

Walnut veneered commode chair with Queen Anne splat back, feather edge banding and upholstered seat, 98 x 49 x 45cm.

A 19th century style kingwood three-drawer Commode, in the French style, with green 'marble' top and gilt-metal mounts, W:112cm x H:88cm x D:49cm.