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A Group of Furniture Comprising: a Georgian washstand, a pedestal lamp table, an inlaid oval lamp table, an inlaid corner chair, a serpentine fronted commode (a/f), a demi-lune side table, a reproduction crossbanded mahogany coffee table with brass paw caps, a nest of three mid-20th century tables and a late 20th century five height chest of drawers with shaped front, 101cm by 50cm by 125cm (9)
Kommode im Stil des Dresdener Barock. Nussbaum, furniert, Ahorn-Fadeneinlagen. 84 x 70 x 49 cm. 3-schübiger, bombierter Korpus mit geschwungener Zarge, auf leicht ausgestellten Füßen. Florale Bronzebeschläge. Einige Furnierschäden, Platte mit leicht offenen Leimfugen. 1 Schlüssel. Abholung erforderlich.Aufrufzeit 25. | Okt. 2024 | voraussichtlich 18:41 Uhr (CET)Commode in the style of the Dresden Baroque. Walnut, veneered, maple thread inlays. 84 x 70 x 49 cm. 3-bay, cambered body with curved frame, on slightly flared feet. Floral bronze mounts. Some veneer damage, top with slightly open glue joints. 1 key. Collection required.Call time 25 | Oct. 2024 | probably 18:41 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A Royal Doulton for Huntley & Palmers 'Nursery Rhymes' series ware biscuit barrel in the form of a commode. Cover printed with a design 'Simple Simon met a pieman going to the fair', the underside of the lid printed 'Huntley & Palmers / Biscuits / Reading & London' within a cartouche and the base with printed maker's mark and registration number '459880'. Circa 1905. 18.5cm wide.
Y A GEORGE III SATINWOOD AND TULIPWOOD CROSSBANDED DEMI-LUNE COMMODE CIRCA 1790, IN THE MANNER OF INCE & MAYHEW 88cm high, 98cm wide, 51cm deep Provenance: Bonhams, London, Fine English & Continental Furniture and Works of Art (12067) 22nd November 2005, Lot 134 (£5,400 incl. BP). For a pair of commodes attributed to Ince & Mayhew with near identical panels to the doors, see Christie's London, Fine English and Continental Furniture (7017), 15th September 2005 (£18,000 incl. BP).The collection from Trethill House, Cornwall
Y A ROSEWOOD, KINGWOOD, AND TULIPWOOD PETIT COMMODE IN LOUIS XV STYLE LATE 19TH CENTURY, AFTER THE MODEL BY JEAN-FRANCOIS OEBEN/LELEU Crossbanded, strung and ormolu mounted throughout, with arrangement of three drawers, raised on cabriole legs 72cm high, 58cm wide, 48cm deep Provenance: The Hon. Claude John Yorke, and thence by descent Condition Report: Good, structurally secure with wear and tear consistent with age and use. The veneers in good order with just some very minor old repair/tinting. Ormolu is medium to good quality, all present, some of the gilding is worn, notably to front left chute (on the leg) and behind the swags at the corners. There are two drawers in the front, one in the right side. Minor constructional shrinkage cracks. Overall in good condition, the catalogue illustration is accurate. Condition Report Disclaimer
A 19th Century mahogany and inlaid corner washstand, two Provincial Chippendale style dining chairs, a Victorian caned commode armchair, ebonised and mother-of-pearl inlaid balloon back cane seated bedroom chair, a pair of rush seated bedroom chairs, string seat ladder back chair, pedestal wine table, mahogany occasional table, modern serpentine fronted bedside chest of two drawers in the French taste, a small mahogany occasional table, china octagonal table lamp and hexagonal chrome framed glazed ceiling light
A FRENCH ORMOLU-MOUNTED TULIPWOOD KINGWOOD AND PARQUETRY COMMODE AFTER THE MODEL DESIGNED BY THE SLODTZ BROTHERS AND EXECUTED BY ANTOINE-ROBERT GAUDREAUX 19TH CENTURY,the serpentine red marble top above twin cupboard doors, the doors and sides mounted with gilt metal cartouches depicting figures and animals, surrounded by elaborate swag and ribbon and medal decoration, raised on ram head capped scroll supports. 93cm high, 175cm wide, 77cm deepThis commode is based on the commode médallier by Antoine Gaudreaux (d. 1746), so named because it housed the series of medals known as the ‘Medallic History of Louis XIV and Louis XV’. This collection included portraits of prominent European monarchs and, later, medals representing the finest buildings from the reign of Louis XV. The commode is recorded in 1761 in the collection of Monsieur de Selle, controller general of the King’s Chamber. The commode was delivered on the 10th of January 1739 for the Cabinet aux tableaux in Louis XV’s newly completed apartments at Versailles. At the time, it was described as 'Par les Srs Gaudreaux ébéniste et Slodtz frères, sculpteurs, pour servir dans le cabinet aux tableaux avant la petite galerie à Versailles.' In 1755, a matching pair of encoignures was produced by Gilles Joubert (d. 1775), which, along with the commode médallier, were transferred by order of Louis XVI to the Medal Department of the Royal Library. The suite returned to Versailles in 1960, where it remains on display. The commode was a popular model amongst Parisian makers during the second half of the 19th century and many variants of it were made. A Similar model after Gaudreaux made by Francois Linke is held in the Wallace collection.Antoine-Robert Gaudreaux was appointed Ébéniste de Roi was a French cabinetmaker who from 1726 became the main supplier to the Garde Meuble de la Couronne. From 1726 until his death, first as Ede la Reine and then as Ebeniste du Roi, he exercised a near monopoly over commissions intended for royal residences.The bronze mounts on the original commode were modelled by the Slodtz brothers. René-Michel was considered the most prominent of the brothers. He was awarded the first prize for sculpture by the French Academy in 1726 and subsequently studied at the French Academy in Rome, a city in which he was to live and work for 20 years. During this period, he won several important commissions, including his marble sculpture of Saint Bruno in the Basilica of St Peter in the Vatican. René-Michel re-joined his brothers in France, after his time in Italy, in service of the king, designing and executing decorations and artworks for the Menus-Plaisirs du Roi.A similar model sold, Christie’s New York 27th February 2024, lot 667 (price realised $17,640). Condition Report: Overall very good condition The marble top with some chips to the back rim (closet to the wall) and a hair line crack See additional images Mounts very good Would benefit from a polish The interior is fitted with shelves, some losses to veneers, see images Key present
A GEORGE III STYLE SATINWOOD, ROSEWOOD AND POLYCHROME DECORATED DEMI-LUNE COMMODE, 19th century, the fan inlaid top with painted floral garland border, above a cupboard door and sides with painted neo-classical roundels in the manner of Angelica Kauffmann, on square tapering legs and spade feet, 93cm high, 127cm wide, 57cm deepProvenance: With Mallett, London; Sold Christie's , New York, 11 October 2007, lot 101 (price realised $34,600 USD); Private collectionLiterature: D. Nickerson, English Furniture of the Eighteenth Century, London, 1963, p.69, fig. 71.Angelica Kauffman was a Swiss-born neoclassical painter who worked in Rome and London in the mid-late eighteenth century. She identified herself principally as a painter of historical scenes, though her prolific body of work also included portraits and landscapes. Kauffman married Antonio Zucchi in 1781, a Venetian artist who was often employed by Robert Adams, a renowned British architect working in the neoclassical style.Adam’s designs were characterised by their stylistic coherency, with Neoclassical elements reproduced in flat patterns or in low relief, which translated well to the design of neoclassical furniture. There is some debate over the extent to which Kauffman and Adam worked together owing to an absence of extant correspondence or bills between them, however it is accepted that Kauffman did supply him with designs for painted roundels for other artists to follow. Beyond this collaboration, decorative painters clearly continued to integrate her style into elements of neoclassical furniture, affording pieces such as this commode the same lightness of touch and expressiveness that characterised Kauffman’s original works.
Collection five items of furniture including a George III mahogany washstand, the double hinged top opening to a shelf with apertures and with pot shelf and drawer below, 36cm wide x 87cm high, a small mahogany bureau on stand, a 19th century mahogany box commode, a 1930's square oak coffee table and another oak side table (5)
Pair of early 20th century walnut and burr walnut bedside cabinets in the Queen Anne manner, the tops with carved moulded rims, each with three drawers and raised on four carved cabriole legs, 41cm wide x 33cm deep x 71cm high and a 20th century George III style commode made into a music cabinet having drop ring handles and raised on bracket feet, 49cm wide x 68cm high Condition ReportSurface scratches, scuffs and knock to all. Some ripples to walnut veneer on tops of both cabinets. Leg has been reattached. Structurally solid. General wear and tear, see photos.
A 19TH CENTURY FRENCH MARBLE TOP COMMODEWith mahogany four drawer base, 123cm wide; 54cm deep; 90cm highGood overall condition, old marks and scratches present some damage to the front right corner of the top, with some later sections of moulding used, some minor cracks present to the marble top, see additional images.
Karges Inlaid Mahogany Commode An Adam style demilune commode having a walnut veneer, a drawer over two marquetry door panels which open up to an adjustable shelf, having Karges tag inside drawer Property from: a Private Collector, Muncie, Indiana Height: 32 3/4 inches, Width: 39 inches, Depth: 16 inches Condition: overall light wear consistent with normal use, minor finish wear, scratch to top, chip under drawer Category: Furniture > Cabinets Estimated Sale Time: 12:44 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8

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19970 item(s)/page