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Neobarocke Stutzuhr mit Westminsterschlag. 20./21. Jh. FHS Hermle-Werk mit Viertelstundenschlag auf 5 Tonstäben. Im Kurzzeittest funktionstüchtig. Reliefiertes Messingzifferblatt mit weißen Emailreserven und römischen Zahlen, durchbrochene Zeiger. Mahagoni und andere Hölzer furniert. H ca. 77 cm. 12,2 kg. Kommodenuhr im Barock-Stil, 3-seitig verglast mit Rundbogenfront, floralen Intarsien und figürlich-floralen Bronzebeschlägen, Bekrönung mit einem flötendem Putto. Mit Pendel und Schlüssel. Aufrufzeit 12. | Juni 2024 | voraussichtlich 18:15 Uhr (CET) Neo-Baroque hourglass with Westminster strike. 20th/21st century FHS Hermle movement with quarter hour strike on 5 bars. Functional in short time test. Brass dial in relief with white enamel reserves and Roman numerals, pierced hands. Mahogany and other wood veneer. H approx. 77 cm. 12.2 kg. Commode clock in Baroque style, glazed on 3 sides with round arch front, floral inlays and figural-floral bronze fittings, crowned with a fluting putto. With pendulum and key. Call time 12 June 2024 | probably 18:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A 20th century pine bureau with fall flap revealing a pigeonhole interior, over one short and two graduated long drawers on stile feet 96.5cm x 76cm x 45cm. An 18th century mahogany commode with inset leather tray top over twin doors and single drawer on square legs 79.5cm x 57cm x 48cm. A 20th century oak carved two tier tea trolley, galleried top and undertier, turned columns and block feet 72.5cm x 83.5cm x 50.5cm Location:GIf there is no condition report shown, please request
A FRENCH MAHOGANY MARBLE TOPPED COMMODE, early 19th century, the rounded oblong grey marble over ogee fronted frieze drawer, three long drawers below with brass ring handles, on moulded base and bracket feet, 50" x 22 1/4" x 38 1/2" (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Marble good and generally in good condition and colour, replaced handles and possibly escutcheons, loss of veneers to ends of both drawer rails.
A George III mahogany tray top commode, width 56cm, depth 49cm, height 77cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Commode d'époque Régence par Pierre Hache (1703-1776) vers 1740-1750, en placage de noyer et d'olivier, façade arbalète ouvrant par deux tiroirs, côtés faiblement galbés, traverses inférieures chantournées, plateau en marbre jaune, montants arrondis et pieds galbés terminés par des sabots en bronze doré et ciselé, 84x111x60 cmCommode illustrée dans: Pierre et Françoise Rouge, Le génie des Hache, édition Faton, p. 273Provenance: collection BembergCollection Bemberg'1«Les Bemberg, cette famille à cheval sur deux continents dont la vision se déploie à l'échelle internationale, partagent tous les signes et tous les codes de la haute société à laquelle ils appartiennent corps et âme: l'éducation, le raffinement, la diversité des centres d'intérêt, l'importance accordée aux alliances et aux réseaux familiaux et un sens des affaires incontestable qui ne les empêche pas d'avoir un réel goût pour la culture et les belles choses. »1. Tristan Gaston-Breton, Les Bemberg de 1927 à 2013 , 2014, éd. El Viso, Madrid, p.151La famille Bemberg est une famille de grands industriels argentins d'origine allemande dont les membres se sont illustrés en tant que créateurs d'entreprises, politiciens, diplomates, artistes ou collectionneurs.Elle s'implante en Argentine en 1852 sous l'impulsion d'Otto Bemberg (1827-1895) qui partage son temps entre l'Argentine et Paris où il est nommé consul en 1862.Sous sa direction, la famille crée la brasserie Quilmes en 1890 qui produira la bière la plus populaire du pays. D'autres membres se sont distingués dans le domaine des arts ou de la musique, à l'instar de Maria Luisa Bemberg (1922-1995), réalisatrice et féministe engagée qui s'impose dans le monde du cinéma argentin et ouvre celui-ci au genre féminin.Cousin germain du père des actuels propriétaires des pièces présentées dans ce catalogue, Georges Bemberg (1915-2011), est aussi un membre illustre de la famille. Diplômé de Harvard et homme de lettre, il est initié à l'art par ses oncles et acquiert dès ses vingt ans une gouache de Picasso. Par amour de l'art et par le besoin de s'entourer de belles choses, il devient au fil du temps, l'un des grands collectionneurs du XXe siècle. Il accumule des oeuvres du XVe au XXe siècle, telles que Cranach, Véronèse, Tiepolo, Vigée Le Brun, Bonnard, Degas, Matisse, Modigliani, Monet,' regroupées au sein de sa fondation aujourd'hui à Toulouse dans l'Hôtel d'Assézat,l'un des plus célèbre monuments de la ville. Ses chefs-d'oeuvres ont été également présentés à la Fondation de l'Hermitage à Lausanne en 2021.La Maison Piguet a le très grand privilège de vous présenter une partie des oeuvres d'art et du mobilier garnissant la maison familiale de Lausanne : un riche ensemble de dessins anciens et de tableaux (Tiepolo, Hubert Robert, Degas, Vallotton, Utrillo, ...), du mobilier estampillé (Hache, Meunier, Oeben, Schey, ') de l'argenterie, de la porcelaine du XVIIIe siècle (Meissen, Vincennes, '), des bijoux(Boucheron, Cartier), des livres et gravures du XVIe au XXe siècle (Borgeaud, Picasso, Ramuz, '), etc.Plus de 200 lots qui peuvent être retrouvés en recherchant le mot-clef «Bemberg» sur Piguet.comTous les lots marqués en bleu dans le catalogue papier proviennent des collections de la famille Bemberg, ils ont été acquis au fil des générations et sont restés dans la famille jusqu'à ce jour.
A French Louis XV style walnut veneered and satinwood strung bombe commode chest of three drawers, with marble top, brass mounts and inlaid foliate decoration. 121x82x50cm.Generally good used condition. Some very slight rippling to veneer, and light surface scratches to marble top. Drawers run smoothly but no key present.
A GEORGE III ORMOLU-MOUNTED MAHOGANY SERPENTINE COMMODE ATTRIBUTED TO JOHN COBB, MID 18TH CENTURY With a moulded top above three graduated long drawers, the top drawer formerly fitted, the apron to the bottom drawer carved with foliage, C-scrolls and rockwork, the keeled foliate-carved angles surmounted by female terms with rocaille collars and gadrooned borders, acanthus and lapped lambrequins, and with hairy hoof sabots, the drawers with concave quarter-filets the legs cut down by about 8cm 75cm high, 126cm wide, 61cm deep Provenance: H. Percy Dean, Esq Acquired January 1910, 'An Antique Chippendale commode from the Collection of Dr Deane, illustrated in Macquiod's "Age of Mahogany" plate X'.Literature: P. MacQuoid, The Age of Mahogany, London, 1906, plate X. L. Wood, Catalogue of Commodes, London, 1994, p. 52 The commode, of elegant serpentine outline and enriched with bronze female terms to the angles is conceived in the `Picturesque' French antique manner introduced and promoted by Thomas Chippendale (d.1779) with the publication of the first edition of The Gentleman and Cabinet-Maker's Director (1754). It was almost certainly executed by John Cobb (d.1778), Chippendale's close neighbour with premises in St Martin's Lane, both of whom were highly aware of prevailing French designs. Cobb, with his partner William Vile (d.1767), held a Royal warrant from 1761 - 64 as `Cabinet makers and Upholsterers to His Majesty King George III' to supply furniture under the direction of the Great Wardrobe to St. James's Palace and The Queen's House (now Buckingham Palace). In partnership with Vile and in his early years as an independent craftsman after 1764, Cobb made mainly plain furniture in mahogany, rosewood, padouk and sabicu, but later in his career he became renowned for marquetry work, the pinnacle of which included the satinwood commode and matching pedestals supplied in 1772 - 74 to Paul Methuen for Corsham Court, Wiltshire. The commode offered here, probably executed after 1764 relates to a pair of mahogany commodes from Blickling Hall, Norfolk, and another sabicu and padouk commode at Alscot Park, Warwickshire, by Cobb, that date from the mid-1760s and for which bills exist. These and other related commodes are analysed in detail in Lucy Wood, Catalogue of Commodes, London, 1994, pp.43 - 53. A comparable commode was in the collection of Sir Archibald Edmonstone, Bt., sold at Christie's, London, 27 March 1958, lot 82, and Wood notes similarity in the distinctive carved apron on the commode offered here with another sold by Mrs Venetia Gairdner, Lawrence Fine Art, Crewkerne, 19 February 1981, lot 215, and another from the Untermyer Collection in the Metropolitan Museum of Art (accession no. 64.101.1142). According to the literature, the commode appears to be one of a pair, or two almost identical. While the lot offered here was illustrated by Percy Macquoid in The Age of Mahogany, London, 1906, pl. X, correctly credited to Percy Dean, its counterpart, which retained its original longer legs, was later illustrated in an article by Herbert Cescinsky, `The collection of the Hon. Sir John Ward, K.C.V.O.', part IV, Connoisseur, August 1921, pp. 195 - 7, fig. III (and Macquoid later muddled the two commodes in his Dictionary of English Furniture, rev. ed, 1953, vol. II, p. 114, fig. 10, illustrating the Ward commode but crediting it to Percy Dean). Related commodes attributed to Cobb sold at auction include two from the collection of Lord & Lady Weinstock, Christie's, London, 22 November 2022, lot 89 (of three long drawers, the bottom drawer displaying similar carving and with carved angles and feet) and lot 94 (of two short and two long drawers, with a shaped but not carved rail below the bottom drawer, but with the same ormolu angle mounts and sabots). Condition Report: Overall in good clean condition, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. It appears to be in essentially the same condition as when illustrated by Macquoid (in Age of Mahogany) in 1906. As noted the legs have been shortened and the brass sabots reattached, certainly by 8cm, probably in fact rather more. There is some black stain over and around the drawer edges and the carving, notably to the apron. The metalwork is in good condition and apparently all original, apparently oil gilt and then lacquered. The top drawer originally fitted with divisions now removed, as a fitted drawer it is entirely mahogany-lined. The back legs with later-fitted filets of wood, approx' 30cm in length, presumably by way of repair. The two lower drawers oak lined and with Cobb's characteristic concave quarter filets.For comparison, see (1) the very closely related commode illustrated in Macquoid (Dictionary of English Furniture), possibly the pair to the present lot (2) a commode attributed to Cobb with the same carved apron but without ormolu mounts and with simpler handle pattern sold Christie's, London 22 Nov' lot 89 (£94,500 including premium) (3) another almost identical to the last sold Christie's, New York 19 April 2001 ($446,000) and (4) another of less flamboyant form and lacking corner mounts and sabots, sold Christie's, London 4 July 2019, lot 106 (£137,500). Condition Report Disclaimer
A PAIR OF ROYAL DOULTON POTTERY NURSERY RHYME BISCUIT BOXES FOR HUNTLEY AND PALMER CIRCA 1905 Of commode form, decorated after Walter Savage Cooper with "Old Mother Goose" and "Ride a Cockhorse..", the underside of the lid marked "Huntley & Palmer Biscuits Reading & London" and "Copyright Nursery Rhymes", base with printed factory mark and date registration for 1905/1906 18cm wide, 13.5cm high Condition Report: Cockhorse- rubbed to margins and paint loss to edges Mother goose- quite heavy crazing to glazes throughout Both with some wear to feet- and typical crazing from manufacture Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A GEORGE III MAHOGANY SERPENTINE DRESSING-COMMODE CIRCA 1760 With a cut-cornered moulded top above four long drawers, the first drawer with a later leather-lined slide enclosing a divided interior, the chamfered angles carved with foliage, ribbon and leaf-and-berry swags, above a concave-moulded plinth on bracket feet, the angles possibly slightly later carved, with laminated glue blocks and red wash to underside 85cm high, 135cm wide, 70cm deep Provenance: Acquired from Mallett, May 1943, 'Chippendale Mahogany Commode of drawers with serpentine front & carved corners'. Condition Report: Dressing drawer with later leather sliver and elements missing from fitted interior. Handles replaced. Replaced veneer to corner of 2nd drawer right hand side. Splits to lower part of 3rd drawer. Shrinkage splits to lower part of sides. Repolished. Condition Report Disclaimer
A French ormolu-mounted kingwood and marquetry serpentine front commode, Retailed by Edwards and Roberts, of Louis XV style, third quarter 19th century, With shaped variegated marble top above two long drawers and two side doors, mounted with c-scrolls and female busts to the angles, stamped Edwards & Roberts to top drawer, 89cm high, 148cm wide, 67cm deep
PAUL FRANKL (1886-1958)Commode de la série DebonairCréation circa 1950Edition Johnson Furniture CompanyEstampillée deux fois 'Johnson Furniture Grand Rapids', numérotée '#1031 B - 457' et '66'Bois peint et laitonH: 81,3cm. (32in.); L: 184,3cm. (72.1/2in.); P: 57cm. (22.3/8in.)A chest of drawers from the 'Debonair' series in painted wood and brass by Paul Frankl designed circa 1950 and edited by Johnson Furniture Company.Footnotes:Bibliographie:C. Long, Paul T. Frankl and modern American design, Ed. Yale University Press, New Haven, 2007, p. 158, fig. 153This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
A SELECTION OF PAINTED LLOYD LOOM FURNITURE, to include a table, diameter 61cm x height 73cm, an armchair, a commode, a hexagonal linen basket, another chair and a storage stool (condition report: all with imperfections, such as surface marks, scuff, discolouration, other wear and usage) (6)

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19970 item(s)/page