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A Satinwood, Tulipwood and Rosewood Demi-Lune Commode, the crossbanded top with an interlocking tendril-like border, surrounding a demi-lune oval patera decorated with radiating leaves, the base with a central pullout brushing slide above four long graduated drawers, flanked by two oval panel doors enclosing three fixed shelves, 122cm by 52cm by 92cm See illustration
A Charles X mahogany commode, the grey marble top above a frieze drawer and three further long drawers fitted foliate cast gilt brass handles, flanked by turned columns with brass mounts, on wooden castors, 33.25in (85.5cm) h, 51in (130cm) w, 23.5in (59.5cm) d. Some veneer loss, crack to right side.
A George III mahogany tray-top commode, the wavy edge gallery with pierced handgrips above a pair of arc d`arbelette panelled doors and a later drawer, on moulded supports, 29.5in (75cm) h, 22.5in (57cm) w, 18in (45.5cm) d. Cracks to sides. Provenance: From the estate of Pauline, Lady Rumbold, deceased.
An Edwardian painted satinwood demi-lune commode, crossbanded and inlaid stringing, allover decorated with floral sprays and ribbon tied swags of flowers, with a central cupboard door enclosing a shelf, the hinges stamped `HODGES PATENT`, on square tapering legs and spade feet, 33.5in (85cm) h, 30in (76.2cm) w, 15in (38cm) d. Old worm holes to left side, some veneer lifting.
An Edwardian painted satinwood demi-lune commode, crossbanded and inlaid stringing, the top decorated with ribbons above a frieze with ribbon tied floral swags, to a cupboard door enclosing a shelf, the hinges stamped `HODGES PATENT` on square tapering legs and spade feet, 33.5in (85cm) h, 30in (76.2cm) w, 15in (38cm) d. Patch to top and replacements to stringing.
A George III mahogany serpetine fronted commode, circa 1770, with four long drawers, on splayed bracket feet, 88.5cm high, 108cm wide, 60cm deep. For a related chest of drawers see Susan E. Stuart, Gillows of Lancaster and London, 1730-1840, Volume II, Antique Collectors Club 2008, Page 11, Plate 533 & 536. The example shown in plate 536 is very similar apart from the canted blind fret corner. This example exists in the collection at Tatton Park, Cheshire. Provenance: Longsdon Visit www.dnfa.com for condition reports

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