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An antique continental oak three drawer commode chest, with lobed corner top, raised on scroll front legs, 85 cm x 41.5 cm x 75 cm high

A Georgian Mahogany Step Commode with Tapestry Panels to two Steps, One Panel Missing, Missing Inner Liner, 80cm Long

Victorian mahogany night table, square top with twin flaps to reveal a vacant aperture over dummy drawer and pair of panel pot doors, twin dummy drawer commode with china liner and cover, on splayed feet, width (closed) 46cm, depth 47cm, height 84cm.

A Victorian circular commode with various books

A tilt-top wine table with side chair and commode chair

A country oak commode

A Commode, D. José I, King of Portugal (1750-1777), walnut, carved skirts, legs and feet, gilt bronze mounts en relief, Portuguese, small restoration, minor faults and defects, restored traces of wood insects, Dim. - 85 x 112 x 61 cm

MAHOGANY SEWING BOX (CONVERTED FROM A COMMODE), 50CM WIDE

EARLY 20TH CENTURY COMMODE CHAIR

An 18th century oak wall cabinet, width 55cm, depth 28cm, height 61cm together with a commode and chip carved bow table

A George III inlaid mahogany tray top commode, width 50cm, depth 50cm, height 89cm

An early 20th Century Regency revival chest commode, width approx. 68cm

COMMODE, 18th century Continental walnut with ebonised stringing and floret marquetry with three long drawers and white Carrara marble top, 80cm H x 131cm x 60cm.

COMMODE, 19th century North European traditionally grey painted and silver metal mounted with marble top above two short and two long drawers, 101cm x 57cm x 76cm H.

Queen Anne Style Walnut Commode Cabinet, 20th century, Having a Single Door, 94cm high, Raised on Ball and Claw Supports, 121cm wide, 51cm deep

A George III mahogany commode (converted)

A converted oak commode, 44cm by 47cm by 48cm high; together with a mahogany Sutherland table, 75cm (open) by 69cm by 70cm high; an oak footstool with hinged top, 41cm by 28cm by 40cm; and a mahogany towel rail, 64cm wide by 78cm high (4)

19th century mahogany commode, converted for use as a HI FI TV cabinet, (W63cm) together with a 19th century nest of two tables, the moulded rectangular tops incised with interlaced foliate enclosed by scale carved edge, raised on turned supports and stretchers, (W52cm) and a nest of three tables, (W62cm) - Condition Report

Georgian mahogany tray topped cupboard with string inlay, raised on square chamfered supports, (W42cm) together with a Victorian bow front commode, raised on bracket supports, (W66cm) and a nest of four tables raised on slender square tapered supports, (W69cm) - Condition Report

20th century French kingwood and marquetry inlaid brass metal mounted bombe commode, the serpentine marble top above three long drawers and shaped apron, on splayed front supports. 88H x 91W x 46D (cm)

A George III mahogany tray top bedroom commode with pull out drawer over pot cupboard and having one pull out base drawer on straight chamfered legs. 60cms w x 79cms h.

Early 19c mahogany bedroom commode with three quarter gallery, hinged lift off cover over base fitted one long drawer supported on low carved short legs with castors. 54cms w x 76cms h.

A George III mahogany tray top bedroom commode with a cupboard enclosed by a hinged lift up door over a pull out base, on square chamfered legs. 55cms w x 80cms h.

A Victorian mahogany Commode, on turned legs, width 22½in x depth 14½in x height 18½in (57cm x 37cm x 47cm)

A Victorian mahogany commode

MAHOGANY COMMODE

MAHOGANY COMMODE

An Egyptian reproduction Louis XVI style commode, mahogany veneered and brass mounted, black marble top, one frieze drawer below a cupboard door, mid 20th century, 81X47cm, H92cm.

A French Transition style three drawer commode, parquetry veneered and brass mounted, marble top, early 20th century, W100cm, D45cm, H86cm.

A large side cabinet / commode, decorated with brass mountings in the French Louis XV / Transition style, two doors revealing a shelved interior. Circa early 20th century. W134cm, D33cm, H88cm.

A George III mahogany bedside commode, circa 1800, in form of a chest of drawers, full carved gallery top with moulded edge, two short and three long gradual dummy drawers with period brass handles that lifts up, raised on carved bracket feet. 78cm H x 66cm W x 49cm DCondition Report:Good overall condition with general use of scuffs and scratches

Pair of marble-top kingwood and marquetry bombé commode chests, late 20th Century, each having a serpentine verde antico marble top over shaped front with foliate scroll inlay, cast handles and mounts, between conforming sides concealing cupboards behind hinged doors, on shaped apron and splayed supports with gilt sabots, 84cm x 47.5cm x 87cm high 750 Condition: Very minor veneer lifting plus a loss to one corner of one upper drawer, otherwise sound. **General condition consistent with age

A George II mahogany serpentine dressing chest of drawers, circa 1755, the shaped top with moulded edge, above four long graduated drawers interspersed by leaf and ball moulding, the top drawer fitted with a baize inset slide above an arrangement of compartments and lidded compartments around a hinged rectangular mirror, flanked by foliate bellflower carved canted angles, on blind fretwork shaped bracket feet, 79cm high, 100cm wide, 59cm deep Many parallels between works by the highly skilled mid-18th century cabinet maker William Gomm and this chest can be drawn. Based in Clerkenwell Close, London, Gomm's designs were heavily inspired by Thomas Chippendale's Director with combinations of gothic, rococo, and chinoiserie elements included in single items of furniture. This can be seen in the contrast between the trailing floral carved angles and the blind fretwork feet. For a desk possibly by Gomm also featuring this variety of stylistic elements see, Christie's, New York, American Collecting in the English Tradition: Property of the Metropolitan Museum of Art, 27th October 2015, Lot 92 (£341,000).  This format of chest demonstrates one of Gomm's most prolific designs with at least six 'Exceeding fine Serpentine Commode Dressing Tables' supplied to Lord Leigh by William Gomm & Son for Stoneleigh Park in 1763. For a record of this commission see C. Gilbert, Dictionary of English Furniture Makers 1660-1840, 1986, p. 350. Definite similarities can also be seen in the quality of the floral foliage carving featured on this chest and an altar table by Gomm owned by the V&A museum in London but on display at Stoneleigh Abbey, Warwickshire (W.7-1990).  For a related example of chest see, Sotheby's, New York, Gallison Hall: The James F. Scott Collection, 15th October 2018, Lot 273 ($10,625).Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips, splits and small losses. The top with fading and some additional dark marks and scratches. Some filler used to the top in places. Small section of replacement veneer to back edge of top. Locks and escutcheons are replaced. Small plugged holes visible to drawer fronts from previous escutcheons. Sections of replacement moulding to area adjacent to two of the lock plates. No key present, all locks are open. To three of the drawer fronts it is visible where the screws securing the lock plates have poked through slightly. Baize to slide is a later replacement. Mirror plate appears original and has the expected depletion and grey spots. The small handle to the mirror is lacking leaving a small plugged hole. One of the dividers to the fitted interior has split in two.Some additional abrasion to feet. Please refer to additional images for visual reference to condition.       Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A matched pair of George III mahogany bedside commodes, circa 1780, in the manner of Thomas Chippendale, each rectangular top with pierced and shaped galley incorporating carrying handles, above a drawer and a pair of cupboard doors, the lower commode drawer with a shaped apron, on square section legs, each 79cm high, 54cm wide, 46cm deep Please note, these are not an exact pair. The figuring of the timber and proportions of some elements vary from one another. Condition Report: Please note, these are not an exact pair. The figuring of the timber and proportions of some elements vary from one another. Condition Report Disclaimer

A George III mahogany and crossbanded semi elliptical commode, circa 1780, the shaped top above a slide and three banks of drawers, on ogee shaped feet, 88cm high, 137cm wide, 63cm deep Provenance: Private Collection, BerkshireProvenance: Sotheby's, London, Important English Furniture, 22nd November 1991, Lot 243 (£2,793)

A George II mahogany serpentine kneehole desk, circa 1755, in the manner of Paul Saunders, the shaped top with leather inset surface, above nine short drawers around a central recesses cupboard door, flanked by trailing foliate carved canted angles headed by scrolling terminals, on an shaped plinth base, 80cm high, 130cm wide, 67cm deepFor a closely related design of commode attributed to Paul Saunders see, Sotheby's, New York, Important English Furniture, Decorations & Ceramics, 12th October 2007, Lot 124 ($85,000). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Some old veneer repairs and sections of veneer re-stuck. Tooled leather inset surface is and old replacement and has the expected wear, marks and abrasions. All metalware appears original. Keys present and operate all locks. Later supporting block to backs of feet. Later drawer runners and tape to undersides of drawers. Large section of moulding to one outset corner of the top is detached but present.   Condition Report Disclaimer

A George III mahogany night commode, circa 1780, with shaped gallery incorporating pierced side carrying handles, above a pair of cupboard doors and a lower drawer, on moulded square section legs, 75cm high, 55cm wide, 48cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age use. Some old chips and splits. Good rich original colour to surface. Seat panel from commode drawer has been removed.  Condition Report Disclaimer

A dark green painted and gilt chinoiserie decorated demi-lune commode, in George III style, 20th century, the shaped top decorated with a figures in a traditional fishing village scene, above a central frieze drawer and central cupboard door, the panels of the front decorated with figures and traditional architecture, interspersed by bell flower carved pilasters headed by ram's heads, lappet moulded turned tapering legs, 93cm high, 127cm wide, 57cm deep

A George III patridgewood and parcel gilt bowfront commode, circa 1805, the shaped top with line inlaid edge, above three long graduated drawers, flanked by reeded tapering columns, on carved lion paw, 89cm high, 126cm wide, 54cm deep

A George III mahogany night commode, circa 1780, the galleried top incorporating a pair of pierced handles, the pair of hinged doors above a further drawer with a shaped apron, on square section moulded legs, 79cm high, 53.5cm wide, 49cm deep

A Directoire mahogany and giltmetal mounted commode, late 18th century, the rectangular variegated grey marble top with rounded corners and moulded edge, above three short and two long drawers, flanked by fluted three quarter columns, on turned arrow feet, 83cm high, 131cm wide, 61cm deep For a remarkably similar example of commode, see Christies, Paris, Arts décoratifs du XVIème au XIXème Siècle et Histoire Naturelle, 7th April 2009, lot 261 (£4,250).

A George III mahogany night commode, circa 1780, the rectangular top with shaped three quarter gallery incorporating pierced carrying handles, above a tambour door and drawer, on moulded square section legs, 84cm high, 58.5cm wide, 53cm deep

A 19th century mahogany pot cupboard, with tray top, over a hinged flap, to a pull out commode, 21.5ins x 18.5ins, height 31ins

A mahogany commode/baby bath, with ceramic liner, 61cmW

A French Style Marquetry Inlaid and Gilt Metal Mounted Small Commode with two drawers and drop handles, raised upon cabriole legs with scroll feet, 78cm wide, 39cm deep, 67cm high

Louis-XVI-Pfeilerkommode wohl Frankreich, um 1800 74x53x40 cm Dreischübiger Korpus mit 4 konischen Beinen und Tablettsteg. Schöne Würfelmarketterie, auf der Platte eingelegtes Monogramm in Ovalreserve. Nussbaum, Kirsche, Zwetschge u.a., Messingbeschläge. Altersspuren, rest. A LATE LOUIS-XVI BRASS MOUNTED WALNUT, CHERRYWOOD AND OTHERS COMMODE with dado pattern marquetry and monogrammed top, probably French, c. 1800. Minor restorations, traces of age.

Bedeutender Secretaire-à-Trois-Corps - sog. "Cantourgen" Mainz, ca. 1740/50 230x130x75 cm Zweischübiges Kommodenteil auf Volutenfüßen, an den vier teils abgeschrägten Ecken fein geschnitzte, applizierte C-Bögen. Geschweifte Front und Seiten. Mittelteil sich passig nach oben verjüngend, vier seitliche Schubfächer, zentrale, aufklappbare Schreibplatte. Zweitüriger Aufsatz, an den Seiten Lisenen mit C-Bögen und korinthischen Kapitellen, schauseitig Schlagleiste, die das Lisenendekor wieder aufgreift. Kabinettausstattung mit zentraler Tür und 13 Schüben, diese zentral verriegelt über das Türfach. Bronze- und Messingbeschläge. Nussbaum, Nussbaummaser, Mooreiche, Zwetschge u.a., graviert, koloriert, teils brandschattiert. Reich intarsiert. Auf dem Kommodenteil Vogeldarstellungen auf Zweigen und Blattwerk, Bandelwerk, Blütenmotive. Die Vögel wiederholen sich auf den Türen des Oberteils, darüber vasenförmige Aufbauten mit Hibiskus-Stauden. Auf der Schreibplatte die Darstellung der Flucht nach Ägypten in einer weiten Landschaft mit Burg, Ruinenarchitektur und weiterer Figurenstaffage. L. rest., Altersspuren. Provenienz: Aus einer alten bayerischen Privatsammlung, erworben bei Hugo Ruef, 405. Kunstauktion, 25.-28. März 1981, Lot 4520, seither in Familienbesitz. Der Typus des Mainzer Schreibschrankes, "Cantourgen" genannt, abgeleitet von "Kantor" oder "Cantour", was einen Schreibtisch bzw. ein Büro bezeichnet, gilt als Höhepunkt deutscher Möbelkunst des 18. Jahrhunderts. Es entspricht auch dem lokalen Dialekt, dem "Cantour" (dem großen Büro) ein "gen", zu Hochdeutsch die Verkleinerungsform "chen" beizufügen, und so ein "Cantour-chen" ein "kleines Büro" zu benennen. Die charakteristischen stilistischen Merkmale sind u.a. die markanten, abgeschrägten und teils frei stehenden Volutenlisenen und C-Bögen an den Ecken mit den korinthischen Kapitellen sowie die reichen Intarsien aus verschiedenen Materialien. Dieser Möbeltypus galt als Meisterstück der Mainzer Tischler und die Exemplare wurden zumeist für den lokalen Adel gefertigt. Besonders ist die Tatsache, daß sich zu den hervorragenden Mainzer Möbeln aus dem 18. Jahrhundert nicht nur die Möbel als solche, sondern auch eine sehr umfangreiche Reihe von Meisterrissen der Mainzer Schreinerzunft erhalten haben, die in der Folge die Formen der Meisterstücke der Zeit zwischen 1676 und 1816 wiedergibt. Lit. Fritz Arens, Meisterrisse und Möbel der Mainzer Schreiner, Mainz 1955, Tafel 53 ff. Bekannte Mainzer Stückmeister waren u.a. Anton Ortlauff, Johann Philipp Joseph Alffter, Johann Philipp Raab, Ludwig Escher, Franz Brant oder Heinrich Härtig und Johann Valentin Brenner. In Privatbesitz sind noch verschiedene Exemplare der Cantourgen bekannt, weitere Stücke u.a. im Reiß-Museum (Mannheim), im Badischen Landesmuseum (Karlsruhe), im Hessischen Landesmuseum (Darmstadt) oder in der Eremitage (St. Petersburg). Lit. Kreisel/Himmelheber, Die Kunst des deutschen Möbels, Spätbarock und Rokoko, S. 304 ff., Abb. 1038-1045, wobei von den hier vorgestellten Exemplaren ein Schreibschrank von Kilian Bender um 1750 bzw. ein Sekretär von Johann Philipp Raab aus dem Jahr 1766 (Abb. 1038, 1041) in der Form und Volutendekoration die meisten Ähnlichkeiten zu dem hier angebotenen Stück vorweisen. Vgl. Auch Wolfgang L. Eller, Schreibmöbel 1700-1850, Abb. 96-104 sowie Heidrun Zinnkann, Meisterstücke Mainzer Möbel des 18. Jahrhunderts, Katalognr. X. Die Geschichte der einst freien Stadt Mainz (1244-1462) wurde bis zum Ende des 18. Jahrhunderts durch die Mainzer Kurfürsten und Erzbischöfe bestimmt. Dank seiner günstigen geographischen Lage am Rhein und seiner Funktion als Festungsstadt und Sitz des Kurfürsten erlebte Mainz im 17. und 18. Jahrhundert eine weitere wirtschaftliche und kulturelle Blüte, was zur Folge hatte, daß die Ansprüche und Nachfragen in Kunst und Handwerk stiegen und Mainz zu einem in vielen Bereichen führenden kulturellen Zentrum wurde. AN EXCELLENT BRONZE MOUNTED AND MARQUETRIED WALNUT, BOG OAK, PLUM AND OTHERS SECRETAIRE-A-TROIS-CORPS, SO-CALLED "CANTOURGEN", Mainz, c. 1740/50. Commode part with two drawers, ornitological and floral marquetry, with c-shaped carvings, central part with hinged writing desk, on the front a rich marquetry depicting The Flight into Egypt in a wide landscape with ruin architecture. Double leaf top with floral and ornitological marquetry, applied carved pilasters with Corinthian capitals. Rich cabinet interior with 13 drawers and central door. - Minor restorations and traces of age. Provenance: Old Bavarian Private Collection. With Hugo Ruef, Munich, 405. Kunstauktion, 25.-28. March 1981, lot 4520. In family property until today. The Mainz furniture type "Cantourgen" (a German dialect word, meaning a small office) is the highpoint of German art of furniture in the 18th century and these masterpieces have mostly been manufactured for the local nobility. Quite a lot of design illustrations from the masters of the Mainz carpenters' guild have remained until today, showing the development of this furniture type in the period from 1676 until 1816 (Cf. Fritz Arens, Meisterrisse und Möbel der Mainzer Schreiner, Mainz 1955, plate 53 ff.). Famous Mainz masters were amongst others Anton Ortlauff, Johann Philipp Joseph Alffter, Johann Philipp Raab, Ludwig Escher, Franz Brant, Heinrich Härtig and Johann Valentin Brenner. Some examples of the Cantourgen can still be found in private collections but also in museums like Reiß-Museum (Mannheim), Badisches Landesmuseum (Karlsruhe), Hessisches Landesmuseum (Darmstadt) and Eremitage Museum (St. Petersburg). Rel. Lit. Kreisel/Himmelheber, Die Kunst des deutschen Möbels, Spätbarock und Rokoko, p. 304 ff., fig. 1038-1045, whereby from this examples a bureau from Kilian Bender, c. 1750, and from Johann Philipp Raab, 1766, are most closely to the piece at hand. Cf. also Wolfgang L. Eller, Schreibmöbel 1700-1850, fig. 96-104. Heidrun Zinnkann, Meisterstücke Mainzer Möbel des 18. Jahrhunderts, Fig. X. - The history of the former Free City Mainz (1244-1462) has been shaped by the electorial princes and archbishops until late 18th ct., experienced a cultural and prosperous heyday and became a leading cultural centre.

Barock-Kommode Mitteldeutsch, wohl Mittelrheinisch, um 1760 88x121x62 cm Zweischübiger, leicht geschwungener Korpus auf geschnitztem, rocailleverziertem Sockel auf 4 Füßen. Nussbaum u.a., teils graviert. Bronzebeschläge. Rest., Altersspuren. A MID-GERMAN BRONZE MOUNTED WALNUT AND OTHERS ROCOCO COMMODE, maybe Rhenish, c. 1760. Carved base on 4 feet, waltnut wood with engraved pattern. Minor restorations, traces of age.

Feine Empire-Kommode Frankreich, um 1810/20 91,5x130x62 cm Rechteckiger Korpus mit drei Schüben, vorgesetzte volutenförmige Lisenen. Mahagoni, vergoldete Bronzebeschläge, am Zargenschub vierfiguriger Bronzefries, originale Schlösser. Platte aus belgischem Granit. Leichte Altersspuren, l. rest. Passend zu nachfolgender Katalognummer. Provenienz: Aus einer württembergischen Privatsammlung. A FINE FRENCH ORMOLU MOUNTED MAHOGANY COMMODE, c. 1810/20. Fine gilt bronze mounts of foliage, rosettes and a figural frieze on upper drawer. Belgian granite top. Original locks. Very minor restorations and traces of age. Matching to following lot.

Louis XVI Miniaturaufsatz-Sekretär Süddeutsch, datiert 1784 56x30x17 cm Zweischübiges Unterteil, Aufsatz mit Türfach. Bronzebeschläge. Nussbaum, Mooreiche, u.a. teils graviert. Rückseitig Nadelholz. Fein geschnitzte Applikationen und Marketterien. In Kartusche in Rot beschriftet "FKP geboren dem II. 8 (?) September Anno. 1784. Jahre". Verschiebares Gesims mit Geheimechanismus für Tür und Schubfächer. Rest. Altersspuren. Provenienz: Bedeutende bayerische Privatsammlung, vor 1989 erworben A SOUTH GERMAN LOUIS XVI BRASS MOUNTED WALNUT AND FRUITWOOD MINIATURE COMMODE, dated 1784. Removable vase and laurel crest with secret mechanism. Provenance: Important Bavarian private collection, assembled prior 1989 - Very minor restorations and signes of aging.

An early 20th century French transitional style commode, of small proportion, with two horizontal drawers mounted with cast brass handles and escutcheon, raised on four fluted tapered legs, 87 cm high x 52 cm deep x 86 cm wideLocation: CON

A George III cream painted bedside commode, circa 1800, the hinged rectangular top with moulded edge, above the shaped frieze, on moulded square section legs, 44cm high, 43cm wide, 39cm deep

A GEORGE III MAHOGANY TRAY TOP COMMODE, C1820, THE TAMBOUR SHUTTER AND APRON DRAWER ADAPTED (AS A DOOR AND STEP), 79CM H; 41 X 48CM AND A GEORGE III MAHOGANY POT CUPBOARD (2) Both with restorations

A 1930s oak canteen case, the hinged lid over a fitted drawer on barley-twist legs joined by stretchers, 68 cm wide, 45 cm deep, 74 cm high, and a mahogany converted commode (2)

A French style commode chest of drawers, with beige variegated marble top and two frieze drawers painted with a landscape and all raised on cabriole legs terminating in sabot feet. Height 81 cm, width 125 cm, depth 53 cm.

A Continental marble topped two drawer commode cabinet, with brass handles mounts and sabot feet. Height 85 cm, width 91 cm, depth 44 cm.

A French style commode chest of drawers, with variegated marble top, single frieze drawer painted with a lake and trees and raised on cabriole legs terminating in sabot feet. Height 78 cm, width 84 cm, depth 45 cm. CONDITION REPORT: The chest of drawers is in generally very good condition. The marble top is in good order with no significant chips or losses. The base is in good condition also. All metalwork is present. The chest has no significant age and is probably only a few years old.

A French style gilt painted serpentine fronted commode chest of drawers, with green marble top. Height 84 cm.

An Arts & Crafts oak commode, with stylised carving. Width 54.5 cm.

An early 19th century mahogany commode cabinet, with tambour front and raised on moulded legs of square section. Height 75 cm, width 55 cm, depth 45 cm.