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A Louis XV Provincial Blue and Cream-Painted CommodeMid-18th CenturyHeight 32 3/4 x width 57 x depth 23 3/4 inches.This lot is located in Chicago.Light wear to finish throughout. Losses to knees and edges, most visible on left side of case. Cracking to painted finish with some areas lifting. Abrasion running length of panel on left side of case. Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Pair of George III Gilt Ormolu-Mounted Chinese Lacquer Corner Cabinets Attributed to Pierre Langlois, Circa 1765one with an ink label inscribed Whitburn Hall, 1957.Height 34 3/4 x width 34 x depth 25 1/2 inches; length of each side 24 inches.This lot is located in Chicago.Provenance: (First example)Difford's Antiques, Edinburgh (labeled)Hotspur Ltd., London, 2002 (with invoice) (Second example)Private Collection;Sotheby", New York, 21 October 2005, Important English Furniture & Decorations from a Private Collection, Lot 4 (with copy of invoice)Note:This striking pair of corner cabinets incorporating Chinese lacquer panels are perhaps the only currently known examples that can be attributed to the renowned cabinet-maker Pierre Langlois (1718-1767). They are part of an elite group of furniture in the French or 'modern' style which were commissioned by some of the era" foremost patrons and connoisseurs, including Sir Horace Walpole and the Duke of Bedford.Unlike his contemporaries, Langlois, the child of French emigres, learned his trade in Paris where it is thought he worked under Jean Francois Oeben. Langlois' French training resulted in an oeuvre which was very distinctive from English cabinet-makers. His forms show both the familiarity and the technical skill required to closely emulate contemporary French prototypes. A related pair of encoignures by the Parisian ebeniste Jacques Dubois (P. Kjellberg, Les Mobiliers Francais du XVIII Siecle, Paris, 1989, p. 270) also demonstrates the expertise required to shave panels from a Chinese screen and transform them into curved doors. Yet, Langlois' workshop was not a faithful recreation of a Parisian atelier. His cabinet work had French styled paneled backboards made out of softwood but the exterior carcasses were almost always stained black which was unique to his workshop. The corner cabinets' black lacquer tops are another departure from French examples which featured marble. Although Langlois' mounts were clearly derived from French prototypes, they were almost certainly the work of his son-in-law, the French emigre metalworker Dominique Jean (d. 1807); the large-scale beaded border seen below the tops is also found on other Langlois furniture, including three richly mounted commodes, one in the King's Bedchamber at Windsor Castle (RCIN 21235) and a pair also in the Royal Collection (RCIN 2549).These corner cabinets are part of a select group of furniture produced by Langlois that incorporate Chinese lacquer panels and are among his richest, most technically advanced work. Two pairs of commodes from around 1765 incorporate Chinese lacquer which is remarkably similar and could suggest they were all cut from the same Chinese screen. One pair was supplied to Sir Matthew Fetherstonhaugh (1714-1774) for Uppark, Sussex (NT 13647.1 and NT 13647.2) also have lacquer tops; the other pair are at Powis Castle, Wales and feature marble tops (NT 181049). A further single commode commissioned by Sir Horace Walpole for Strawberry Hill is now at the Fine Arts Museum of San Francisco (1985.58).Whitburn Hall, County Durham, was acquired by Sir Hedworth Williamson, 6th Bt. before his death in 1810 and the house was subsequently enlarged and refurbished by his successors throughout the 19th century. The pair of corner cabinets were likely acquired by the 9th Bt., also Sir Hedworth Williamson (d. 1942), who inherited a massive fortune and was an active collector. He purchased the magnificent rococo paneling from Chesterfield House, London, which he installed at Whitburn in 1937.With two keys. Sturdy, well-preserved, un-altered condition. Mounts all present and appear to retain their original gilt surface. Typical lifting and flaking to the lacquer which would benefit from conservation. The right-side door of one cabinet has a larger crack that should be handled with caution. The decoration vivid and well-preserved throughout, retaining fine details. Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Pair of George III Gilt Bronze Mounted Tulipwood, Burr Yew and Satinwood Marquetry Demilune CabinetsProbably Irish, Circa 1790with cedar-lined drawers and mahogany bottom boards, the ormolu boards probably later; minor differences in size.Larger: height 37 x width 43 1/8 x depth 19 inches; smaller: height 37 x width 41 1/4 x depth 18 7/8 inches.This lot is located in Chicago.Provenance:Lord Louth, Louth Hall, County Louth, IrelandPartridge, London, 19 April 1994 (with invoice)Note:The design of these elegant cabinets, with their distinctive burr yew panels and delicate Neoclassical swag marquetry, closely relates to the work of Dublin cabinet-makers of the era. Though William Moore is perhaps the most-well known potential candidate, other cabinet-makers, such as John Wisdom, also employed the same pattern of burr yew panels on their documented work including a table supplied to Thomas Cobb at Newbridge (Glin and J. Peill, Irish Furniture, New Haven, 2007 p. 167, fig. 228). As the authors note, much has been attributed to William Moore without documented evidence (Ibid, p. 166) and indeed only two works have been substantiated as by Moore-a demilune commode supplied to William Henry Cavendish-Bentinck, 3rd Duke of Portland (d. 1809) when Viceroy of Ireland around 1782 and a demilune Pianoforte inscribed 'W Moore', circa 1785, the only signed example of his work. The location of the signed example is currently unknown.With two keys. Both cabinets with some circular moisture rings on their tops. A few minor instances of veneer repairs along the banding. Clean backs and re-polished. Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Louis XVI mahogany and gilt-metal-mounted commode,c.1790, the grey marble top above an arrangement of five drawers, raised on tapering turned supports,126cm wide61cm deep91cm highCondition ReportGeneral surface wear and scratches to marble. Some splits, knocks and wear to the veneer of the front and sides. Some small chips, knocks and losses. Breaks and repairs to the feet. Joints sound. Some knocks, wear and misshapen elements to brass. One piece of moulding off but present. Old glue repairs. Overall appears in fair structural and cosmetic condition and is ready to use.
A Transitional rosewood and tulipwood crossbanded commode, c.1770, French, of serpentine outline, the brèche d'Alep marble top above two short and one long drawer, with all-over scrolling rococo ormolu mounts, 132cm wide55cm deep86cm highCondition ReportThe marble repaired, with some small old chips and knocks to edges and corners. Some mounts a little loose, with the example to the rail with a break. Some tarnish and discolouration to ormolu. Some splits, chips, lifting, knocks, losses and areas of repair to veneer. General fading, discolouration and surface wear. A small amount of wobble in front right leg, but generally solid and sturdy. A small gap visible between the marble and the carcass when viewed at eye level, giving a bit of wobble towards the front left corner. Drawers run smoothly. Some splits to liners. Overall appears in fairly good structural and cosmetic condition and is ready for use in its current state.
A walnut and marquetry commode, mid-18th century, Italian, of serpentine outline, the top inlaid with a star and quadrilobed motifs, above two drawers, and raised on cabriole legs terminating in hoof feet, 126cm wide64cm deep84cm highProvenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire.Condition ReportSplits, scratches, marks and wear to top. Small areas of patch repair and cosmetic repair throughout. General old chips, knocks and losses. A small amount of movement in the front left corner of the top, but the joints are generally solid and sound. Handles later. Drawers run smoothly. Splits to drawer liners. Evidence of minor strengthening beneath. Historic woodworm damage, which does not appear active. Overall appears in fairly good condition and is ready for use.
George III mahogany night-cabinet commode, raised gallery enclosing washbasin and bowl rests with removable lid, false frieze drawer over cupboard enclosed by tambour roll door, pull-out commode disguised as two false drawers, on shaped apron with splayed bracket feet Dimensions: Height: 83cm Length/Width: 43cm Depth/Diameter: 43cm
A LOUIS XV STYLE BLACK LACQUER COMMODE in the manner of BVRB, of bombé form with a serpentine-shaped front fitted with two long drawers on curved tapering legs, the panels decorated in tones of golden colours with Oriental buildings, mountainous river landscapes and mounted with ormolu corner plaques, borders and sabots, with a well-veined alabaster top, 134cm wide x 87cm high x 60cm deepProvenance: The collection of W. MorganPurchased circa 1900 for £100, and acquired thereafter by inheritance.
A set of Edwardian Walnut chairs, pierced and carved splats, Bergere weave seats, tapering square legs, spade feet, 84cm high; another set of three Edwardian chairs, walnut, with boxwood stringing throughout, c.1905, (6).A 19th century Brass helmet coal scuttle, companion set, pierced fender, 105cm wideBrass coal scuttle, conforming fireside; pierced pattern fender, 105cmAn Edwardian inlaid mahogany occasional table, circular top, tapering legs, castor terminals, 54cm high, 74cm diameter; a 19th century blue fabric covered commode box, 42cm high, 48cm square (2)
A LARGE SELECTION OF OCCASIONAL FURNITURE, to include a white French chest of three drawers, a hanging display cabinet, two other hanging shelving units, a wall clock, a magazine rack, a corner table, another occasional table, a folding table, two wine tables, a three tier table, a distressed armchair, a wicker commode, a window seat, and another chair (condition - damage or losses to most items) (15)
18th Cent. French Transition style chest of drawers (transition Louis XV to Louis XVI) in parquetry with neoclassical mountings in guilded bronze - with its thick marble top || FRANKRIJK - 18° EEUW commode in Transition-stijl (overgang Lodewijk XV Lodewijk XVI) met een gebroken front en gerealiseerd in parquetterie, versierd met neoclassicistisch gedoreerd bronsbeslag - met dik marmeren blad

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19970 item(s)/page