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A blue-printed chinoiserie teapot, possibly by Shorthose & Co, of commode shape with swan finial and ochre lining to spout, rim and handle, printed in blue with a One Man Chinoiserie pattern, overall length 23.6cm, unmarked, circa 1800-10 (restored). See Priestman, pages 57-58, for information on this pattern made by Shorthose, Minton and others
A Fine Kingwood Bombe Shaped Commode. The serpentine front Griotte Uni marble top having a moulded edge and measuring 49 ins (125 cms) in width. The three long drawers quarter-veneered with inlaid cross-bandings, having decorative gilt bronze swing handles and escutcheons above a central ornamental gilt bronze mount. The well swept sides enriched with caryatids above rococo scrolls and foliated stems leading down the outer corners to meet the scrolling sabots, 32 ins (81 cms) in height.
An 18th Century Maltese walnut and marquetry inlaid commode chest, the overhanging crossbanded top with a moulded edge, central circular reserve marquetry inlaid with a maiden, the whole with four corner marquetry scrolling inlays above four long drawers, each with geometric marquetry inlay as eight short drawers depicting reserves of birds on a satinwood field, the whole with crossbanding, all within proud satinwood strung pilasters and raised on bun feet, the whole with some repairs, restoration, replacement handles etc., width 149cm
A fine gilt-bronze and Boulle marquetry commode after Andre Charles Boulle, Paris, circa 1880, with a later marble top, above two drawers h.87cm.; w.123cm.; d.64cm.This commode is a copy of one of the pair of commodes made in 1708 by Andra Charles Boulle for the king's bed-chamber at the Palais de Trianon, now the Grand Trianon. Boulle perfected the Dutch technique of marquetry, not only using selected woods but incorporating more expensive and exotic materials such as tortoiseshell, brass, copper and pewter, a technique universally known today as 'Boulle'.It is unusual to find models of this commode of such fine quality and it is strange that the present example is unsigned. The model was made by several leading 19th century makers. A very fine pair of commodes supplied by Blake of London were sold in Sothebys London, lot 231, 2nd November 1990 and another pair by Winkelsen of Paris was sold Sothebys, London, 16th March lot 159. W
A VICTORIAN MAHOGANY PATENT COMMODE CHAIR BY R. J. WISS, having a bar back and tie rail, lift-up seat, the box interior fitted with a blue and white pottery bowl printed with flowers and 'R. J. Wiss Patentee 87 St. Martins Lane (W. C.) London, from 38 Charing Cross', ceramic handled plunger and turned cover
A GEORGE III STYLE MAHOGANY DEMI-LUNE COMMODE of Chippendale design, the frieze carved with a foliate paterae and upright acanthus leaves over a pair of panelled doors carved with ribbon-tied husks, oval paterae and tassels, on "hollowed" square tapering legs terminating in spade feet, 60" wide.
Late 18th Century New Hall commode-shaped Teapot and Cover and Stand, the cover with baluster vase shaped knop, above a shaped spout and handle and freely painted with floral sprays, unmarked, numbered N311, a similar helmet-shaped Cream Jug, painted with pink flowers, four similar Tea Bowls and three Saucer Dishes, each painted with pink ribands and floral sprays, (11).
Georgian mahogany and marquetry demi lune lounge commode, the top with central vase motif surrounded by acanthus scrolls, floral and butterfly designs over single frieze drawer with cherub and floral decoration above two cupboard doors with figures in robes amongst floral designs, flanked by side panels with vase and foliate inlay, all raised on squat square tapered legs, 47 1/2in (120.6cm) wide

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19970 item(s)/page