We found 19970 price guide item(s) matching your search

Quality Reproduction French Louis XV Marble-Top Bombe Chest or Commode: height 79cm, depth 49cm and width at widest 89cm

An Early XIX Century Mahogany Commode, having tray top, twin cupboard doors over single drawer, on straight legs, 51.5cm wide.

A French early 19th century serpentine front walnut commode, having two short and two long drawers, 126 cm wide

A 19th century mahogany tray top commode, 50 cm wide, a painted single chair, a gilt gesso wall mount and a sledge (4)

A small Georgian mahogany cabinet, adapted from a night commode, now with two fall fronts on bracket feet, 64cms

A VINTAGE TIN TRUNK, along with an extending brass fender, enamelled flour bin, painted bucked, pan and a pine commode (6)

An oak veneered three drawer commode chest

An Adam style reproduction demi lune commode, with a single frieze drawer over a pair of cupboard doors, raised on tapering square legs on spade feet, 88cm high, 131cm wide, 50cm deep.

VINTAGE & LATER FURNITURE PARCEL, FIVE ITEMS to include a modern tapestry firescreen, two circular top tables, a three-tier shaped example and a raised height armchair commode, various measurements

Antique mahogany commode stool 18 x 16 inches 16 tall

Pair French walnut commode bedside chests, three graduating drawers, shaped stile supports Dimensions: Height: 66cm  Length/Width: 56cm  Depth/Diameter: 33cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

An unusual 19th century mahogany commode, later converted for use as both library steps and as a chess board; together with a set of chess pieces, 58x48x45cmH

A mahogany adjustable dressing mirror, with two drawers below, approx. 63cmH; together with a mahogany commode now converted as a stool, 59x36x45cmH

A Georgian tray topped commode, internals altered, 81 h x 51 w x 42cm dLocation: RWB

A LLOYD LOOM CHAIR AND OTTOMAN, A LLOYD LOOM STYLE COMMODE AND A WHITE PAINTED TABLE/MAGAZINE RACK

A GEORGIAN MAHOGANY AND INLAID COMMODE CHEST (LACKING CHAMBER POT)

Oak commode armchair

A pair of reproduction Dutch Bombe commode chests with marble top over two drawers

A George III mahogany cabinet, formerly a commode

A George III mahogany chest commode

A Louis XV cherry commode, circa 1770, 83cm high, 103cm wide, 57cm deep Provenance: Private Collection, The Manor House, Stanford in the Vale, OxfordshireCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Some evidence of old worm. Darker marks/splashes to top - see images for extent. Old nail repair to split at one rear corner of top. Another old repair to split at rear edge of top. Handles and escutcheons are 18th century replacements. No key present, both locks are open. Filler of later timber applied over the back of one lock plate. Please refer to additional images for visual reference to condition.Condition Report Disclaimer

Y A Louis XV kingwood and crossbanded petit commode, by Jean Charles Ellaume, circa 1760, underneath the marble to one corner stamped 'JME' and 'J C ELLAUME', 85cm high, 81cm wide, 46cm deep For a similar commode by Jean Charles Ellaume see, Christie's, Paris, Interieurs, 29th June 2005, Lot 582 (EUR 3,840). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and losses to veneers - see images. Some old veneer repairs and filler applied to surface in places. Evidence of old worm with filler used to help disguise in places. One side with split opening slightly along the central line where the veneers join. Top has neatly repaired cracks with filler used to help disguise - see images. Wear and polishing deposits to the handles, escutcheons and mounts. Handles, escutcheons and mounts are possibly later replacements. Various screws have been used to secure.The escutcheon to the lower drawer with a section of loss to one side. No key present, both locks are open. Please refer to additional images for visual reference to condition.    Condition Report Disclaimer

A George III mahogany serpentine fronted commode, circa 1775, one drawer bearing a retail label for 'NORMAN ADAMS LTD, 8-10, HANS ROAD, LONDON, S.W.3', 84.5cm high, 122cm wide, 62cm deep Provenance: Acquired from Norman Adam Ltd, 8-10 Hans Road, London, SW3 and bears the original retail labelA related commode with similar finely figured veneers was sold, Mount Congreve, The London Sale, Christie's, 23rd May 2012. Lot 38 (£49,250). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Label to interior of second highest drawer for 'ANTIQUE FURNITURE, From, NORMAN ADAMS LTD, 8-10, HANS ROAD, LONDON, S.W.3.'.Handles and well matched old replacements using the same holes. Some 'shadow' in areas adjacent to handles from previous fixtures. Baize to slide is a replacement. It has fading, marks and discolourations. Some glue residue and later tape to joins between boards of the bottoms of drawers. Escutcheons likely old well matched replacements. Locks appear original. Key present and operates all locks. 'Larger split running down one side. Small old repair to moulding at one rear corner of the top. Please refer to additional images for visual reference to condition.      Condition Report Disclaimer

A matched pair of George III mahogany concave fronted bedside commode, circa 1780, with sliding tambour door, the larger 78cm high, 61cm wide, 53cm deep, the smaller 76cm high, 58cm wide, 50cm deep

An Italian walnut commode,basically 18th century, of undulating serpentine outline, the top with a moulded edge and scrolling marquetry inlay, and the whole with crossbanded and feather banded veneer, raised on cabriole supports terminating in peg feet,124cm wide59cm deep88cm highCondition report: Backboard replaced. Evidence of repair and alteration to the carcass. Knocks, splits and losses to veneer. Traces of worm. Splits to drawer linings. Replacements to hardware. All feet have been repaired or re-tipped. General wear and repair throughout.

New Hall porcelain teawares,a part tea service, pattern no. 21, comprising:a commode-shaped teapot, cover and stand,a slop bowl, 15cm diameter,2 tea plates, 21.5cm diameter,6 coffee cans,4 tea bowls and6 saucers,6 further wares including,6 tea bowls and saucers,a punch bowl, 31cm diameter and6 various cream/milk jugs (47)Condition report: Rubbing, wear, some cracks and chips.

New Hall porcelain teawares,comprising:a commode-shaped teapot, cover and stand, 3 tea bowls and saucers, pattern no. 226,an oval teapot and cover, anda tea bowl and saucer,unmarked,a commode-shaped teapot and cover,a bowl, 12.2cm diameter, anda tea bowl and saucer, pattern no. 191,5 further tea bowls and 3 saucers,unmarked,2 bowls and a jug (29)Condition report: Oval teapot with significant cracks. Restoration to tip of spout. No marks or numbers. Please see additional photos. 191 teapot restoration to handle, it has been off and re-affixed.General rubbing, some chips and restoration.

A New Hall part tea service,pattern No 186, with a border of a magenta ribbon with floral sprays and a further lined band with flowers, some pieces fluted,comprising,a commode-shaped teapot and cover,a tea bowl and stand,2 coffee cups.a tea bowl,2 saucers, various sizes,teapot, 14cm high,a slop bowl, 15.5cm diameter,a slop stand, 19cm diameter (12)Condition report: Teapot: handle repaired. Body cracked. Firing fritting.One cup with a small rim chip.Slop stand: rubbed, firing fritting and discolouration.

An extensive New Hall part tea service,pattern no. 195, the iron red lined borders with swags separated by mauve feathers, flowers and green leaves, the central sprays including a mauve and pink rose, comprising:3 commode-shaped teapots and covers, 14cm high,a boat-shaped teapot and cover, 15cm high,2 milk jugs,a cake plate,2 slop bowls, 15cm diameter17 tea bowls,21 saucers, anda sucrier (51)Condition report: Commode teapots:1 with repair to spout lip.1 with chip to spout and poorly fitting lid.1 probable repair to spout lip and chip to lid finial.Boat shaped pot handle re-affixed.Milk jugs - no obvious major faults.Tea bowls - some rubbing, 1 small rim chip.Saucers - 1 with small rim chip.Overall some fritting with firing and minor wear.

A New Hall part tea service,pattern no. 171, the borders with mauve dots between two iron-red lines and an undulating line edged with dots, the main motif a shallow iron-red basket filled with flowers, comprising:a commode-shaped teapot, cover and stand,a boat-shaped teapot, cover and matched stand,3 milk jugs,2 slop bowls,2 sucriers, one ribbed,6 tea bowls, two ribbed,6 saucers, one ribbed,3 tea bowls, and3 saucers (31)Condition report: Generally no obvious major faults.A few small rim chips (3 or 4).Minor wear.Some firing flaws and fritting.

New Hall porcelain teawares,comprising:a commode-shaped teapot, pattern No. 121 with a cover and matched stand, a saucer dish, pattern no. 235,a saucer dish, pattern no. 27, 20cm diameter,a tea bowl and saucer, pattern no. 312,an oval teapot and cover, pattern no. 594, 14cm,2 coffee cups, a saucer and a bowl, pattern no. 241,2 tea bowls and saucers,2 saucers and a coffee can (20)Condition report: Commode teapot - finial to cover and handle restored.Oval teapot - firing cracks, crack to the base of the handle, cover ill-fitting.One of 241 cups restored.

A Louis XVI-style inlaid, parquetry and mahogany marble top commode, French c.1900, after Jean-Henri Riesener, modelled from the Concordant Commode at the Palais de Fontainebleau, the shaped and veined white marble top over three frieze drawers and shaped and panelled doors, the front of bowed, breakfront form, the sides flared, the drawers and frieze with ornate gilt bronze mounts, the doors inlaid with a central panel of an ewer and a basket of fruit on a specimen wood ground, flanked by panels with stylised flower heads, the sides conforming, within boldly cast gilt bronze mounts,166cm wide64cm deep94cm highCondition report: Minor chips to edges of marble, mainly the back edge. Repaired split to both side panel. Smaller door with wear to hinge edge. Faded.it looks as though it has been through a restorers workshop at some point in its life, both panels have been repaired and there are areas of the veneers damaged internally (see photos) other small areas of repair, evidence of glue between the backboards and expansion within the joints of the carcass. Gilt metal worn extensively and unevenly slightly pitted to the surface, split to the front right-hand door that is also visible from the inside.One key. It could easily go straight into a grand house.

A French Louis XVI style mahogany and ormolu mounted commode,late 19th/early 20th century, the Brèche d'Alep marble top with a pierced gallery, above three drawers, set between a pair of cupboard doors, raised on tapering fluted supports,96cm wide44cm deep91cm highCondition report: Dirt and tarnish to ormolu. No key present on one drawer and door locked. Right door split. Small crack to corner of marble. Some knocks, scratches and wear.

A Sri Lankan calamander miniature commode,19th century, of serpentine shape with three drawers on scrolled legs,38cm wide25.5cm deep25cm high

A Louis XVI walnut commode with moulded edge to the rectangular top, fitted three drawers with carved scroll decoration, brass swing handles, & shaped escutcheons, on short carved scroll feet; 51” wide x 33½” high x 24¾” deep.

Continental fruitwood commode, rectangular top, three drawers, shaped legs, width 79cm, depth 51cm, height 78cm.

A French Louis XV style kingwood and ormolu mounted serpentine bombe commode, with veined pink marble top, two drawers and swept feet, W.4ft D.2ft H.2ft 11in.CONDITION: Marble top, which is probably later, has some chipping to the back right corner and perhaps a repair to the tip of the front right corner, ebonised ground fronting the drawers and side panels is faded and scuffed with a number of fine cracks running throughout, overall front looks a little faded, some small losses of veneers around the apron and down the sides of the legs, both locks look original with a working key, one loose ormolu mount from the front right foot, the mount is still present, no mounts to the back feet, overall fair to good condition.

A 19th century Continental walnut serpentine commode, fitted three long drawers with brass loop handles, on reduced scroll feet, W.3ft 10in. D.2ft 1in. H.2ft 8in.CONDITION: Overall of an even mid golden brown tone, an old filled separation in the top panels which looks to be part of the manufacture but maybe later infill, also runs down the joints of the right hand side of the top, further infilled old splits, knocks and dents commensurate with age with a flathead screw showing in the back right corner, the handles look to be later additions, and feet cut down from a more pronounced scroll, fitted with old locks but no key.

A French Louis XV style mahogany, kingwood and marble topped petit commode, 70cms h x 78cms w

A George III mahogany cabinet (converted from a commode)

19th Century French tulipwood commode, the serpentine marble top above the bombe base with three long drawers and a deep apron with applied gilt-bronze mounts, in the manner of Claude Charles Saunier, 120cm wide, 56cm deep, 84cm high

COMMODE, French style ebonised with three long drawers, 85cm H x 110cm x 48cm. (with faults)

SWEDISH COMMODE, 19th century design grey painted and silvered metal mounted with three long drawers and marble top, 85cm x 43cm x 82cm H.

Late 17th century Oak Commode Chair, the carved top rail over a panelled back and solid seat (adapted), 51cms wide x 103cms high

GROßE LOUIS XVI-KOMMODE Süddeutsch, um 1780-1790, furniert sowie Einlagen aus unterschiedlichen Edelhölzern wie Vogelaugenahorn und Pflaumenholz, gerader, dreischübiger Korpus, flankiert von schräggestellten Ecklisenen auf schmaler Profilzarge und Balusterfüßen, korrespondierende Deckplatte mit verkröpften Ecken, flächendeckend breit gerahmte Furnierfelder, HxBxT: 85/133/66 cm. Alters-und Gebrauchsspuren. LARGE LOUIS XVI COMMODE South German, c. 1780-1790, veneered and inlaid with various precious woods such as bird's-eye maple and plum wood, straight, three-bay corpus flanked by sloping corner pilasters on a narrow profile frame and baluster feet, corresponding top with cranked corners, wide framed veneer panels over the entire surface, HxWxD: 85/133/66 cm. Signs of age and use.

A French Louis XVI brass inlaid demi lune commode (H80cm W80cm)

A Victorian mahogany swing mirror plus a Victorian mahogany commode

An oak chair commode the cane back.

A good oak commode chair.

KOMMODELouis XVI, Frankreich um 1770/80.Mahagoni, die Schubladenfronten sowie Seitenkassetten in braunem Lack mit feinen Goldeinschlüssen. Rechteckiges Gris Sainte-Anne-Marmorblatt, die Ecken abgerundet sowie moulüriert, auf gerader Zarge und konischen kannelierten Beinen mit Messingsabots. Front mit fünf Schubladen auf drei Rängen. Bronzebeschläge und Filets.127 × 54 × 86 cm.Wenige Fehlstellen. Die Lackpaneele evtl. mit späteren Ergänzungen. COMMODELouis XVI, France ca. 1770/80.Mahogany, the fronts of the drawers and the lateral panels, lacquered brown with fine gold inclusions. Rectangular "Gris Sainte-Anne" marble top, shaped and with rounded corners. Brass sabots. Front with five drawers, arranged in three rows. Bronze mounts and fillets.127 × 54 × 86 cm.Few losses. The lacquered panels, possibly with later restorations.

KLEINE KOMMODELouis XV, Paris um 1760. Signiert IC SAVNIER (Jean-Charles Saunier, Meister 1743) und dem Innungsstempel.Amarant, Rosenholz und Satiné eingelegt mit passigen Reserven und Filets sowie teils gefriest. Front mit drei Schubladen zwischen geschwungenen Eckstollen. Leicht trapezförmiger, dreiseitig geschweifter Korpus auf ausgeschnittener Zarge und kurzen, leicht gestuften Füssen mit Bronze-Sabots. Grün-rotes Marmorblatt, wohl Campan grand mélange. 1 Schlüssel.69 × 41 × 84 cm. SMALL COMMODELouis XV, Paris ca. 1760. Signed IC SAVNIER (Jean-Charles Saunier, maître 1743) and with the guild stamp.Amaranth, tulipwood and satinwood, inlaid in fillets and reserves, and in part in veneer. Front with three drawers. Feet with bronze sabots. Green-red marble top, probably "Campan grand mélange" marble. 1 key.69 × 41 × 84 cm.

KOMMODE "À PORTES"Transition, Paris um 1775. Signiert R.V.L.C. (Roger Vandercruse, gen. Lacroix, Meister 1755), Innungsstempel.Rosenholz und Amarant fein eingelegt in Form von Reserven "à la grèque" und "cercles entrelacés". Trapezförmiger Korpus mit markant geschwungenen Seiten und leicht gerundeter Front auf ausgeschnittener Zarge und geschweiften Beinen. Front mit Doppeltüre zwischen markant geschwungenen Eckstollen mit vergoldeten Bronzebeschlägen in Form von Rocaillen, Blüten, Voluten und mit Liktorenbündeln. Sabots in Form von Tatzenfüssen. Zargenzierde in Form von Rocaillen und Blumen. Innen eingeteilt in sechs Fächer, wohl mit originalem, blauem Seidenbezug. Weiss/grau gesprenkeltes, randmoulüriertes Marmorblatt. 1 Schlüssel.116 x 54,5 x 86 cm.Erhaltungsrestaurationen und Reparaturen. Kleinere Furnierergänzungen.Roger Vandercruse genannt Lacroix (1727-1799) war wie sein Kollege Charles Topino (Meister 1773) ein Spezialist in der Herstellung von kleinen Schreibtischen, Bonheurs du Jour und Kommoden. Er gehörte zur bedeutendsten Dynastie Pariser Ebenisten des 18. Jahrhunderts. Als Schwager von Jean-François und Simon Oeben, arbeitete er in der Rue du Faubourg-Saint-Antoine. Er verkaufte seine qualitätsvollen Möbel über berühmte Zwischenhändler wie Pierre II Migeon und hochkarätige ‘Marchand-Mercier’ wie Simon-Philippe Poirier (um 1720-1785). Über deren Vermittlungstalent belieferte Lacroix die damalige Pariser Hautevolee mit meisterhaften Möbelpreziosen. In den Jahren 1769 –1774 lieferte Lacroix durch die Vermittlung des Ebenisten Gilles Joubert (1689 – 1775) mehrere Möbelstücke an den offiziellen ‘Garde-Meuble de la Couronne’ und somit direkt an die königliche Familie. Sein Geschäft florierte nicht zuletzt auch, als der Duc d'Orléans und Madame du Barry zu seinem Kundenstamm stießen.Charakteristisch für die Arbeit von Roger Vandercruse Lacroix sind Kommoden mit geschwungener Front. Oftmals sind seine Kreationen mit einem üppigen Palisanderfurnier und mit in sich verschlungenen, geometrischen Kreismotiven versehen. Die Verwendung geometrischer Intarsien lehnt sich an Jean-François Oeben Oeuvre an, wobei Lacroix die Ecken seiner Entwürfe durch sog. Linien ‘à la grecque’ ergänzt, die oftmals mit Amaranth-Filets unterstrichen werden. Die vorliegende Kommode lässt sich, wie viele seiner Entwürfe, mithilfe zweier Flügel öffnen und gibt den Blick auf sechs Fächer frei, die mit blauer Moiré-Seide überzogen sind.Eine ähnliche Kommode mit zwei Schubladen, ebenfalls ‘R.V.L.C.’ gestempelt und mit den gleichen Intarsien in Amarant und Palisander sowie den verschlungenen Kreismotiven, jedoch mit weniger ausgefallenen Bronzebeschlägen, gehörte zur Sammlung von ‘Madame S. S... [sic]’ (Auktion Hôtel Drouot, Paris, 7.-8. Dezember 1931, Lot 245). Ein Sekretär ‘à abattant’ wohl aus den Jahren um 1758 mit der Stempelung ‘R.V.L.C.’ aus der ehemaligen Sammlung von Paul Dutasta weist ebenfalls ein ähnliches Intarsiendekor aus verschlungenen Kreisformen auf. Möbel mit dem Stempel ‘R.V.L.C.’ oder ‘R. LACROIX’ sind derzeit in zahlreichen grossen internationalen öffentlichen Sammlungen vertreten. So in Paris beispielsweise im Louvre (Sammlung Rothschild, Musée du Louvre, Inv.-Nr. OA 11298); im Musée des Arts décoratifs (Inv.-Nr. PE 1511 & Inv.Nr. 46513); im Musée Nissim de Camondo (Inv.-Nr. CAM 345 & Inv. CAM 194); in Londons Victoria and Albert Museum (Inv.-Nr. W.20-1997, Inv.-Nr. 1116:1-5-1882 & Inv.-Nr. 376:1, 2-1901); im J. Paul-Getty-Museum in Malibu (Inv.-Nr. 70.DA.81) oder im Metropolitan Museum in New York (Inv.-Nr. 1982.60.62).Vergleichslit.: Clarisse Roinet, "Roger Vandercruse dit La Croix 1727-1799", Les cahiers du mobilier, Paris, 2000. COMMODE "À PORTES"Transition, Paris ca. 1775. Signed R.V.L.C. (Roger Vandercruse, known as Lacroix, maître 1755), guild stamp.Tulipwood and amaranth, finely inlaid in reserves "à la grèque" and "cercles entrelacés". Front with double-doors. Opulent bronze mounts and sabots. The inside, with six compartments, probably with original blue silk lining. White/gray speckled, shaped marle top. 1 key.116 x 54.5 x 86 cm.Conservation restorations and repairs. Minor supplements to the veneer.Roger Vandercruse, known as Lacroix (1727-1799), like his colleague Charles Topino (maître 1773), was a specialist in the manufactoring of small desks, bonheurs du jour and chests of drawers. He belonged to the most important dynasty of Parisian ebenists of the 18th century. The chest of drawers on offer, like many of his designs, opens up to reveal six compartments lined in blue moiré silk.A similar two-drawer chest, also stamped 'R.V.L.C.' and with the same amaranth and tulipwood inlays and intertwined circular motifs, but with less fancy opulents mounts, was part of the collection of 'Madame S. S... [sic]' (Hôtel Drouot Auction, Paris, 7-8 December 1931, Lot No. 245). A secretary 'à abattant' probably from around 1758 stamped 'R.V.L.C.' from the former collection of Paul Dutasta also has a similar inlaid decoration of intertwined circular motifs. Furniture stamped 'R.V.L.C.' or 'R. LACROIX' is currently represented in numerous large international public collections. In Paris, for example, in the Louvre (Rothschild Collection, Musée du Louvre, Inv. No. OA 11298); in the Musée des Arts décoratifs (Inv. No. PE 1511 & Inv. No. 46513); in the Musée Nissim de Camondo (Inv. No. CAM 345 & Inv. No. CAM 194); in London's Victoria and Albert Museum (Inv. No. W.20-1997, Inv. No. 1116:1-5-1882 & Inv. No. 376:1, 2-1901); in the J. Paul Getty Museum in Malibu (Inv. No. 70.DA.81) or in the Metropolitan Museum in New York (Inv .No. 1982.60.62).Comparative literature: Clarisse Roinet, "Roger Vandercruse dit La Croix 1727-1799," Les cahiers du mobilier, Paris, 2000.

MINIATURKOMMODEBarock, Süddeutschland, 18. Jh.Nussbaum eingelegt mit Rosenholz in Rautennetz und rechteckigen sowie geschweiften Reserven. Rechteckiger Korpus auf gerader randmoulürierter Zarge und Quetschfüssen. Leicht vorstehendes randmoulüriertes Blatt. Geschweifte Front mit drei Schubladen. Feine Messinggriffe in Rocaillenform und gravierte Messingmonturen. Schlösser ausgebaut.34 × 20 × 23 cm.Furnierergänzungen und kleinere Fehlstellen. Schubladen leicht klemmend. MINIATURE COMMODEBaroque, Southern Germany, 18th century.Walnut, inlaid with tulipwood in reserves. Rectangular body with slightly protruding top, the top with moulded edge. Front with three drawers. Fine brass handles, designed as rocailles, and engraved brass mounts. Locks, removed.34 × 20 × 23 cm.Significant restorations to the veneer, and small losses. Drawers, slightly jammed.

ROKOKO KOMMODEBern um 1750/55. Von Matthäus Funk (1697 – 1783).Nussbaum und Nussbaummaser eingelegt in rechteckigen Reserven. Leicht trapezförmiger, dreiseitig gebauchter Korpus auf ausgeschnittener Zarge und geschweiften Beinen mit Bronzesabots. Front mit zwei Schubladen, die obere ohne Traverse. Die Schubladenfronten mit Messingkanneluren versehen. Vergoldete Bronzebeschläge (später) in Form von Rocaillen, Blumen, Blättern und Muscheln. Blatt wohl Marbre de Belpberg. Die Schubladen teils mit originalem Kleisterpapier, überdeckt von mit grüner Seide bezogenem Karton. 1 Schlüssel.101 × 60 × 87 cm.Guter restaurierter Zustand. Bronzebeschläge später, nach Vorlagen von Funk. Die Schlösser später und versetzt.Elegante Kommode mit feinem Furnierbild in sehr gutem, restaurierten Zustand. Die Kommode entspricht in der Systematik von Hermann von Fischer dem Typ G4. Eine sehr ähnliche Kommode ist abgebildet unter Nummer 160 und wird datiert auf die Jahre 1750/55. (Hermann von Fischer, Fonck a Berne, Bern 2001. S. 99). Bis auf die Schlüsselschilder weist diese Kommode die identischen Bronzemonturen auf. Die Modelle der Schlüsselschilder finden sich jedoch auf anderen Arbeiten des Ebenisten. ROCOCO COMMODEBerne ca. 1750/55. By Matthäus Funk (1697 – 1783).Walnut and walnut burlwood, inlaid in rectangular reserves. Convex body on curved legs with bronze sabots. Front with three drawers, the upper drawer sans-traverse. The front of the drawers, decorated with brass fluting. Gilt bronze mounts (later), designed as rocailles, flowers, leaves and shells. Marble top, probably "Marbre de Belpberg". The drawers, in part with original paste paper, covered by cardboard lined with green silk. 1 key.101 × 60 × 87 cm.In good, restored condition. Bronze mounts, later, after templates by Funk. The locks, later and moved.An elegant chest of drawers with a fine veneer pattern in a very good, restored condition. The chest of drawers matches the type G4 in Hermann von Fischer's system. A very similar chest of drawers is depicted under number 160 and is dated 1750/55. (Hermann von Fischer, Fonck a Berne, Berne 2001. p. 99). With the exception of the escutcheons, this commode features bronze mounts identical thereto. However, these types of escutcheons can also be found on other furniture by this ebenist.

Victorian walnut framed upholstered low armchair, 34" wide, 40" deep, 36" high; also a pair of Victorian oak shield and gothic panelled back carved hall chairs supported upon baluster turned front legs, early spindle back Windsor chair, commode, another single hall chair and a foot stool (all in need of restoration) (7)

Victorian mahogany campaign commode

A MODERN MAHOGANY CORNER CUPBOARD, (two keys) along with a mahogany coffee table, mahogany commode, mahogany and strung inlaid torchere stand and a bespoke open bookcase (5)

TWO METAL AND FABRIC THREE FOLD FLOORSTANDING SCREEN, length 150cm x height 182cm (Sd) along with a Victorian walnut commode stool and a mahogany cheval mirror (Sd) (4)

A George III, Hepplewhite style, satinwood crossbanded mahogany demi-lune commode with figured marble top. Fitted a single frieze drawer and a pair of shaped cupboard doors below raised on square section tapering supports. 84 cm x 48 cm deep 86.5 cm high.Condition report: Some gaps to the back of the shaped doors only slightly transmits through to the front of the doors in the form of a crack

A small 19th century French gilt metal mounted rosewood, kingwood and marquetry, bombe shaped commode, in the Louis XV taste, breccia marble top above two long drawers, serpentine legs, 83cm high, 70cm wide, 39cm deep, c.1870