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A Wedgwood black basalt teapot and cover, of cylindrical form, the body relief moulded with classical scenes, the cover with acanthus leaves, 12cm high, along with a Newhall porcelain teapot and cover, early 19th century, of commode form decorated with polychrome floral sprays, painted "241" to base, 14cm high, with a similar example decorated with a cell diaper border, 15.5cm high, a Burleigh ware chinoiserie teapot and cover, 15cm high, and a James Macintyre and Co pewter lidded jug decorated with tube lined roses, 18cm high (5) (at fault)
Dated and signed '1890 A. Milesi' bottom right, oil on canvas30 x 43 5/8 in. (76.2 x 110.8cm)ProvenancePrivate Collection, New York, New York.The unlined canvas in overall fair to good condition. With a relatively minor circular puncture hole at upper center, on the chest of the standing woman. With a faint stretcher bar mark running along the top edge of the canvas. Examination under UV light reveals a layer of old greenish milky varnish throughout the composition, indicative of a need for a cleaning. We do notice scattered, very localized and minor, inpainting at center left (pitcher and commode). With broader inpainting on the seated man's cheek and neck, weist as well as on some parts of his trousers and the chair he is seated on. More localized inpainting below the table at center (one of its legs as well as the floor underneath it). Pinpoint inpainting on the crouching woman's upper lip, as well as on the standing woman's right cheek. Minor, localized and pinpoint inpainting in the bakcground at center right and upper right. Small repair on the trellis at upper left. See Specialist's pictures for more details.Frame: 36 1/2 x 50 1/8 x 2 1/2 in.To access images, or for any additional information, please email Raphael Chatroux at rchatroux@freemansauction.com.
A Northern European ormolu mounted rosewood, walnut, marquetry and penwork commode, 19th c, the top with cartouche and helm flanked by flowers and foliage, fitted with drawers and doors, on four cabriole legs with sabots, 86cm h; 42 x 80cm Losses to mounts and veneers chipped, requiring restoration
An 18th Century Italian burr oak and elm bombé fronted commode, the serpentine top banded with shaped lines, the front and sides similarly banded with two deep drawers on squat cabriole legs with hoof feet, 140cm wide, 62.5cm deep, 94cm high/see illustration CONDITION REPORT: Crossbanding renewed in places. Repair and re-laying of veneer throughout. Banding lifting and replaced in places to drawer fronts and sides. Drawer interiors stained throughout. Block feet scuffed
A small Regency mahogany converted chest commode, circa 1815, with four drawers on outsplayed bracket feet, 72cm x 58.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Commode galbée d'époque Louis XV en placage de bois de rose et bois de violetteouvrant par deux tiroirs séparés par une traverse. Ornementation de bronze doré à décor rocaille telles que poignées, chutes d'angles et entrées de serrure. Dessus de marbre de Sarrancolin.H: 85cm; L: 106cm; P: 59cm (avec le marbre)A Louis XV rosewood and kingwood galbée commode.For further information on this lot please visit Bonhams.com
Commode de forme tombeau de style Louis XVen bois de placage ouvrant à quatre tiroirs. H: 93cm; P: 143cm; L: 59cmA Louis XV style marquetery chest of drawers.Footnotes:Informations:Exposition partielle : la totalité des lots de la vente ne sera pas exposée chez Bonhams Cornette de Saint-Cyr (6 avenue Hoche 75008).Merci de contacter les spécialistes si vous souhaitez savoir où se trouve le lot, organiser un rendez-vous au garde-meuble (extérieur Paris) ou pour toute information concernant le lot.Partial exhibition : all the items of the sale won't be exhibited at Bonhams Cornette de Saint-Cyr (6 avenue Hoche 75008). .Please contact the specialists if you would like to know where is the lot, to organize an appointment at the warehouse (outside Paris) or for any information concerning the lotThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
RAYMOND FERNAND LOEWY (1893-1986)Ensemble comprenant une commode et un meuble d'appoint double-faces mod. DF 2000circa 1965Structure en contreplaqué, melaminé et façade des tiroirs en ABS teinté.Ed. Doubinsky Frères.Commode rouge: H: 65 cm (23.62 in.); L: 104 cm (40.94 in.); P: 40 cm (15.75 in.).Meuble blanc: H: 65 cm (23.62 in.); L: 100 cm (39.37 in.); P: 50 cm (19.69 in.).A set of plywood, melamine and ABS mod. DF 2000 drawer of chest and side chest by Raymond Fernand Loewy circa 1965.Footnotes:Informations:Exposition partielle : la totalité des lots de la vente ne sera pas exposée chez Bonhams Cornette de Saint-Cyr (6 avenue Hoche 75008).Merci de contacter les spécialistes si vous souhaitez savoir où se trouve le lot, organiser un rendez-vous au garde-meuble (extérieur Paris) ou pour toute information concernant le lot.Partial exhibition : all the items of the sale won't be exhibited at Bonhams Cornette de Saint-Cyr (6 avenue Hoche 75008). .Please contact the specialists if you would like to know where is the lot, to organize an appointment at the warehouse (outside Paris) or for any information concerning the lot.For further information on this lot please visit Bonhams.com
A Charles X rosewood and bois clair marquetry commode a vantauxCirca 1825, the marble top above one long stylised foliate, palmette and lozenge inlaid frieze drawer enclosing three divisions, over a pair of doors inlaid sans traverse with similar inlay, a central rosette and a large lozenge, enclosing a birds' eye maple veneered interior with three slides, the carcass top inscribed in ink: 'No. 1558', also with an old indistinct inscription, 132cm wide, 61cm deep, 98cm high (51 1/2in wide, 24in deep, 38 1/2in high) For further information on this lot please visit Bonhams.com
An Edwardian mahogany two-tier jardiniere stand (reduced in height),30 x 67cms high; a 19th Century mahogany stool (converted from a commode stool), 60 x 37 x 52cms; an Edwardian beechwood piano stool with pierced sides, 54 x 36 x 70cms high; and a 1930's mahogany sewing box, 38 (square) x 53cms high. (4)
A small 19th century mahogany three drawer chest with graduated drawers over a shaped apron and splay bracket supports (commode conversion), 58 cm wide x 60 cm deep x 71 cm high together with a 19th century mahogany toilet mirror of rectangular form with box base fitted with three frieze drawers and a mahogany standard lamp later fashioned from a 19th century bed post (3)
A SELECTION OF VARIOUS PERIOD CHAIRS, to include a slightly distressed commode, two oak carvers, a cane seated rocking chair, a wheel back chair a metamorphic child's chair, and another chair (condition - all chairs ideal for restoration, due to rickety frames, discolouration, and other imperfections) (6)
JEAN BAPTISTE FROMAGEAU (France, 1743-1793).Louis XV commode, third quarter of the 18th century.Rosewood and marquetry of bois de violette. Bronze handles and ornaments. Grey Sainte Anne marble top.Stamped on the two corners (under the envelope).Measurements: 88 x 126 x 63 cm.French Louis XV tumbeau commode made by the popular cabinetmaker Jean Baptiste Fromageau, active in Paris between 1755 and 1777. This piece of furniture dates from the last quarter of the 18th century and is almost entirely rococo, although the geometric veneering, appropriate to the structure, indicates a move towards the neoclassical language. The structure, with its bulging elevation, undulating profiles and sinuously cut chamfered corners, is still clearly rococo, as are the applied bronzes. These are mainly soft vegetal forms, clearly rococo, which even maintain the asymmetry typical of the first stage of this language, as can be seen in the front skirt or in the keyhole escutcheons. However, the tendency towards symmetry that marks the advance towards neoclassicism can already be seen in the handles, still worked with the naturalism of rococo, and the bronzes of the corners. The piece is made of bois de violette, an exotic wood used for veneering and marquetry, which was very popular in the 18th century. This wood, which belongs to the rosewood family, is mottled with purple and white highlights.It is a chest of drawers with three drawers, with two drawers in the lower ones and two in the upper one, although the decoration simulates the same structure as in the lower two drawers. Thus, we can see a false coat-of-arms in the centre, given that the real ones are the ones behind the handles of the two drawers. This symmetry, together with the geometric compartmentalisation, are clearly neoclassical elements.The son of a master carpenter, Jean Baptiste Fromageau set up his workshop in the rue Traversière before moving to the rue du Faubourg Saint-Antoine, where he made his workshop one of the most important in Paris. His abundant production was very varied, and he specialised in luxury cabinetmaking and simple carpentry. He ceased his activity in 1777. He then retired for a time to Versailles before returning to Paris where, in 1781, he directed the Hôtel de Russie. Today Fromageau's works can be found in international museums, such as the Museum für Kunsthandwerk in Frankfurt.

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19970 item(s)/page