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A George IV figured mahogany night stand / commode chest with ormolu handles. Stamped M. Norman, 127cm Condition Report. To be used as a guide only. Good original condition. Some polish marks. With original key.

AN 18TH CENTURY DUTCH FLAME MAHOGANY BOMBE FRONTED COMMODE with serpentine shaped front, fitted with four long graduated drawers, circular brass handles and supported on splayed bracket feet.2ft 11ins wide.

A 19th French marquetry bombe walnut 2 drawer commode with heavy brass mounts and a green marble top (old damage)

A Victorian Mahogany commode, a bidet (without liner), two occasional tables and a stool

A continental commode, of serpentine outline, having satinwood and rosewood parquetry to top, fitted three cross banded drawers, raised on front sabre legs, width 46ins

A French mahogany tambour fronted bedside commode

AN EARLY 19TH CENTURY MAHOGANY AND CROSSBANDED BOW FRONTED COMMODE, ADAPTED

A mid Victorian stained beech commode chair converted to a carver armchair with spindle panelled back and turned legs to front.

A Louis XV walnut and marble mounted commode , circa 1750, the rectangular variegated red marble top with rounded corners and shaped edge, above two long graduated drawers with moulded fronts and flanking carved foliate decoration leading to cabriole legs and stylised hoof feet, 84cm high, 127cm wide, 72cm deep

A George III marquetry work table , circa 1760 and later , in the manner of Pierre Langlois , the serpentine shaped hinged top inlaid with with a wreath and bow motif opening to a fitted teapoy interior above conforming frieze, and cabriole supports united by a breakfront undertier, the whole on brass caps and castors, 66cm high, 51cm wide, 39cm deep Provenance: Private Collection, Oxfordshire The design of this work table reflects the French fashion promoted from the 1750s by the Tottenham Court Road ebeniste or cabinet-maker Pierre Langlois (d. 1767). The bold use of swags of marquetry bellflowers alongside exotic timbers also demonstrates similarities to the work of John Cobb. Thomas Chippendale supplied a related table, veneered in tulip and rose woods, for Nostell Priory, Yorkshire and invoiced it in 1766 as: A Lady s commode writing table made of tulip and rosewood with a slider cover d with Green Cloth 5.14.0 (C. Gilbert, The Life and Work of Thomas Chippendale London, 1978, fig.436).

A George III mahogany, rosewood and goncalo alves serpentine desk, circa 1770, the tooled leather inset above an arrangement of nine drawers around the recessed kneehole cupboard, the rear panel quarter veneered and decorated with foliate marquetry, on outswept tapering legs and sabots at the front, 73cm high, 122cm wide, 57cm deep Provenance: A deceased estate, Kent This desk relates to a dressing commode attributed to Henry Hill of Marlborough. See Lucy Wood, Catalogue of Commodes , The Lady Lever Art Gallery, 1994, No.4, pages 64-73. The overall design, mounts, style of marquetry and use of exotic timbers of the commode all bear relation to the current desk. The fine marquetry motifs used to the rear panel of the current desk also bear similarity in treatment to those decorating the corners of the side panels of the commode in Wood s book. See also a related pair of commodes (No.15) pages 154-160 Designed in an elegant George III picturesque fashion, this desk and many related pieces evolved from French Commode Table patterns such as appeared in Thomas Chippendale s, The Gentleman and Cabinet-Maker s Director , 1754 (pls. XLIII and XLV). Henry Hill of Marlborough was active from 1740 until his death in 1778 and was based in the town of Marlborough in Wiltshire. Henry Hill established himself not only as a cabinetmaker, but also a coach-maker, an auctioneer, an estate agent and an insurance company representative. He had a large client list which included members of the aristocracy such as the Duke of Somerset at Maiden Bradley, the Earl of Radnor at Longford Castle and Lord Methuen at Corsham Court, Wiltshire.

A late 18th/early 19th century continental walnut commode, fitted four long drawers with elaborate cast handles, raised on canted bracket supports

An early 19th century scrumbled pine chest commode with ceramic liner

Lloyd Loom style chair/commode

Late Victorian mahogany seat commode, carved decoration, box seat upholstered in wine coloured dralon, width 51cm.

coffee table, bedding box and commode

A 19th Century walnut Dutch provincial commode chest

COMMODE, having a black granite top on raised supports, 52cm D x 105cm W x 89cm H.

COMMODE, antique Dutch style limed finish with four long drawers, 84cm H x 110cm x 45cm.

SERPENTINE COMMODE, 18th century Italian, walnut, of three drawers, 82cm H x 124cm, W x 65cm D.

Victorian waxed pine commode chest, hinged top with liner, W61cm

A Victorian mahogany bed step commode having a moulded top with red skiver insert enclosing commode above pull out step raised on turned supports, 47 x 42cm

A Victorian mahogany bed step commode having a moulded top enclosing commode raised on turned supports, 46 x 53cm

A Victorian mahogany lift top commode with embroidered top.

A Louis XVI style commode chest of drawers, with serpentine shaped mottled marble top, above two drawer bombe base, decorated with gilt metal mounts and sabots, 80cm high x 86cm wide x 44cm deep

A 19th century mahogany commode in the form of a four drawer bowfronted chest - Height 69cm x Width 66cm x Depth 40cm

A late 18th Century Maltese walnut / olive wood and inlaid commode, the double quartered top with two starburst parquetry medallions and cross banded over a barber pole decorated edge and three long drawers flanked by side panels with matching starburst inlaid medallions, raised on square tapered legs, 122.5 cm x 89 cm CONDITION REPORTS Many cracks to top, water damage, undulating surface, some scratches and impressed marks, some damage to veneers, small chips to edges, banding around edge has some damage to veneers, some chips, drawer fronts : split sot veneers, small scratches, evidence of woodworm holes, evidence of repair round one handle, right-hand side : yellowed mark to lower left, splits, cracks, woodworm holes, large chip to back right leg which is also loose, left-hand side : chips and cracks to veneers, some scratches, woodworm holes, drawers : splits to base boards, backboard : with large splits, one lock missing, woodworm holes to backboard, general signs of wear and tear throughout. 58.5 cm deep, approx 89 cm high, height of each drawer front - top drawer approx 21.5 cm, middle drawer approx 21 cm and bottom drawer approx 21 cm. The bases, sides and backs of drawers are pine and carcass appears to be pine, and have some splits and gaps, and some of the pine panels may be later.

A Chinese camphor style carved chest with fall front together with a Victorian step commode in mahogany with ceramic liner

A George III string inlaid mahogany night commode, having a tambour door, over a draw front and two facsimilie drawers with brass ring handles, on pressed floral backplates, raised on square legs 27''h 19''w

A small George III mahogany chest, converted from a commode 70 x 64 x 51cm

An 18th century oak box commode with carrying handles and an oak stool (2)

A Regency mahogany commode cupboard 60cm wide

A three drawer commode with plank top and ogee bracket feet.

A George III mahogany cabinet commode enclosed by two doors, 54cm

Eccezionale coppia di angoliere, Pierre Macret (1727-1796), Parigi, dopo il 1758 cm 92x66x50 D’epoca Luigi XV, in lacca nera e decorazione a chinoiseries in oro, impreziosite da una ricca guarnitura di bronzi coevi, dorati e finemente cesellati, eseguiti espressamente per questi mobili, applicati sul fronte ad incorniciare le scene, sugli spigoli e nella grembialatura centrale. Pianetti sagomati in marmo. Entrambe recano, nella parte superiore della struttura, la stampigliatura di Macret, importante ebanista e commerciante di mobili, in puro stile Luigi XV, moltissimi dei quali decorati, come le due angoliere in oggetto, in lacca nera e chinoiseries in oro. Iniziò la sua carriera come lavorante di Jean Pierre Latz, poi nel 1756 fu nominato marchand ébéniste privilégié du Roi suivant de la Cour, dal 1758, ammesso alla Jurande des maitres ébenoistes, iniziò a stampigliare le opere, fino al 1787, anno in cui cessò l’attività. Aveva bottega in rue Saint Honoré nei pressi della chiesa di San Rocco, di fronte al passaggio dell’Académie de Musique. Dal 1765 al 1771 fornì numerosi mobili per la Corte, tra cui una commode per la Dauphine Maria Antonietta, ora a Versailles, altri arredi per la Maria Giuseppina di Sassonia e per il Marchese di Marigny. Tra le sue opere più belle è una scrivania diplomatica in lacca rossa con figure dorate cinesi, ora al Boston Museum of Fine Arts. I bronzi che ornano i mobili di Macret venivano normalmente fusi e cesellati dal bronzista Philippe Pajot che dal 1761 aveva bottega nello stesso edificio di Macret. Le due angoliere sono state restaurate nel 2013 nel laboratorio Ceregato a Torino. Una coppia di angoliere simile a queste è stata venduta dalla Sotheby’s di Londra il 19 novembre 2002. Letteratura comparativa: Pierre Kjellberg, Le meuble francais du XVIII siècle, Paris 1988, n° 538. Provenienza: Pietri Accorsi Antichità v. Po 55, Torino (2) € 33.000

A Victorian mahogany step commode with three tooled leather inset steps, the central step with hinged compartment and sliding lower section revealing a commode on turned legs. 19ins wide by 27½ins. Est £100-150

An early 20th century Continental walnut bombe two drawer commode, the drawers and top with ebonised border and metal mounts, 71cm wide, 79.5cm high

A Victorian mahogany night commode, with two doors over a pull out pail, 51cm wide

A George III mahogany tray top commode, with tambour cupboard and pull-out drawer, 50cm wide and another tray top commode 51cm wide. 177, 95

A Louis XV style gilt metal mounted black lacquer chinoiserie decorated commode, the rouge marble top over three serpentine drawers, on cabriole supports, 117cm wide. Illustrated

An 18th century style painted Continental three drawer commode with moulded floral swag decoration, 133cm wide.

Stained beechwood stool commode, with a cane-panelled back, width 55cms.

COMMODE, Louis XV design traditionally grey painted with white marble and two short and three long drawers, 119cm x 56cm D x 88cm H.

BOMBE COMMODE, Louis XV style marquetry and gilt metal mounted with green marble top above three drawers (minor marks) 88cm H x 126cm x 51cm.

COMMODE, having a black granite top on raised supports, 52cm D x 105cm W x 89cm H.

PETITE COMMODE, late 19th century French rosewood and kingwood with a pierced brass gallery and a marble top over three small drawers on slender cabriole supports, 48cm W x 74cm H x 33cm D.

COMMODE, 19th century French oak and later grey painted with three carved drawers and brass handles, 93cm H x 115cm W x 55cm D.

OAK VENEER COMMODE W21CM D19CM H18CM

A Lloyd loom bedroom chair, a Victorian walnut dining chair, an elm and beech wood windsor farmhouse elbow chair, cane top stool and mahogany commode. (5)

A mid Victorian stained beech commode chair converted to a carver armchair with spindle panelled back and turned legs to front.

A nineteenth century mahogany commode, width 139cm.

A Lusty & Sons Lloyd Loom square-top table, 48cm, a stained mahogany occasional table, a commode and a 1960's plastic weave bucket chair, (4).

A George III mahogany tray top commode with tambour door over a bidet drawer, raised on square legs

Oak barley twist gate leg dining table, pine stool commode and kitchen chair (3)

Four various occasional tables, commode armchair and framed wall mirror (6)

COMMODE, black of two drawers with serpentine marble top and silvered mounts, 145cm L x 65cm D x 95cm H (with faults).

COMMODE, early 19th century Italian pine and grey painted with three long drawers, 136cm W x 66cm D x 93cm H.

A circa 1800, believed North Italian Commode chest in the style of Giuseppe Maggiolini, having three circular inlaid panels to the top, in multiple inlaid and cross-banded borders, the end two panels mirrored depicting a Roman soldier holding a horse near four peasants with empty baskets, the central panel of a figure, appearing to be a traveller, but indistinct. The frieze drawer has a cross-banded front with inlaid scrolling foliage and flowers with; at the centre, mirrored Lions sejant supporting an heraldic shield device. The lower two drawer fronts are cross-banded as a pair, profusely decorated with scrolling foliage and flowers and having a circular central reserve depicting a Roman soldier in a landscape taking a child from a woman's arms. All drawers have recessed lock plates, Walnut linings and fronts approx. 1 3/4'' thick and with ornate iron handles, (one detached and damaged). Similar circular inlaid panels are to be found to the ends, each portraying a Roman soldier with a woman and with a ring of flowers to each corner, the commode is elegantly raised on inverted elongated pyramidal legs. The piece appears to consist of a range of woods including, Satinwood, Rosewood, Mahogany, Walnut and possibly Kingwood or Tulipwood. 48'' wide x 36'' high x 22 3/4'' deep, approximately.

An George III mahogany commode stool, 51cm, together with a side table and a cane two tier side table

African Trinal CD Rack, Victorian Mahogany Commode Box Stool, Mahogany Shelf, Oak Pot Stand and a Bible Box with Kneeler