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Lot 352
20th CENTURY CONTINENTAL SCHOOL "Coloured and white-washed buildings beside a Cypress tree", oil on board, indistinctly signed lower left, a companion study, a pair, another similar, 20th CENTURY SCHOOL "Still life of flowers in a bowl", "A rural scene with donkey beside a barn gate" and "A mountainous lakescape", oils on canvas (6)
Lot 1739
ARCHIBALD STANDISH HARTRICK, RWS (1864-1950) AN INTERESTING GROUP OF WORKS to comprise a watercolour of fieldworkers attributed to Hartrick, 24 x 31.5cm.; four signed lithographs (mother and child, two bellringers, country crafts and a figure by a church gate); and an etching of two woodworkers, signed, various sizes, two framed (6) ++ The watercolour needs a clean; the others good
Lot 1784
JOHN CHESSELL BUCKLER (1793-1894) THE GATE OF SHERBORNE CASTLE, DORSETSHIRE Signed and dated 1809, inscribed with title in margin, watercolour and pencil Image 16 x 18.5cm.; with a watercolour portrait of a seated lady by Adam Buck, signed and dated 1820, 17.5 x 15cm. (2) ++ The former in good condition; the latter rather faded
Lot 521
A RARE VICTORIAN ENGRAVED VINAIGRETTE of shaped rectangular form with an engine-turned base & vacant cartouche, serpentine thumbpiece, the cover with a view of the Old Chain Pier, Brighton, by Nathaniel Mills, Birmingham 1847; 1.9" (4.9 cms) long; 0.65 oz *The pedestal-shaped building in the foreground was the box office where tickets were obtained for access to the pier. One then entered through the gate on the left and proceeded to the pier which was some way along Marine Parade.
Lot 923
FULHAM / GRIMSBY A rare single sheet from the FA Cup 3rd Round Replay between Fulham and Grimsby played on the 18th January 1954. The match had been abandoned at half time on the 13th January where a regular 1953/4 programme exists for the match. Score, scorers, attendance, Gate receipts, stain. Fair
Lot 443
A 1950`s oak bureau bookcase, the two leaded glazed doors opening to reveal various shelving above a fall front with linenfold decoration, opening to reveal various pigeon holes over three drawers with turned knob handles, the top with arched carved decoration, and an oval oak drop-leaf gate-leg dining table on turned and ringed supports united by stretchers
Lot 472
An assortment of various sundry furniture to include a modern two tier rectangular pine coffee table on turned and ringed supports, two stick back kitchen chairs, a child`s high chair, a modern child`s wheel back kitchen chair, a child`s rocking chair, small rocking horse, child`s crib and an oak gate-leg drop-leaf dining table
Lot 260
GOOD GEORGE II MAHOGANY LINEN PRESS PHILIP BELL, LONDON, CIRCA 1750 in two parts: the Greek key carved cornice above a pair of well-figured re-entrant fielded panel doors enclosing slides; over two short and two long graduated and cockbeaded drawers with pierced brass handles, raised on bracket feet; the top right drawer bearing a pictorial paper trade label with a central rococo cartouche inscribed "Philip Bell, Cabinet Maker and Upholder, at the White Swan, Against the South Gate in, St Pauls Churchyard London, Funerals Perform`d" 127cm wide, 190cm high, 63cm deep Note: Philip Bell`s father Henry, founded the family business in 1736 at the White Swan, St. Paul`s Church Yard. Philip took over the firm following his father`s death in 1740. Bell commissioned Matthias Darly, the engraver who worked on the plates for Chippendale`s `Director` to design a new eye-catching pictorial label in the rococo taste. Several pieces of Philip Bell labelled furniture are contained in the English furniture collection of the Colonial Williamsburg Foundation in Williamsburg, Virginia as well as a bottle cabinet purchased in 1761 By George Washington which is still on display at Mt. Vernon. Like his contemporary, Giles Grendey, Bell favoured complex re-entrant panels and the use of high quality well-figured timbers. Literature: C. Gilbert, `Pictorial Dictionary of Marked London Furniture 1700-1840`, figs. 95, 96, 99.
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