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Lot 656
MYLES BIRKET FOSTER, RWS (1825-1899) THE LOVE LETTER signed with monogram, watercolour, 22 x 17.5cm Foster first visited Venice in the company of Frederick Walker, ARA, OWS (1840-1875) in 1868. The city was to be a constant source of inspiration and some of Foster's most notable achievements in the medium are views of Venice. The industrialist and politician Charles Seely who hosted Garibaldi at his home in Prince's Gate, Hyde Park, in the 1870s commissioned 50 views of Venice from Birket Foster for the not inconsiderable fee of£5,000. ++A superbly preserved and very fine example of a work by Birket Foster in early 20th century gilt mount and frame with on the backboard the label of McConnell-Mason & Son, c1930. In the present private ownership for very many years
Lot 391
Jessie Macgregor (British, 1847-1919) Lych gate and garden of the Wesley School in summer, August 1906 both signed lower left "Jessie Macgregor" watercolour, 17 x 23cm and 22 x 28cm (2) Jessie Macgregor (1847–1919) was a British painter. She first studied art at the drawing academy in Liverpool run by her grandfather Andrew Hunt. Her parents went to live in London and she began to study painting there, becoming a pupil at the Royal Academy Schools where her teachers were Lord Leighton, Philip Hermogenes Calderon, RA (1833-1898), and John Pettie, RA (1839-1893) Jessie Macgregor won a Gold Medal at the Royal Academy for history painting in 1887 - the second woman to do so after Louisa Starr's Gold Medal in 1867 and the last woman to do so until 1909. Jessie Macgregor exhibited paintings at the Chicago World Exposition in 1893, and her painting "In the Reign of Terror" was included in the 1905 book "Women Painters of the World". Colours are good.
Lot 462
Augustin Amant Constant Fiedele Edouart (French, 1789-1861) A pair of full-length silhouettes in maple frames of a gentlemen and young boy in profile, holding top hats and riding crops, standing in a classical landscape, 28 x 17cm (11 x 7in); together with a print of North Gate Bridge, Cork, with a letter verso to Mrs Smith-Barry, 11 x 16cm (4.5 x 6.5in) and a view of Barryscourt Castle, County Cork, Ireland, painted by the sister of Lady Charlotte Smith-Barry, watercolour, 18 x 28cm (7 x 11in) both silhouettes signed lower left “Aug. Edouart fecit” and dated “1833” and “1835”, label verso to the young boy “Robert S-B” (4). Provenance: From an Irish Country House, and thence by descent to the present owner. Edouart was known to be working in Ireland between 1833 and 1835.
Lot 514
James Pollard (British, 1792-1867) The story of a bay thoroughbred and his adventures - Being examined by prospective buyers outside a coaching inn; Escaping by jumping a gate out of a corral; Galloping through a rose garden and greenhouse, pursued by gardeners; Befriending a local donkey three signed and dated indistinctly “J Pollard 1850” oil on paper laid onto canvas (4) 20 x 27cm (8 x 11in). Provenance: Private collection, UK
Lot 1
A 19th century yellow gold mounted cameo depicting Ariel from The Tempest, together with two Victorian yellow gold mourning brooches, a 9 carat yellow gold and diamond horseshoe bar brooch; a 9 carat yellow gold Christening bangle; a 9 carat yellow gold gate bracelet (broken clasp); a yellow metal, pearl and diamond ring, 9 carat yellow gold cufflinks; further items of yellow metal jewellery; a collection of various items of silver jewellery, three jet brooches, etc.
Lot 104
Two enamel advertising signs mid 20th Century The first black and white sign with the words The World's Best McEvans no.10 Scotch ale, 38x45.5cm, second in blue, green and white The Natural Health salt manufactured by Wilkinson & Simpson Ltd at the laboratory 24 New gate Street Newcastle upon Tyne, 46x25cm. (2)
Lot 29
Collection of six Macclesfield silk pictures To include five framed and glazed examples to include 'Sailing of Mayflower 1620', 'The Wizard Public House', 'Little Moreton Hall', 'King Edward Street Chapel 1690', 'Queen Elizabeth II silver jubilee dated 1977', also a mounted silk of the hanging Gate pub. (6)
Lot 140
CHARLES VICKERS. A pair of framed, signed, 19th Century, oils on canvas, one showing woman and two children gazing at tree in rural pastoral landscape, the other showing woman with bundle of faggots on woodland lane, with two children beside gate with chickens, 39.7cm x 60.5cm and 39.2cm x 60cm, (2).
Lot 319
A 9ct yellow gold gate bracelet, three links wide of twisted design, with heart padlock clasp, complete with safety chain, bracelet and clasp hallmarked London 1992, weight approx. 8g, together with a rose metal bracelet, three links wide with alternate length links with navette and sphere motifs, complete with safety chain, unmarked, weight approx. 16.6g, (2).
Lot 329
A lot to include a 9ct yellow gold gate bracelet, four links wide, having angled links creating bow-like repeat design, with heart padlock clasp, bracelet stamped with CCM, heart padlock stamped 375, along with a 9ct yellow gold gate bracelet, four links wide, outer links having twist design, with heart padlock clasp, bracelet and heart padlock hallmarked London 1978, together with a 9ct yellow gold signet ring, with heart shaped head engraved 'CB', hallmarked Birmingham 1960, ring size H½, total weight approx. 21.3g.
Lot 351
A 9ct yellow gold gate bracelet, four links wide, with alternating short and long links, hallmarked London 1970, with heart padlock clasp, hallmarked London 1971, a 9ct yellow gold gate bracelet, three links wide with angled links to create repetitive bow pattern, hallmarked Birmingham 1993, with heart padlock clasp, hallmarked London 1992, total weight approx. 34.9g, (2).
Lot 378
A lot to include a 9ct yellow gold framed cameo brooch, set with a carved oval cameo depicting a ladies portrait in profile, with rope twist frame, hallmarked Birmingham 1960, a silver heart link bracelet, hallmarked Birmingham 1976, a white metal foxtail chain, stamped 925, a silver gate bracelet, four links wide, with heart padlock clasp, bracelet hallmarked London 1983, heart padlock hallmarked 1982, a white metal two chain twist bracelet, stamped 925, a white metal pendant of open metalwork spelling 'CAROL', on a white metal chain, both stamped Sterling, a white metal circular locket, engraved to front, on a white metal chain, both stamped Sterling, together with five various brooches of differing design, total silver weight approx. 27.8g, (12).
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