We found 48016 price guide item(s) matching your search

A 9ct three tone gold gate bracelet, 18cm long, 6g

A 9ct gold textured link gate bracelet with an engraved padlock clasp, 26.2g

A 9ct gold gate bracelet with padlock clasp, 17cm long, 10g

A 9ct gold gate bracelet with padlock clasp, 11.7g

Bob Dylan, American b.1941-Early Morning, Golden Gate Bridge, 2019;giclée print in colours on archival 100% cotton mould made Magnani 1404, 350gsm QuaForte TM paper, signed and numbered 26/295 in pencil, printed by Black Buffalo, published by Washington Green Fine Art in association with Black Buffalo Artworks, image: 60.8 x 41.6 cm,  (unframed)Note: accompanied by a Certificate of Authenticity issued by Washington Green Fine Art.

probably G & J LIne, painted dappled grey, horsehair mane and tail, leather tack, standing on platform with wooden wheels, varnished wood tipping cart with spoked metal wheels —39 1/2in. (100.5cm.) high (some old treated worm, one tail gate peg replaced)

a Cow & Gate Snap with instructions; a sporting Old Maid; a Jacques & son ltd John Tenniel snap; and a Pepus Neville’s Duke’s Test Pilot card game, in original box

A Pair of Large Heavy Cast Iron Gate Post or Wall Finials in the Form of Horses Head, Somewhat Rusted, 46.5cms High

Seoul 1988 Olympic Games participation medal by K. Kwanghyun, bronze, the obverse depicting South Gate below mountain, cloud, crane, and sun, the reverse inscribed XXIV OLYMPIAD SEOUL 1988, 60mm., 1988 Officials participation medal in original fitted case and a cased set of three bronze 10th Asian Games medallions in original fitted case, (3) The medals were given to the vendor by former IOC - Delegate - The buyer will given the name of the original recipient

An old heavy gauge iron work pedestrian side gate with vertical rails, simple latch and open scrolled detail, 178 cm high x 71 cm (full width including hinge)

An old iron work pedestrian gate of arched form with open scroll finials and vertical bars with spear head finials, 125 cm high x 82 cm wide

An antique oak gate-leg dining table, barely twists supports, 73cm high, 90 x 122cm (maximum)

A small oak gate left table, 18th century and later, 74cm high, 83 x 114cm (maximum)

Vintage 9ct fancy gate link bracelet set with a 1978 sovereign, with heart padlock clasp, 26.2g

1970s 9ct gate link bracelet with heart padlock clasp, 18g

Vintage 9ct gate link bracelet and a 9ct chain design ring, size K/L, 11.3g total

A mahogany oval gate-leg table with five balloon back chairs

A 19th century Victorian  solid carved oak drop leaf / gate leg dining table. The table being raised on turned legs with drop leaves on gate leg action being together with a set of dining chairs. Measures approx. 76cm x 39cm x 76cm extended 107cm. 

Albert H. Findley (1880-1975) watercolour, view of Stonebow Gate, Lincoln, framed and glazed. H.51 W.56cm.

5 BOTTLES CANADIAN RED AND 7 WHITE WINECreekside Estate Winery Iconoclast Niagara Syrah 2020; Jackson-Triggs Merlot Grand Reserve 2020; Road 13 John Oliver Selection Petit Verdot 2020; Stag's Hollow Syrah 2020; Nk'Mip Qwam Qwmt Syrah 2020 and 2 x Chardonnay 2020; McWatters Collection Chardonnay 2020; Noble Ridge King's Ransom Chardonnay 2020; Quails' Gate Chardonnay 2020; CedarCreek Aspect Chardonnay 2020; Black Hills Estate Winery Chardonnay 2020

12 BOTTLES IRISH WHISKEYRedbreast Single Pot Still 12YO and Lustau Edition; Powers Three Swallow; The Irishman The Harvest Single Malt; Copeland Merchants' Quay Blended; Tullamore DEW 12 YO; The Teeling Whiskey Co Pot Stilled; Thomond Gate Single Malt; Method + Madness Single Grain; Mitchell + Son Green Spot; J+J McConnell McConnell's; Knappogue Castle Single Malt

12 BOTTLES CANADIAN RED WINEO'Rourke Family Estate Pinot Noir 2020; Colio Estate Cabernet Franc Reserve 2020; Palatine Hills Cabernet Franc 2018; Trius Showcase Red Shale Cabernet Franc 2019 and 2020; Thirty Bench Cabernet Franc 2020; Liquidity Pinot Noir Reserve 2020; Quails' Gate Pinot Noir 2020; Peller Estates Cabernet Sauvignon 2020; Ravine Vineyard Cabernet Franc 2020 and Cabernet Franc Lonna's Block 2020; Road 13 John Oliver Selection Syrah 2020

Erwin WurmGate (aus der Serie Skins)2022Aluminiumguss, handbemaltH. 50 cmAuf der Unterseite der Plinthe zweifach signiert, nummeriert und datiert: E Wurm 12/20 2022 E WurmAuflage: 20 Stückösterreichischer Privatbesitz

A wooden garden gate

A Wickes softwood gate kit of variable width 3ft x 4ft

A large cherry wood gate leg dining table

A 19th Century oak gate leg table

A MID CENTURY PALE BLUE FORMICA TOP GATE LEG TABLE, and two stools, along with an oak coffee table and a mid-century teak coffee table (condition report: one stool fabric torn, oak coffee table with marks and scratches) (5)

AN EARLY 20TH CENTURY SMALL OAK GATE LEG TABLE, open width 92cm x closed width 35cm x depth 61cm x height 75cm, along with a set of four splat back chairs (condition report: chairs rickety, surface marks, scuffs, discolouration, other wear and usage) (5)

A SOVEREIGN GATE BRACELET, an Edward VII half sovereign depicting George and the Dragon 1909, mounted in a six bar 9ct yellow gold gate bracelet, fitted with a heart padlock clasp, hallmarked 9ct London, approximate gross weight 20.1 grams (condition report: general moderate wear, overall condition good)

A DIMPLEX ECO RADIATOR, a Carex uplift power lifting seat, a Vax gator 10.8v, a pet safety gate, 110cm, a lamp and an alarm clock radio (condition report: all untested)

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Lost Weekend" Dated: '96 Oil on Canvas. Signed lower left / signed, dated, titled and sized verso. Overall Size: 45 x 60 in. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Musgil Gusha's Paradise" Dated: '69 Oil on Canvas. Signed and dated verso. Overall Size: 33.75 x 31.75 in. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

A yellow metal four bar gate bracelet marked 9ct, having a loop attachment and safety chain, approximately 16.5cm internal circumference and 15.5g

A yellow metal three bar gate bracelet marked 15, having a safety chain to clasp, approximately 17cm internal circumference and 14.3g

ARCHITECTURAL GARDEN GATE, wrought metal, 245cm H x 156cm W x 16cm D.

Babs Rich-Lenthall - three panels painted with hunting scenes, including 'Gate-crasher', widest 67cm

Black painted wrought iron driveway gate of scrolled form, approx 285cm W x 113cm H

A 9ct gold eight bar gate bracelet with padlock clasp. Weight approx 19.38 grams.

Large old castle entrance gate in wrought ironGrote oude kasteeltoegangspoort in smeedijzer256 x 433 cm

Freco - ladies gold wristwatch, champagne dial, gilt Arabic numerals, scroll engraved case, integral gate type bracelet, spring clasp marked 18kGross Weight - 17g

19th century gate leg oak table [74x48x105cm]

Oak period drop leaf gate leg table measures approx 20 inches tall, 18 deep and 42 wide

Folio Society, a collection of volumes to include Trevelyan, G. M.; A History of England, Under the Stewarts, Birkett, Sir Norman; (ed); The New Gate Calendar 2 vols, Aldington, Richard; (trans); The Decameron of Giovanni Boccaccio, The First Five Days and The Second Five Days, Power, Eileen; Medieval Woman and Medieval People, Graves, Robert; I Claudius and Claudius The God, Macaulay, Thomas Babington; The History of England from 1485 to 1685 and The 18th Century, Florio, John (trans): Montaigne's Assays (vols I-III) (14 vols)

Stanley Webb Davies (1894-1978) of Windermere: An English Oak Gate Legged Dining Table, 1954, the oval top, on eight octagonal and carved legs, joined by rails, Stanley Webb Davies's cartouche and dated 1954, craftsman monogram for Fred Ellison (1919-2002)137cm wide, 107cm deep, 72.5cm highProvenance: Commissioned by Mrs Annie Winifred Philipson (1903-2004) Canon Winder Hall, Flookburgh.The table cost £72.

Bob Dylan (b.1941) American"Golden Gate Bridge" (2023)Signed and numbered 36/295, giclee print from "The Beaten Path", 49cm by 65cmSold together with the Washington Green Fine Art certificate of authenticity

A medium shade Oak gate leg drop-leaf Dining Table having twist supports, 42 1/8" x 21 1/2" extending to an oval 59" and 27 1/2" high approx.

George III mahogany card table, moulded rectangular fold-over top revealing baize lined interior, single cocked-beaded frieze drawer with brass swan neck handles, on lappet carved cabriole supports, double gate-leg action base Dimensions: Height: 74cm  Length/Width: 89cm  Depth/Diameter: 37cm

George III inlaid mahogany card table, demi-lune fold-over top with crossbanded edge and satinwood stringing, baize lined interior, double gate-leg action base, on square tapering supports with brass cups and castorsDimensions: Height: 74cm  Length/Width: 94cm  Depth/Diameter: 47cm

Set of three weathered cast stone gate post finials, circular orb on step-canted square base Dimensions: Height: 33cm  Length/Width: 30cm 

Mouseman - oak dining table, oval drop-leaf top, on octagonal supports united by stretchers, gate-leg action base, carved with mouse signature, by Robert Thompson of Kilburn Provenance - the table was owned by Edward Bagshawe, the eldest son of the Staithes Group artist J.R. Bagshawe. On the death of Edward they were passed to the vendor. They have been in the family for almost 95 years. Dimensions: Height: 75cm  Length/Width: 179cm  Depth/Diameter: 122cm

Early 19th century mahogany tea table, rectangular fold-over top with rounded corners, inlaid with mahogany banding, the plain frieze with mahogany stringing, raised on gate-leg action ring turned supportsDimensions: Height: 72cm  Length/Width: 91cm  Depth/Diameter: 45cm

H Walford, "Rural idyll..before the storm" Summer thatch cottage, a figure at the garden gate, chickens in the lane, watercolour painting, signed and dated 1913, 35cm x 26cm, gilt framed, mounted and glazed 

Milton [John]: Paradise Lost, a poem in twelve books, the eighthy edition, printed for Jacob Tenson, with Grays Inn Gate 1707, rebound.

A 9CT GATE BRACELET with decorative links and a heart shaped clasp, length 18.5cm, weight 15.8gms Condition Report:Hallmarked to the clasp 1968 and the end links 1969, light general wear.

A FANCY LINK GATE BRACELET made in 15ct gold, length 21cm, weight 24.1gms Condition Report:Available upon request

A pair of iron gates of scroll form, 105cms tall, both gates together 235cms wide together with another single iron gate, 113cms tall and 104cms wide

A 9ct gold gate bracelet - weight 10.5g

Two 9ct chains, a figero and a rope twist example with a 9ct three bar gate bracelet, total weight 24g. (3)

A 9ct rose gold five bar gate bracelet, weight 11.5g, terminating in padlock fastener, damaged.