We found 48015 price guide item(s) matching your search

A pair of black & white etchings "Gate of the Jocodovar, Toledo/Venice" signed in pencil by Joseph Pennell 1912

A Charles II oak oval gate leg table with drawer in one end on baluster supports , 48" x 43"

A 19th Century wrought iron garden gate with scroll decoration 41" wide x 49" high

AN EARLY 20TH CENTURY OAK BARLEY TWIST GATE LEG TABLE, open length 149cm x closed length 56cm x depth 107cm x height 74cm and six wheel back chairs (some chair rickety) (7)

A MODERN BEVELLED EDGE WALL MIRROR, 106cm x 75cm two other wall mirrors, an oak nest of three tables, teak finish gate leg table, two stools, warming pan and two table lamps (10)

AN OAK TELEPHONE SEAT/TABLE, along with a beech rush seated armchair, director's chair, four spindle back chairs with three painted, and an oak gate leg table (8)

Ourry Durgam, the Head of the Pass into Barrah Mauhl 1805 Print - aquatint by Lieut. James Hunter, published Jan 1st 1805 by Edw. Orme, London, 26cm x 33cm and The Mysore Gate at Bangalore , 1804, Condition Report: Foxing and discolouration throughout. Not seen out of frame.

Henry Charles Brewer (British, 1866-1950). 'Wells Cathedral and the Chain Gate', watercolour, 34cm x 24cm, Abbott & Holder label verso. From the property of a deceased local collector. PROVENANCE: Christies Studio Sale 1989

RARE An unusual Victorian bound music book autographed by some very wellknown Victorian Entertainers including Fred Robson (1821 1864), Edwin Pearce Christy (1815 1862) and Eliza Cook (1818 1889). This is a Victorian hard bound book containing 22 popular music scores. The opening score is The Postman's Knock Song and this starts with a stunning colour title page (please see photographs). The book has a number of these beautiful title pages at the start of the music scores and it is unusual to find them still in a Victorian music book today as most were cut out and framed in the past. The title page for "Vilikens and his Dinah. Sung by Mr F Robson in the Musical Farce of The Wandering Minstrel" is autographed by Fred Robson (1821 1864) born Thomas Brownbill he was an English comedian, actor and ballad singer. During his acting career, he combined outstanding comic gifts with the power of moving an audience to a sense of tragedy or pathos. He was well known for performing as a Cockney streetsinger, in The Wandering Minstrel, a oneact farce by Henry Mayhew, performing the role from around 1852 with revivals in many towns and at the Olympic Theatre in the West End of London until not long before his death in 1864. The title page for "Christy's Minstrels I'm off to Charlestown" is autographed by Edwin Pearce Christy (1815 1862) was an American composer, singer, actor, stage producer and was the founder of the blackface minstrel group Christy's Minstrels. He was an influential person in the history of Minstrelsy and theatre in American history. His career in minstrelsy began in New York in the 1840s and from there he became a sensation. He and six other performers performed around the country in blackface and eventually he began composing his own minstrel songs and sketches. In 1855 he retired as a performer, but he continued to be involved in the theatre as he managed his original group Christy's Minstrels. Edwin Christy committed suicide during the American Civil War for fear of money troubles. The title page for "Spring, Spring, Beautiful Spring" composed by Eliza Cook is autographed by Eliza Cook (1818 1889) was an English author and poet associated with the Chartist movement. She was a proponent of political freedom for women, and believed in the ideology of selfimprovement through education, something she called "levelling up." This made her hugely popular with the workingclass public in both England and America. Her poem The Old Armchair (1838) made her a household name for a generation, both in England and the United States. In that year, she published Melaia and Other Poems. From 1849 to 1854 she wrote, edited, and published Eliza Cook's Journal, a weekly periodical she described as one of "utility and amusement. The full list of the 22 music scores bound in the book are as follow: The Postman's Knock Song, Campton Races, Britannia The Pride of the Ocean, Will You Come to My Mountain Home, The Wishing Gate, What Are The Wild Waves Saying, Bonnie Dundee, Oh Charming May, Hearts and Homes (signed but unidentified), Shells of Ocean, Ever of Thee, Goodbye Sweetheart Goodbye, Vilikens and his Dinah, I'm off to Charlestown, Spring Spring Beautiful Spring, The Scotch Polka, The Royal English March, Annen Polka, The Albion Schottisch, The Royal Irish Quadrilles (signed but unidentified), Polka Elegante and La Reine Des Roses. This is unusual book with an unusual combination of autographs making it rare and it shows a few signs of wear but when you consider its age, it is in remarkably good condition, approximately 14 inches x 10.5 inches and 1 inch thick. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Frank Duarte (1909-1997) American, Three prints depicting iconographic images of San Francisco 'Chinatown', 'Fisherman's Wharf' and 'Golden Gate Bridge', hand coloured prints, inscribed front and to the reverse, all 9" x 4", (3).

A substantial George III mahogany longcase clock, 34cm arched enamel dial inscribed Whitehurst, Derby, rolling moon phase to arch, painted with a ship of the line, Roman and subsidiary Arabic numerals, twin winding holes, eight day movement striking on a bell, the imposing Lancashire architectural case with arched pediment carved with acanthus, above a pair of gilt brass mounted Corinthian pillars, arched rectangular door to waist with circular butler's mirror, flanked by quarter-columns and blind tracery, canted base with rusticated angles, 243cm high, c.1800The maker of the movement is John Whitehurst II (1761-1834) who succeeded his uncle John Whitehurst FRS in the firm he founded in Derby in 1737 on his death in 1788, running it until his death. In 1809 he took his son, John Whitehurst III as partner, simultaneously beginning a number sequence which only ended in 1861. The firm?s workshop was behind No. 24 Iron Gate (the building is still extant) and only moved to Cherry Street in 1832.

A hallmarked silver gate bracelet (approx 11.3cm) with heart padlock together with a hallmarked silver ingot pendant (approx. 4cm x 1.5cm) on a hallmarked silver chain (approx. 59cm). Weight - 43g.

A 9ct gold gate bracelet with heart clasp attached, approx. 13cm. Weight - 11.6g.

A Victorian turned bone and ivory bodkin case seal or pipe tamper as a lighthouse set with a stanhope depicting "A Memory of Thetford, Castle Hill, Spring Walk, Abbey Gate, St. Cuthbert's Church, Town Bridge and Grammar School - Made in France - McKee Dublin", 9.8 cm long, together with a Victorian pipe tamper as a slightly bent finger, 6 cm long, a 19th century Continental pipe tamper, the main shaft in ebony, the handle as a carved ivory head, 7.4 cm long, a carved horse head ivory seal inscribed with Gothic initial "M", 6.5 cm long, a carved ivory pipe bowl as a clenched fist, 3.5 cm x 4 cm, a Victorian carved ivory seal as a hand, the seal depicting two running vixens on a horse head and coronet mounted shield, 7.5 cm long and a Victorian carved ivory parasol handle as a gripping hand, 7.5 cm long

An 18th Century oak oval gate-leg drop-leaf dining table, the single end drawer with brass drop handle and flower head back plate, raised on baluster turned and ringed legs to blocks united by stretchers, 131 cm x 138 cm x 70 cm high CONDITION REPORTS There is a split to the wood in the middle section as well as a rather large chip/loss close by. Several areas have been filled. Two patched areas on one leaf. Three of the legs appear to have had replacement tips. Some sign of old worm. General wear and tear to include splits, marks, scuffs, staining, discolouration, etc. throughout. See images for more details.

An 18th Century oak gate-leg drop-leaf dining table, the oval top on turned and block supports united by stretchers, 145 cm wide x 121 cm deep x 74 cm high CONDITION REPORTS Top is split in various places. Has knocks, bumps and dents, burn marks, etc, throughout. Central top has also been patched. Replacement hinges. Knocks and bits missing to the legs all conducive with age and use. See images for more details.

A Victorian rosewood and cross-banded octagonal centre table on turned legs united by an undertier, raised on china castors, 80 cm diameter x 73 cm high, together with a tapestry top wine table, small mahogany glazed hanging corner cupboard, 19th Century mahogany pedestal occasional table and a mid 20th Century oak oval gate-leg drop-leaf dining table on barley-twist supports, 105.5 cm wide x 151 cm long x 72 cm high

A quantity of jewellery, to include a 9ct gold gate bracelet with heart shaped padlock clasp, a pair of gold half hoop earrings, tested as approximately 9ct gold, a single 9ct gold hoop earring, a single hoop earring tested as approximately 9ct gold, a 9ct gold single stone illusion set diamond ring, a gold keeper ring, split, tested as approximately 9ct gold, a 9ct gold opal and amethyst ring, missing an opal, a 9ct gold pierced dress ring, a gold vacant ring mount, tested as approximately 18ct gold, a 22ct gold wedding ring, split, and small quantity of costume jewellery (qty.)9ct gold - 15.29g total, 18ct gold - 2.17g, 22ct gold - 1.80g

A LADIES 9 CARAT GOLD GATE BRACELET APPROX WEIGHT - 4.6G

A 19th century stone front of house ornament or gate post topper.

The Lady At The Gate, signed by the author Éamonn Mac Thomáis; Solicitors In Ireland 1607-1921 by Charles Gamble, Maunsel 1921; The Bachelors by Muriel Spark (1960, 1st, dj); The Seven Mansions signed by Brian Cleeve; Ireland, Journey To Freedom, signed by Pádraig O Síocháin and with letter signed along with 8 others (13)

Irish Theatre: Joseph Holloway's Irish Theatre Vol I 1926-1931; A History of Irish Theatre 1601-2000 by Morash, 2002, (dj); Joseph Hollowa's Abbey Theatre, 1967 (dj); Enter Certain Players - Edwards-Mac Laimmoir and The Gate 1928-78; All For Hecuba - Golden Jubilee 1978; 4 Abbey Theatre Programmes and one other (10)

Irish Theatre: To Gaiety-Goers Past and Present- The Gaiety Story by Maxwell Sweeney; No Profit But The Name The Longfords and the Gate Theatre by John Cowell, 1988 (dj); A History Of Irish Theatre 1601-2000 by Morash, 2002 (dj); Joseph Holloway's Irish Theatre Vol III 1938-44; Three Abbey Theatre Programmes and one Olympia (8)

Hilton Edwards: Enter Certain Players Edwards-Mac Liammoir and The Gate 1928-78, Dolmen Press 1978 - Signed by Hilton Edwards along with All For Hecuba, 1978 signed by Hilton Edwards - both inscribed to Dear Biddy (Biddy White Lennon) (2)

Dublin: If You Seek Monuments by K Turner; A Story of Dublin by J McCormack; A Book Of Dublin-Official Handbook, 1929; The Guinness Harp, Journal of the Home of Guinness, St. James's Gate, Dublin, 1958 and 7 others (11)

A small Charles II oak gateleg tableThe oval hinged top above a moulded frieze on bobbin turned legs, 67cm wide x 60cm deep x 69cm high, (26in wide x 23 1/2in deep x 27in high)Footnotes:ProvenanceSotheby's London, The Moller Collection from Thorncombe Park, Surrey, 18 November 1993, Lot 28LiteratureCHINNERY Victor 'Oak Furniture, The British Tradition' 1979, pp. 397-409SYMONDS R.W. 'Gate Leg Tables of the Seventeenth Century', The Antique Collector', April 1947, p.57, fig.10SYMONDS R.W. 'Furniture Making in Seventeenth and Eighteenth Century England', 1955, p.66, pl.79The small scale of this table suggests that it might originally have been intended for the use of children and may have originally formed part of the furnishings of a late 17th century nursery.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A PAIR OF BRAMELD PEARLWARE "RETURNING WOODMAN" PATTERN BLUE AND WHITE TEA PLATES, 7" diameter, together with a matching larger plate, 9 1/2" wide, a Rogers Zebra pattern soup plate, a similar "Gate Leading to a Musjed at Chunar Ghur" plate, both 9 3/4" diameter and a similar oblong meat plate, 15" wide, all impressed (6) (Est. plus 21% premium inc. VAT)Brameld plate chipped angle at 11 o'clock.  Zebra has minor chip to footrim.  "Musjed" plate chipped and glaze flaw

Gold gate link bracelet, with heart padlock clasp and safety chain, in 9 ct hallmarked Birmingham 1906, 19cm in lengthCondition Report: 9 ct weight 18.6 gramspack lock clasps opens and closes securely, there is worn engraved word to back of clasp, rivet has been replaced at one time and is lightly indentedsome of the gate links are squashed together, one link has a hole in it and another is not solder at one end of the end link, previous repair work evident on rivet ends

Mixed group of jewellery, one pearl pendant, bail and fitting testing as 18 ct, a 1970's gate bracelet, with an ornate heart padlock clasp, 19cm in length, a modern double loop pendant set with two round brilliant cut diamonds, a pearl and diamond set pendant, a sapphire and diamond set butterfly pendant, on a flat curb chain, 38cm in length, with another small pearl pendant, a single pearl earring, all mounted in 9 ct yellow gold, with a back and front heart locket and a pair of jade cufflinks set in silver giltCondition Report: 9 ct gross weight 16.8 grams18 ct weight 0.8 gramsGate bracelet has light scratches to gold surface, clasp is opening and closing securely and is attached to bracelet with a safety chain Modern double loop pendant, measures approximately, 2 x 0.7cm, estimated total diamond weight 0.08 caratsPearl and diamond pendant measures approximately 1 x 0.8cmButterfly pendant, measures approximately 1.4 x 1.7cmJade cufflinks, one oval cabochon cut jade measures approximately 16 x 10mm

PABLO PICASSO (1881-1973)Minotaure aveugle guidé par une Fillette II, from La Suite Vollard, 1933 signed in penciletching, on Montval laid paper with Montgolfier watermark38.4 x 50.2cm (15 1/8 x 19 3/4in).This work is from the edition of 50, printed by Lacourière, published by Ambroise Vollard, Paris, 1939Footnotes:ProvenanceThe Estate of H.M Petiet, Paris.Acquired from the above by the current owner.LiteratureGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.223). Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume II, 1935-1945, Berne, 1986 (B.435.B.d).This work is perhaps one of the best known and most admired printsfrom the Suite Vollard. An etching of great complexity and intensity,Minotaure aveugle guidé par une Fillette II is the second of fourconsecutive prints dedicated to the subject in the suite. It was nodoubt an important scene for Picasso, one for which he showed anobsessive involvement as he also did many drawings of the subject.There have been many attempts to explain the symbolism of the workand it is generally acknowledged that it is Picasso presenting himselfas his alter-ego, the Minotaur. Rather than the usual overt sexualityand virility associated with the monster (as depicted in lots 7 & 12),the Minotaur here appears blind and vulnerable, in a dramatic nightsetting reminiscent in design to a scene from a Greek tragedy.The little girl guiding the creature bears the traits of Marie-Thérèse,Picasso's pregnant lover at the time to whom he had offered a dove,the bird of peace she is carrying here. Her appearance is innocentand sweet as she gently leads the blinded creature towards the gateat the left.Brigitte Baer has wondered whether the sailors in the background arean attempt at personifying traditional family principles of 19th centuryBarcelona, where she believes the scene could be set. Picasso hadvisited Barcelona with his then wife Olga and their son in Septemberand was perhaps experiencing conflicted feelings. He was obviouslytransgressing traditional marital values because of his affair with MarieThérèse, and the guilt intertwined with his amorous passion could wellhave blinded the Minotaur.Yet Marie-Thérèse seems to represent a haven of peacefulness andvoluptuous tranquillity in opposition to the bitterness felt in his unhappymarriage to Olga; Picasso had lost much of his inspiration andcreativity which were revived after his chance encounter with MarieThérèse in 1927.Is this in fact Olga to the right, statuesque in aspect and seeminglywatching the scene with a detached, estranged gaze? In an earlierversion of the work (see Baer 434), Picasso's re-interpretation ofJacques-Louis David La Mort de Marat, done in July of the same year,was present in the upper left of the plate. This was a piece said tocaricature Olga's – as Charlotte Corday – deathly aggression of MarieThérèse as Marat, which imbued the scene with a tragic aspect.One wonders if the scene here is therefore a hopeful one, in which theMinotaur, guided by the serene Marie-Thérèse, is taken to a brighterplace of comfort and tranquillity. Or is he, blinded by his passion,walking towards more trouble and conflicts? One can only think of thetumultuous years to come afterwards, both in the artist's personal lifeand politically, to attempt a guess.The importance of this work could then be read both in its obsessiverepetition in the artist's creative output of the time, as well as a pivotal,suspended moment in time: uneasy in his deteriorating relationshipwith Olga, expecting a child from Marie-Thérèse, with the SpanishCivil War, Nazism and war growling rampant, all to later explode inPicasso's etching masterpiece La Minotauromachie the following year,and of course in Guernica in 1937This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

An Ercol style gate leg table, oval top; a conforming carver and dining chair (3)

A set of four raffair seated spindle back Lancashire style dining chairs; an oak gate leg table, oval top. (5)

9ct yellow and rose gold gate bracelet with engraved padlock claspCondition report: Padlock clasp stamped ‘9ct gold’ and some of the links also stamped ‘9ct’ on back.Weight 19.8 grams

F Pearson/Cattle by a Lake/signed/watercolour, 18cm x 40cm and/Arthur Miles RI/Gate Into a Field/signed/watercolour, 24.5cm x 36cm

A 9ct rose gold gate link bracelet with heart-shaped padlock clasp, a 9ct yellow gold bracelet of flat articulated form and another 9ct bracelet, approximately 48gm

A WWI casualty group to Private R. Day, 1st Bn, Gloucestershire Regiment:/1914 Star with copy clasp (793 Pte R. Day. 1/Glouc. R.)/British War and Victory Medals (793 Pte. R. Day. Glouc. R.)/ Memorial Plaque 'Richard Day', very fine and better/Note: 793 Private Richard Day was a native of Tewkesbury, Gloucestershire. He served on the Western Front with the 1st Bn, Gloucestershire Regiment from 11 September 1914 and died on 29 October 1914. Day is commemorated on the Ypres (Menin Gate) Memorial, Belgium

An oak miniature gate leg table

A PAINTED WROUGHT IRON GARDEN GATE of naturalistic form with central flower head, to fit in an entrance approximately 105cm wide, the gate 188cm high overall Condition: the paint in need of restoration, the gate structurally sound

A PAIR OF BLACK PAINTED WROUGHT IRON GARDEN GATES with scrolling decoration, each gate approximately 77cm wide x 120cm high Condition: signs of rust and wear to the paintwork commensurate with use outside

A 9ct gold gate bracelet with heart shaped clasp, approx 13.6g.

A 9ct gold gate bracelet, approx 19.2g.

A collection of 9ct gold jewellery including 2 gold cased watches, 9ct gate bracelet and an 18ct gold ring mount.

Three boxes of miscellaneous together with a wooden baby gate. Comprising of an Olympus AZ-210 super zoom camera with eight volumes of photography books, a forty bottle solid pine wine rack (boxed) and a two ceramic chamber pots etc.

A Formica topped table; an oak gate leg dining table; an oak coffee table and a circular elm and oak coffee table

A wrought iron gate 77cm wide x 183cm high

An oak oval top, drop leaf Dining Table on twist gate leg base

A 9ct Gold ladies Gate Bracelet 8g

George Vlassopoulos, Ad Hoc, Deus ex Machina and Multum in Parvo, all A/P Sarah Coombes, Floral scene, 6/20, 75.5 x 56cm Roberta Booth, A Gate in the Heart of Love, 68/75, 80 x 56cm Janet Stayton, Artist Sketching, 1/45, 91 x 63.5cm Kip Gresham, The Flower Scalpel, 50.5 x 38cm Justin Hawkes, Stags Head, AP I, 72 x 47.5cm Two prints of abstract plant forms, indistinctly signed, 60 x 49.5cm (10)

GARDEN/GATE LIONS, a pair, weathered reconstituted stone lions rampant on bases, 50cm H. (2)

GOLD GATE BRACELET, 25mm wide, in nine carat gold, with heart shaped padlock clasp, 26.3g

Adrian Whittlesea, New College Gate, Oxford, limited edition print, 26/75, signed and dated bottom right, 1972 (44cm x 21cm)

A Lot of various framed prints, Antique Minton style tile framed and engraving of The High School, Calton Hill, From the Canon-Gate Church Yard. Engraved by J Henshall.

A LADY'S 9 CARAT GOLD ROTARY BRACELET WATCH, rectangular champagne dial with gilt baton index and hands, rope decoration to bezel, fitted with integral 5 bar gate bracelet with snap & ladder catch, hallmarked Birmingham 1988, quartz movement. Case measures 19mm by 12.5mmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Watch is not currently functioning, new battery may be required. 14 grams gross

A GATE LINK BRACELET, rows of three long bar links alternating with rows of four brick links, to a padlock clasp, stamped '9CT'. Length 20.5cm, 10 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Evidence of repair to some links, pin deficient connectling end of long bar links to brick links, will require repair, some long bar links are bent out of shape. The padlock and bracelet are stamped '9CT' and in our opinion would test as gold. Condition report made 180221.

A 9 CARAT GOLD GATE LINK BRACELET, four rows of long bar links alternating with three rows of short bar links, to a padlock clasp, hallmarked with sponsor's marks 'LC' and 'KKD', London 1979. Length 18.5cm, 14.1 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition. Condition report made 180221.

Six original pictures and prints to include 'Through the Gate' by Glen Palin, countryside oil on canvas studies and a mountainscape in watercolour scene, all framed and glazed (6)Condition Report: The condition is all good, no problems noted. They have come from a private collection.

The Beatles - The Beatles "White album" No. 155700, Apple PCS 7067 YEX 709-1 / 710-1, PCS 7068 711-1 / 712-1 in gate-fold sleeve with lyric sheets, together with Sgt Pepper's Lonely Hearts Club Band, Parlophone PCS 7027 YEX 637-1 / 638-2, gate-fold sleeve with cut-outs. (2)

Pink Floyd - Dark Side Of The Moon, Harvest EMI SHVL 804 A-9 / B-9, in gate-fold sleeve with two posters and two stickers. (1)Condition report: Slightly dusty but record and sleeve in good condition.No scratches to record.Some light wear at edges/corners of sleeve.

A collection of assorted vinyl LP's to include Blondie - Parallel Lines and Plastic Letters, John Lennon - Walls and Bridges, ELO - A New World Record, Mott The Hoople - All The Young Dudes, Focus - 3, Eagles - Hotel California (with poster), Wings - Venus and Mars, Robin & Barry Dransfield - The Rout Of Blues, Mary Hopkin - Post Card, Credence Clearwater Revival - Bayou Country, Fairport Convention - Nine and Rosie, Steeleye Span - Ten Man Mop Or Mr Reservoir Butler Rides Again (gate-fold), Individually and Collectively, Commoners Crown, Below The Salt, All Around My Hat and Now We Are Six, The Moody Blues - In Search Of The Lost Chord and Eric Clapton - 461 Ocean Boulevard etc. (95)

A large collection of assorted CDs mainly being radio editorial and audio press kits for film releases to include Quills, Centre Stage, Born Romantic, State and Main, The Legend of Bagger Vance, Bless the Child, Scream 3, Stuart Little, The Ninth Gate, Castaway, Shaft, Essex Boys, Sexy Beast, The Beach, The Haunting, and The Warrior. (1 box)