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Lot 398
A mid 19th century German ‘flats’ toy Pleasure Garden, comprising a boy riding hobby horse, a girl pulling a perambulator, a gentleman walking hand in hand with three children, a mother seated with a child on her lap and fifteen other people, a table, an onion domed gate, thirteen pieces of fencing, three trees and three shrubs, in original wooden box (incorrect inner lid to box and head missing off tea party man)
Lot 278
A quantity of 1960's plastic Britains Garden. Including a boxed green house (2592), plus unboxed items including roller, wheel barrow, petrol lawn mower, garden hose reel, garden swing with parasol, ornamental walls with flower beds, gate posts, pond, rockery and various plants, fencing, 'grass' base etc. GC-VGC some age wear. £40-50
Lot 105
Helen Sinclair (British, b.1949). 'Heaven's Gate'. A bronze resin group of four figures with arms around each other. Edition of 15. H36cm. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept. Condition Report: Head from right figure has become detached
Lot 6165
Airfix 08364-5 1:32 scale M3 Lee American medium tank, series 8 model kit, boxed; Airfix 07360-0 1:35 scale White M3A1 scout car, series 7 model kit, boxed; Tamiya FA-130 1:35 scale Panzerkampfwagen III Ausf.M/N, series No.36 model kit, boxed; Tamiya MM117-1000 1:35 scale German 88mm gun flak 36/37, series No.17 model kit, boxed and Esci art.2007 1:72 scale Tobruk Africa Gate model kit, boxed (5)
Lot 6229
Vintage Posters, The Arts, Theatrical Interest - a rectangular shaped advertising bill poster, Derby Hippodrome, "BURTON LESTER'S MIDGETS. 20 LIVING DOLL PEOPLE IN A MINIATURE MUSIC HALL, THE SMALLEST MAN ALIVE 2FT. 6INS. HIGH, HENRY BEHRENS ARRIBES IN A COACH DRAWN BY HIS CAT, TWICE NIGHTLY 6.10/8.15 COMMENCING WEEK OF MON., 9TH JULY", "COOPER'S FESTIVAL FOUNTAINS, A RIOT OF COLOUR FANTASY, CYCLING ASTONS FOOTBALL ON WHEELS, THE FLYING VOLEROS, PERCY PRIDE JUST FIDDLING, 6.10/8.15, WEEK COMMENCING MONDAY, 16TH JULY, BUSTER KEATON, THE CELEBRATED FROZEN FACE, HOLLYWOOD COMEDIAN", framed, 78cm high, 27.5cm wide (measurements including frame), printed by Harpur & Sons, Printers, 10 Friar Gate, Derby; other Derby Hippodrome bill advertising posters, each framed (4)
Lot 162
Group of Orrefors Sandvik Astrid pattern drinking glasses in sizes, designed by Simon Gate, circa 1930's of cinnamon tint, comprising one large wine glass, two medium sized wine glasses and eight small wine glasses together with a Stuart style part table service of ribbed form, comprising: eleven wine glasses in sizes. And 11 variously sized stem wines with partly ribbed bowls.
Lot 2205
Won by Holland in the 4 x 100 m relay race (women). Gold embossed, 38 x 50 cm. Des. by Professor Ernst Boehm, Berlin, printed by Erasmusdruck, Berlin. Facsimile signatures of Organizing Committee President Lewald and IOC President Baillet-Latour. Embossed Olympic stadium between Brandenburg Gate and Olympic bell. Some tears in the margins of the diploma.
Lot 2663
18th cent. 13 x 13 cm. Ceramic with blue and white tin glaze. Depictions of a.o. Moses being drawn from the water, Jesus helping Peter from the water, Samson carrying the doors of the city gate, Noah's ark on dry land with the rainbow and Jesus appearing after his resurrection. Corner oxbow motif. Some sl. dam. (total 9)
Lot 122
Dungeons and Dragons - LJN Toys - Fortress of Fangs. An unboxed, near complete Fortress of Fangs by LJN Toys. Item appears to be in NM condition and appears to be missing the Gate. Also included are Four figures: Elkhorn, complete. Northlord, missing helmet and left leg detached, Zarak , no weapon, Dragonne and additional accessories. (This does not constitute a guarantee).
Lot 558
J BUTLER (19TH CENTURY), 'THE OLD POSTERN GATE', a mid to late Victorian study of the Nottingham landmark public house, a group of figures standing outside, signed lower left, remnants of a newspaper article relating the pub dated 1875 is attached verso, oil on canvas, modern frame, size approximately 24cm x 19cm, Condition Report: good overall condition
Lot 54
FOUR PIECES OF JEWELERY AND A WRISTWATCH, to include a silver gate bracelet necklace, fitted with a spring clasp, hallmarked Sheffield, a silver curb link bracelet fitted with a heart padlock clasp hallmarked Birmingham with additional safety chain, a hardstone heart pendant with box link chain fitted with a spring clasp stamped 925, a white metal openwork heart detail ring unmarked, together with a ladys silver 'Imperial Ltd' wristwatch (condition report: general light wear, watch not tested, safety chain to the curb link bracelet requires attention, overall condition good)
Lot 47
A BRACELET AND RING, both AF, to include a yellow metal seven bar gate bracelet, missing original clasp, stamped 375, fitted with a non original white metal lobster clasp, approximate gross weight 7.6 grams, together with a broken and damaged yellow metal garnet cluster ring, stamped 750, approximate gross weight 3.9 grams
Lot 554
Super right-hand drive 500F, soundly engineered and superbly presented as an homage to those charismatic little Abarth racers of the 1960s.Rare right-hand drive 1971 car with 795cc Gazzolli-built engine, Abarth dials and bodywork (including flared arches) by Carlo Caccaviello5-speed, Ferrari-style gearbox and gate, disc brakes, race shocks and lowered as per originalFusina Abarth front seats with matching red seat belts, chequered sunroof and trimFurther nods to the Abarth originals include smoked lenses on all indicators, rear seat base removed, open (propped and secured) engine lid to accommodate additional oil cooler etc. with Abarth name on the supports, period Abarth badging on body and engineSignificant expenditure of c.£10,000 in last 17 years culminating in a £4,500 refurbishment in December 2020 and only 120 miles sincec.14,750 miles indicated supported by MOT Certificates going back to 2005. Current MOT until January 2024Most genuine examples are upwards of £50,000, making this lots of fun for considerably less outlay!SpecificationMake: FIATModel: ABARTH EVOCATIONYear: 1971Chassis Number: 2564946Registration Number: JYY 483JTransmission: ManualOdometer Reading: 14750 MilesClick here for more details, condition report and images
Lot 1049
Winegartens of London, gold cased automatic wristwatch with date, signed silvered dial with applied baton hour markers, three piece case on integral gold gate style bracelet hallmarked .375, snap on Stolkace case back hallmarked .375 and numbered 124, Winegartens - Swiss Extra Fully Adjusted 21 jewel movement, serial no. 911437. Gross weight 51.1g, case diameter 33mm, together with original box (Watch is currently running)
Lot 205
SHOZUI: A HAMANO SCHOOL IRON TSUBA WITH DEER, TORII GATE AND PINESchool of Hamano Masayuki (Shozui), signed with gold seal ShozuiJapan, Hamano school, 18th century, Edo period (1615-1868)The large iron tsuba of mokkogata shape, with a kozuka and kogai hitsu-ana and sekigane, finely worked in iro-e takazogan of gold, silver, copper, shakudo and shibuichi, depicting to the front a family of deer below a pine tree and next to a torii gate, the verso with two further deer by a stream below a waterfall. Gold seal to the front SHOZUI.HEIGHT 8.5 cm, LENGTH 7.9 cmWEIGHT 162 gCondition: Excellent condition with minor typical wear.Provenance: Doyle's, Asian Works of Art, 20 March 2007, New York, lot 2279 (sold for 1,920 USD). The provenance listed there as St. John's University.
Lot 251
A PAIR OF GOLD AND COPPER MENUKI OF NIO GUARDIANSJapan, 18th-19th century, Edo period (1615-1868)Each finely cast in copper, with silver and gold highlights, as a Nio guardian standing in a dynamic posture, chanting their respective syllables, with muscular bodies and draped in billowing scarves.HEIGHT 2.8 cm (each) WEIGHT 9 g (total)Condition: Excellent condition with minor wear.Nio or Kongorikishi are two wrathful and muscular guardians of the Buddha standing today at the entrance of many Buddhist temples in East Asian Buddhism in the form of frightening wrestler-like statues. They are dharmapala manifestations of the bodhisattva Vajrapani, the oldest and most powerful of the Mahayana Buddhist pantheon. According to Japanese tradition, they travelled with Gautama Buddha to protect him. Within the generally pacifist tradition of Buddhism, stories of dharmapalas justified the use of physical force to protect cherished values and beliefs against evil. Nio are also seen as a manifestation of Mahasthamaprapta, the bodhisattva of power that flanks Amitabha in Pure Land Buddhism and as Vajrasattva in Tibetan Buddhism. They are usually a pair offigures that stand under a separate temple entrance gate usually called Niomon in Japan. The right statue is called Misshaku Kongo (or Agyo) and has his mouth open, and the left statue is called Naraen Kongo (or Ungyo) and has his mouth closed. Similar to Alpha and Omega in Christianity, they signify “everything”.
Lot 47
AN EXCEPTIONAL PAIR OF MONUMENTAL WOOD FIGURES OF NIO GUARDIANSJapan, Edo period (1615-1868)Each finely carved and decorated with gesso and pigment to depict a Nio guardian, Agyo with the mouth open, holding a tama (sacred jewel) in his lowered right hand, his left hand extended with the palm facing forward, in a protective gesture akin to the abhaya mudra, Ungyo with the mouth closed, his right hand extended with the thumb and index finger joined similar to vitarka mudra. Both are wearing flowing skirts with deeply carved folds, gathered at the waist revealing their strong muscular bodies, and adorned with necklaces. Their faces showing fierce expressions and well detailed with thick brows, strong cheeks, and large black glass eyes, flanked by thick pendulous earlobes. Each with the hair drawn up into a high chignon.HEIGHT 205 cm (each excl. base) and 214 cm (incl. base)Condition: Good condition, commensurate with age. Extensive wear, flaking and losses to gesso and pigment, expected age cracks, minor chips, small losses.Provenance: A private collection of Japanese and Southeast Asian Buddhist art. A private collection in the United Kingdom, gifted from the above during the 1980s.Each figure is supported on an associated metal base of rectangular form.Nio or Kongorikishi are two wrathful and muscular guardians of the Buddha standing today at the entrance of many Buddhist temples in East Asian Buddhism in the form of frightening wrestler-like statues. They are dharmapala manifestations of the bodhisattva Vajrapani, the oldest and most powerful deity of the Mahayana Buddhist pantheon. According to Japanese tradition, they traveled with Gautama Buddha to protect him. Within the generally pacifist tradition of Buddhism, stories of dharmapalas justified the use of physical force to protect cherished values and beliefs against evil. Nio are also seen as a manifestation of Mahasthamaprapta, the bodhisattva of power that flanks Amitabha in Pure Land Buddhism and as Vajrasattva in Tibetan Buddhism. They are usually a pair of figures that stand under a separate temple entrance gate, usually called Niomon in Japan.Guhyapada (Japanese: Misshaku Kongo) is a symbol of overt violence: he wields a vajra mallet and bares his teeth. His mouth is depicted as being in the shape necessary to form the 'ha' or 'ah' sound, wherefore he is also known as Agyo in Japan. Narayana (Naraen Kongo) is depicted either bare-handed or wielding a sword. He symbolizes latent strength, holding his mouth tightly shut. His mouth is rendered to form the sound 'huṃ', 'heng', or 'un'. He is also referred to as Ungyo in Japanese due to his closed mouth.Museum comparison: Compare a pair of wood Nio guardians, dated mid-14th century, each 193 cm high, in the Minneapolis Institute of Arts, accession numbers 83.76.1 and 83.76.2.
Lot 57
A LARGE AND IMPRESSIVE LACQUERED WOOD FIGURE OF A NIO GUARDIANJapan, 18th century, Edo period (1615-1868)Powerfully modeled standing in a dynamic pose on a separately carved naturalistic rockwork base, the face evoking a wrathful expression with reverse-painted glass crystal, thick furrowed brows, the mouth agape showing tongue and teeth. His hair is piled up into a high chignon and secured by a jewel-form headdress. He is wearing a flowing skirt which is decorated with stylized flame and foliate designs, and his muscular body is well carved.HEIGHT 72 cmCondition: Good condition with some wear, expected age cracks, flaking and minor losses to lacquer, some with associated touchups, few small nicks, minor losses, minor old repairs. Provenance: Hotel des Chevau-Légers, 17 January 1981, Versailles, lot 193. French private collection, acquired from the above. Copies of the catalog cover, description, and original invoice from Hotel des Chevau-Légers accompany this lot.Nio or Kongorikishi are two wrathful and muscular guardians of the Buddha standing today at the entrance of many Buddhist temples in East Asian Buddhism in the form of frightening wrestler-like statues. They are dharmapala manifestations of the bodhisattva Vajrapani, the oldest and most powerful deity of the Mahayana Buddhist pantheon. According to Japanese tradition, they traveled with Gautama Buddha to protect him. Within the generally pacifist tradition of Buddhism, stories of dharmapalas justified the use of physical force to protect cherished values and beliefs against evil. Nio are also seen as a manifestation of Mahasthamaprapta, the bodhisattva of power that flanks Amitabha in Pure Land Buddhism and as Vajrasattva in Tibetan Buddhism. They are usually a pair of figures that stand under a separate temple entrance gate, usually called Niomon in Japan.Guhyapada (Japanese: Misshaku Kongo) is a symbol of overt violence: he wields a vajra mallet and bares his teeth. His mouth is depicted as being in the shape necessary to form the 'ha' or 'ah' sound, wherefore he is also known as Agyo in Japan.
Lot 68
A SUPERBLY EMBROIDERED PANEL OF YOMEIMON GATEJapan, Meiji period (1868-1912)A very intricately embroidered silk panel with silk threads in various shades of salmon, ivory, cream, bronze and grey, depicting the Yomeimon Gate at the Tokugawa Tosho-gu shrine in Nikko. Mounted by a slender frame on a board with silk brocade backing.SIZE 73 x 69.5 cmCondition: Excellent condition and intricate detail. Few stray strands and a small hole on the verso backing.The Yomeimon Gate is often referred to as the "Gate of the Setting Sun" and is renowned for its intricate carvings, gold leaf decorations, and vibrant colors. It serves as a symbol of wealth, power, and prestige, reflecting the high status and influence of the Tokugawa shogunate during its reign. The gate is also considered a masterpiece of Japanese architectural and artistic craftsmanship, showcasing various styles, motifs, and techniques, including Buddhist, Shinto, and Chinese influences.
Lot 197
A collection of prints & drawings comprising: John Samuel Templeton (Irish, fl. 1830-1857), a detailed 19th-century pencil drawing of Dublin Castle, showing Bedford Tower & Gate of the Upper Court (inscribed & signed in ink verso), 21cm by 28.5cm, toning and two small holes at l.r.; a 19th-century ink drawing of a cavalry soldier mounting a horse, unsigned, 24cm by 33cm, wove paper bearing watermark (Prince of Wales's Feathers), tears to edges; nine aquatint etchings of Alpine views (five hand-coloured), Zurich: Leuthold & Dikenmann, c.1800-1850; six soft-ground etchings by Henry Alken (one hand-coloured), depicting horses & hounds, London: Thomas McLean, 1824; two engraved botanical plates, London: J. Wilkes & G. Jones, 1807 & 1813 (19)
Lot 27
John Mclaughlin for The Country Work Studio, Derby, three plates painted with views of Derbyshire, to include 'Netherbridge Bakewell', 'Friar Gate', and a view of 'Iron Gate', commissioned to mark the 250th anniversary of Bennetts, together with two roundels depicting the Derbyshire countryside (5)
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