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Olympics - A Berlin 1936 Olympic Games National Committee Member's badge, In silvered bronze, 41x45mm, by Lauer, Olympic rings over Brandenburg Gate. Inscribed N.O.K., with ribbon below "Nationales Komitee" CONDITION REPORT: Provenance - Ernest James Henry (Billy) Holt, CMG, CBE (1883 - 1972) who for more than 50 years was closely associated with athletics. He started as a sprinter with South London Harriers and turned to the administration side of the sport when he retired, He became an honorary official in 1907 when he was appointed assistant secretary of South London Harriers. In 1932 he became treasurer of the Amateur Athletic Association and progressed to become honorary secretary of the Amateur Athletic Board and honorary secretary treasurer of the International Amateur Athletic Federation. He was Director of Organization for the 1948 Olympic Games in London and was later invited to be adviser and technical director for the organisation of the 1956 games in Melbourne. He also held other roles in the Los Angeles 1932, Berlin 1936 and Helsinki 1952 Olympic Games. In recognition of his services to the sport he was awarded the O.B.E. in 1947, C.B.E in 1953 and C.M.G. in 1957Freemasonry - He was initiated in Black Horse of Lombard Street Lodge, No. 4155, in 1922, Master of Athlon Lodge in 1938 and had coached the long-distance athlete, Gordon Pirie.

AN EDWARDIAN DIAMOND AND GOLD GATE LINK BRACELET CIRCA 1910 The polished bars with linked panels between, the front of the bracelet with old cut diamond set lozenge shaped panels, approximately 0.25 carats, to a concealed clasp, the tongue stamped 15ctSize/dimensions: 19.3cm longGross weight: 23.5 gramsCondition Report: The bracelet has some light wear commensurate with age and use, but no major damage or repairs, the diamonds are all resent and correct, bright and lively, colour and clarity slightly varying, mostly SI and H-I colour, one stone appears more tinted, but it could be due to the setting, the bracelet is approximately 9.5mm wideCondition Report Disclaimer

A 19th century oak gate leg dining table, a Victorian mahogany bedside cabinet; a child’s painted elm chair, with folk art style decoration; mahogany toilet mirror; etc, (6).

A Welsh bark oak love spoon, wheel and Celtic heart shaft; miniature leather shoes; Ebony part desk set; Guinness Extra Stout glass bottle James Gate Dublin, bottled by George Sharmin, Sheffield etc

A half sovereign set 9ct gold gate bracelet, 1890 shield back half sovereign, 19.7g gross

A half sovereign gate bracelet, 1982 half sovereign, 10.6g gross

A 9ct gold fancy link gate bracelet, padlock clasp, 12.3g

A 9ct gold gate bracelet, pad lock clasp; another smaller, 20.4g; a 18ct gold mounted oval seal fob, bloodstone and carnelian matrixes, 4.4g gross; Avon brooch etc

British School, early 20th century pair of picturesque landscapes, one with a path leading to a field gate next to a stream and the other with a stile, oil on canvas, indistinctly signed, 19x13ins.

An early Tunbridge ware print and paint decorated small sewing pannier, the pin hinge lid with a colour print of Brighton Pavilion with carriages and figures to the fore within a simulated rosewood border and painted surround, the slanting sides with two circular colour prints to the front depicting the Pavilion South Gate and Stables and a distant view of the Pavilion - from Cavendish Square, (c. 1825), swing handle, compartmentalised interior in original red paper, 12.5 x 10 x 10cms with handle up.

Mauchline ware - seven pieces, comprising - a curved blotter (Windermere/Coach On Ferry, Windermere), 14cms, a pin bowl (Main Street, Campbeltown / Made of Wood Grown at Saddell), 8cms, book (Totland Bay, Isle of Wight), The Birthday Garland, spine worn, 11.5 x 9.5cms, a paper knife (Inellan From The Pier), 28cms, a three division letter rack (photographic - Warkworth Castle / Alnwick Castle / St. Michael's Church, Alnwick) repair to bottom corner of top tier, 22cms, a rectangular watch box (photographic - West Gate, Winchester), 10cms, and a napkin ring (Main Walk Zoo, Johannesburgh). (7)

Stanhopes, eleven gold or gold coloured charms with Stanhopes comprising a camera, Washington D.C. (4.V) / a key, Paris (12.V) / Peter Pan statue, G.B. map in circle / a book, image damaged / Statue of Liberty, stamped 'AC 14K', New York (4.V) / heart shaped pendant, Hail Mary / Church building stamped 9.375, Lord's Prayer / Nelson with over sized telescope, image lacking / church building, The Lord's Prayer / Cable Car, stamped 14K, Golden Gate Bridge / United State Capitol, stamped AC, Washington D.C. (5.V), last largest 2cms. (11) From the collection of the late Douglas JullÊ

Stanhopes, nine white metal and silver charms with Stanhopes comprising a camera, hangman from Old +++ Road, Combe Martin / another camera, Bognor (6.V) / cable car, Golden Gate Bridge / binoculars, London, slight distortion (5.V), Bible, The Lord's Prayer / Church building, The Ten Commandments / Television, New York (3.V) / St. Pauls - St. Paul's, London / Statue of Liberty, New York, last 3.2cms. (9) From the collection of the late Douglas JullÊ

A Charles II oak credence-type table, circa 1680 and laterHaving an octagonal fold-over top, the base of canted form, with three arched friezes, each with geometric-carved motifs and dog-tooth lower edge, on baluster-turned legs, plain rear gate, and plain stretchers, turned feet, 112cm wide, 80.5cm high, 47.5cm deep when closed

A gate leg table

A gate leg table a/f and 2 vintage chairs

An Edwardian four row citrine and amethyst gate bracelet,with a cushion cut citrine, claw set to the centre of a plain collet with a fine twisted wire border. Sets of bowed and crossover gate links, with two oval mixed cut amethysts, in matching collets to an engraved box clasp and safety chain. Marked 9ct. Maker's mark 'C.D.B'. 178mm long, 19.22gCondition ReportThe safety chain is detached at one end, although the jump ring is there to reattach it.No chips to the gemstones.Some facet edge wear under 10X magnification, consistant with the age of the piece. Natural inclusions.Clasp secure. Light surface marks to the gold.Some flattening of the outer bow links.

A Boer War and First World War group of four: A Queen's South Africa Medal named to 1846 Bugler C. Wickham Cape Town Highrs with Cape Colony, South Africa 1901 and South Africa 1902 Clasps, a 1914-15 Trio with 1914-15 Star, War Medal and Victory Medal named to Lieut C. Wickham, R.N.V.R. War Medal and Victory Medal with the rank of Captain. A Queen's South Africa Medal named to Lieut M.H. C. DE C. DE B. Wickham Connaught Rang with Cape Colony, Orange Free State and Transvaal Clasps with accompanying miniature, and a First World War 1914 Star named to Capt M.H.C. DI. C. DE B Wickham Conn Rang, Victory Medal similarly named. A First World War pair named to Cap E.T. E. DE C. DE B. Wickham. With Trio of miniatures, Two Second World War Defence Medals and A War Medal. Captain E.T. Wickham seems to be Evelyn Twsden who is recorded with the Royal Navy, as a Lieutenant Commander aboard H.M.S. Repulse, being promoted from Commander to Captain when placed on the retired list on the 30th June 1921. Captain Wickham appears to have been Montague Hill Clephane De Cristoforo De Bouillon Wickham, born on Malta the 22nd October 1878, to Father Colonel Edmund Hill Wickham (1842 - 1907) of the Royal Artillery, and mother Eugenie (Paloeologus) De C Wickham. He died of wound on May the 9th 1915. He was the son of The Princess Paleologue who was resident at 34 Charleville Road, W. Kensington. Claiming direct descent from the last Byzantine Emperor Constantine Paleologus, the Princess, considered by some a pretender, she was received with Royal Honours when she entered Greece during the reign of King George I in 1898 and her claim was recognised in Russia where she was styled 'Imperial Highness'. In a report of a court case in 1929 her name is given as Marie Erselie Eugenie Orades Laurentia Vincenza Nicola Antonia Wickham. The report of the case sheds a fascinating insight into the generous life of the Princess who seems to have been generous to a fault: 'Her house as a result, had been the refuge of every "down and out" and waster for years, for they could always be sure of sponging on her so long as she had a crust to spare'. Captain Wickham served with the 5th Battalion of the Connaught Rangers, receiving his commission in May 1898 serving in South Africa and with the Western Frontier Force from 1908 - 1914. He is commemorated on the Menin Gate. With copied research. *CR: Lacking some ribbons and usual tarnishing to medals. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

A silver badge in the form of Aldersgate in London, of asymmetric towered form with an equestrian statue above the entrance gate, the gate itself being removed in 1761. Engraved to the reverse 'Aldersgate Ball W.G. Howard M.C. 22nd Jany 1885'. 3.8 x 3.2cm. With loop for suspension. *CR: Nice condition; see images. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

China - Republic: a small quantity of coins, comprising: twenty cents, Fukien (KM Y381), very fine; twenty cents, Fukien, Canton Martyrs, rev. Huanghua Gang, half brick to right of gate (KM Y389.2), about very fine; standard issue, two chiao (2), Yuan Shikai (Yüan Shih-kai) (KM Y 327), grimy, otherwise about very fine; two chiao, 1927, death of Sun Yat Sen (KM Y340), discoloured/dirty but otherwise good very fine; and East Hopei Anti-Comintern Autonomous Government (Japanese Puppet), chiao, 1937 (KM Y519), some verdigris, otherwise very fine. [6]

A PAIR OF HEAVY DUTY INDUSTRIAL GALVANISED GATE HINGES (L:140CM)

A LARGE WROUGHT IRON GARDEN GATE (H:214CM W:102CM)

Hazel Morris (Welsh contemporary), 'Musslewick Gate Cottage , Marloes, (Pembrokeshire)',signed and dated, oils on canvas. 46x36cm approx. Unframed. (B.P. 21% + VAT) good original condition.

18th Century oak gate legged table, having single drawer above baluster turned legs and moulded stretchers. 123 x 111 x 66cm approx. (B.P. 21% + VAT)

A 9ct gold five bar gate bracelet with heart shaped padlock clasp. Approx weight 16.8 grams.(B.P. 21% + VAT)

A BOXED BRITAINS NAPOLEONIC WARS NORTH GATE DIORAMA SET, No.00148, together with an extra set of the figures, both appear complete and in good condition, boxes in good condition with only minor wear (2)

Full title: A Chinese famille rose lobed bowl on foot with a landscape with a gate to the Forbidden City, 19th C.Description:H 7,7 - L 29,5 - D 22,9 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

William Roberts R.A. (British, 1895-1980)The Punters (The Punt) signed 'Roberts' (lower right)oil on canvas40.6 x 50.8 cm. (16 x 20 in.)Painted circa 1943Footnotes:ProvenancePrivate Collection, U.K.LiteratureWilliam Roberts, Paintings and Drawings by William Roberts R.A., London, privately printed, 1976, pl.2 (ill.)The outbreak of war in September 1939 gave William Roberts a much-needed opportunity. With the turmoil abroad came a great degree of personal upheaval in having to relocate the family and find new work, however, the conflict also brought about new subject matter that favoured his figurative style, which had spent much of the 1930s in the shadow of Abstraction (epitomised by the Unit One movement and spearheaded by Paul Nash and his contemporaries). In 1940, with the growing threat of invasion and bombing, William and Sarah Roberts moved out of London and settled in Marston, a suburb of Oxford on the banks of the River Cherwell. The locality provided rich inspiration including a gypsy encampment around the corner from their home and the river with its punting, fishing and riverside picnics offered the mixture of nature and human activity that Roberts liked best. Painted in 1943, the present work is a tightly composed composition held together by a series of diagonals that guide the eye in a zig zag across the picture plane. Punting poles, human limbs, reflections in the water and the cows' backs all serve this purpose and make for an ingenious design that the artist first trialled in a watercolour and three pencil studies. The serene pastoral scene brings to mind the work of the Old Masters and comparisons have been drawn with Poussin and Andrew Gibbon Williams states 'The calculated deliberation with which Roberts orchestrates his multiple figure groups is analogous to that of the French master; it is as if Seventeenth-Century Classicism is being strained through the sieve of Cubism' (William Roberts, An English Cubist, Lund Humphries, Aldershot, 2004, p.105). This effect can also be seen in another tour-de-force from this Oxford period Parson's Pleasure (Private Collection, 1944). Roberts favoured complex compositions which often showed popular leisure pursuits and here we have an all-female group of punters who are making steady progress through this calm, pastoral scene, the river apparently so still that their limbs and those of the cows which stand and rest above are reflected with mirror-like accuracy in the cool water. Roberts has succeeded in distilling a sense of tranquillity, and conjures the impression of a hot but still summer's day. He also invokes a sense of harmony, of human activity and the natural world co-existing peacefully side by side, each enjoying the pleasures of the countryside, as the cows look on with a benevolent air, mostly at rest, either chewing the cud or idly grazing. The colour palette of the present work is also especially rich, with the whole scene infused with a sense of warmth. The cows are sensitively and generously rendered in warm umber, inky black and with patches of creamy white, while the sky is a warm, glowing orange, the cows resting in the shade of the tree. A man rests on a gate in the background, perhaps in respite from the heat of the day, while the women keep cool in swimsuits in rich shades of teal, maroon and brown. In this very tightly-constructed, complex composition, Roberts effectively shows us a snapshot of life in the countryside as he must have observed it, conveying a sense of this hot, still summer's day with masterful ease. Please see the introduction to the preceding lot for further detail on the provenance of this work. We are grateful to David Cleall and Bob Davenport for information provided about this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Purisima; Spanish School; XVIII century.Polychrome and gilded wood carving.It presents faults in the polychromy.Measurements: 42 x 19 x 12,5 cm.The representation of the Immaculate Conception is an invocation based on an evolved iconographic concept, which sometimes associates the theme of the Coronation of the Virgin or the Immaculate Conception. The latter is the most recurrent iconographic pattern, in which Mary appears standing, dressed in a white tunic and blue cloak, with her hands crossed on her chest, with the moon at her feet and treading on the infernal serpent, which in this painting is slightly outlined, symbolising her victory over Original Sin. Most of these images are accompanied in the painting by the Marian symbols of the litanies and psalms, such as the mystical rose, the palm tree, the cypress, the enclosed garden, the ark of Faith, the gate of Heaven, the ivory tower, the sun and moon, the sealed fountain, the cedar of Lebanon, the spotless mirror, the morning star, and so on. Seventeenth-century artists faithfully maintained the iconographic type but dispensed with or reduced the symbols of the litanies, incorporating them into the composition in a naturalistic manner, and sought greater dynamism and a sense of theatricality. This trend culminated in the 18th century, when we find compositions such as the one we present here, with Mary surrounded by angels, still with some iconographic attributes but now much reduced.

Spanish school; 18th century."Immaculate Conception".Oil on panel.It presents restorations.Measurements: 84 x 61 cm; 90 x 68 cm (frame).Devotional scene in which the figure of the Virgin Mary is presented as the Immaculate Conception. The piece follows the usual iconography attached to the theme, but presents a completely dynamic aesthetic, based on trompe l'oeil and a three-dimensional pictorial conception, which the author achieves through the highly marked shadows of the clouds. In addition, the fluid movement of the frame blends with the work in such a way that they form a whole, very much in the baroque style, although the tones used and the delicacy of the subject's face place us in the 18th century.Medieval Christianity passionately debated the belief that Mary had been conceived without the stain of original sin. Some universities and corporations swore to defend this privilege of the Mother of God, several centuries before the First Vatican Council defined the dogma of faith in 1854. At the end of the Middle Ages the need arose to give iconographic form to this idea, and the model of the Apocalyptic Woman of Saint John was taken, maintaining some elements and modifying others (the Apocalyptic Woman is pregnant, but not the Immaculate). The definitive image came to fruition in the 16th century, apparently in Spain. Following a Valencian tradition, the Jesuit Father Alberro had a vision of the Immaculate Conception and described it to the painter Juan de Juanes so that he could depict it as faithfully as possible. It is an evolved iconographic concept, sometimes associated with the theme of the Coronation of the Virgin. Mary is shown standing, dressed in a white tunic and blue cloak, her hands crossed on her chest, with the moon at her feet (in memory of Diana's chastity) and treading on the infernal serpent (symbol of her victory over Original Sin). Around his head, like a halo, he wears the twelve stars, symbolic of fullness and alluding to the twelve tribes of Israel. Most of these images are accompanied in the painting by the Marian symbols of the litanies and psalms, such as the mystical rose, the palm tree, the cypress, the enclosed garden, the ark of Faith, the gate of Heaven, the ivory tower, the sun and moon, the sealed fountain, the cedar of Lebanon, the spotless mirror, the morning star, and so on. In Baroque painting, the background is usually celestial and populated with angels, as 17th-century artists faithfully maintained the iconographic type but dispensed with the symbols of the litanies or reduced them, incorporating them into the composition in a naturalistic manner, and sought greater dynamism and a sense of theatricality.

Murtaza Pardais (Afghanistani, B.1960)Untitled (Village Scenes) two signed and dated Murtaza Pardeas 1991 lower left, one signed and dated Murtaza Pardeas 1999 lower left and one signed and dated Murtaza Pardeas, date indecipherableoil on canvas paper, framed21.5 x 29.4cm (8 7/16 x 11 9/16in).Footnotes:ProvenanceAcquired from the artist in Islamabad in the late 1990s.For similar works, see Shansab Pardais, A Diary on Canvas, 2012, pp. 55 (Kabul Gate to Marketplace) and pp. 280 (Old Bazaar in Kabul).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George II mahogany demi lune tea table, double fold top, a band of marquetry inlay to frieze, moulded shell decor to middle leg, raised on cabriole legs, one gate leg, H.71cm W.70cm D.36cm (when closed)

H Montalba/Waiting at the Gate/signed/watercolour, 52cm x 38cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A 19th century mahogany gate leg table.

An oak gate-leg table with oval top

An assorted collection of silver jewellery to include: a modernist, hand-made, unmarked, 'gate-like' designed, blue stone brooch; 2 brooches with floral designs hallmarked for Birmingham by LSA in 1979 and 2000, along with a Queen Elizabeth hallmarked ingot hallmarked 1977 in London, with an unmarked white metal small chain. Total weight is 59.4g.

A 9ct rose gold gate bracelet with padlock clasp, along with a 9ct gold chain link bracelet with padlock clasp, combined weight approx 48.9gms open Further details: wear and tear commensurate with age 

A collection of jewellery to include a vintage Givenchy gilt metal multi strand snake chain collar, a vintage abalone butterfly pendant Grosse for Christian Dior, paste set brooches, necklaces, a cat brooch stamped Lea Stein, rolled gold bangle, faux pearl necklaces, Monet earrings, plated gate bracelet, Sarah Coventry choker chain,  etc (1 bag)

BLUES / R&B / ROCK N ROLL / POP - EP / 7" / 78s COLLECTION. Brilliant selection of around 45 x EPs, around 10 x (almost entirely) LPs and 7 x 78s. Artists / Titles include John Lee Hooker - Rhythm & Blues (SE1008), Johnny Cash - Country Boy (RE-S 1212), Marie Knight - Songs of the Gospel (10034MCE), Chuck Berry & Bo Diddley - Vol. 3, Johnny Cash - Sings Hank Williams (RE-S1193), Bukka White (CBS52629), Leadbelly and the Golden Gate Quartet With Guitar - Pick a Bale of Cotton (MH.190), Elvis Presley - Hound Dog (POP 249), Elvis Presley - I Was The One and Buddy Holly and Bob Montgomery - Western and Bop. The condition is generally VG+ to Ex+ with some records dropping below this.

TRANCE / HARDHOUSE / DANCE - 12" COLLECTION. Get the party started with this collection of around 300 x 12". Artists / Titles include Armin Van Buuren - Shivers, Public Domain - Rock Da Funky Beats, Tasty - Volume One, Chicane - Strong In Love, Mrs Wood - Heartbreak, Friends of Matthew - Out There, Hi-Gate - Pitchin' (In Every Direction), DJ Tiesto - Urban Train Remixes, Signum - Coming On Strong, Sundawner - Krystal Dreams, 20 Fingers - Lick It Remix, U-People - French Vibes, Wildchild - Legends of Dark Black Part 2, York - On the Beach, Wippenwerg - Neuro Dancer and Trance X - Sunshine and Drums. The condition is generally VG+ to Ex+ with some records/sleeves dropping slightly below this.

PROGRESSIVE / TRANCE / BREAKS / HOUSE - 12" COLLECTION. Killer collection of around 78 x 12" to include white labels / promotional copies. Artists / Titles include Way Out West - The Fall, FBI - Everybody Over The World, Muse - Sunburn, Simple Minds - Theme For Great Cities '98, Krafty Kuts - Dangerous, Tilt - Left of Centre EP, Hybrid - Visible Noise, XTC, Ultra Violet - Kites, Ultraviolet - Heaven, Sam Mollison - Will You Love Me In the Morning, Breeder - New York FM (Van Bellen Remix) and Dominion - The Gate. The condition is generally VG+ to Ex+

Victor Wagemaekers (1876-1953)Farmyard with chickens and open gate, watercolor 27x37 cm

2-part old metal gate with hinges, wheels and closure, 223 cm high, together 510 cm wide

Walnut veneer desk with stitching of rosettes and acanthus leaves, bar gate, 2 drawers and a door in elevation, 5 drawers in desk and green felt inlaid top, 126 cm high, 100 cm wide, 70 cm deep

A .450 (BOXER) FIVE-SHOT REVOLVER SIGNED E. & F.G. DODSON, LOUTH, serial no. 199, circa 1865 and probably converted from muzzle-loading, with octagonal 5in. barrel, the top-strap signed 'E. & F.G. DODSON, LOUTH', articulated rammer acting as an ejector mounted to the right, plain cylinder with raised band to rear cut with locking notches, solid frame with rear-hinged loading gate, double-action mechanism, chequered walnut semi saw-handled grip and guarded trigger, retaining a strong amount of original blued finish. S5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Sections 7.3 and 7.1 Eligible.Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred.Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.

AN 8mm LEBEL FRENCH MODEL 1892 SERVICE REVOLVER SIGNED ST. ETIENNE, serial no. G66656, dated for 1901, with two-stage 4 5/8in. barrel, ramp and blade fore-sight, grooved top-strap with standing notch rear-sight, swing-out fluted cylinder with central locking studs and facility for gate loading, field-strippable frame, double-action mechanism and chequered walnut grips, fair amount of original blued finish. S5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Sections 7.3 and 7.1 Eligible.Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred.Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.

A .450 (BOXER) WILKINSON RETAILED TRANTER REVOLVER, serial no. 55131, circa 1870 and of the so-called 'long pear extractor' style, with nickel plated 4in. octagonal barrel, crescent fore-sight, the top-flat signed 'WILKINSON & SON, PALL MALL, LONDON', engraved band at muzzle, scroll engraving at throat, borderline and scroll engraved solid frame with side loading gate, plain cylinder with carved rope-band to leading edge, double-action mechanism (trigger return spring weak or broken) and chequered walnut semi saw-handled one-piece grip numbered '4222' and with lanyard ring and lanyard at heel, retaining a fair amount of faded plating throughout, complete with a period patent leather full-flap holster (finish degraded). S5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Sections 7.3 and 7.1 Eligible.Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred.Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.

AN 8mm RAST & GASSER AUSTRIAN SERVICE REVOLVER, serial no. 152624, with issue stamp for 1917, with stepped round 4 5/8in. blued barrel, dove-tailed fore-sight, fixed rear-sight to the standing breech, plain stepped cylinder loading through a side-gate, solid blued frame with field-strippable hinged sideplate, guarded trigger and chequered walnut grip complete with original leather wrist-lanyard, much original finish remaining. S5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Sections 7.3 and 7.1 Eligible.Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred.Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.

A GOOD 12mm PINFIRE REVOLVER WITH CHAUBERT PATENT FOLDING BAYONET, serial no. 17, Belgian circa 1865, the revolver of Lefaucheux full-frame style with round 6 1/4in. barrel, raised borderline engraved sighting rib with dove-tailed fore-sight, the rib with integral 'wishbone' top-strap engraved with scrolls and fitted with a standing notch rear-sight, the underside of barrel fitted with a full length guide with double edged folding bayonet locking and releasing on a button, scroll engraved plain six-shot cylinder with external ratchet locking and full pin-guard engraved around the edge and fitted with a top-hinged loading gate, borderline and scroll engraved stepped iron frame, double action mechanism, guarded trigger, plunge ejector and chequered walnut semi saw-handled walnut grips with engraved semi faceted butt-cap also fitted with a lanyard ring, brushed bright finish (probably as supplied). Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A GOOD 9MM PINFIRE LIEGE-MADE PEPPERBOX REVOLVER CIRCA 1870, serial no, 1991, 2in. fluted six shot cylinder each chamber with multi-groove rifling for the last 1 in., open top frame with hinged loading gate, folding trigger, two -piece walnut broomhandle style grips, ejector rod screwed into butt, this pistol has excellent grips and much original blue. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A GOOD 7MM PINFIRE LIEGE-MADE PEPPERBOX REVOLVER, CIRCA 1870, serial no. 12, with 1 3/4in. fluted six shot smoothbore cylinder, open top frame with hinged and sprung loading gate, folding trigger, two-piece walnut broomhandle style grips, the ejector rod missing from the butt, with very good grips, traces of finish to frame and much deep blue to cylinder. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

Pair of 9ct Gold on Silver Cufflinks, Birmingham silver and butterfly wing brooch, two silver chains, silver gate link bracelet, silver St. Christopher pendant and damaged agate brooch, 51.9g weighable silver

9ct Gold Gate Link Bracelet, 3.4g

9ct Gold Gate Link Bracelet with safety chain, 19.5mm wide, clasp stamped 9ct LW&G (Lawson Ward & Gammage), 25.5g

Michael D'Aguilar (b.1928) RA, British Landscape and Figurative Painter, Looking over the gate towards the Sea -Impressionistic style, Oil on Board, 54 x 40cm, F & G

An oak gate leg dining table with a set of six chairs comprising of two carvers and four standards

An oak and barleytwist gate leg table and a barleytwist white painted side table and a bedside cupboard fitted single drawer

A MID CENTURY TEAK GATE LEG TABLE, open length 169cm x closed length 42cm x depth 84cm x height 75cm a teak record cabinet, and a glazed bookcase (condition:-surface scratches) (3)

AN OAK BARLEY TWIST GATE LEG TABLE, four Edwardian dining chairs, and three other chairs (8)

TWO BOXES OF BOOKS AND SUNDRIES, to include a boxed Hornby Railway R.015 Milk Wagon U.D, a boxed Hornby Railway R.090 Princess Coal Wagon, a GW 57740 train carriage, a Merit Station Accessories box containing four station workers, John Players Military Uniforms of the British Empire cigarette card collection, two framed pastoral scene prints, width 46cm x height 38cm, nine 1940's novels by Upton Sinclair comprising Wide is the Gate, Presidential Agent, World's End, Dragon Harvest, Dragon's Teeth, A World to Win, etc, a brown Bakelite box containing stainless steel and brass torsion balance weights, four sets of His Master's Voice 33RPM records, Brahms, Schuman, Beethoven, etc, a boxed boatswain's whistle with instructions, seven Anri folk art bottle stoppers, a vintage leather and chrome Ronson lighter (2 boxes)