A collection of jewellery, comprising a diamond three stone ring, the single-cut diamonds in illusion setting, stamped '18CT & PLAT', a 9ct gold fancy-link bracelet, a yellow precious metal gate-link bracelet, (clasp deficient), a seed pearl star brooch, (some losses, pearls untested for origin), two silver hinged oval bangles, each with engraved decoration, a bi-colour pierced panel bracelet, stamped '18K 925', and a white metal panel bracelet, ring size N (8)Condition report:Approximate gross weights only: ring 2.1gm, 9ct gold bracelet 2.3gm, gate-link bracelet 3.4gm, pearl brooch 5.8gm, two silver bangles 99.5gm, bi-colour bracelet 55.3gm, white metal bracelet 44.5gm.
We found 48016 price guide item(s) matching your search
There are 48016 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
48016 item(s)/page
A turquoise set bracelet, of gate-link design, collet set with oval turquoise cabochons, yellow precious metal mounted, length 18cmCondition report: General surface wear throughout, occasional links are slightly mis-shapen. The clasp is tight fitting. Metal standard is untested. Gross weight approx. 20.2gm.
Mauchline ware - sewing, seven pieces comprising a needle book (Coutainville - Manche), 8cms, a cylinder tape measure (Canterbury Cathedral) tape within, 4cms, a tatting shuttle (The Wishing Gate, Grasmere), 8cms, a disc form pin cushion (Kendal Parish Church/Haws Bridge Near Kendal), 4cms, another (Grange Over Sands), 3.5cms, a girdle pin cushion (Castle Gateway, Lancaster), 4.5cms, and a thimble egg (Kent Viaduct, Arnside), 7cms. (7) From the collection of Enid Riley Part 1
[Wilson, John, Catholic priest]. The Key of Paradise, Opening the Gate to External Salvation. The last edition much corrected, St. Omers: [s.n.], 1675, [24], 460pp., title in red & black with Jesuit woodcut device (torn to lower margin with loss of final digit of publication date, repaired to verso), quire A¹² printed in red and black, divisional title page on N7r, "Devout and godly petitions, commonly called The Jesus Psalter", bears imprint: Anno Dom. 1673, worm holes to lower blank margins of A2 & A3, few leaves including title close trimmed at head, damp staining mostly at front of volume, light dust-soiling throughout, late 18th/early 19th century decorative endpapers, later 18th/early 19th century sheep, insect damage to lower joint, head of spine worn, 18mo gathered in 12s and 6s (10.9 x 6.7 cm), contained in 18th/19th century card slipcaseQty: (1)NOTESESTC R10544; Wing K384. Only five UK locations found (British Library; Oxford University Bodleian Library & Corpus Christi College; Downside Abbey and Lambeth Palace Library).
* London. Noorthouck (John), A collection of 16 ward plans, 1772, hand-coloured engraved ward plans, originally published in Noorthouck's 'A New History of London, Including Westminster and Southwark', slight staining and offsetting, each approximately 175 x 230 mm, uniformly mounted, framed and glazed, together with Moule (Thomas). Essex, circa 1845, hand-coloured engraved decorative map, 205 x 260 mm, mounted, framed and glazed, with another copy similarQty: (18)NOTESThe plans are reduced versions of Benjamin Cole's maps of 1756. The ward plans consist of:- Tower Street Ward, Broad Steet Cornhill Wards, Cripplegate Ward, A New and Accurate Plan of Walbrook and Dowgate Wards, Queen Hith and Vintry Wards, Aldersgate Ward, A New and Accurate Plan of Billingsgate Ward and Bridge Ward within, Portsoken Ward, Cheap Ward, Breadstreet and Cordwainers Ward, Baynards Castle Ward and Faringdon Ward within, Lime street Ward, Bishops Gate Ward, Farringdon Ward without, Aldgate Ward [and] Candlewick and Langborn Wards.
A sapphire and diamond stylised gate link bracelet, designed as eight alternating diamond and sapphire set yellow metal links with integral clasp stamped '15', with attached safety chain, weight approx 21.3gCondition report: Diamonds weight approx 0.04cts, some slight abrasion to the sapphires, some very slight compressions to a couple of the links, clasp in working order, length approx 18cm, general wear, refer to images
A VICTORIAN CAST IRON PEDESTRIAN GATE, the arched crest with turned finials, the upper part with foliate scrolls within a circular frame, barred lever section, 39 1/2" x 65 1/2"Lacking definition due to layers of paint, needs stripping and repainting, very heavy gauge, lacking finial to one end, does not appear to be any fixing for a latch on same upright so perhaps one half of a double gate?? Wall fixing piece to other upright adding another 5" to overall width
A PAIR OF WROUGHT IRON ENTRANCE GATES, early/mid 20th century, of multi barred form with fleur de lys finials, the end posts with turned and gadrooned finials, 111 1/2" x 71 1/2" (Illustrated) (Est. plus 21% premium inc. VAT)Top of one finial to left gate missing and one finial missing from right gate, lower of latch bar of left gate bent, likewise to one of the internal bars, otherwise good bar some rust pitting
A CUMBRIAN OAK FARMHOUSE KITCHEN TABLE, mid 18th century, the cleated plank top with a single leaf on gate supports, plain frieze with drawer to one end, raised on turned columnar legs joined by a perimeter square section stretcher, on turned feet, 61 1/2" x 24 3/4" x 29" (Illustrated) (Est. plus 21% premium inc. VAT)some shrinkage to top planks and slight warp to central plank, some well polished in staining, evidence of some old worm to frieze, otherwise lovely colour and patination especially to the legs
A 19th century mahogany dining table, comprising two D ends, each with drop leaf and raised on eight tapered legs of square section terminating in spade feet. Height 77 cm, width 109 cm, length extended 204 cm. CONDITION REPORT: The table is structurally sound and in generally good condition. The top is flat with no splits. It is a good colour. There are all of the usual old marks but no real problems. The leaves are not warped. They are of a similar colour to the ends. The frieze is in good condition all round with only minor nibbles to the boxwood and ebony strung edge. All legs are in good order with no repairs. One leaf has four later plywood spaces fixed to the underside. This is so the table top rests on the top of the gate legs. This is a little unsightly but clearly not visible unless you are underneath the table. The softwood bearers have traces of woodworm. This appears long gone but should perhaps be treated.
Mixed group of gold items including a pair of nephrite jade earrings with screw back fittings, a rope chain necklace, a gate bracelet, a pair of sapphire earrings with screw back fittings five pendant charms and a paste set full eternity ring, ring size O, all stamped, tested or hallmarked 9 ct, together with two matching pendant charms stamped 14 ctCondition Report: 9ct gross weight 30.51 grams14ct gross weight 1.11 gramsRope chain brokenSafety chain on gate bracelet not connected
Selection of gold jewellery, including a gate bracelet, three pendants. two pairs of drop earrings, two pairs of hoop earrings, a necklace and two chains all in 9 ct, a 9 ct front and back locket and an 18 ct gold braceletCondition Report: 9 ct gross weight 20.44 grams18 ct gross weight 1.68 grams
Three gold bracelets, including a vintage gate bracelet, hallmarked 9 ct London 1977, length 20cm, a fancy foxtail link bracelet, in 14 ct, length 19cm, and a fancy link bracelet in 9 ct, length 21cmCondition Report: 9 ct gross weight 14.21 grams14 ct gross weight 4.35 gramsFancy link bracelet has a broken clasp
A mixed group of items, including a pearl and box chain link necklace, 38cm in length, with a pearl and a banded gate dress stud, three paste set ring, and a vintage pocket watch, all in 9 ct gold, mounts and jewellery finds a couple are diamond set, with an enamel horseshoe pendant, silver compass, an unset shell cameo and other items Condition Report: 9 ct gross weight 21.9 gramsEwbank's do not guarantee the working order or accuracy of any lots sold.
Three vintage gate link bracelets, one wide link bracelet, width measuring 2.6cm, with a heart padlock clasp and safety chain, 18cm in length, another similar bracelet and tri coloured gold bracelet with cross over links, with a concealed clasp and two figure of eight safety catches,18.5cm in length, all in 9 ct goldCondition Report: 9 ct gross weight 53.1 gramswidest bracelet is missing three links, clasp opens and closes securelySmaller gate link bracelet is missing two link and the safety chain is broken, clasp opening and closing securely Tri- coloured bracelet clasp is opening and closing securely
A 7MM PIN-FIRE POCKET REVOLVER fitted with a folding trigger, it is fitted with a two piece set of walnut grips and has a hinged loading gate at the rear of the six chambered cylinder, it is in correct working order and it's overall condition is excellent, it was made in Belgium and bears Liege proof marks, (THIS IS CLASSED AS ANTIQUE UNDER SECTION 58 (2) OF THE FIREARMS ACT 1968)
A BRONZE INTAGLIO RING DEPICTING NANDIAncient region of Gandhara, 7th - 8th century. The top with a beautifully worked intaglio depicting Nandi, the gate-guardian deity of Kailasa, the home of Lord Shiva.Condition: Very good condition with traces of wear of age. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 15.9 g Dimensions: Inner diameter 2.5 cm
[Baker, Thomas] - Tunbridge-Walks: or, the Yeoman of Kent: a Comedy, first edition,half title and title, qto, 64pp, browned throughout, occasional pencil marginalia, front fly leaf loose, renewed endpapers, rear board and paper cover replaced, rebacked, but retaining original spine, with gilt title, misnumbering of pages - 36 (39), 62 (93), and 63 (62), Bernard Lintott, Middle Temple-Gate, London, 1703,ESTC T53729
Prints published from 1838-1882, cityscape views of Hyde Park near Grosvenor Gate, Hyde Park Corner, Regent Street from Piccadilly, The Strand, and St. James Palace. Sizes: 8 x 12 1/4 in. and 12 1/4 x 16 3/4 in. Please note that all sales are final. No refunds will be given under any circumstances.
William Alexander Coulter (1849 - 1936) born in Ireland, Important San Francisco self-taught artist. Signed lower right and dated 1890, oil on board. Titled "Golden Gate - San Francisco Bay." This painting was used by the US Postal service to make the plate for the "Golden Gate 20 cent Carmine Rose" The stamp was originally issued May 1 1923. The Golden Gate Bridge as it exists today was completed in 1937. Diego Salazar gold leaf frame. William Alexander Coulter was born on March 7, 1849 in Glenariff, Ireland where his father was captain in the Coast Guard. At age thirteen the younger Coulter went to sea and for seven years his apprenticeship allowed him to learn every detail of the ships on which he sailed. He had a natural gift for drawing and color and during his off-duty hours aboard ship he sketched and painted. After arriving in San Francisco in 1869, he worked as a sailmaker while continuing to paint in his leisure, and by 1874 was regularly exhibiting with the San Francisco Art Association. Coulter was for the most part self-taught except for a period of three years in the late 1870s when he studied in Europe with marine artists Vilhelm Melbey, Francois Musin, and Jacob Jacobsen. One of his most important commissions was done between 1909-20 when he painted five 16' x 18' mural panels for the Assembly Room of the Merchants Exchange Building. This room was the center of all the trading and maritime business of the day on the West Coast. Overall: 17 x 19 in. Sight: 9 3/4 x 11 3/4 in. Please note that all sales are final. No refunds will be given under any circumstances.
Jade Fon (1911-1983) American. Medium: Watercolor. Signed lower right. Watercolor of Golden Gate Bridge with sailboats on the bay. Founder of a well-known watercolor workshop in Asilomar, California, Jade Fon combined Oriental influences and regionalism called "California Style". In the 1930s, he attended the Art Students League in Los Angeles and exhibited with the California Water Color Society*. He was a movie studio scenic artist and worked on Gone With the Wind. From the mid-1940s, Jade Fon lived in San Francisco from where he taught at Diablo Valley College. Overall size: 22 14 x 28 1/4 in. Sight size: 14 x 21 in. Please note that all sales are final. No refunds will be given under any circumstances.

-
48016 item(s)/page