We found 48016 price guide item(s) matching your search

A lady's 9ct gold wrist watch by Accurist having a baton numeral dial with stone to 12 on an oval face on a five bar gate braceletCONDITION REPORT - 15.2G BRACELET STAMPED 9CT

A 20th century yew wood oval drop leaf top dining table on turned gate legs

An early 20th century mahogany dining table in the George II style having oval drop leaf top on turned gate legsApprox 54" x 58"

A Victorian cast iron garden gate W.90cm, H.135cm

Godwin Bennett (1888-1950), 'Rochester from the River' and two other oils on canvas of Rochester Gate by the same hand, signed, inscribed verso (3, mounted, unframed), 30.5 x 41cm

44/45 RAF v Army At Blackpool Football Programme: RAF Squires Gate v North West Army Dated 1 11 1944. Good condition 4 pager featuring Corporal Matthews of Stoke and many more. See online picture to spot famous players.

WW2 British forces & Special Constabulary medal group of 5 to Glaister. 1939-45 Star, Africa Star, Burma Star, Defence Medal and War Medal. All unnamed as issued and period swing mounted; Special Constabulary Medal (QE2), impressed named JOHN J.GLAISTER, with original issue paper and card box; St Johns Ambulance badge engraved A178719 JOHN GLAISTER registered at St Johns Gate London; Cumbria Constabulary badge.

An early 20th Century oak gate leg table, a white painted side table and a small oak plant stand, together with an early 20th Century oak bureau, the fall front enclosing a fitted interior, the base section having two short drawers and one single drawer below, turned legs, 102cm high, 85cm wide, 45cm deep (2)

Two rabbit gate nets, one 60', the other 20'.

Walter Delaplaine Scull, (Exhib. 1886-1890), The Great Gate at Karnak, watercolour, Ex David Ker Fine Art label verso, 21.5cm x 15.5cm

A 9ct rose gold gate bracelet, 18.2g

A 19th century print of Views of the City Gates as they appeared before they were pulled down together with the Old Gate at Whitehall & Templebar; together with two 18th/19th century prints of St Albans Cathedral, all framed and glazed

An old church gate

An early 20th century oak barley twist gate leg table

A 9ct gold wide gate bracelet with heart shaped clasp, length 18cm, weight 15.4gms Condition Report: Available upon request

A 9ct gold wide gate bracelet, length 19cm, width 2.7cm, with heart shaped clasp, weight 33.4gms Condition Report: Available upon request

A 9ct gold wide gate bracelet with heart shaped clasp, length 20cm width 3.5cm, weight 24.5gms Condition Report: Available upon request

A large iron gate (all proceeds going to EACH)

An Edwardian mahogany two tier gate leg table

A 9ct gold gate-link bracelet, 10.9g

British Token, copper Halfpenny, 1790's, obverse with the Abbey Gate, reverse PAYABLE AT RACKHAMS CIRCULATING LIBRA ANGEL HILL BURY

British Token, copper Halfpenny, 1795, G Washington Friend to Peace & Humanity, By Clarke & Harrison Wormwood Bishops Gate, London

The sculpture name Elephantom of the Operawas chosen by Birketts Solicitors and given tocommissioned Ipswich artist, Emma Grahamto come up with a design. Inspired by GastonLeroux’s novel and Sir Andrew Lloyd Webber’sstage show, Elephantom of the Opera depictskey elements from the story. The Phantom lurksin Box 5, the chandelier swings above Christineand Raoul dancing. Candles flicker, ballet shoesand the red rose depict love, music drifts acrossthe starry Paris night skyline, whilst Elmer lurksbehind the mask of the Phantom.Sponsor: Birketts SolicitorsBirketts is a full service, top 100 UK law firm,based in the East of England. With a rich heritagespanning over 150 years we’ve built an enviabletrack record advising businesses, institutionsand individuals in the UK and internationally.Throughout our history our ethos has remainedsimple: we provide clear legal advice and valueand insight to our clients.www.birketts.co.ukArtist: Emma GrahamEmma is a highly versatile and published illustratorand graphic artist based in Shotley Gate. She hasbuilt an eclectic and exciting portfolio designingand illustrating everything from book covers, toseed packets, greetings cards, album covers andprivate commissions. In 2007 Emma was awardedan RHS Silver Gilt Medal at the Chelsea FlowerShow for an exhibit she designed, illustrated andconstructed for Thompson & Morgan UK. In2014 she exhibited at the Ipswich Art School aspart of a collaborative children’s book illustratorexhibition, and ran art workshops with themuseum and local schools. Emma painted threesculptures for Pigs Gone Wild in 2016, as well asa ‘school’s pig’ live at the Suffolk Show, with thehelp of some school children.

This design is a celebration of the work ofsome of the county’s finest artists includingThomas Gainsborough, John Constable andMaggi Hambling. It showcases the collection atChristchurch Mansion and Wolsey Art Gallery,home to the largest collection of Gainsboroughsand Constables outside London.Supporting partner:Ipswich Borough Council Ipswich Borough Council’s vision is to build abetter Ipswich. Looking after the needs of athriving and diverse urban centre with more than135,600 residents, the Council prioritises thefollowing to meet that vision: a strong Ipswicheconomy, a sustainable environment, an enjoyableplace to live work and study, a healthy community,quality homes for all, safe communities, and anefficient and effective council.www.ipswich.gov.uk Artist: Emma Graham Emma is a highly versatile and published illustratorand graphic artist based in Shotley Gate. She hasbuilt an eclectic and exciting portfolio designingand illustrating everything from book covers, toseed packets, greetings cards, album covers andprivate commissions. In 2007 Emma was awardedan RHS Silver Gilt Medal at the Chelsea FlowerShow for an exhibit she designed, illustrated andconstructed for Thompson & Morgan UK. In2014 she exhibited at the Ipswich Art School aspart of a collaborative children’s book illustratorexhibition, and ran art workshops with themuseum and local schools. Emma painted threesculptures for Pigs Gone Wild in 2016, as well asa ‘school’s pig’ live at the Suffolk Show, with thehelp of some school children.

A patchwork of painted various animals skins, fur, feathers, scaled and shells from anteater to zebra; can you identify them all? Take the opportunity to examine this sculpture and learn about all the different animals. Sponsor: Cooper BMW / MINI IpswichFrom your first purchase with us to annual MOTs and servicing, Cooper BMW Ipswich and Cooper MINI Ipswich have your every need covered with first-rate customer service and expert guidance on finding you your perfect car. With access to the largest selection of special offers on new BMW and MINI cars and the widest range of ex-demo immediate delivery models. Discover more about our latest offers and deals online now and find out about our ethos of providing service excellence when purchasing and servicing your BMW or MINI. www.cooperipswichmini.co.uk www.cooperbmwipswich.co.uk Artist: Emma GrahamEmma is a highly versatile and published illustrator and graphic artist based in Shotley Gate. She has built an eclectic and exciting portfolio designing and illustrating everything from book covers, to seed packets, greetings cards, album covers and private commissions. In 2007 Emma was awarded an RHS Silver Gilt Medal at the Chelsea Flower Show for an exhibit she designed, illustrated and constructed for Thompson & Morgan UK. In 2014 she exhibited at the Ipswich Art School as part of a collaborative children’s book illustrator exhibition, and ran art workshops with the museum and local schools. Emma painted three sculptures for Pigs Gone Wild in 2016, as well as a ‘school’s pig’ live at the Suffolk Show, with the help of some school children.

Hong Kong. An album containing 32 mounted albumen prints, c. 1870s, including six scenes after the typhoon of 22 September 1874, by Lai Afong, each approximately 21 x 28 cm, a circular photograph showing the building of Smith, Archer & Co, general merchants on Praya East, 23 cm diameter, photographs of HMS Iron Duke and officers and crew, a photograph of members of Hong Kong Cricket Club, 1867, 17 x 28 cm, an oval print of pupils from St. Paul's College, 17 x 23 cm, oval prints of picnic scenes at Ma Lau Tung, circa 1868, each approximately 20 x 25 cm, a photograph of bamboo scaffolding and Imperial Arch (Quanzhou Gate), by Lai Afong, circa 1870, each 25 x 20 cm and similar, a total of 23 photographs, plus four further smaller images of India and five of Venice, pasted to rectos of 27 album mounts, mostly with pencil captions, two loose, ownership name inscription of W.K. Dods and C.M. Normand to front free endpaper, all edges gilt, contemporary morocco gilt, heavily rubbed, 4to (31 x 24.5 cm) (Qty: 1)NOTESProvenance: see lot 38.

Floyd (William Pryor , 1834-c.1900 ). A superb album of 55 photographs of Hong Kong, Canton, Peking and Macao, mostly by William Pryor Floyd, c. 1868-1870s , printed captions to first 37 photographs tipped onto paper mounts lower right, remaining 10 leaves mostly with pencil notes or captions, mount versos blank, a total of 28 photographs of Hong Kong views by Floyd including a two-part panorama (some splitting close to fold), plus Macao (2), Canton (6, including one by Dutton & Michaels), Peking (2), the final ten leaves with photographs of various groups, a mandarin in a sedan (by Milton Miller), Hong Kong regatta, 1868, condemned murderer and pirates, and 10 small portraits on two leaves, Floyd's printed studio label at 62 Queen's Road to front free endpaper, original cloth with gilt-titled upper cover, rubbed and soiled, oblong folio (30 x 38cm) (Qty: 1)NOTESContents: 1) General View of HongKong (From Scandle Point), (2-part panorama), 229 x 558mm; 2) Public Garden (Central View, H.K.), 194 x 271mm; 3) Public Garden (From the Albany, H.K.), 192 x 273mm; 4) Fountain, Public Gardens (Hongkong), 172 x 266mm; 5) Bath House (Hongkong), 180 x 270mm; 6) View on the Praya (Looking East, H.K.), 188 x 281mm; 7) View on Praya (From Lane, Crawford & Co.'s Wharf, H.K.), 175 x 272mm; 8) Clock Tower (Hongkong), 172 x 239mm; 9) P. & O. Co.'s Offices (Hongkong), 243 x 198mm; 10) Joss House in Holloywood Road (Hongkong), 203 x 271mm; 11) Chinese Town, Westpoint (Hongkong), 200 x 273mm; 12) View of Chinese Town (West Point, H.K.), 189 x 269mm; 13) Tank Lane (Hongkong), 189 x 272mm; 14) Water Tank (Caine Road, H.K.), 196 x 271mm; 15) View of the Harbour (Hongkong), 178 x 269mm; 16) Kowloon, 181 x 273mm; 17) Water Fall, Pokfulum (Hongkong), 192 x 264mm; 18) Siemssen & Co.'s House, Pokfulum, (Hongkong), 185 x 269mm; 19) Grand Stand (Race course 1868), 187 x 265mm; 20) Race Course (From Morrison's Hill, H.K.), 188 x 281mm; 21) Race Course (and Morrison's Hill, H.K.), 188 x 273mm; 22) Joss House on Black Rock, East Point (Hongkong), 191 x 263mm; 23) Chinese Village, East Point (Hongkong), 191 x 265mm; 24) Chinese Junks on Shore East Point (Hongkong), 182 x 266mm; 25) Old Joss House, East Point (Hongkong), 174 x 267mm; 26) Farm House, East Point (Hongkong), 176 x 268mm; 27) View of Hongkong (Looking from Lyee-moon), [1868] 162 x 269mm; 28) View of Praya Grande (Macao), 186 x 270mm; 29) View of Macao, 180 x 265mm; 30) Shameen, Canton, 176 x 270mm; 31) View of Canton, 190 x 305mm; 32) North Gate, Canton, 185 x 262mm; 33) Temple in Canton, 202 x 298mm; 34) Pagoda in Canton [Dutton & Michaels], 257 x 209mm; 35) Five Story Pagoda, Canton, 260 x 205mm; 36) House in City of Pekin, 180 x 220mm; 37) Temple of Heaven, Pekin, 173 x 221mm; 38) Queen's Road, 178 x 231mm; 39) Group portrait - Picnic Nov, 1868, 189 x 282mm; 40) H.M. 20th Reg. F[oot], 1872, 188 x 273mm; 41) Prize Boat's-crews, 152 x 237mm; 42) Mandarin (Canton), [Milton Miller], 146 x 197mm; 43) Condemned Pirates, 169 x 245mm; 44) Condemned murderer. Wong Qui-Fook, 220 x 159mm; 45) Hong Kong Regatta 1868. Start of Yachts from the Harbour Race, 170 x 266mm; 46) 5 cdv size portraits, each approx.. 90 x 57mm; 47) 5 cdv size portraits, each approx.. 92 x 57mm. Provenance: see lot 38.

* Turner (Benjamin Brecknell, 1815-1894). The Willowsway, Elfords, Hawkshurst, Kent, 1852-54, albumenised salt print from a waxed paper negative, 293 x 390 mm, mounted on a modern mat (Qty: 1)NOTESMartin Barnes, Benjamin Brecknell Turner: Rural England Through a Victorian Lens; V&A Publications, 2001. 'Three negatives of The Willowsway, Elfords, Hawkshurst show different aspects of the same lane of pollarded willows with a pond to one side and a closed gate. Turner's son recalled how, even in his father's skilled hands, making one exposure "never took less than three quarters of an hour". Turner probably spent about two and a quarter hours here. His final choice of image places the viewer on the path, framed with willows either side, as a traveller approaching the gate', p. 64. See fig. 37 for the negative owned by the Royal Photographic Society and plate 23. A fine impression.

SIR JAMES LAWTON WINGATE (1846-1924) Calf entering a gate Signed oil, 35cm x 24cm

POSTCARDS - MAINLY TOPOGRAPHICAL Approximately forty-six cards, including views of Brighton Station; Invergordon Railway Station; Murrow Midland & Great Northern Station; The Great Station, Euston Station; Railway Station, Bangor; Tawstock Court; North Gate, Totnes; and others, (album).

A 19th Century Blue and White Oval Meat Platter, 'Camel' pattern by John Rogers, circa 1820, the scene depicts the gate leading to a Musjed at Chunar Ghur, India with figure on camel in the foreground, impressed mark, 42cm long, a 19th Century oval blue and white meat platter by Rogers circa 1820, 'Musketeer' pattern depicting an Eastern scene with two musketeer figures, one on horseback with temple buildings in a wooded landscape, impressed marks, 42 cm long, a 19th Century blue and white oval meat platter by Rogers circa 1820, 'Monopteros, the scene depicting the remains of the ancient building near Firoz Shah's Cotilla, Delhi with figures and kankrej in the foreground, impressed mark Rogers and 16 , 43cm long (3)

A 19th Century High Victorian silver plated and cut glass three piece table cruet set, the silver plated cruet stand modelled as a farmyard gate with a Cockerel and hen atop. 

A 1920's early 20th Century good quality light oak drop leaf dining table being raised on barley twist legs united by stretcher having drop leaves raised on gate leg action. Measures when closed 70cm tall by 90cm wide and 43cm deep. 

A early 20th Century carved oak drop leaf dining table being raised on turned legs united by stretcher having drop leaves raised on gate leg action. Measures when closed 73cm tall by 71cm wide and 40cm deep.

A hallmarked 925 6 bar gate link bracelet having a heart lock clasp. Hallmarked London. Weight 19.9g.

A 1970's teak wood Danish influenced G-Plan drop leaf dining table raised on shaped supports with full length drop leaves having gate leg supports. Measures 74 cm high x 30 cm wide x 97 cm deep. When extended measures 130 cm.

A 1970's teak wood Danish influenced G-Plan drop leaf dining table raised on shaped supports with full length drop leaves having gate leg supports. Measures 74 cm high x 30 cm wide x 90 cm deep. When extended measures 140 cm.

Records : Rare Lee 'Scratch' Perry triple album box sets of 'Open the Gate' and 'Build the Ark' both are original UK press 1st Trojan and in excellent cond

A 19th century oak gate leg dining table with an oval planked top on tapering legs

A set of four Victorian balloon back dining chairs together with a gate leg dining table

BARRINGTON BRAMLEY, YORK MINSTER, LITHOGRAPH, SIGNED BY THE ARTIST IN PENCIL, NUMBERED 384 OF 1000, 42 X 62CM AND DAVID COUPE, ST PETER'S CHURCH ON WHEELER GATE NOTTINGHAM, SIGNED, WATERCOLOUR, 31 X 44CM

A 1930s oak gate leg table on barley twist legs, 29" h x 35 1/2"w

A bracelet, of fancy five bar gate link, stamped '9ct', 16 g gross

A George II yew drop-leaf dining table, on twin-gate turned club legs and pad feet, 70.7cm high, 107.5 x 137.7cm (open).

A Regency 'D' shaped tea table, inlaid with ebonised stringing, the hinged fold-over top on twin gate supports, on ring turned and baluster ribbed legs, 74cm high, 91.6cm wide, 45.2cm deep.

A FRAMED AND GLAZED GOUACHE OF A LOCK GATE

Prescott ( W.H .) . The Complete Works of William Hickling Prescott, 12 volumes, circa 1890, some light toning throughout, publishers uniform original gilt decorated brown cloth, boards & spines lightly rubbed, 8vo, together with Henley (W.E. & Henderson, T.F. [editors]) , The Poetry of Robert Burns, 4 volumes, Centenary Edition, 1897, Edinburgh, marginal toning throughout, publishers original gilt decorated white cloth, spines slightly toned & rubbed to head & foot, 8vo, and Graves (Robert) , At The Gate, poems, limited edition 205/536, 1974, privately printed, signed by the author to the limitation page, original cloth in dust jacket, covers slightly marked & rubbed to head, 8vo, plus other late 19th & early 20th century literature & history reference, all original cloth, some in dust jackets, G/VG, 8vo/folio (Qty: 6 shelves)

* Baden-Powell (Sir Robert, 1st Baron, 1857-1941). Autograph Letter Signed, 'R.S.S. BadenPowell', 32, Princes Gate, London, SW, 'Sunday, 14', to Miss Molly, thanking her for her note which he found on his return from Ireland, offering to take her to dinner and a play if she is free, 'I've got cheery little old gentlemen coming to do so - as I had thought of getting my sister and some other lady to fill the places of two who could not after all come' saying that her husband can come too and asking for her answer to be sent by a wire, a little spotting, 3 pp., pencil accounts notes to final blank, presumably in Miss Molly's hand, 8vo (Qty: 1)NOTESFrom the Pamela Dugdale Collection.

Shenval Press . Italian Paintings and Drawings at 56 Princes Gate London SW7, 2 volumes, 1959, numerous black & white illustrations, uniform original red cloth in slipcase, 8vo, together with Wm. Helburn , Architectural Details (ornamental and structural) of the Renaissance Period in England, circa 1900, New York, 52 black & white plates, modern endpapers, some light spotting & marks, modern red cloth spine retaining contemporary red half calf, boards slightly rubbed with minor loss, large 4to, and other pre 20th & modern art history & reference, some leather bindings, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/4to (Qty: 6 shelves)

Oak Barley Twist Gate Leg Table

Three brooches, one with central gate design, set with white cultured pearl, testing as 18 ct, 5 x 1.3cm, another set with cabochon cut blue sapphire, mount testing as 14 ct and Royal Army medical corps enamel sweetheart brooch, in 9 ct yellow gold. CONDITION18 ct gross weight 5.5 grams14 ct gross weight 2.6 grams9 ct gross weight 10 grams

A fine large iron bound Wooden Entrance Gate, in the Tudor style, approx. 120" long. (1)

A 15ct stamped five-bar gate bracelet, 20mm long, 15.2gms (damaged)

A 9ct gold wide gate bracelet, a plain and crimped bar design to a 9ct gold heart padlock clasp, 18.7gms

NEAT ANTIQUE OAK WALL HANGING CORNER CUPBOARD, 76 x 59cms, an oak barley twist gate-leg dining table, 72cms height and a rustic open wall shelf, 53 x 49cms

A COLLECTION OF JEWELLERY, to include a 9ct gold gate link bracelet, necklace and rings, and a collection of unmarked yellow metal jewellery

A 9CT GOLD GATE LINK BRACELET, with padlock clasp, approx. 12grams

A COLLECTION OF GOLD JEWELLERY, to include a 9ct gold gate link bracelet, approx.. 25grams total weight

A pair of mahogany bow fronted cased stick barometer and thermometer of early 19th Century design, in the manner of J. Smith, North Gate, Royal Exchange, London, the barometer with engraved silvered scale and vernier, the thermometer with mercury tube and engraved silvered scale, both contained in figured mahogany veneered bow fronted case, bowed glazed panels below moulded scroll pediments, with split turned vase pattern cistern covers, both 39ins high Note: A James Smith was recorded working Royal Exchange, London, fl. 1817-1828

A 9ct gold four gate bracelet with heart pattern padlock clasp (gross weight 16.1 grammes)