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A Victorian style 9ct gold and amethyst set gate link bracelet, the twin oval cut amethyst each measuring approx 13.2 x 9.7 x 6.1mm, with safety chain, 19.7g, length 18.75cm

A RARE CHINESE CIRCULAR PECTORAL DISC FROM A SUIT OF CEREMONIAL ARMOUR, HUXINJING QING DYNASTY The convex mirrored centre encircled by a wide gilded band, embossed with scrolling foliage and stylised flowerheads, set with six appliqués with turquoise beads, 298g, 20cm. Provenance: from the collection of Norman Blount, 1875-1930. Norman Blount was a jute broker, as well as the joint secretary (with the artist Abanindranath Tagore) of the Indian Society of Oriental Art, which was founded in 1907 in Calcutta, with Lord Kitchener the Society’s President. Cf. Sotheby’s London, 7th November 2007, lot 487 and Bonhams London, 12th May 2022, lot 91, for Chinese suits of ceremonial armour which include closely related huxinjing. Ceremonial armour suits were worn during the Qing dynasty by high-ranking officers on occasions when the Emperor reviewed his armies. Valery M Garrett in Chinese Clothing, An Illustrated Guide, p.122, notes that ceremonial suits of armour 'were made in the Imperial workshops in Hangzhou, and when not worn were stored at the Western Gate of the Forbidden City'. 清 白銅嵌孔雀石護心鏡 來源：諾曼·布朗特（1875-1930）收藏。諾曼布朗特曾是一個黃麻經銷商，與藝術家泰戈爾一起擔任了印度東方藝術協會的聯合秘書（1907年於加爾各答成立），而霍雷肖•赫伯特•基奇納元帥(1850-1916)為協會主席。

A CHINESE FAMILLE VERTE ‘FEAST AT HONG GATE’ BALUSTER VASEKANGXI 1662-1722The body is decorated with a banqueting scene depicting the rival generals including Xiang Yu (232–202BC), a general famous for his incredible strength, lifting an ancient bronze vessel with one arm before the assembled party. The flared neck with a single rib is painted with flowering peony and prunus sprays, the reverse with pine and wutong trees in a rocky landscape, 47cm.Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916), and thence by descent through the family.The Feast at Hong Gate, also known as the Banquet at Hongmen, was an episode of the interregnum that took place in 206 BC following the Qin Dynasty where Xiang Yu (232–202BC), a duke of the insurgent Chu forces attempts to assassinate Liu Bang (256–195BC), a rival rebel general. In Chinese culture, the term 'Feast at Hong Gate' hong men yan is used figuratively to refer to a trap or a situation ostensibly joyous but in fact treacherous.清康熙 五彩項羽舉鼎紋瓶來源：霍雷肖•赫伯特•基奇納元帥（1850-1916），之後由其後人繼承。

A yellow metal gate bracelet stamped '9ct', 22.5gm

A 19th Century mahogany Irish Georgian style Hunt or Wakes Table, the plain top with side 'D' drop leaves, on square legs with gate action, approx. 187cms long x 122cms wide (6'3" x 4') together with An attractive set of 8 Victorian mahogany Dining Chairs, each with open back and carved upright and cross bars, with fabric covered seats on front turned reeded legs. (9)

After Samuel F. Brocas (1792-1847) Dublin: A set of 7 coloured engraved Prints to include: * View of the Lying in Hospital and Rutland Square; * View of the Castle Gate and Royal Exchange; * View of the Castle Chapel; * View of Carlisle Bridge; * View of the Royal Exchange, Dame Street; * View of the Four Courts looking down the River Liffey; * View of the Cork Exchange - Burgh Street and Custom House; each approx. 30cms x 46cms (12" x 18") published by J. Le Petit, Dublin 1818-1820, framed. (7)

Charles Gerrard ARA (British, 1892-1964), Director of the Sir J. J. School of Art, Bombay (1936-46) Seated Sadhuoil on canvas, signed lower right 97 x 85 cm.Footnotes:ProvenanceSworders, Stansted Mountfitchet, Essex, October 1996, the sale of the remaining contents of the Gerrards' studio, where acquired by the seller. Private UK collection, 1996-present.The same sitter appears in another painting entitled Sadhu in the Catalogue of Exhibition of Sculpture and Drawings by Doris Gerrard and Oil Paintings by Charles Gerrard, 4th-9th November 1940, Sir J. J. School of Art, Bombay, plate IX (see fig. 1 in our present catalogue). In the brief listing of works in the exhibition, there appear no. 5, Sadhu, in Gallery I, and no. 32, The Sadhu, in Gallery II, which is the one in plate IX. It is therefore possible that our painting was no. 5 in this exhibition. A review in The Times of India of an exhibition of Gerrard's paintings at the Sir J. J. in November 1940 observed that it encompassed Impressionist and post-Impressionist styles as well as those of 'solid academic traditions'. Sadanand K. Bakre, paying tribute to his direct influence on his own work, was later to comment on Gerrard's skill as a draughtsman, and his use of 'sharp, hot colours'.Several other works by Charles Gerrard have been sold in these rooms: see Bonhams, India in Art, 7th June 2022, lot 92 (the Delhi Gate), and 93 (Still Life); and Islamic and Indian Art Online Sale, 18th-26th May 2023, lot 464 (the Garden of the Director's Residence), and 466 (Female Nude). Also offered in the same sale (lot 465) was a group of pamphlets, sketchbooks and photographs relating to Gerrard and his wife Doris. Charles Gerrard was Director of the Sir J. J. School of Art in Bombay from 1936 to 1946, introducing a keen personal observation of 1930s modernist developments in British and European painting, sculpture, graphic design and architecture. He was assisted in this by exiles from the Nazi regime such as Walter Langhammer and Rudi van Leyden, who with Gerrard directed at the School, invigorated the Bombay Art Society and encouraged modernist and art deco European design amongst local architectural practices and in commercial printing. Despite the pupils' necessarily local origins and inability to travel during the war, Gerrard encouraged groupings of pupils to adopt this eye on Western developments.In 1941 a group referred to as the 'Young Turks' held a show featuring the work of P. T. Reddy, M. Y. Kulkarni, A. A. Majeed, C. Baptista and M. Bhople, artists who regarded themselves as being in modernist opposition to the more Victorian and Edwardian style of Dhurandhar, Haldankar, and Trindade. But more notably in the history of modern Indian art the less tentative group known as the Bombay Progressives emerged. This consisted of Francis Newton Souza (whom, however, Gerrard was forced to expel from the School for his connections with the pro-independence movement), H. A. Gade, S. H. Raza, S. K. Bakre, K. H. Ara and M. F. Husain. Some of Gerrard's pupils retained close ties with Bombay (e.g. K. K. Hebbar and Tyeb Mehta) while others, like Souza and Raza, under his influence embarked for Britain and Europe after the war.Gerrard brought the J. J. to maturity: under enlightened predecessors such as Lockwood Kipling, Solomon Gladstone, Cecil Burns and M. V. Dhurandhar a beaux-arts and arts and crafts traditionality had understandably persisted, but with Gerrard the J. J. became modernist.For discussion of Gerrard and his work, his influence on Bakre and others, and the Bombay art scene at this time, see Y. Dalmia, The Making of Modern Indian Art: the Progressives, New Delhi 2001, pp. 27-28, 189, 240-241; and N. Tuli, The Flamed Mosaic: Indian Contemporary Painting, 1997, pp. 196, 200.For further information on this lot please visit Bonhams.com

A boxed larger scale Volkswagen group to include 2x boxed Solido 1/18 scale models, 1x Q Gate model, 1x Welly RC model plus others. See photo. Conditions generally appear Good Plus to Mint in generally Good to Excellent boxes. (9)

A Homebase aluminium multi-purpose ladder; together with a toddler’s safety-gate

2inch fluted cylinder with traces of original colour and Birmingham proof marks, folding trigger, chequered two-piece wooden grips, loading gate on right side, the butt with ejector rod, contained in its chamois purse. Crisp working action.

scroll engraved cylinder and frame, serial no. 200, loading gate on the right side, folding trigger, chequered two-piece wooden grips.

3.5inch sighted barrel, the cylinder with inspection stamp for Mazzochi Brothers, 1868, serial no. 861, loading gate on the left side, sheath trigger, chequered wooden grip, the butt with lanyard ring.

4.75inch sighted octagonal plated barrel with tramline decoration, border engraved plated cylinder stamped with the manufacturer's details, border engraved plated frame, loading gate on the right side, two-piece wooden grips, the butt with lanyard ring. See page 37 Pinfire Pistols, Revolvers and Ammunition Handbook by Steve Jordan.

6inch sighted octagonal barrel, plain cylinder and frame, loading gate on the right side, two-piece wooden grips, the butt with lanyard post. See page 70 Pinfire Pistols, Revolvers and Ammunition Handbook by Steve Jordan.

3.5inch sighted octagonal plated barrel, plated cylinder and frame, loading gate on the right side, folding trigger, two-piece wooden grips. Plating lifting.

2.5inch sighted barrel, the cylinder stamped with the manufacturer's and model's details, loading gate on the right side, folding trigger, two-piece varnished wooden grips, the butt with integral ejector rod. See page 36 Pinfire Pistols, Revolvers and Ammunition Handbook by Steve Jordan.

6inch barrel, plain cylinder and frame, two-piece wooden grips. Loading gate and lanyard ring lacking, pitted.

5inch sighted octagonal barrel, plain cylinder and frame. Loading gate and ejector rod lacking, action AF.

3.5inch sighted barrel with proof marks for the Quai Fragnee Works in Liege, blued cylinder, serial no. 115493 to the left side of the frame, loading gate on the right side, folding trigger, two-piece wooden grips. See page 21 of The Pinfire Revolver Pistol and Ammunition Handbook by S. Jordan.

3.5inch sighted barrel, the cylinder with Belgian proofs, loading gate on the right side, the right side of the frame stamped with the serial no. 150 and a crown over AD, folding trigger, two-piece chequered wooden grips, ejector rod. See page 64 of The Pinfire Revolver Pistol and Ammunition Handbook by S. Jordan.

4.75inch sighted two-stage barrel, with traces of nickel finish, plated cylinder and frame, loading gate on right side, ebonsied wooden grips. Plating lifting, trigger guard and lanyard ring lacking

3.75inch sighted barrel, vine engraved cylinder, loading gate on the right side, vine and scroll engraved frame, chequered two-piece wooden grips, the butt with lanyard ring, ejector rod.

5inch sighted octagonal barrel, plain cylinder and frame, loading gate on right side, wooden grips, lanyard ring lacking. L&H operated 1878-1890, this gun is circa 1880. Foresight lacking.

A 9ct gold gate bar necklace, approx 17.6 grams and 42cm.

A 9ct gold 8 bar gate bracelet. 17.58g and approximately 18cm length. Postage A

A 9carat gold ladies gate bracelet. Weight 4g

A Reproduction Cast Metal Railway Sign for LNER Penalty for Not Shutting Gate, 26cms by 9cms PLus VAT

A Period Oak Narrow Side Gate Leg Single Drop Leaf Table, 77cms Wide and 28cms Deep

A Late 19th Century Small Oak Circular Topped Gate Leg Drop Leaf Table, Single End Drawer, 75cms Long

A 9ct yellow gold gate-link bracelet, with heart shaped clasp, 26.7g.

A diamond and gold pendant on fine 9ct yellow gold snake link chain; together with 9ct yellow gold gate link bracelet, 7.2g gross.

A 9ct yellow gold gate link bracelet, with heart shaped locket, 17.9g gross.

A 9ct yellow gold rotary cocktail watch, the silver baton dial fitted a 17-jewel incabloc manual wind movement, on gate link chain, 13.9g.

An unusual country oak gate leg sofa / occasional table, with two drawers, raised on turned supports, 76cm high, 177 x 50cm

An oak gate leg dining table

A 1930's oak gate leg barley twist dining table

An antique gate leg table fitted single drawer

An oak drop leaf gate leg table featuring carved sun burst motif to ends. Approx. dimensions with leaves dropped 122cm x 47cm x 76cm.

A Silver Gate Link Bracelet and pair of silver pendant earrings, 21.91g

A 9ct Gold Gate Link Bracelet, 6.62g

Cast iron guinness St James Gate brewery Dublin sign

A 20TH CENTURY SMALL OAK BARLEY TWIST GATE LEG TABLE, open length 91cm x depth 34cm x depth 63cm x height 74cm, along with a 20th century oak sewing box, with a hinged storage compartment and single drawer, width 51cm x depth 34cm x height 61cm (condition report: both with general signs of usage, marks to table) (2)

AN OAK OVAL BARLEY TWIST GATE LEG TABLE, another oak drop leaf table, with a door to one side, and a set of four oak balloon back chairs (condition report: all with surface marks, stains and discoloration) (6)

A SELECTION OF VARIOUS TABLES, to include a small 20th century oak barley twist gate leg table, open length 90cm x closed length 34cm x depth 62cm x height 73cma rectangular table, a light oak table, two oak square tables and a mahogany tilt top tripod table, with a drop leaf (condition report: all with imperfections, such as surface marks, scuffs, scratches and stains) (7)

THREE 20TH CENTURY OAK TABLES, the rectangular table with a single frieze drawers, on turned legs, united by stretchers, width 70cm x depth 46cm x height 71cm, along with two gate leg tables, with barley twist legs (condition report: all with surface marks, scuffs and discoloration, gate leg tables slightly rickety) (3)

A vintage pipe rack in the form of a gate, sold with four pipes, including tug boat and Special R.

Original vintage exhibition poster featuring artwork by Louis Siegriest (1899-1990) depicting a pomo Indian basket against a yellow background with bold text in black and brown below - Indian Court Federal Building Golden Gate International Exposition San Francisco 1939. Printed by Federal Art Project. Good condition, repaired tears, creasing, staining, backed on linen. Country of issue: USA, designer: Siegriest, size (cm): 91x65, year of printing: 1939.

Fully rebuilt with a new chassis and extensively upgraded, this Series IIA is really rather special. Dating from April 1966, George is a Series IIA that has been fully restored and upgraded in current ownership since 2014. The 'story of George' runs to several thousand words, far too much to even paraphrase here, but our consignor, Stacey will be happy to send interested parties a copy of this charming story by email.A small extract in our vendor’s words;'I needed something that would keep me more active than normal, so my wife gave me the green light to find a classic Land Rover, but she had one condition that it must have the headlights in the centre panel. For me, I added that I wanted a petrol engine and SWB and that was it, so other than these requirements I really didn’t have a clue what to look for. So the search began, mainly looking around Ebay, I did see a couple of vehicles around my budget and then I spotted George, he was taxed and MOT’d for six months which meant I could run him and get an idea of what needed doing.A few days later, I made the train journey down to Evesham to collect George with the intention of driving back to Stoke, and made sure I had sufficient tools to cover any basic repairs should any issues come up during the drive back. When I arrived, George was standing on the drive in all his glory, he’d already been fitted with parabolic springs and Koni shocks some time back by a previous owner, the door tops were pretty much shot but usable for now, they would need replacing along with the rear tail gate and cat flap which had been joined together to make a type of safari door – not nice for sure.The sale was agreed and the journey home commenced. George was running a Weber Carburettor which was being a little temperamental on the journey home, but after a few tweaks it calmed down and the rest of the trip was relatively pain free – well as best you can expect from a Land Rover. Once home I had time to make a full assessment of what I needed to replaced right away to use up the remaining six months of Tax and MOT, during this time I could plan my re-build, it was always my intention to replace the chassis and I think after the strip down I was justified in that decision.'The rest of the story is hugely detailed and fascinating. We recommend for anyone interested to come and view George in all his glory - the handsome, restored example of the rugged and iconic 4 x 4, presenting in excellent condition throughout, making the perfect usable off-road companion, a brilliant show car or a charming addition to any collection, and these are just some of the reasons why George is so special.Standard components – either restored or replaced:Chassis – replaced in February 2015 using a Richards Replica Chassis Suffix CEngine – original engine correct date, short block refurbished +0.40 pistons, standard crank (bearings replaced) and cam, timing chain, oil pump, water pump and petrol pump all replaced.Axle – both front and rear are originals and date correct 1966 – Refurbished using nylon coating. Swivels replaced new bearings fitted. Leather swivel Gaiters fitted.Gearbox – Original 1966; overhaled with new bearings and sealsNew 9" clutch assemblySteering - original 1966 refurbished steering box, heavy-duty solid drag-linksNew hydraulic brake lines.Replacement Autosparks wiring loom – alternator fitted but retained Ammeter in the loom.Front Bulkhead – original but refurbished and E-coatedFront Wings – refurbished Series III converted to Series IIA (headlights removed)Original Front Radiator panel refurbished and GalvanisedRadiator replaced with heavy duty 4 core radiator (Series III)Bonnet – original 1966Rear Tub – 95% new/rebuilt, the tub bulkhead is original 1966Door bottoms – replacements fittedRe-galvanised Trim & Windscreen – Original.Upgrades and ModificationsRolling chassis (over and above the above-mentioned parts) consists of:Heystee parabolic springs – 2" liftPolybush bushes throughoutGAZ adjustable shock absorbers – bespoke length made to suit the springsTerrafirma stainless steel over braided flexible brake hoses + 2" extension.Heystee Automotive Front disc brake conversion, Defender 4 pot calipers plus vented discsHeystee Automotive Rear disc brake conversion, Defender 2 pot calipers plus solid discsDefender Dual circuit master cylinder and Type 50 servoDOT 5 fluidX-Brake disc brake fitted - handbrakeWolf Rims fitted with 205 x 80 x 16 Continental tyresPlastic tubed axle breathing kit – front & rearEngine upgrades:Full ACR - SU Carburettor conversion, plus a ACR stainless-steel free-flow rear silencerStage 1 Unleaded Head 8.1 Compression by ACRACR 4-into-1 exhaust manifold in carbon steel123 ignition – fully programmable electronic distributor – Bluetooth capableMagnecor HT lead setStainless steel over braided fuel linesStandard oil bath air filterAlternator fittedGearbox upgrades:Roamerdrive over-drive.Roamerdrive finned transfer case cover plateStainless steel over-braided clutch fluid lineSeparate clutch master cylinderBody upgrades:Exmoor heavy duty black anodised aluminium Defender door hinges complete with door mirrorsRocky Mountain door topsLater Series/Defender rear tailgateFull rubber tailgate inner linerElectric upgradesLED replacement indicator, brake and side lights – complete sealed units, wired to later plugsWIPAC halogen headlights (already fitted)Dashboard and controlsWater temperature gaugeDirest feed oil pressure gaugeBattery kill-switchBrake bias valve12v accessory socketModified standard ammeter to take higher currentUpholstery and other fabricsExmoor deluxe front seat setExmoor inertia reel driver and passenger seatbelts plus centre seat lap beltDriver & passenger adjustable seat basesExmoor rear bench seats.Mohair Tilt in navy by All Wheel TrimOther features specific to this Land Rover either current or previous:Heavy Duty tilt frame manufactured by Purely MetalFully Coated chassis with Dinitrol wax systemSpecification Make: LAND ROVER Model: SERIES IIA Year: 1966 Chassis Number: 24125923C Registration Number: CKV 459D Transmission: Manual Engine Number: 25254128H Drive Side: Right-hand Drive Make: RHDClick here for more details and images

A collection of early 20th century Bury St Edmunds Abbey and church related photographic and printed postcards, depicting the Abbey Gate from 1904 onwards, the botanical gardens, the excavation of the five Abbot's tombs in 1905, the Abbot's Bridge, WWI tank amongst the Abbey ruins, the High Altar, artistic views of the Abbey before the dissolution, St Edmund's Catholic Church in Westgate Street in 1902 and 1905, St Peter's Church in Hospital Road, St John's Church in St John's Street, Wesleyan Church in Brentgovel Street, Baptist Chapel in Garland Street, St Mary's Church, and St James' Church and Cathedral, some with inset portrait images of the vicar at the time, publishers to include H. Cornish, F.G. Pawsey & Co, Pelham, Frith & Co, H.E. Stevens, Paul & Mathew (approx 65)All mounted in plastic corner slips on explanatory printed card (not stuck down).

A collection of Bury St Edmunds related ephemera, comprising an 1865 land indenture for a property in Churchgate Street, the signees being Edwin Poulter Risbrock, Henry Frost, John Steward and others, bearing wax seals and blue revenue stamp; a hand-coloured engraving of the East Gate at St Edmundsbury by Richard Godfrey, published 1780; an 1892 programme for the Bachelors' Ball held at The Atheneum; a circa 1930 handbook for Bury St Edmund's Golf Club, printed by Pawsey & Co of Hatter Street; official souvenir programmes for the Bury St Edmunds coronation celebrations in 1937 and 1953; a 1947 programme for the Bury St Edmunds Amateur Operatic & Dramatic Society's production of The Rebel Maid performed at the Playhouse in Bury St Edmunds; a 1907 first edition Homeland Handbooks guide to Bury St Edmund's and its surroundings, printed by Paul & Mathew of Butter Market; three other early 20th century tourist guides; and a booklet of 12 Views of Bury St Edmund's with stamp as sold by W.B. Leeks tobacconist and newsagent of St John's Street

A 19th century mahogany and satinwood cross banded round cornered fold over tea table, having rear hinged gate leg action, width 89cm

A 1910 gold sovereign mounted in a 9ct yellow gold gate link bracelet with 9ct lock - total weight approx 26.7 grams

Sir (Richard Somers) Travers Christmas Humphrey - Barrister & Judge involved in cases of Oscar Wilde, Hawley Harvey Crippen, George Joseph Smith and John George Haigh 'Acid Bath Murderer' Photographs and other related items including a 17th century legal report 'The Tryal and Sentence of Elizabeth Cellier' London, printed for Thomas Collins 'At The Middle Temple-Gate' 1680 for Libel against King Charles II and The Protestant Church

A 9ct yellow gold gate link necklace - approx 42cm - weight approx 25.2 grams

An 18th/19th century gate leg table. 89 cm long.

A 19th century oak gate leg table. 104 cm long.

A large oak gate leg table. 113 cm long.

A barley twist oak gate leg table. 86 cm long.

A small oak gate leg table and a 19th century Country chair. The former 59 cm long.

A ladies Rotary 9 carat gold bracelet watch, with gate link bracelet, Birmingham 1967, 8.2g gross (without movement)CONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports.  Please contact us to if you require further information or images. *  Please consider shipping costs before bidding as this may affect your decision to bid *  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.