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In the Manner of Ernest CoxAt the Cottage Gate Waitingsigned E. Cox, oil on board, 39cm x 30cm

Tobacciana, a pipe stand in the form of a five bar field gate, together with five assorted pipes, to include a Missouri corncob Meerschaum, a briar pipe in the form of a shoe, a briar "nobby" pipe, a falcon and a Czech pipe.

An 18th century style oak Ipswich type gate legged table, small form, raised on turned legs with slightly splayed feet. Width 62 cm.

George III mahogany folding card table, circa 1770, the top folding over a single gate to the rear, opening to reveal candle stands and coin wells, over an inverted breakfront frieze and capped swan neck legs with claw and ball feet, width 86cm, depth 40cm, height 73cm

An Avia lady's 9ct gold cased wristwatch, circular dial bearing Arabic numerals, subsidiary seconds dial, in an octagonal case, on a 9ct gold gate bracelet, with a snap clasp, 17.5g all in.

A 9ct gold gate bracelet, the padlock stamped 375, 42.1g

A 9ct gold X form gate bracelet, on a snap clasp with safety chain as fitted, 16.3g.

A 9ct gold four bar gate bracelet, with a heart shaped lock, 10g.

A 9ct gold gate bracelet (4.6g), a section of 18ct gold (1.7g), a 9ct gold pendant, a pair of 9ct gold earrings (2.2g), yellow metal bangle etc

A 9ct gold gate bracelet with a heart padlock clasp, 21g

A 9ct gold gate bracelet with 9ct gold padlock clasp, 29.2g

A 9ct gold belcher chain, 9ct gold bracelet, 9ct gold chain and 9ct gold gate bracelet, 9.9g

A 9ct gold gate link necklace 23cm drop, 26.3g

A hardwood box to contain carved treen bear, gilt metal gate bracelet cloisonne and other beads, enamel patch box etc

Two trays of jewellery and collectibles to include fob watches, cameos set bangle, gate bracelet, cigarette holders etc, all contained within two wooden boxes

An antique style circular oak gate legged table on turned legs, 4' wide

A mahogany oval gate leg dining table on turned legs 3'6 wide

Lot of Post and Rail Fencing, including 73 x forked iron uprights, 10 x cross braces, 3 x entrance top posts, 2 x gates, 1 x half entrance gate, 16 x lengths entrance iron top rail (6m long) and 59 x lengths flat iron rail, approx 6m long and one bowed rail (stamped A & J Main & Co, Glasgow)

Cast Iron Gate Post, painted green (on a stone base)

Very heavy iron gate / fence panel

Silver gate bracelet with padlock clasp

Photograph Frames - a Sorrento gate frame; carved wooden frames; miniatures

Smoking Interest - a collection of ten pipes, briar and other; a five bar gate pipe rack; etc

Architectural: A rare bronze door knocker in the form of a Cockatrice by Anton Dominik Fernkorn circa 1860 34cm high Anton Dominik Fernkorn (1813-1878) was born in Erfurt near Leipzig and studied sculpture under Johann Baptist Stiglmaier and Ludwig Michael Schwanthaler in Munich, from 1836 to 1840. His first sculptural project, “Saint George and the Dragon” for the courtyard of the Montenuovo palace, attracted attention, and the Austrian government appointed him director of the imperial bronze foundry at Vienna, in 1840, where he was part of the movement against the Neo-Classicism. He rediscovered Baroque sculpture and used it as the basis for his equestrian statue of Archduke Charles (1859), who had defeated Napoleon at the Battle of Aspern in 1809. This unusual bronze door knocker, baroque in style, is virtually identical in modelling to a large scale cockatrice made for the medieval Trsat castle in modern day Croatia. (see picture) This cockatrice, the so-called Dragon of Trsat, was a mythical creature cast in bronze that grew to become one of the best known symbols of the city. There are two, both commissioned by Austrian Field-Marshal and Count Laval Nugent who purchased the castle in the 19th century. A big history buff, Nugent, originally of Irish descent, was particularly keen on the legacy of the Frankopan, one of the leading noble families in Croatia from the 12th to the 17th century. As Trsat Castle used to belong to the Frankopan dynasty, Nugent was happy to acquire the edifice along with another similar estate, the Frankopan castle in Bosiljevo. The cockatrices, by Anton Dominik Fernkorn were installed in front of the central object on the castle grounds, guarding the gate to what is now Nugent’s mausoleum. For the Cathedral of Speyer, in 1858 he completed six of the eight free-stone statues of the German emperors buried there. He also made a statue of Prince Eugene of Savoy, but by unveiling in 1865 he was mentally ill and no longer able to work. He is well remembered for his portraits, and these include a bust of the Emperor Franz Joseph I of Austria and the funerary bust of Carl Ludwig Freiherr von Bruck in 1862. He was also a noted animalier, producing works such as the Lion of Aspern in Vienna. He died at the age of 65 in the hospital for mental patients in Saint Radengundu near Graz. Literature: Anton Dominik Fernkorn, Monument to Josipu Jelacicu, ISBN-86-7460-001-11 (a copy which is included with this lot) Published Zagreb, 1990.

* Harry D. Reeks [1920-1982]-Golden Gate Bridge, San Francisco;Fisherman's Wharf, San Francisco,:-a pair of lithographs, each signed and inscribed in pencil along the bottom margins24 x 31cm. [2]

An oak gate leg table

A MIXED SUITE OF DINING ROOM FURNITURE to include a Priory style oak dresser and glazed top corner cabinet with a vintage oak gate leg table and six (four plus two) wheelback dining chairs, various measurements

A SMALL OAK DROP LEAF GATE LEG COFFEE TABLE, a circular occasional table and a Frister & Rossman hand sewing machine in a case

A yellow metal three bar gate link bracelet, 10mm wide, fitted with a swivel fastener marked 9ct, approximate weight 12.3gms.

J. R. Clark, two unframed oils on board, classical archway by a garden gate, and portrait of a young lady in a red hat, both signed verso

9ct Gold gate bracelet with padlock clasp

Small 18th Century oak oval gate leg table on bobbin turned supports with stretchers

Small early 18th Century oak oval gate leg table with a single end drawer on baluster turned supports with stretchers

Small reproduction oak folding gate leg table and a nest of three reproduction oak rectangular occasional tables

1930's Rectangular oak gate leg dining table on turned supports

Pair of antique cast iron gate posts with ball finial, 90ins high each, another cast iron central gate post, 6ft high, together with an antique cast iron gate post, 51ins high and another concrete filled iron gate post, 54ins high

Early 20th Century green painted iron garden gate, 33ins wide, on gate posts, together with a matching green painted fence panel, 40ins high x 75ins long

Modern good quality wrought iron heavy double gate with scroll work decoration, 51ins high x 121ins long

Modern good quality black painted wrought iron double gate having scroll work detailing and integral latch, 66ins high, 114ins long

Mid 20th Century oval oak gate leg dining table on barley twist supports

New unused and sealed Damien Hirst book, ' I Want to Spend the Rest of my Life Everywhere with Everyone One to One Always Forever Now ', printed by Booth Clibborn, Editions CD by Flood and The Hours designed by Damien Hirst and a small matchbook for Pharmacy Restaurant, 150 Notting Hill Gate, London

An Art Deco diamond set bracelet, c.1925, with a centrepiece composed of graduated old brilliant cut, old European cut and old Swiss cut diamonds, all milligrain set in graduated box collets, to a two row gate bracelet with concealed box clasp and figure of eight safety catch. Tested as platinum. 180mm long, 14.00g

A gold smokey quartz matched pendant, brooch/pendant, bracelet and ring suite, the emerald cut smokey quartz four claw set at the corners, to a pierced lozenge collet, with an articulated pierced bar above, to a 'V' shaped bale, suspended on a chain marked 333, 81.12g including chain, pendant 60 x 27mm, a matching bracelet, c.1940, with graduated emerald cut smokey quartz, claw set between ridged scrolls to a two row gate bracelet, bracelet and pendant marked 9ct, with a matched ring, marked 585, finger size Q½ (4)

An Edwardian four row gold gate bracelet, with alternating diagonal rows of either three split pearls or three cabochon turquoise, all rub set to plain collets, with a concealed box clasp and safety chain. Marked 9ct. 183 x 9.5mm, 18.93g

An Edwardian gold and amethyst three-bar gate bracelet, with a row of circular mixed cut amethysts, all crimped to plain collets to the top of bowed gate links to a concealed box clasp and safety chain. Marked 15. 201mm long, 24.09g

A 9ct gold six bar gate bracelet with heart pattern padlock clasp (weight 12.5 grammes)

A collection of eleven pipes, and an oak novelty rack in the form of a four-bar gate, including - a silver mounted Meerschaum cheroot holder with case, a Marbel novelty pipe and a Meerschaum calabash, various

Stick back kitchen chair, childs arts & craft chair, folding childs desk, a pair of stools & a small oak gate legged table

F. E. Grone, a boy playing to recorder to a girl seated on a gate, gouache, signed lower left, 34 x 24cm

A metal gate sign of a german shepherd

OAK FRAMED DROP LEAF GATE LEG TABLE

OAK FRAMED DROP LEAF GATE LEG TABLE

A box of galvanised field gate and barn door hinges and bolts

A wrought iron garden gate

A box of galvanised gate bolts and latches

An early to mid 20th Century oak twist gate leg table

An early 20th Century oak twist gate leg dining table

Thomas Koether (New York, FL / Europe, Australia) Abstract Painting. Sight size: 36 x 42 inches. Signed lower right. Oil on canvas. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, FL / Europe, Australia) Abstract Painting. Sight size: 21 x 15.5 inches. Oil on paper. Signed lower right. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France

Early 20th century desk clock modelled as a fox and hounds over a gate, on an oak plinth base, with fusee movement, 16cm high and 29cm wide.