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Lot 182
A taxidermy stuffed and mounted Roach by W.F. Homer in naturalistic setting and bow fronted three sided glazed display case bearing handwritten paper label verso "Roach 2 lbs 6 ozs Fordingbridge 1930" and paper label top right "Preserved by W.F. Homer, 105 Woodgrange Road, Forest Gate, London E7"
Lot 617
Percival Gaskell (British 1868 - 1934) 'Ploughing in Purbeck', monochrome etching, signed on the mount, 14.5cm x 31.5cm; Robert Yuill (British 1839-1934) rider and companion in wooded landscape, watercolour, signed, 22cm x 30cm, together with a colour print after J.M.W. Turner, 'Traitor's Gate', 14.5cm x 20cm (3).
Lot 126
Fifteen Vintage British Quad film posters - "The Inn of the Sixth Happiness" with art by Tom Chantrell and starring Ingrid Bergman, "The Scarface Mob" (1962) starring Robert Stack as Elliot Ness printed in England by W E Berry Ltd Bradford, "China Gate" from director Samuel Fuller starring Gene Barry, Angie Dickinson and Nat King Cole, "China Doll" st Victor Mature, "Battle of the Coral Sea" (RR), "Destination Gobi" st Richard Widmark, "The Colossus of Rhodes" (tape marks), "Goliath and the Dragon", "O'Rourke of the Royal Mounted" starring Alan Ladd, "Hound-Dog Man", "Sealed Cargo" (1951), "Watusi", "The McKenzie Break", "Samson and the Slave Queen" and "Charge of the Black Lancers" st Mel Ferrer, All 30 x 40 inches in folded condition. (15)
Lot 550
ENGLISH SCHOOL, EARLY 19TH CENTURY PORTRAIT OF JOHN WADSWORTH OF NOTTINGHAM seated half length in a brown coat and yellow waistcoat at a desk before red drapery, oil on canvas, 75 x 62.5cm John Wadsworth (1803-1861) Solicitor of 25, Fletcher Gate, Nottingham.++According to a note on the reverse, restored in 1922 when lined. Some evidence of over painting in certain passages, varnish discoloured with age and dirt, two small spots of flaking. In Victorian giltwood and composition net patterned frame which has been gold painted
Lot 599
A GEORGE III MAHOGANY SERPENTINE FOLD OVER CARD TABLE, gate leg action, the frieze with fluting to the ends above the square tapering legs, with similar detail halfway down, on spade feet, width 84cm x depth 42cm x height 75.5cm (condition: the top has twisted slightly to the left leaving a gap on the right hand corner, some surface scratches commensurate with age and use, the green baize interior is split along portions of the centre seam and also has patches of staining, legs have some chips and knocks)
Lot 658
ARENDT, LIEGEA GOOD 12mm PINFIRE TEN-SHOT DOUBLE-ACTION REVOLVER, serial no. 6257,circa 1860, with round 6in. barrel, applied fore-sight, applied standing notch rear-sight to the octagonal form barrel throat (traces of silver geometric inlay to throat), the barrel mount on the right hand side signed 'ARENDT BREVETE A' LIEGE' together with the serial number (rubbed), fully fluted cylinder with silver wire geometric inlays above each chamber (losses to inlays), open iron frame with full pin shield mounted with a rocking safety and a side loading gate, traces of further geometric inlays to frame, external spurred hammer and guarded trigger, smooth bag-shaped ivory grips, stud for lanyard ring at heel (ring absent) and under-barrel ejector rod, the whole an older faded refinishSold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
Lot 661
ST ETIENNE ARSENAL, FRANCEAN 11mm (FRENCH ORD.) SIX-SHOT SERVICE-REVOLVER, MODEL 'M1873', serial no. F91699,dated for 1876, with re-blued 4 1/2in. two-stage barrel, applied fore-sight, standing notch rear-sight, solid frame with field-strippable sideplate, plain stepped cylinder, side loading gate, double action mechanism and chequered walnut grip with lanyard ring at heelSold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
Lot 1003
TRANTER FOR E.M. REILLY A .230 RIMFIRE SEVEN-SHOT POCKET REVOLVER, MODEL 'TRANTER'S PATENT', serial no. 6949, circa 1880, with 2 1/2in. sighted barrel retaining traces of original blued finish, the top-flat signed 'E.M. REILLY & CO, LONDON', plain brass frame marked 'W. TRANTER'S PATENT' and with spur trigger, plain cylinder with knurled central band, hammer retaining some original blued finish, smooth walnut grips, gate spring and one frame screw at fault, no provision for ejectorS5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Sections 7.3 and 7.1 Eligible Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred. Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.
Lot 674
MERWIN & HULBERT, USAA SCARCE .44 (RUSSIAN) SIX-SHOT REVOLVER, MODEL 'RUSSIAN MODEL', serial no. 7377,with twist and pull shortened 4 1/8in. barrel, re-applied crescent fore-sight, patent details to 1877, blind-fluted six-shot cylinder, open iron frame with load-gate and exposed hammer, the left hand side of frame below cylinder marked 'RUSSIAN MODEL', guarded trigger and replacement wood grips, the whole re-nickel plated with loss to sharp edgesSold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
Lot 673
A .442 (C/F) REVOLVER, UNSIGNED, MODEL 'SPANISH KERR CARTRIDGE CONVERSION', serial no. 560,converted from percussion circa 1875, with octagonal 5 3/4in. barrel, under-barrel rammer removed and refitted with a side mounted Belgian style plunge ejector, plain cylinder with rear-ratchet indexing, the frame converted to gate-loading and with mounted firing-pin, curved back-action banana lock with off-set side-hammer and chequered walnut grip with lanyard ring at heel, in a British military leather holsterSold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
Lot 614
MARLIN, USAA .32-40 (W&B) LEVER-ACTION REPEATING SPORTING-RIFLE, MODEL '1881 LIGHTWEIGHT', serial no. 12648,circa 1888, with re-blued 24in. octagonal barrel, the top-flat signed 'MARLIN FIRE-ARMS CO. NEW-HAVEN C.T. USA' over patent dates to '1880', dove-tailed 'Rocky Mountain' fore-sight, elevating buckhorn rear-sight, re-blued slab-sided receiver with sliding load gate and top ejection bolt with integral dust-cover, plain top-tang drilled with provision for peep-sight (absent), walnut butt-stock and fore-end and full-length under-barrel magazineSold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
Lot 1017
GLISENTI, ITALY A 10.35 (ITALIAN ORDNANCE) SERVICE-REVOLVER, MODEL 'CHAMELOT DELVIGNE M1874', serial no. 5797, circa 1875, with octagonal 6 1/4in. barrel, applied fore-sight, standing notch rear-sight, solid frame, fluted six-shot cylinder, side loading gate, chequered walnut grip, guarded trigger and exposed hammer and lanyard ring to the heel-plate, refinishedS5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Section 7.3 & 7.1 Eligible. Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred. Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.
Lot 663
COLT, USAA CASED .38 RIMFIRE POCKET-REVOLVER, MODEL'3 1/2in. ROUND BARREL WITHOUT EJECTOR', serial no. 309729,manufactured from existing Colt 1849 Pocket parts with the addition of a new barrel, the top with traces of signature only, stepped cylinder with roll engraved stagecoach hold-up scene, open iron frame with 'PAT JULY 25 1871' and PAT JULY 2 1872' patent dates, no provision for loading gate, brass trigger guard stamped '38 CAL', brass grip-straps fitted with later natural staghorn grips, traces of nickel-plated finish but mostly stripped, together with a later wood case lined in the Continental fashion in green baize, the tray bearing an engraved brass plaque reading 'COLT 1862 POCKET NAVY .38 RIMFIRE CONVERSION 1871-72'Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
Lot 403
Scarce Scalextric HP/1 Extension Pack set, contains: hump back bridge, change over tracks, straights B start finish banner, starter on rostrum, paling sections with flag poles, gate unit, hurdles, pit accessories set, track officials & Pit crew set, vendors and spectators set, two sheets of flags, pit numbers and car numbers, two leaflets, seventh edition catalogue in excellent condition, base of box is excellent’ illustrated lid of box is very good, with some rubbing to corners-a nice example!
Lot 393
Scalextric Set No 31 Model Electric Motor Racing Set, MM/C.66 Cooper, MM/C.67 Lotus, , track, crash barriers, banking wedges, 2 x hand throttles, Instructions, lubricating oil, slot cars are in good original condition, base of box is very good with inserts, lid of box is fair plus a scarce HP/1 Extension Pack set, contains: hump back bridge, change over tracks, straights B start finish banner, starter on rostrum, paling sections with flag poles, gate unit, hurdles, pit accessories set, track officials & Pit crew set, vendors and spectators set, in good original condition, base of box is very good with card inserts, lid of box is fair, some tears and Sellotape repairs (2 items)
Lot 402
Scarce Scalextric HP/1 Extension Pack set, contains: hump back bridge, change over tracks, straights B start finish banner, starter on rostrum, paling sections with flag poles, gate unit, hurdles, pit accessories set, track officials & Pit crew set, vendors and spectators set,two sheets of flags, pit numbers and car numbers, in good original condition, base of box is good with card inserts, lid of box is fair to good, some tears and Sellotape repairs and Boxed HP/2 Trackside Accessory Pack, start/finish banner, crash barriers, straw bale obstacles, oil drum obstacles, track borders straight c, lane clips, pit accessories set, sheet of official flags, sheet of decorative flags in good used condition, outer original box is good (2 items).
Lot 117
Thomas Koether (New York, Florida / Europe, Australia) Abstract Painting. Oil on canvas. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Size: 20 x 24 in.
Lot 116
Thomas Koether (New York, FL / Europe, Australia) Abstract Painting. Signed lower right. Oil on canvas. Dated 1990. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Sight size: 36 x 42 in.
Lot 115
Thomas Koether (New York, FL / Europe, Australia) Abstract painting on paper. Titled "Wind River". Signed lower right. Dated 2004. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Sight size: 21 x 17 in. Overall Size: 28.75 x 24.5 in. Framed behind glass.
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