We found 48016 price guide item(s) matching your search
There are 48016 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
48016 item(s)/page
Lot 374
English School, Early 20th Century, Rural dirt track with a gate, cockerel, hens, and trees, indistinctly signed lower right (obscured by mount), watercolour, 33.5 x 48cm; Glynn Thomas (b.1946), "Lavenham", signed, titled and numbered "10/150" in pencil in the margin, lithograph, 32 x 22.5cm; Anthony John, 2 squirrels, signed in pencil, etching, 17 x 24cm, and 2 doormice. (4)
Lot 104
Canon 7 S mit 3,5/25 mmCanon, Japan. 1) Canon 7 S Nr. 122931, Verschluß genau, Belichtungsmesser funktioniert (Genauigkeit ungeprüft), Entfernungsmesser mit Höhenfehler, Sucher zum Benutzen ohne Brille für Weitsichtige mit +2dp eingerichtet. Ungewöhnlich ist der nach vorn geneigte Zubehörschuh (erkennbar schief), doch Nachprüfung ergab bei dem 25mm-Sucher ein zentriertes Bild. Seitliche Schließe mit Chromabrieb. (3/3-4) - 2) Canon Lens 3,5/25 mm Nr. 15403, Meter-Gravur, Glas unter Punktlicht mit sehr schwachen Putzspuren an Frontlinse. (3/3) - Und: 3) Canon-Sucher 25 mm, mit Feet- und Meter-Skala für Parallaxe. Dieser Sucher (ohne Zentrierpunkte) zeigt bei zentrisch mittigem Auge 2 mm weniger Bildrand oben und unten als eine Mattscheibe am Filmfenster. Start Price: EUR 160 Zustand: ()Canon 7 S Camera with 3.5/25 mm LensCanon, Japan. 1) Canon 7 S no. 122931, shutter accurate, exposure meter works (accuracy not checked), rangefinder with height error, viewfinder set up for use without spectacles for long-sighted people with +2dp, side release worn. - Note: The tilted accessory shoe is unusual (noticeably crooked), but a follow-up inspection showed a centered image with the 25mm viewfinder. (3/3-4) - 2) Canon Lens 3.5/25 mm no. 15403, meter scale, minor cleaning marks on front element visible under point light. (3/3) - And: 3) Canon 25mm viewfinder, with scale in feet and meters for parallax, viewfinder (without centering points) shows 2 mm less image at the top and bottom to the properly edged eye than a ground glass screen on the film gate. (3/3) Start Price: EUR 160 Condition: ()
Lot 571
The Beatles - Magical Mystery Tour EP, 1967 Parlophone YEX 18435-3 / 18434-2 / 18436-1 / 18437-3, the gate-fold sleeve with blue inner lyric sheets, SMMT-1 Stereo back cover, together with various other 7" singles / EP's to include A Hard Day's Night, The Ballad Of John And Yoko, Hey Jude x2, Penny Lane, Twist And Shout, The Beatles' Hits, Help!, Extracts From A Hard Days Night, Hello Goodbye, Get Back, I Feel Fine and Lady Madonna. (15)
Lot 551
A collection of assorted 12" vinyl, mainly LP's various dates and genres to include Mick Ronson - Slaughter On 10th Avenue, Madonna - Like A Virgin, MIchael Jackson - Bad, Marillion - Script For A Jesters Tear, Little Steven - Voice Of America, Little Angels - Product Of The Working Class, Level 42 - Standing In The Light, Leo Sayer - Living A Fantasy, Little Feat - Things Happen, Kim Wilde - Close, Kingdom Come - What Love Can Be (ltd ed gate-fold), The Boomtown Rats - The Fine Art Of Surfacing, Kreator - Terrible Certainty, The Jam - Setting Sons, Kiss - Dynasty, Motley Crue - Dr Feelgood, Too Fast For Love, Girls Girls Girls & Theatre Of Pain (with merchandise slip and Smokin' In The Boys Room hype sticker), Lizzy Borden - Give Em The Axe and Judas Priest - Stained Glass etc. (72)
Lot 273
A trailer, 1980,with ball hitch coupling, jockey wheel, hand brake and whinch, metal frame with box panelling, straight sided with flat bed fitted with anchor points, drop tail-gate with ramps, built in lighting, adjustable side supports, constructed by the vendor in 1980 to his own specifications to transport 2 stationary engines (see previous lots) riding on Morris 100 wheels on Indespension fittings, with 2 tyres dated 2006, front fitted with matching spare wheel and tyre; Load bed: 196.5 long x 118.5 wide x 42cm sides, overall trailer : 265 long x 167 wide x 82cm high, unused since 2018, close inspection and a recommissioning/service is recommended. Lot to be sold without reserve.This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Šâ—Šâ—Š Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
Lot 2248
JESSIE MARION KING (1875-1949) A pottery jar, cover and stand, painted with Snow White to the lid, the Dwarfs and a cottage to the pot, and flowers to the stand, with painted JMK, rabbit and gate mark to base (3) Condition Report:Lid broken and glued back togetherpot badly cracked and crazed with chips to the rimsaucer crazed
Lot 2108A
A MID 20TH CENTURY G PLAN E-GOMME LIBRENZA DINING SUITEComprising Tola sideboard with three short drawers over pair of concertina doors on tapering ebonised supports, 84cm high x 149cm wide x 46cm deep, gate legged dining table on tapering ebonised supports joined by stretchers, 73cm high x 132cm long x 46cm deep (106cm extended) and six black vinyl upholstered dining chairs with ebonised frames, 77cm high x 46cm wide x 50cm deep (8)
Lot 319
RAMBO: LAST BLOODOne Sheet (27" x 40"); Advance Signed by Sylvester Stallone. From the David Frangioni CollectionNear Mint Rolled Lions Gate , 2019Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.An autographed poster for Adrian Grunberg's action sequel Rambo: Last Blood (2019), the fifth installment in the Rambo film franchise. The poster features the Advance "September 20" design, and it is signed in gold pen by John Rambo himself, Sylvester Stallone.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.
Lot 306
PALE RIDERBritish Bus Stop (40" x 60") From the David Frangioni CollectionVery Fine+ Folded; Artwork by David Grove Warner Bros., 1985Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This large-format poster is folded as issued and exhibits only random light edge wear and general fold wear."...and hell followed with him". In his 1985 film Pale Rider, Eastwood creates his own variation of this character, where he plays a mysterious gunfighter named Preacher. Despite the Western genre being pronounced dead after the failure of Heaven's Gate five years earlier, Pale Rider was a box-office hit. Artist David Grove has captured the characteristics of the Old West, creating an impressive depiction of a gunslinging Eastwood surrounded by a striking sun-coloured background.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.
Lot 628
JAMES BOND: A VIEW TO A KILLJapanese B2 Posters (3) (20" x 28.75")Fine+ Folded; Artwork by Dan Goozee UIP, 1985This first of three B2 posters is rolled and boasts artwork by Dan Goozee, which depicts James Bond 007 and May Day (Grace Jones) standing back-to-back along with a scene of Bond with beautiful Stacey Sutton (Tanya Roberts) on the upper cables of San Francisco's Golden Gate Bridge. It is in outstanding condition with only a few nicks along the bottom of the left edge and a small crease on the bottom left corner. The second B2 poster depicts photographic images of Roger Moore as 007 along with Grace Jones, Christopher Walken and Tanya Roberts. This example is rolled with four light horizontal folds, corner pinholes, corner creases, several small ink stains, and signs of crimping with small creases frm handling. The colors are fresh and vibrant and this style boasts a great design. The third poster features a striking design of James Bond 007 (Roger Moore), gun at-the-ready, with May Day (Grace Jones) looming behind him. Folded as issued, this example has pinholes of various sizes, general fold wear, light corner creases and signs of handling.Roger Moore's final outing as Agent 007, in which he must foil a plot by a Nazi-spawned businessman (Christopher Walken) who wants to flood Silicon Valley. Most memorable for Grace Jones' fierce performance as Mayday and its poptastic theme song by Duran Duran.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.
Lot 289
THE NIGHTMARE BEFORE CHRISTMASBarrier Strip Lenticular 3D One Sheet (27" x 40"); Hell's Gate StyleNear Mint Buena Vista Pictures, 1993Among the collectibles from the stop-motion horror musical, the "Hell's Gate" style poster is highly sought after. This rare piece was not distributed to theaters and is made from a laminated photographic material onto plexiglass, creating a three-dimensional effect known as a barrier strip image. The poster features a delightfully eerie scene with popular characters such as Jack Skellington, Sally, The Mayor, and the mischievous trio Lock, Shock, and Barrel. It is believed that only a small number of these posters exist, created for in-house promotion or as a prototype/concept that the studio ultimately rejected. The artist behind this creation is Grayson Marshall.The hard plastic poster is in beautiful condition.Tim Burton has said that the original poem was inspired by seeing a Halloween merchandise display in a store being taken down and replaced by a Christmas display. The juxtaposition of ghouls and goblins with Santa and his reindeer sparked his imagination.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.
Lot 201
Titles in this lot include Yah-Ta-Ta Yah-Ta-Ta, Ramona, You Remind Me of my Mother, Angels, In a Shanty in Old Shanty Town, Dear Little Boy of Mine, I Had A Little Talk With The Lord, I've Lived; I've Loved; I'm Satisfied, There Are Such Things, Dear When I Met You, San Fernando Valley, Bell Bottom Trousers, Don't Sweetheart Me, Nevada, To Each His Own, Orange Blossoms, Moonlight Becomes You, The Surrey With the Fringe on Top, The Blond Sailor, Swing and Sway Song Folio No. 1, I'd Like to Give My Dog to Uncle Sam, Can't You Read Between the Lines, They're Either Too Young or Too Old, Uncle Pete and Louise Friendly Songs for Friendly People, Mighty Lak' A Rose, It's Love-Love-Love, Tonight We Love, Old Pal, At Memories Gate, Sun Kissed Cottage in California, Silver Wing, There Must be a Silver Lining, S'posin, The Black Pirate, Smile; Darn You; Smile, I Don't Want to Love You Like I Do, I Walked In, In the Heart of a Fool. Swingin' In a Hammock, Smilin' Through. Dimensions: 9"W x 12"HCondition: Age related wear. Conditions range from good to fair.
Lot 1101
A FINE AND QUEEN ANNE VERGE HOUR STRIKING CLOCK-WATCH WITH CHAMPLEVE DIALCHARLES GRETTON, LONDON, CIRCA 1707The front-winding gilt full plate movement with three pierced Egyptian and two baluster pillars pinned through the backplate, the fusee going train with tulip-shaped stop-iron block and verge escapement regulated by sprung three-arm steel balance with Tompion type regulation, the locking plate controlled strike train with foliate band engraved standing barrel, foliate sculpted steel detent gates and sounding the hours and once again at the half hour via a hammer positioned beneath the spring barrel on a bell fitted to the interior of the case, the backplate with fine symmetrical foliate strapwork scroll pierced and chased cock inhabited by eagles and decorated with a male mask at the junction with the conforming pierced foot, flanked by silvered regulation disk set within further applied engraved fretwork opposing silvered countwheel with numbered divisions, next to signature Char. Gretton, London partially obscured by the strike stopwork spring with indistinct number 1718 beneath, the champleve dial with matted centre within Roman numeral chapter ring incorporating relief diamond lozenge half hour markers and cartouche Arabic five minute numerals to outer track, with fine sculpted blued steel hands with the minute cranked to clear the winding holes, the silver consular case with fine foliate strapwork scroll pierced and engraved bands to both the internal and external bezels and to the circumference of the main body of the case incorporating mask and scallop shell motifs, with moulded rim and short suspension post with bow at twelve o'clock, unmarked; with a later silver fancy-link albert with T-bar marked for London 1866 terminating with a rock crystal fob seal intaglio cut with Masonic symbols. The pillar plate 3.8cm (1.5ins) diameter, the case 5.3cm (2.125ins) diameter. Provenance:The Leonard Fuller Collection. Purchased form Evans and Evans, Arlesford, 12th August 1970 for £330. Literature:The present lot is extensively illustrated and described in Radage, Dennis; Warner, Meinen and Radage, Laila CHARLES GRETTON, THROUGH THE GOLDEN AGE as 'GW22' pages 696-99. Charles Gretton is documented by Radage, Meinen and Radage as born in Clayplole, Lincolnshire in 1648. By 1662 he had moved to London entering into an eight-year apprenticeship under Humphrey Downing on the 30th June of that year (turned over from Lionell Wythe); Downing died in 1666 but it is thought that Gretton continued his apprenticeship under his widow, Cordelia, gaining his freedom of the Clockmakers Company in 1672 and se-up business in Fleet Street. In 1677 Charles Gretton married Mary Phillips and established himself at the sign of the 'The Ship' in Fleet Street (either number 174 or 175 next to Fetter Lane). Gretton was appointed an Assistant of the Clockmaker's Company in 1889 and then Warden in 1697; the same year he signed the 'oath of allegiance'. In 1700 Charles Gretton served as Master as well marrying his second wife Lucy Uffman (his first wife Mary died in 1694). In 1701 he put £50 forward to the Clockmakers' Company in order to establish a trust to assist the orphans of deceased members and was nominated to serve again as Master in 1705/06. Lucy, his second wife died before 1711 as this is the year that Charles Gretton married his third wife, Dorethea Wilson shortly after which he moved to his newly acquired second premises at two Chancery Lane. At this time his premises at 'The Ship', Fleet Street was passed onto the management of his nephew, Thomas Moore who paid taxes on the building until 1723. In 1716 Charles and Dorothea moved again to Chancery Lane where they remained until Dorothea's death in 1727. By this time Charles Gretton had retired from active clockmaking and went to go and live with his daughter, Ann, in Milk Street where he remained until his death in 1731.During his career Charles Gretton He took on many apprentices including Henry Sully (Freed April 1705) and Joseph Antram (Freed October 1706) both of whom went on to become famous clockmakers in their own right. By the time of his death and internment at St. Dunstan's in the West Gretton had become a wealthy and highly respected figure within the City of London as well as the clockmaking community. His Will mentions no less than nine properties as well as £1,300 deposited in the Bank of England contributing the £2,600 monetary component of his legacy. The present lot sounds both the hours and a single blow for the half hour. This form of striking is traditionally termed 'French striking' hence it is possible that this watch was made either for export to France or for a French client. Clockwatches are a notably rare. For example, when considering Thomas Tompion's output, the highest serial number for his sequence of clockwatches is 130 versus circa 4500 for his timepiece watches and 990 for his repeating watches (excluding continuation numbering by George Graham). This would suggest that less than two percent of Tompion's watch output were clockwatches. The present lot, as well as being particularly rare, has also survived in fine original condition throughout. Condition Report: Movement is in fine original fully working condition with no visible evidence of alteration or noticeable replacements except possibly for the strike gate detent spring. The wheelwork retains gilding with minimal wear/oxidation as does the backplate and fittings with only very minor scratching and wear. The edge of the backcock table has possibly been but back slightly (for around half of its diameter) to allow banking pins to be fitted to protect the amplitude of the balance (this feature may be original). The dial is in fine original condition with possibly some slight distortion near the right hand winding hole and overall minor rubbing only. The case is in very fine original condition with no apparent dents (except for some very slight undulation near the clasp spring rivet) or breaks to the fretwork, and minimal wear.Watch has a winding key. Condition Report Disclaimer
Lot 603
A rare 19th Folk Art dolls diorama of a kitchen, complete with full interior and accessories, includes a 13cm high peg doll in original dress(lacks arms and later replacement base, comes with tin stove, fender, cooking pots, brass warming pan, irons, plaster food, wooden dresser, gate leg table and three wooden chairs, the diaorama is fitted with slide off front, and affixed to the top of the exterior is a hand written provenance label naming the original owner, doll circa 1850 in date, accessories 19th and 20th century, would benefit from sympathetic restoration to exterior (1)
![Delft. Ram (Johannes de), [A Map of the City of Delft], Amsterdam: Pieter Smith, 1729, uncoloured monumental untitled engrave](https://cdn.globalauctionplatform.com/0226bcfa-17bf-4201-b0e6-b17f00aed699/ca891304-d58e-433b-9812-b1dc00ab483e/468x382.jpg)
Lot 148
Delft. Ram (Johannes de), [A Map of the City of Delft], Amsterdam: Pieter Smith, 1729, uncoloured monumental untitled engraved map of Delft on 4 conjoined sheets, decorative cartouche of the Great Fisheries of Holland and West Friesland, heraldic shields, inset map of the environs of Delft, areas of loss to index and lower margin, both replaced in facsimile, old folds reinforced to verso, 840 x 1250 mm QTY: (1)NOTE:A rare and remarkably detailed wall map of Delft.'In 1675 the former burgomaster and unofficial city historian Dirck van Bleyswijck (1639-1681) was commissioned by the municipal government of Delft to produce a plan of the city, accompanied by engraved cityscapes and depictions of important buildings. The plan of Delft, called the Kaart Figuratief (illustrated map), was engraved by Johannes de Ram and Conraet Decker after designs by Johannes Verkolje, Pieter van Asch, and Heerman Witmont and was published by Pieter Smith under Van Bleyswijck's supervision. The completed work consisted of a plan, or bird's-eye view, of Delft, with all the buildings seen foreshortened; city profiles of Delft and the harbour town of Delfshaven; twenty-two images of individual buildings, two smaller plans of Delfshaven and nearby Overschie; eight family crests of the Delft burgomasters who were in office at the time; and a short text describing the city. The parts were designed to form a monumental ensemble, but smaller configurations could also be arranged.Johannes de Ram etched the plan of Delft, while Decker was responsible for all the pictorial elements. The nine engravings of buildings or places in Delft, shown in the picture are, reading from left to right and beginning in the top row: the fish market and meat hall; the Gemeenlandshuis; the Waterslootse Gate; the civic guard headquarters; the town house; the pesthouse; the armoury; the horse market; and the new gunpowder magazine.' The Web Gallery of Art.
Lot 302
Digges (Sir Dudley). The Compleat Ambassador: or two treaties of the intended marriage of Qu: Elizabeth of Glorious Memory; comprised in letters of negotation of Sir Francis Walsingham, her Resident in France. Together with the Answers of the Lord Burleigh, the Earl of Leicester, Sir Tho: Smith, and others. Wherein as in a clear Mirror, maybe seeing the Faces of the two Courts of England and France, as they then stood; with many remarkable passages of State, not at all mentioned in any history, 1st edition, London: Printed by Tho[mas] Newcomb for Gabriel Bedell and Thomas Collins, and are to be sold at their Shop at the Middle-Temple Gate in Fleetstreet, 1655, [16], 232, 231-414, 419-434, 439-441, [7] pp., ([pi]4, a4, B-Iii4, Kkk2, c3, with signature Ggg1 mis-signed Hhh1), engraved frontispiece by William Faithorne ([pi]1), somewhat close-trimmed to lower margin (just touching platemark to the left), title-page printed in red and black, Yy3 repaired to lower outer corner, without loss, wormhole to upper outer blank corners of aproximately 30 leaves near centre of volume (enlarging to a branching wormtrack), some of which have been archivally restored (S4-Z1, pages 135-169, and Tt1-Xx3, pages 319-339), some minor pinhole worming elsewhere, burgundy morocco gilt plate of W. A. Foyle, Beeleigh Abbey to front pastedown, contemporary blind-ruled full calf, with modern blind-ruled reback, folioQTY: (1)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplate).ESTC R22010; Wing D1453.
Lot 549
Joseph Pennell (American, 1857-1926) Porch Gate, St Mary-the-Virgins, Oxford, etching on laid paper, signed, titled and dated 1884 in the plate, unframed, 36.8 x 26.7cm., together with a collection of sixteen unframed 19th century etchings by various artists of mostly architectural subjects, some signed in pencil, largest 36.8 x 26.7cm., and twenty-six hand coloured etchings and engravings, various artists and subjects. (43)
Lot 1299
Zhou Peichun Chinese late Quing dynasty two albums of watercolours on rice paper featuring camels, acrobats, court scenes, second album exclusively children playing rough translation 'Wu Hezhi's wisdom outside the gate, painted by Zhou Qiming South of the West entrance of the bridge Prince Daigojo and Kita Fujimon outsider by Shu Peishun Hashiachi West exit Unnan', 15 x 16cm, ten watercolours
Lot 1386
Twenty four German silver 10 Deutschemark .625 silver commemorative coins comprising four various 1972 Olympics, 1989, 1949-1989 and two 1989 800 years of Hamburg, two 1990 1122-1190, two 1990 1190-1990, 1991 Brandenburg gate, two 1992 Order of Merit, 1992 Kathe Kollwitz, two 1993 993-1993 and three 1993 Robert Koch, 1994 1933-45, two 1994 Herder and one 2000 Bonn examples
Loading...-
48016 item(s)/page