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Lot 1093
A LARGE 17TH CENTURY STYLE OAK DOUBLE GATE LEG DROP FLAP TABLE65cm wide; 172cm wide open; 290cm longCondition report: A few odd scuffs and scratches to the top in areas, together with the other inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age.Please see extra images of the table - which illustrate the length. The measurements can be confirmed as stated above, although the central leaf is 60cm wide when measured with the other leaves up beside it.
Lot 719
PAIR OF SCOTTISH CARVED STONE ARMORIAL LION GATE FINIALS 19TH CENTURY modelled as an opposing pair of seated lions supporting a coat of arms on square plinth basesDimensions:each 100cm highNote: Note: The coat of arms is a Marital Arms of Graeme and Primrose. These arms allude to a marriage between an at present unidentified gentleman of the Graeme family, possibly belonging to the Graeme’s of Garvock in the County of Perthshire or a cadet branch thereof and an unidentified lady of the Primrose family, possibly a member of the Primroses of Dalmeny in the County of West Lothian.
Lot 210
BSA Airsporter Air Rifle.22, 18 inch, blackened barrel. Front hooded sight and far adjustable sight (damaged). Rear loading gate (stiff). Blackened rear body marked "BSA Airsporter". Lower hinge cocking lever. Polished half stock woodwork with rubber butt made. Fitted with a Nikka Stirling telescopic sight.
Lot 211
Attributed Pre War BSA Lincoln Jefferies Under Lever Air Rifle.177, 19 1/2 inch barrel with front blade sight and rear V sight. Rear hinge loading gate. Rear tubular body. Lower loading lever. Polished butt with checkered panels to the wrist. The steelwork with old black repaint. Together with a Century spotter scope by "J H Steward Ltd". 2 items.The rifle belonged to Albert Gunn who shot for the Royal Exchange Air Rifle team in Bridgetown Cannock. A copy photo of the team is included with the lot.
Lot 532
Various Tri-ang model railway components, mostly boxed, including an R55 B-B Diesel Locomotive, R114 Box Car, R72 Gate Keepers Hut, R66-K Porters Room with Kiosk etc.; also a Hornby DublO D1 footbridge, with original box, a Dinky Sunbeam Alpine, Daimler ambulance and an empty 418 Comet Wagon box Condition Report:Available upon request
Lot 2745
A yellow metal sapphire bracelet, comprising four oval sapphire cabochons in bezel settings, with two bar gate link detail and a lobster clasp, bracelet length 190mm, width 4.05mm, sapphire dimensions each approx 5.5 x 3.8 x 2.95mm, total weight estimated as 2.56 carats, gross weight 7.6g, stamped and tested as 18ct
Lot 120
BURGOYNE, M.H. Mamluk Jerusalem, an architectural study. (1987). Prof. ill. 4°. Or. bind. w. dust-j. In or. slipcase. -- G.J. WIGHTMAN. The Damascus Gate, Jerusalem. Excavations by C.-M. Bennett and J.B. Hennessy at the Damascus Gate, Jerusalem, 1964-66. 1989. Prof. ill. 4°. Owrps. -- W.-D. HÜTTEROTH & K. ABDULFATTAH. Historical geography of Palestine, Transjordan and Southern Syria in the late 16th c. 1977. W. 13 figs. & 5 maps. Owrps. -- And 7 o. (10).
Lot 22
A Georgian-style reproduction mahogany serpentine card table, the top with fluted border and opening on gate legs to reveal a baize-lined playing surface, raised on fluted square tapering legs with pad feet, 92 x 46 x 77cms high; and a Victorian-style mahogany demi-lune side table, on turned supports and carved and scroll feet, 77 x 38 x 68cms high. (2)
Lot 103
A COLLECTION OF SIX JAPANESE BRONZE ITEMS MEIJI ERA, 19TH AND 20TH CENTURY Comprising: five vases of various shapes and sizes, decorated with birds and flowers, some with signatures including Koushuu, the tallest with a sparrow in relief looking down at two other birds underneath a large leaf; together with a model of a torii gate, the mark for the Nogawa Company underneath, 26cm max. (6) Provenance: an Irish private collection, Dublin. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 179
A JAPANESE EMBROIDERED PANEL MEIJI ERA, 19TH/20TH CENTURY Of rectangular shape, depicting the Yomeimon Gate at the Tokugawa Tosho-gu shrine in Nikko, the panel intricately embroidered with various shades of silver, cream and gold-coloured threads, mounted on board with a silk backing, 73cm x 69.5cm.
Lot 238
YOSHIDA HIROSHI (1876-1950) SHOWA ERA, C.1935 A Japanese woodblock print entitled Romon (Chion-in Temple Gate), from the series Sakura Hachidai (Eight Scenes of Cherry Blossoms), signed Hiroshi Yoshida in pencil underneath, Yoshida in sumi ink and with the red seal for Hiroshi bottom right, oban yoko-e, 26cm x 39cm.
Lot 462
Set of 15 original vintage movie posters for releases of various films in Hong and China. 1. The Golden Girls, a 1995 Hong Kong comedy film directed by Joe Ma, starring Sean Lau, Anita Yuen, Ada Choi, and Francis Ng, the poster features an image of two ladies sitting next to a gentleman and a lady in a white suit looking at them. Horizontal. Good condition, folds, creasing, tears, minor staining. Country of issue: China, designer: Unknown, size (cm): 69x97, year of printing: 1995; 2. River Without Buoys, a 1983 Chinese Cultural Revolution drama film directed by Wu Tianming, the poster features an illustration of men on a raft, and images of the characters of the film. Horizontal. Fair condition, folds, tears, paper losses, creasing. Country of issue: China, designer: Unknown, size (cm): 76x105, year of printing: 1983; 3. Wind and Rain, a 1984 Chinese opera film adapted from the Henan Opera, the poster features an illustration of a lady in a white dress holding a necklace of a man in red costume. Fair condition, folds, tears, paper losses, creasing. Country of issue: China, designer: Unknown, size (cm): 105x76, year of printing: 1984; 4. Two posters of See You In Twenty Years, a 1984 Chinese drama about industrial reform, directed by Shi Xiaohua, starring Qian Yongfu and Zhu Lin, the poster features stills from the movie depicting the characters in various situations, with an illustration of a construction crane and a man with a red flag against bright shining sun. Good condition, creasing, folds, tears. Country of issue: China, designer: Unknown, size (cm): 105x76, year of printing: 1984.; 5. Two posters of Blue Flower, a 1984 War of Resistance Against Japanese Aggression film, directed by Shui Hua and Ma Bingyu, the poster features a young lady with a little red flower in her hair looking at the viewer, and an image of a man, with a small inset from the film. Horizontal. Good condition, creasing, tears, staining, paper losses, folds. Country of issue: China, designer: Unknown, size (cm): 75x105, year of printing: 1984; 6. Dream of Wu Sha, a 1984 Chinese drama film directed by Chen Fangqian, featuring an illustration of an older gentleman and a lady both in traditional Chinese clothing, with a wedding procession carriage behind. Horizontal. Good condition, creasing, tears, paper losses, staining. Country of issue: China, designer: Unknown, size (cm): 76x105, year of printing: 1984; 7. Happiness By Your Side, a 1984 romance film, the poster features images of the characters of the film. Horizontal. Good condition, creasing, staining, folds, small tears. Country of issue: China, designer: Unknown, size (cm): 74x106, year of printing: 1984; 8. The Man Who Ignites The Dawn, a 1984 Communist propaganda movie, the poster features images of the film characters. Horizontal. Good condition, creasing, tears, small paper losses. Country of issue: China, designer: Unknown, size (cm): 76x100, year of printing: 1984; 9. Two posters of Night Questions In Red Chamber, a 1984 Chinese opera film, the poster features an illustration of a young lady in traditional Chinese clothing and a am pointing at a finger print signed document. Horizontal. Good condition, creasing, staining, small tears. Country of issue: China, designer: Unknown, size (cm): 76x104, year of printing: 1984; 10. Chinese release of The Idiot, a 1959 Soviet film directed by Ivan Pyryev, based on the novel by Fyodor Dostoevsky, the poster features an illustration of the main characters – a lady in a pink dress and an elegant hat, and a gentleman in a top hat holding money in his hands. Good condition, folds, creasing. Country of issue: China, designer: B. Zelensky, size (cm): 106x76, year of printing: 1980s; 11. Waning Moon, a 1984 Chinese feature family drama film, directed by Cao Zheng, starring Hong Rong, Zheng Zhenyao and Xu Songyuan, the poster features an image of a lady in a purple flower dress and a full moon over a gate with trees around. Horizontal. Good condition, creasing, tears, paper loss on edges, staining, Country of issue: China, designer: Unknown, size (cm): 78x105, year of printing: 1984; 12. Son of Nature, a 1983 Chinese drama film, the poster features an illustration of a little boy with a red pen and a river in a picturesque Guilin of Guangxi province with a fisherman on a raft with cormorant birds. Fair condition, staining, tears, creasing, folds, paper losses. Country of issue: China, designer: Unknown, size (cm): 104x78, year of printing: 1983.
Lot 666
Fabulous, first-generation, Mulliner-specification Flying Spur with less than 33,000 miles from new.Introduced in 2005 to complement Bentley’s existing two-door Continental GT model, the four-door Flying Spur used a stretched version of its sibling’s platform. Powered by the same twin-turbocharged 6.0-litre W12 engine allied to 6-speed automatic transmission, the luxury sports saloon boasted 552bhp and 479lbft of torque; outputs sufficient for 0-60mph in 5.2 seconds and 194mph. Equipped with adaptive air suspension, continuous damping control and Torsen-based permanent four-wheel drive, the big Bentley proved surprisingly nimble.This impressive example is finished in Tempest Silver with beige leather interior and was first registered on 29th August 2006. It has enjoyed four years with our vendor and has covered just 32,386 miles. Despite this low mileage, the service records contain 12 service stamps suggesting diligent ownership and was most recently serviced in November 2021 by an independent Bentley specialist with less than 300 miles travelled since. It will be freshly MOT'd just prior to our sale and is supplied with both keys.LK56 CVG was factory fitted with a bespoke Mulliner package which included a cross-stitched diamond pattern in the leather seats, embroidered headrests, drilled alloy pedals, 21-inch alloys and a sports-mode driving option. Other options from new include;Power electric tilt and slide sun roofElectric blinds to roof and rear windowsMassage electric seats to front and rearHeated seats front and rearAutomatic soft-closing doorsSix-CD disc playerSports gear leverMemory settings for steering wheel and seat adjustmentsComing home controls (garage/electronics gate opener)Bluetooth telephone system with remote SIM access profile – with privacy handsetFull Nav track fitment (in addition to standard alarm system)Power boot opening and closingTelephone voice control – EnglishHandbook – Information Kit in EnglishSpace-saving spare wheelTool kit and jackBentley battery charging/conditioner kitSpeed awareness deviceA tremendously capable long-distance luxury cruiser, and a surprisingly attainable entry point into Bentley ownership, this Flying Spur would make a sumptuous road-trip companion, or even an indulgent ULEZ-compliant daily driver, and is sure to deliver a cosseting ride on every journey. SpecificationMake: BENTLEYModel: CONTINENTALYear: 2006Chassis Number: SCBBE53W87C040989Registration Number: LK56 CVGTransmission: AutoEngine Number: 001174Drive Side: Right-hand DriveOdometer Reading: 32836 MilesMake: RHDInterior Colour: Beige leatherClick here for more details and images
Lot 1112
John Atkinson Grimshaw (1836-1893)"Silvery Moonlight"Signed and dated 1882, originally signed, inscribed and dated verso, oil on canvas, 40cm by 60cm Provenance: Richard Green, LondonNG Bailey Group of Companies, Denton Hall, Ilkley Atkinson Grimshaw is an artist whose fame in his lifetime as a painter of moonlit urban scenes and landscapes died with him in 1893. Indeed, he barely made it into the history books until the reputations of Victorian painters began to be restored in the early 1960s. Grimshaw was born and lived in Leeds, hence the city art gallery’s large collection of his paintings. In the 1970s, as a student working in Leeds Art Gallery, I lived in Headingley in a flat in a big house behind a high stone wall, surrounded by trees. As far as I was concerned, I lived in a Grimshaw painting, and the figure of girl walking along a moonlit road could be me. The melancholy of Grimshaw’s paintings appealed to me, just as it has done for so many others. Later, I learnt that Grimshaw’s shadowy lanes are generic views accumulated from his knowledge and observations of the city’s streets; that his life was troubled by grief and financial worries and that the subject we see here was hugely popular with art buyers. It was, therefore, one that was much repeated by Grimshaw, who, having become burdened with debt in later life, had to paint constantly to make a good enough living to support his large family, and to sustain his rather opulent taste in furniture, textiles and Chinese porcelain for Knostrop Hall, his richly decorated home.These silvery moonlit scenes varied little in composition, the shiny wet road curving from the right across to the left or centre of the canvas; sometimes we see the sparkling road turn the corner, at others we do not, but always we see the high stone walls, the wintry trees and a gate that firmly closes us out of the grounds of a large, sombre looking house, a few squares of light glowing in its windows.In 1882, when Silvery Moonlight was painted, Grimshaw was working in London in a bid for success on the London art scene. He hired a studio in Chelsea and took with him his live-in model, Agnes Leefe, whom he introduced into his Leeds household in 1879, much to his wife Frances’s fury. Grimshaw made many night-time paintings of London street-scenes, not only of the heart of the city but also of Hampstead, one of them a view of Heath Street (Tate), with the ubiquitous figure of a woman in black holding an umbrella, also painted in 1882. Silvery Moonlight may well have been painted with Hampstead in mind, with its tall city houses extravagantly lit up on every floor, compared to the subdued lights of Yorkshire homes, where a servant girl often walks along the dark lane or a courting couple hide themselves in the darkness. In this painting we have a horse-drawn cart, its owner walking ahead.Grimshaw always provides a human presence under the moonlight, but they are never the wealthy owners of the illuminated houses; these are the lower-class workers who serve them, romanticised by the artist in a dreamlike setting of his own invention, one that has been much-loved by collectors and gallery viewers for generations.Jane Sellars MBE (2022)We are grateful to Jane Sellars MBE for her assistance in catalguing this lot. Relined, cleaned and revarnished to a good standard whereby the impasto and finer brushwork appears to remain intact. There is very little to discern under a UV light accepting some extremely fine and delicate retouches along upper edge essentially contained to right-hand side. Further very fine retouches essentially to lower 50% of left-hand side edge. There is possibly very fine and sporadic retouches to the trunk of the tree positioned left-hand side and possible delicate retouch to old upper stretcher shadow. Some very light surface dirt and discoloured varnish and or essentially fine abrasion or slight rubbing mark to upper edge. The inability to visibly identify any further restoration under a UV light does not entirely preclude the possibility, this cannot be evidenced by eye or UV light survey. In essentially very good state of preservation. For more information please contact the department.
Lot 627
An Arts and Crafts copper-topped Side Table, with floral motif, raised on square legs, W 46cm x D 28cm x H 46cm, together with a carved oak Side Table with stylised motif, W 45cm x D 26cm x H 36cm, and an inlaid gate leg Table, W 70cm x D 56cm (open) x H 60cm, some scuffs and marks with some inlay missing to the gate leg table (3)
Lot 248
BronzeIndia , 19th centuryDimensions: Height 10,5 cm Wide 8 cm Depth 2 cmWeight: 325 gramsPlaque shaped like a gate with female deity in the center dressed in striped long dhoti and adorned with jewellery. She is flanked by two female adorants also dressed in long, striped dhotis. One of them is holding her hand in front of her chest forming a mudra and a small seated Buddha effigy cradled in her elbow crease. They are standing underneath large leaves, two pillars with decorative patterns on the outside.
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