We found 48016 price guide item(s) matching your search

A 9ct gold gate-link bracelet with padlock clasp and a small 9ct gold curb-link bracelet with padlock clasp, 6.5g, (2).

A 1/10 Krugerrand 1980 in a 9ct gold gate-link bracelet, 11.8g.

A collection of silver jewellery - an eight bar gate link bracelet with padlock fastener, a 15.5mm wide solid half hinged bangle, a silver charm bracelet with eleven charms attached, a 9mm wide bracelet and three necklaces.

Oak drop leaf gate leg table for restoration

UnattributedOil on board Rural scene with field, fir trees and a gate far left, labelled verso 'Institute of Paint ...' (badly torn), 34cm x 24cm 

A Bleached Oak Gate Leg Drop Leaf Dining Table with Oval Top, 127cm Long

A Period Oak Drop Leaf Gate Legged Table with Oval Top, 106cm Long

A VICTORIAN WALNUT GATE LEG TABLE

A GEORGIAN OAK GATE LEG TABLE together with a set of six stripped mahogany chairs (no seat pads) (7)

A GEORGIAN MAHOGANY GATE LEG TABLE

THIRTEEN DAVID WINTER SCULPTURES, to include 'The Chapel', 'Tudor Manor House', 'The Woodcutters Cottage', 'The House on Top', 'The Bakehouse', 'Tollkeepers Cottage', 'The Bothy', 'Pilgrims Rest', 'Stratford House', 'Spinners Cottage', 'The Castle Gate', 'The Cotton Mill' and 'Brookside Hamlet', together with two John Robbins Fortune Houses 'Sagittarius' and 'Aquarius' (with certificates) (mostly rubbed or slight chips) (15)

18th century oak Gate leg table & circular table, W106cms L120cms H72cms

An oak gate leg dining table

John Sell Cotman (Norwich school), etching of the South Gate Kings Lynn

An oak gate leg table

A 19th century mahogany drop leaf dining table having crossband chevron inlay decoration on square gate legs

An assortment of Silver Bangles and a Silver Gate Chain Link Bracelet with Heart Padlock Clasp, 144g

Thomas Koether (New York, Florida, Born 1940) Abstract oil on board painting titled, "Air Riders". Canvas Size: 16.25 x 19.5 in. Overall Size: 20.5 x 17.25 in. Manner of Syd Solomon (Florida, New York 1917-2004). In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of my own abstractness ? landscapes and still-lives of my own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Born 1940) "Offshore" Large Abstract Oil on canvas painting.  Signed lower left.  Dated verso.  Sight size: 48 x 60 in. Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of my own abstractness ? landscapes and still-lives of my own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France

Two 9ct gate link bracelets – one a/f

Cast metal railway notice 'Shut This Gate' and another notice 'Shut This Gate' (A/F) (2)

A 9ct gold bar and oval link gate bracelet, in a two row design as converted from a watch Albert chain, fitted with a heart shaped padlock clasp, detailed 9 CT, weight 22.3 gms.

English school, 19th century, lady seated by a gate, oil on board, 20 x 17cm

Two sets of mounted roebuck antlers, a horn bottle opener and a miniature oak gate

George III Irish mahogany hunt table with D shaped leaves opening to an oval supported by 2 square gate legs, table legs have later castors, 181cm long, 129cm wide (open), 40cm (closed), 74cm highProvenance: purchased circa 1970 Stuart & Phyllis Binns Antiques, 39 Alexandra St, Hunters Hill

An Edwardian small mahogany gate leg table and an oak folding rack

An oak barley twist gate leg table

A Victorian Style Oval Locket Pendant, a patterned expanding bangle, a gate style bracelet with heart shaped clasp, ingot, etc:- One Tray

BOLTON WANDERERS Superb historical collection of five Bolton Wanderers official ledgers: 1) Minute book covering meetings of the Directors , Finance Committee and Ground Committee, Bolton Wanderers FC covering 1920 and 1921 plus a couple of 1914 meetings. Includes team selection , Finance, Player issues etc, 2) Similar official Bolton Wanderers minute book covering June 1958 to December 1964 and covering team , financial and various other issues discussed at the Club Directors Board Meetings. 3) Gate Book Ledger covering each match at Burnden Park between March 1905 and February 1908 includes First team and Reserves and details how much gate money and how many spectators were admitted at each turnstile for each game during this period plus the name of the turnstile operator for each game etc.199 Double pages includes games v Chelsea, Man Utd, Woolwich Arsenal etc. 4) Large Gate Book similar to number 3, covering period from the start of season 1939/40 through the Second World War ( handy for those wishing to know the actual official attendances ) to April 1949 and including the tragic Cup tie v Stoke 9/3/46 when 33 spectators were crushed to death at the Embankment End ( the attendance is noted as 65,419), four days later Burnden was back in action for a game v Bradford PA. 5) Very large ledger detailing the Members and Shareholders between 1895 and 1904, over 300 pages listing the shareholders, members and medal holders (presumably VIP entrance medals). Includes their names, addresses , numbers of shares held etc including J.J Bentley. Part of the history of this venerable old club who were founder members of the Football League in 1888. Condition is generally good although there is not surprisingly some scuffs to the leather, cloth covers. All the writing, all in ink, is legible and these should be of great interest to football historians. Generally good

Corgi Classics Original Omnibus Company Collection of Diecast Model Trams ( 5 ) In Total. Comprises 1/ Balloon Tram ( Blackpool ) Pleasure Beach 435007, Empire Pools Tram 707. 2/ Blackpool Corporation Blackpool Zoo, 44004 Brush Rail Coach / Tram. 3/ Corgi Classics Blackpool Brush Rail Tram / Coach No 43512, Pontins / Starr Gate Star. 4/ Blackpool Balloon Tram OM 43504 - The Globe Blackpool Pleasure Beach - Elipse. 5/ Blackpool Brush Rail Tram / Coach 1980's Livery No 43513 Coral Island. Star Gate / Pleasure Beach Stop. All Trams In Excellent / Nr Mint Condition, No Boxes. Please See Photo.

Superior Quality 9ct Gold Ornate Gate Bracelet with attached 9ct ornate heart shaped padlock and safety chain. The whole making an attractive bracelet. In excellent condition. Fully hallmarked for 9.375 gold. 16.2 grams. Please see photographs.

A 9CT. GOLD GATE LINK BRACELET with padlock clasp, 18cm. long, 31 grams.

Open bookcase, gate-leg table and office-chair and wicker dining chair Condition reports are not availabe for our Interiors Sales.

Two mid-20th century prisoner-of-war metal cigarette cases, both with carved decoration throughout, the first and smaller with fighter plane and scantily clad woman and engraved to interior 'P.O.W E.F. Varham Camp 55' with further foliate engraving to interior, the second with dog and gate to one side with further foliate detail to the other and interior, the larger approx 16 x 7.5cm (2). CONDITION REPORT: General surface wear and tear throughout, scratches, signs of manufacture etc.

An early 20th Century oak gate leg table and an oak chest of drawers

Ceramic menu stands, five with mother of pearl shells and a gate ceramic Number 8

An Edwardian gate bracelet, stamped '9 ct', 13.3 gm

An 18th century mahogany drop leaf dining table with double gate leg

An 18th century oak gate leg table having single inset drawer and turned supports, 29" h x 47 1/4"w

A 9ct gold 5 bar gate bracelet, love heart padlock fastener, hallmarked Birmingham 15.4g/1/2 toz

An oak barley twist gate leg table

A Georgian oak gate leg dining table

An oak barley twist gate leg table

A 9ct gold gate link bracelet, cross pendant, two chains, 25.7g

A large composition gate finial, modelled in the form of a dragon, on a square base, 116cm H.

Rev. W. Rooke, Bolton Church and Church Gate watercolour, 21cm x 28cm, and another, sheep in a landscape, watercolour, 18cm x 25cm (2).

Well presented oak barley twist gate leg dining table

A VICTORIAN RECTANGULAR VESTA CASE with a flip cover, enamelled on the front with a huntsman on a grey horse jumping a five-bar gate, the reverse monogrammed, by Sampson Mordan & Co., London 1890; 2.25" (5.7 cms) long

Kearlsley's Peerage of England, Scotland & Ireland (rebound), Lodges Peerage 1855, Vyner - A Family history 1885, the Arms of the English Baronets, printed by D. Henry & R. Cave at St. John's Gate, 1758 and Traite-De L'Amour De Dieu - Paris & Lyon 1838 (5)

A Small Oak Drop Leaf Gate Leg Coffee Table, 59cm Long

An Edwardian Oak Oval Topped Drop Leaf Gate Legged Dining Table. 87cm Wide

A Reproduction cast iron Fasten This Gate warning sign

An oak gate leg dining table with a set of five Queen Anne style chairs

An oriental carved tilt top occasional table with glass top raised on gate leg supports.

A 9ct gold gate link bracelet and mixed costume jewellery.

Dame Elizabeth Frink, etching, Agamemnon at the Lion Gate from The Children of The Gods Series, Kelpra Studios, (Wiseman 154), signed in pencil, 67/70, 55 x 37cm

A mid 20th Century gate leg occasional table

PIERCED BRACELET, formed by rectangular gate style links, unmarked, with a heart shaped padlock clasp in nine carat gold, 17.5g gross

A 1930's 'Cow & Gate' trophy and a silver plated entree Dish

An Edwardian mahogany Sutherland table, drop leaves, gate leg action, and slender turned legs with small outturned pad feet, 53.5 by 29.5 by 68cm high.