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An 18th century elm gate leg table

A poster depicting the Golden gate bridge together with two further pictures

TWO COW AND GATE STEEL MILK CHURNS AND A STEEL BUTTER CHURN, one milk churn has a lid and the other has not, height 70cm and the other 83cm high

A MID 20TH CENTURY GOLDEN OAK FINISH GATE LEG TABLE, width 84cm x open depth 148.5cm x closed depth 32cm x height 77cm and four chairs (5)

A YELLOW METAL GATE BRACELET, links with twist design, fitted with a gold heart padlock clasp, approximate length 160mm, clasp with 9ct hallmark with approximate gross weight 5.2 grams

A 9CT YELLOW GOLD GATE LINK NECKLET, measuring approximately 400mm in length, hallmarked 9ct gold, Birmingham, approximate gross weight 28.4 grms

Galvanised garden gate (Large)

A Victorian cast iron gate, W.93cm H.120cm and approximately 12m of railingsCONDITION: Good original condition, probably re-painted black at some point, the railings are designed to sit on top of a brick pier or low wall.

An oak barley twist gate leg table

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled "Blue Meander" Dated: '94 Oil on Paper. Signed lower left. Sight Size: 23 x 17 in. Overall Size: 31.5 x 25.5 in. Framed behind glass.In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Forestry" Dated: '95 Oil on Paper. Signed lower right. Image Size: 10 x 12 in. Overall Size: 15 x 17 in. Unframed. (266 - 4683)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Blue Elevation" Dated: '90 Oil on Canvas. Signed, titled, dated and sized verso. Overall Size: 25.75 x 31.75 in. (152 - 4307) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Chinese blue and white porcelain snuff bottle, Jingdeshen Kilns circa 1821-1850. Of tapering cylindrical form with convex mouth and recessed. foot surrounded by a footrim, painted in underglaze blue with a continuous scene of an eight-strong embassy on horseback greeting a figure at Desheng gate. Apocryphal Qianlong four - character mark. Provenance: David Chang Collection (San Francisco, California) Compare to a near identical bottle, see Important Chinese Snuff Bottles From The J&J Collection, Part V. Christie's 17 September 2008 Pg.110 /Fig 66. See last image for reference.

Exhibited Russian icon, "Birth of the Mother of God". Oil/wood/brass. 19th Century. Saint Anna reclines while a midwife and attendant prepare to wash the newborn infant, Mary. To the right, Saint Joachim looks on the scene. At the top left and right, Anna and Joachim pray for a child. At the lower left they meet and embrace at the Gate Called Golden after receiving divine assurance that they will have a child. Size: 12 x 10 in. Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014

CHARLES EDWARDS ODEON GATE POST LANTERNS, a pair, brass with faux patinated bronze finish, 36cm x 26cm x 22cm. (2)

19th C mahogany drop-leaf gate leg table on turned supports (width 123cm)

A 9ct gold gate bracelet, 5.1g

Edward Ardizzone CBE RA (British, 1900-1979): two pen and ink humorous sketches, both depicting a Georgian gentleman and a housewife, in one the gentleman leaves via a gate in a low picket fence, the woman with her left arm raised waving, in the other he offers a bag of money to the woman who raised her arms in exclamation, each intialled EA lower right, each 11 by 16.5cm, mounted, glazed and framed, 29 by 34cm. (2)

A rolled gold gate style watch wristlet, 148 mm long approximately, as found, an expanding arm band and silvered finish ladies wristlet watch, the square face marked 'Parmex 17 Jewels Full lever', 157 mm long and in running order.

Vanguards, Unconfirmed Makers - An unboxed Vanguards diorama of Downing Streeet with three diorama pieces from Unconfirmed Makers including barrack walls, and a barracks main gate with VR crest. The lot also comes with a mounted picture frame containing three model soldiers (measuring approximately 23cms (H) x 22cms (W) x 4cms (D)

VICTORIAN MAHOGANY BAGATELLE TABLE having a folding top opening to reveal a baize-lined playing interior complete with balls, sticks and numbered fittings, on bulbous supports with floral terminals, 91cms wide (folded) Condition Report: top split, baize stained and small repair number, gate with split.

GEORGE III SERPENTINE MAHOGANY GATE LEG TEA TABLE, fitted frieze drawer and inlaid satinwood lozenge and chequer strung detail to front legs, 84cms high Condition Report: inside top with minor crack, edges with minor restorations, drawer handle gilt worn and bent.

An Oak drop-leaf, gate-leg table, a/f.

A hand scythe, a sheep clippers/dagging shears, a bronze canal lock sluice-gate key, a bosun's whistle, etc.,

A wrought iron single gate, 47'' high x 29'' wide

A green wrought iron garden gate.

A blacksmith-made wrought iron garden garden gate, 3' 6" wide approx. x 41''

Royal Paragon 'Garden Gate' pattern tea and dessert service

Clive Madgewick - Pair of oils on canvas -Bluebell Wood, and Through The Garden Gate, 39cm x 28cm, both framed

An early 20th Century country oak gate leg table raised on on block and turned legs suporting an oval oak top. Measures 77x137x106cm.

A good early 20th Century oak pie crust barley twist gate leg dining table of rectangular form together with a set of four dining chairs having turned legs united by stretchers having barley twist back rests with knob finials and carved decoration tops. Measures 74 x 90 x 42cm.

A vinyl long play LP record album by Led Zeppelin – House Of The Holy – Later Atlantic U.K. Press – K 50008 Stereo – Vinyl condition G+. Laminated gate fold sleeve condition VG.

A vinyl long play LP record album by King Crimson – In The Wake Of Poseidon – Original Island Records 1st U.K. Press –  ILPS 9127 Stereo – Vinyl condition VG. Gate fold textured sleeve condition VG.

A box of vintage cigarette trade cards to include a few Will's Golfing Series including Harry Vardon, Chairman Miniatures, Cow and Gate quads and many more. Mostly part sets with some odds throughout.  

A GOOD JAPANESE SATSUMA BOWL BY NAKAMURA BAIKEI MEIJI PERIOD, 19TH CENTURY The well delicately painted with a scene of revelers on a pleasure boat, the vessel with a dragon-shaped prow and a large model of a white phoenix on the roof, the family crest for the Tokugawa clan underneath, Maru ni Mitsuba Aoi mon, other boats visible in the distance and a densely-built island with a torii gate to the side, two cranes flying above, the rim with bands of chrysanthemum flowerheads, the outside with many cloud-shaped panels variously containing figures engaged in daily activities, some at work and others at leisure, the square foot surrounded by bands of lappets and brocade patterns, the base signed Nakamura Baikei with a gilt square seal and a gourd-shaped panel enclosing a long self-congratulatory inscription, 12.2cm dia. Provenance: an English private collection of Satsuma wares, Wiltshire. Purchased from Sotheby's London, 20th June 2002, lot 266; a copy of the original receipt is available. The decoration to the well may be a reference to chapter 24 of The Tale of Genji, in which the Prince arranges for the construction of Chinese-style barges with dragon and phoenix decoration for a spring party in honour of Lady Murasaki, his favourite consort.

A COLLECTION OF JEWELLERY, comprising a 9ct gold gate-link bracelet, two 9ct gold wedding bands, a 9ct gold signet ring, a white stone ring, stamped '18ct', two lady's 9ct gold cased wristwatches, a stick pin fitting, cased, and three further items (11)

A 9CT GOLD GATE-LINK BRACELET, with padlock clasp, length 18cm

TWO HEAVY WOODEN GATE POSTS, EACH APPROX 12CMS SQUARE

PAIR OF HEAVY METAL VINTAGE OCTAGONAL GATE POSTS, EACH APPROX 137CMS HIGH

9CT GOLD GATE BRACELET WITH HEART PADLOCK AND SAFETY CHAIN 9.5G APPROX

9CT GOLD FIVE GATE BRACELET WITH HEART PADLOCK AND SAFETY CHAIN 6.1G

Various postcards, early 20thC, fox hunting related black and white cards, etc. to include The Earl of Harrington at Oxton Notts, others for The Hertfordshire Hounds at Welwyn showing huntsman, other black and white cards of many huntsman, The Southwold Hounds Elkington, Kirby Gate, The New Forest Foxhounds, Bramham Moor Hunt at South Ilford, Eastern Suffolk Foxhounds, Lord Bathhurst, Rufford at Thoresby Park, other hunting cards, London Rotten Row hunting card, various other huntsmen. (a quantity)

Various costume jewellery and effects, a costume brooch of shaped floral form with plain pin back, 5cm wide, a gold plated gate bracelet, various other costume jewellery, the Fell Cup Final Umpire medallion 1996, various other costume brooches, gold filled necklace with pierced links, Regency style costume brooch, various other items, necklace, floral ring, faux pearls, etc. (a quantity)

A large mixed group of silver jewellery including charm bracelets, bracelets, pendants, necklaces, silver key (which can be cut by a locksmith), ace of spades pendant, gate bracelet etc.

A 9ct gold enamelled shield-shaped medal, the central panel with shield bearing 'Leicester & Leicestershire Pawnbrokers' Association' to border and 'Chairman' above, hallmarked, on a burgundy ribbon with five bars dating from 1927-51, approx 94g, in original case, marked 'Case's 1 & 3 Braunston Gate Leicester'. CONDITION REPORT Ribbon is stitched to the medal, approx weight 81g

A set of 19 Century brass gate balance scales by Rogers, Newcastle, together with a set of five graduated bell weights and other weights.

Mid 20th Century oak gate leg table, together with a pair of four matching mid 20th Century oak slat back dining chairs. (5)(B.P. 24% incl. VAT)

18th Century mahogany rectangular drop leaf gate leg table the top with reeded edges, single gate action to each side on cabriole legs with well moulded hoof feet. 133 x 73 x 102cm approx. (B.P. 24% incl. VAT)

Early 20th Century oak gate legged table with piecrust edges and barley twist supports. (B.P. 24% incl. VAT)

20th Century oak gate legged table. (B.P. 24% incl. VAT)

20th Century oak gate legged table. (B.P. 24% incl. VAT)

Tatton Winter R.B.A., coloured etching, "Christchurch Gate Canterbury" with blind proof stamps, 27cm x 38cm, framed, and watercolour, Continental coastal view, unsigned, 23cm x 52cm, framed

Maurice, oil on board, view of Hastings fishing harbour, and C Ward, oil on board, Canterbury West Gate, 33cm x 49cm, and 40cm x 50cm

A pair of ornate iron strap gate hinges 99cm

A 1940's oak drop-leaf gate-leg table with bulbous cup and cover supports 70cm x 90cm x 39cm (closed) and six oak dining chairs of conforming age (one carver and five single chairs), with shaped and nulled crest-rails over pierced oblong splats and drop-in seats, raised on turned front supports 108cm

A 18th Century Brass Pantograph, C.1760, signed in script 'Heath & Wing London' with engraved owners monogram, with ivory wheels, pencil holder and lead weight, in oak case (distressed) Heath & Wing, traded at Hercules & Globe, Exeter Exchange, Strand, near Exeter Exchange in the Strand (1751-67), Hercules & Globe next door to the Fountain Tavern, Strand (1759) & near the Savoy Gate in the Strand (1771) all London, England. partnership of Thomas Heath (w.1720-53) & Tycho Wing (fr.1751, d.1776)

ATTRIBUTED TO THOMAS MILES RICHARDSON, watercolour townscape, unsigned but entitled "The Old Gate Heidelberg" 34x45 cms

East Anglian School, 19th century, sepia watercolour - West Gate, Ipswich, in glazed gilt frame, 30cm x 38cm

George III mahogany gate leg dining table, rectangular hinged top raised on turned legs and pad feet, 133 x 111cm

Early 18th century oak gate leg table, with oval hinged top end frieze drawer raised on turned and block understructure, 96 x 115cm