We found 48015 price guide item(s) matching your search
There are 48015 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
48015 item(s)/page
Bronze India , 18th century or earlier Dimensions: Height 23 cm by 14 cm Weight: 1061,9 grams This shrine shows one of the principal deities of Hinduism, Shiva the Destroyer and Creator, standing on a multi-tiered tapering platform on four feet with each platform decorated with different design patterns. Standing on a round lotus flower base, his left leg with a slight bent in the knee. The god is only dressed with jewellery and scarfs. He has eight arms fanning out to the side in a circle, holding his weapons and a severed head. His mount the bull Nandi can be seen to his left at the feet in a rearing position. Shiva's face has a pointy chin indicating a beard and a moustache. A cobra is winding around his crown. Five snakes create a protective canopy above his head. He is framed by a large gate with two pillars at the bottom, the top is enlarged and made of petals. The arch is surmounted by a makara face.
Bronze South-India , 17th century Dimensions: Height 53 cm by 25 cm Weight: 10444 grams Hindu god Shiva in his form as Chandrashekhara, or Lord of the Crescent Moon. The figure has four arms, the upper two holding a battle axe and a prancing deer, the lower two making gestures of reassurance and teaching. The figure wears his hair piled high in the chignon of matted locks that identifies Shiva, with curling locks draping over his shoulders in the back. A crescent moon is just visible at the front of the chignon, pointing upward. The figure stands on a flaring lotus base with round holes pierced through the front and back to attach the sculpture to a litter or cart for transport during temple processions. Shiva Chandrashekhara is worshipped primarily in southern India, where he is often displayed with his consort, Parvati. The straight posture of this icon suggests that it was either worshipped without a consort image (couples often lean in toward one another) or that the consort image was cast and displayed somewhat separately. The battle axe and deer make reference to an episode in which Shiva was attacked by non-believers and he caught both the weapon they threw at him and the wild stag that they sent to attack him. The deer became one of his great devotees and it represents the gods role as Lord of Animals. Bronze icons were made for display and worship on shrine altars inside temples but were often displayed during temple processions as well, and were occasionally transported to different temple buildings on special occasions. Bronze casting reached an apex in India in the tenth century under the patronage of the Chola dynasty of Tamil Nadu. Although masterful bronzes were made in this area for several centuries thereafter, those made in the tenth century are particularly prized for their balance of organic and ornamental qualities. Provenance: From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi ( 1919-2014) Founders of the Ishtar Gate Gallery in the prestigious Houston Galleria. They were world travelers and dealers of electic art, jewellery , antiquities, and gems. Their friends, acquaintances, and customers included people from all continents, including sheiks, prime minister, royals, business leader , politicians, and oil magnates.
Bronze with gold and silver India , 17th century Dimensions: Height 24 cm by 14 cm Weight: 1759,2 grams The goddess of war is here depicted wide-legged standing on a square tapering platform with an open-work gate in the back. She is destroying Mahishasura with a spear, identifiable by the buffalo's head in the front right corner. She is standing on a mystical lion with one foot, her mount. Durga has ten arms fanning out around her body holding various weapons. She is dressed in a long dress with various patterns, her chest bears a necklace and her hair is done up in a high chignon behind a tiara. In spite of some rub-off on her face, her eyes, nose and lips are still recognizable. The gate surrounding her is topped by various small birds and elephant heads on the side, a diamond finial is in the center. In spite of this fierce battle she is smiling calmly and gazing into the distance. The back of the statue is created with the same detail. Provenance: purchased 21st October 1970 - Makler Gallery Philadelphia , USA
Georgian mahogany drop leaf dining table, serpentine top with canted lobe corners raised on square chamfered and moulded supports with double gate leg actionDimensions: Height: 73cm Length/Width: 135cm Depth/Diameter: 102cmClick here to view further images, condition reports, sale times & delivery costs for this lot.
An oak dining suite in 17th century style comprising a gate leg dining table, 160cm by 160cm (open) by 73cm, a set of eight narrow ladder-back dining chairs with rush seats and a sideboard, 200cm by 41cm by 77cm together with a similar oak hanging corner cupboard and a five-light ceiling light (12)
[MODERN FIRST EDITIONS] Wheatley, Dennis. The Prisoner in the Mask, first edition, Hutchinson, London, 1957, pictorial boards, dustjacket (non price-clipped), octavo; together with Traitor's Gate, first edition, Hutchinson, 1958, pictorial boards, dustjacket (non price-clipped), octavo; The Satanist, first edition, Hutchinson, 1960, pictorial boards, dustjacket (non price-clipped), octavo; Vendetta in Spain, first edition, Hutchinson, 1961, boards, dustjacket (non price-clipped), octavo; Bill for the Use of a Body, first edition, Hutchinson, 1964, boards, dustjacket (non price-clipped), octavo; They Used Dark Forces, first edition, Hutchinson, 1964, boards, dustjacket (non price-clipped), octavo; Dangerous Inheritance, first edition, Hutchinson, 1965, boards, dustjacket (non price-clipped), octavo; Unholy Crusade, first edition, Hutchinson, 1967, boards, dustjacket (non price-clipped), octavo; and The Irish Witch, first edition, Hutchinson, 1973, boards, dustjacket (non price-clipped), octavo, (9). Condition Report : Generally good condition; dustjackets with varying degrees of wear; six with neat ink ownership inscription to front free endpaper. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A cased Omani silver coloured dress set, stamped 925, comprising a key ring, cufflinks and tie clip; Caran d'Ache, a black lacquer and gold plated ball point pen; an electro-plated and pewter plate, chased with the Muscat Gate and the Coastal Road, 30cm diameter, cased; and a set of three gilt metal scent bottles, in a fitted lacquer and leather case Condition Report: There is no condition report available for this lot and is sold as found PLEASE NOTE THE PEN IS A BALL POINT PEN Condition Report Disclaimer
A 9CT GOLD GATE LINK BRACELET with small padlock fastener and a safety chain, together with a 9ct gold herringbone bracelet A/F, total weight approx. 8.1grams Condition Report : gate bracelet good, herringbone bracelet broken to one end Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
POSTCARDS - DEVON Approximately 100 cards, comprising real photographic views of Caen Street, Braunton; Bigbury; Brook Street, Bampton; Dorchester Hotel, Torquay; Headland Hotel, Torquay; Channings Hotel, Torquay; East Gate, Totnes; and Duke Street, Tavistock; with printed views of The Square, Braunton; Caen Street, Braunton; Millbrook, Axminster; Bull Ring & East Street, Ashburton; Cheriton Private Hotel, Rawlyn Road, Torquay; Hennapyn Residential Hotel, Torquay; Clydesdale, Croft Road, Torquay; the arms of the Borough of Torquay (publ. by Iredale, Torquay & Paignton); Fore Street, Tiverton; and others, (loose).
POSTCARDS - ASSORTED Approximately 580 cards, comprising real photographic views of Mothecombe Village (by Chapman, Dawlish); Westgate, Winchester; Epping Forest Motel, Epping; The Toll Gate, Pluckley; The Harbour, Portscatho; Salwarpe Court, Droitwich; Pontin's Buckleigh Place Country Club; Shute House, Axminster; The Clyst, Honiton Clyst; Guard Gate, St. Marys, Scilly (by Gibson, Scilly Isles); and The Butterwalk, Totnes; with printed views of Lower Wharf, Wallingford (publ. by Jenkins, Wallingford); Tokyo Station; High Street. Burnham; Oxford Street, Whitstable (pub. by Cox, Whitstable); Westgate, Canterbury (by L.L.); Royal Forest Hotel, Chingford; Albert Hall, Nottingham, Destroyed by Fire, 1906; High Street, Reigate (publ. by Steer, Reigate); Railway Station, Moseley (publ. by Reade, Moseley); Gravelly Hill Station; East Burnham Common; and others, (box).
R P NODDER (ACT. 1795-1820), Oil on canvas, "Saddled bay hack by a gate" signed lower left, dated 1805, indistinctly titled verso, 36 x 45cm, in gilt frame (Provenance: local country house clearance, originally the Miss Calley, Burderop Park Estate, Wroughton) ( in need of some restoration and cleaning etc) purchasers please note: FOR THIS AUCTION COLLECTION HAS TO BE BY 15th May - after which all goods will go into storage at the purchasers cost (this is due to the space being required for a warehouse clearance coming in. Thank you.)
A Russian silver and niello oblong snuff box, unknown master, circa 1853, 84 zolotniki, the cover with a triumphal gate, the body decorated with foliate swags, 75cm (3in) long, 102g (3.3 oz) Condition Report: Marks clearHinge goodCover closes wellLight scratches and wear commensurate with age and useCondition Report Disclaimer
GOLD BRACELET. A 9ct. gold gate style bracelet. Approx. 52,8g. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

-
48015 item(s)/page