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Lot 322
Three Victorian and later novelty place card holders, in the forms of a horse, a flying pheasant, and a Japanese Torii gate, silver and white metal, largest 3 cm high, together with a late 20th Century electroplated novelty salt, in the form of a robin, having a hinged base / cover and a spoon formed from a George III shilling on a twisted white metal stem, 43.76 g gross
Lot 142
LNWR cast iron gate notice. LONDDON & NORTH WESTREN RAILWAY NOTICE EXTRACT FROM 8 VIC., CAP. 20, SEC. 75 re shutting and fastening gate. This is the much rarer version with a second paragraph referring to offering a reward to anyone giving information on offenders. Face restored rear original, measures 18in x 17.875in.
Lot 104
George Harrison (1882-1936)"York" Signed and inscribed, together with two further watercolours by the same hand including A figure loading a horse and cart and other figures at Mary Gate York, signed and dated 1921, and another depicting a market place with stalls, 27.5cm by 24.5cm, 53cm by 72cm and 49.5cm by 67cm respectively (3)
Lot 249
Caldecott (Randolph) Picture Books, 7 vol., comprising Ride a-Cock Horse to Banbury + A Farmer Went Trotting upon His Grey Mare; Come Lassies and Lads [2 copies]; Hey Diddle Diddle and Baby Bunting; Mrs. Mary Blaize. An Elegy on the Glory of her Sex; A Frog he would a-Wooing go; The Fox jumps over the Parson's Gate, illustrations by Caldecott, original pictorial wrappers, some marking and toning, [1890s]; and 5 others, Caldecott, v.s. (12)
Lot 122
A Richards Conversion Colt 1860 Model Army Centre-Fire RevolverNo. 200291, Circa 1873-78The shortened barrel with New-York address, rebated cylinder originally with roll engraved naval engagement scene, hinged loading-gate numbered '72', brass trigger-guard retaining traces of silvering, steel back-strap numbered '810', rounded grips (toe of left grip reduced), and matching numbers apart from the back-strap (worn and rust patinated) 15.3 cm. barrel For further information on this lot please visit Bonhams.com
Lot 90
Two Liège Pin-Fire Six-Shot Pocket Revolvers Of Small BoreThe Second No. 3273, Both Late 19th CenturyThe first with fluted cylinder also forming the barrels and lightly engraved with foliage along the flats, frame and rounded butt (original ivory grips removed) decorated en suite, the former with hinged loading-gate, the latter with threaded cartridge-extracting rod, folding trigger, and retaining some original blueing, Liège proof; the second of characteristic form, with folding trigger, and chequered rounded black hard rubber grips: in later wooden case fitted and lined in plum velvet, Liège proof (2)4.8 cm. barrels and 7 cm. barrel For further information on this lot please visit Bonhams.com
Lot 92
A French LeFaucheaux Patent 54-Bore Pin-Fire Double-Action Six-Shot Revolver Given By Lord Roberts To The Portrait Painter W.W. Ouless In 1882By E. Lefaucheux Inventr. A Paris, No. 2722, Circa 1855With sighted barrel rifled with four grooves and etched with maker's details in gothic script within a border of scrollwork along the top and with fruiting vines around the muzzle and in front of the breech, part octagonal breech, cylinder stamped '19E', frame (cartridge-extracting rod missing) stamped with maker's mark on the right (Neue Støckel 7770), hinged loading-gate with spring-catch, hammer, spur trigger-guard and faceted butt-cap all decorated en suite, figured rounded butt, and suspension swivel: in its original blackened leather holster (some loss of finish) (2)16 cm. barrel Footnotes:ProvenanceWalter William Ouless RA (1848-1933) and thence by descent An old handwritten label attached to the revolver reads: 'Lord Roberts' Revolver given by him to W.W. Ouless. It appears in the portrait painted by him' Frederick Sleigh Robers, 1st Earl Roberts, UC, KG, KP, GCB, OM, GCSI, GCIE, UD, PC, FRSGS (1832-1914) was arguably the most famous and successful British Military Commander of his time. Born in India to an Anglo-Irish family he was educated at Eton and Sandhurst before joining the East India Company. As a young officer he served in the Indian Rebellion of 1857 where he was slightly wounded during the siege and capture of Delhi. He was present at the relief of Lucknow where he served as Deputy Assistant Quarter-Master General attached to the staff of Sir Colin Campbell. In 1858 he was awarded the Victoria Cross for actions at Khudogani. He was transferred to the British Army and fought in the Expedition to Abyssinia and the Second Anglo-Afghan War, in which his exploits earned him widespread fame. He went on to serve as Commander-in-Chief, India before leading British Forces for a year during the Second Boer War. He was the last Commander-in-Chief of the Forces before the post was abolished in 1904. Following his return from the Boer War, Roberts was instrumental in promoting the mass training of civilians in rifle shooting skills through membership of shooting clubs, and to this day a facsimile of his signature appears on all official targets of the National Smallbore Rifle Association. The Lord Roberts Centre, headquarters of the National Rifle Association at Bisley, is named in his honourFor further information on this lot please visit Bonhams.com
Lot 80
A Cased .650 (16-Bore) Percussion D.B. Sporting Rifle By J. Purdey, 314½ Oxford Street, London, No. 2489 For 1833With rebrowned twist sighted barrels signed in full along the rib, each rifled with ten spiral grooves, and leaf-sighted from '70' to '150' yards, each leaf with central platinum line, border engraved breeches each with short platinum line and pierced platinum plug, and engraved with a symmetrical foliate motif on the flat between, tang engraved with symmetrical foliate scrollwork and with a tiger's mask on the sighting flat, signed engraved serial numbered detented flat locks each retaining traces of case-hardening and decorated with foliate scrollwork and a stag in a landscape, dolphin hammers with foliate scrollwork en suite and engraved safety-catch, the mechanisms retaining their burnished finish, highly figured half-stock with cheek-piece, chequered grip and fore-end, border engraved steel mounts comprising butt-plate very unusually dated '1833' and decorated with a stag's head and scrolling foliage on the heel tang, serial numbered trigger-guard with chequered spur and decorated on the bow with a running stag in a landscape between borders of ropework, trigger-plate with a scallop shell above a flower-head on the pointed finial, and hinged circular patch-box cover decorated with a landscape scene depicting Lord Ossulston shooting a Chillingham bull from horseback, all within a border of ropework, border engraved barrel-bolt escutcheons, chequered forward trigger, sling button engraved with foliage, and original brass-mounted ramrod: in its fitted and partly relined mahogany case (compartment box and lid replaced) with accessories including G. & J.W. Hawksley brass-mounted powder-flask with bag-shaped planished tin body, and retaining most of its lacquered finish, steel bullet mould and sprue-cutter, and bullet-starter with leather-faced mallet-head (chipped), the interior of the lid with maker's trade label, the exterior (some old scratching) with circular vacant escutcheon centred on a flush-fitting circular brass carrying handle, London proof marks and Purdey's barrelsmith's mark 75 cm. barrels Footnotes:LiteratureUnsworth, p. 149. Recorded as sold on 27 July 1833 for £73.10.0. Unsworth notes 'The first rifle to have Purdey's upright style of hammers'. Built for Lord Ossulston (see footnote to lot 93)Dallas, p. 191The scene on the patch-box cover is immortalised in the portrait entitled 'Scene in Chillingham Park: Portrait of Lord Ossulston' or 'Death of the Wild Bull', by Sir Edwin Landseer and probably commissioned by Charles Augustus, 5th Earl of Tankerville. The portrait was exhibited at the Royal Academy in 1836, and was last sold at Christie's in 2003 for £1,272,000 including premiumLord Ossulston appears to have met Landseer for the first time at Glenfeshie, in the Scottish Highlands, where Landseer was staying with his close friends the Duke and Duchess of Bedford. In his essay, The Chillingham Wild Cattle, Reminiscences Of Life In The Highlands, published in 1891, Lord Ossulston described the amusing circumstances of his first encounter with the artist. Lord Ossulston, who had just arrived from staying with the Duke of Atholl at Blair Atholl to stay with his friend Horatio Ross, on the other side of Glenfeshie, had set out in the morning to go stalking in the company of the forester Charlie Mackintosh. They had just spotted a large herd of hinds and a big stag grazing near a burn beneath them when they heard the crack of a rifle shot which scared away the herd and felled the stag. Thinking this was likely to be the work of a poacher they set off to see who was responsible: 'Upon this we dived into a hollow close to our right that took us down to the burn and crawling under its banks we soon ensconced ourselves behind the heathery knoll within a few yards of our poacher, to watch his proceedings before we finally pounced upon him. He was a little, strongly built man, very like a pocket Hercules or Puck in the ''Midsummer Night's Dream''. He was busily employed in gralloching his deer. This he did with great quickness and dexterity... He next let the head hang over, so as to display the horns, and then squatting down on the stone opposite, took out of his pocket what I thought would be his pipe or whisky flask; but it is a sketch book! Seeing that we had mistaken our man, I came out into the open, and then found myself face to face with my friend of many years to come - Landseer.'According to Ossulston's account, a few days after having met Landseer, and having spent much time together in the company of the Duke and Duchess of Bedford and their house party, he left Glenfeshie together with him to go to Chillingham. At Chillingham he recalled that Landseer 'at once devoted himself to the wild cattle as keenly as he had done to his beloved deer observing them with his glass for days from some hiding place, and noting minutely their ways and characteristics'.Lord Ossulston evidently soon decided that Landseer should have the opportunity to take a closer look at the cattle and a decision was taken to shoot one of the bulls to make this possible. As it was considered 'ignoble' to kill such a bull by a 'pot shot' a more sporting plan was hatched to chase a bull out of the herd on horseback and thereby to bring him to bay. This, however, could not be done in the upper park at Chillingham, where the woods, bogs, and ravines provided unsuitable ground for horses, so it was decided to first separate the selected bull from the herd in the lower park, which provided open space much more suitable for horses. The lower park and the upper park were separated from each other by a fence and advantage was taken of the fact that at night the gates between them were left open and the herd allowed to graze freely in the lower park. A keeper was placed in ambush beside a gate, which was to be shut on one of the bulls after the main herd had returned to the upper park in the early morning. Unfortunately the plan went badly wrong and the bull charged and tossed one of Lord Tankerville's keepers breaking four of his ribs and piercing his chest with its horn. The keeper was only saved by the prompt action of Ossulstons's deerhound, Bran which held the bull off the keeper's body. Ossulston recorded that the keeper called Barnes, survived his wounds and lived to be eighty, but that the bull was forthwith shot and together with Bran and the other personages concerned, was the subject of Landseer's picture of the ''Dead Bull''.Landseer's monumental composition is dominated by the handsome and aristocratic figure of the young Lord Ossulston, standing beside his pony Hotspur, with a rifle in his left hand, his right foot resting on the majestic Chillingham bull lying at his feet. Ossulston looks towards his deerhound, Bran, who has proved the hero of the occasion. Lord Ossulston's head keeper Coles, kneels beside the dead bull, to the left of the composition, with his arm around his master's deerhound, looking at the lifeless bull. A bloodhound beyond the head keeper imitates his master by putting his paw on the dead bull, while the right hand side of the composition is closed off by another bloodhound with a weary gaze.For further information on this lot please visit Bonhams.com
Lot 76
A .650 (16-Bore) Percussion Sporting RifleBy J. Purdey, 314½ Oxford Street, London, No. 2293 For 1832With rebrowned twist octagonal sighted barrel signed in full along the top flat, rifled with ten spiral grooves, and leaf-sighted from '70' to '150' yards, each leaf with central platinum line, border engraved case-hardened recessed patent breech with two platinum lines and pierced platinum plug, foliate scroll engraved case-hardened tang with tiger's mask on the sighting flat, signed border engraved case-hardened serial numbered detented flat lock decorated with foliate scrollwork and with a prone stag in a landscape, the mechanism retaining its burnished finish, dolphin hammer with foliate scrolls en suite, engraved safety-catch, ebonised half-stock (some old wear and loss of finish, a series of punch marks behind the barrel tang) with cheek-piece, chequered grip and fore-end, the latter with dark horn cap, border engraved steel mounts comprising butt-plate decorated with a stag's head and foliate scrolls on the heel tang, blued serial numbered trigger-guard with chequered spur and decorated with a tiger in a landscape between borders of ropework on the bow, case-hardened trigger-plate with a scallop shell above a palmette on the pointed finial, case-hardened hinged circular patch-box cover engraved with a stag and prone hind in a landscape within a border of ropework, border engraved barrel-bolt escutcheons, sling button engraved with foliage, horn-tipped ramrod serial numbered '2046' (for 1831), and retaining some original finish, London proof marks and barrelsmith's marks of Thomas Evans and James Purdey 74.5 cm. barrel Footnotes:LiteratureUnsworth, p. 148. Recorded as sold on 18 December 1832 for £39.18.0. Unsworth notes 'Resold in 1833 [to Lord Molyneux] with shotgun No. 2249 - £56. Returned in May 1839 for attention of the hair trigger at 3s 6d.' Built for Lord Waterford Dallas, p. 191Henry de la Poer Beresford, 3rd Marquis of Waterford (1811-1859), styled Lord Henry Beresford before 1824 and Earl of Tyrone between 1824 and 1826, was an Irish peer. He is responsible for the expression to 'paint the town red'. In the early hours of 6 April 1837, the Marquess of Waterford and his fox-hunting friends arrived at the Thorpe End tollgate at Melton Mowbray. The party had been drinking heavily at Broxton races and the tollkeeper requested payment before opening the gate for them. Unfortunately for him, repairs were underway including pots of red paint lying within reach. The Marquess and his cronies attacked the tollkeeper, painting him and a constable red. They went on to nail up the tollhouse and painted that red too before rampaging through the town, vandalising the Post Office and the Leicestershire Banking Company before attempting to overturn a caravan in which a man was asleep. The following day there was uproar and once the Marquess of Waterford finally sobered up he paid for all the damage to people and property. The group were brought to trial before the Derby Assize Court in July 1838 where they were found not guilty of riot, but were fined £100 each for common assault, a considerable sum at that time. Waterford was frequently in the news in the late 1830s for drunken brawling, brutal jokes and vandalism, and was said to do anything for a bet; his irregular behaviour and his contempt for women earned him the moniker 'the Mad Marquess'.In 1842, Lord Waterford married Louisa Stuart, daughter of the 1st Baron Stuart de Rothesay, and settled in Curraghmore House, Ireland, where he reportedly led an exemplary life until he died in a horse riding accident in 1859For further information on this lot please visit Bonhams.com
Lot 263
CHURCHILL (WINSTON S.)Two typed letters signed ('Yours sincerely/ Winston S. Churchill') to Lady Aberconway ('My dear Lady Aberconway', 'Dear Lady Aberconway'), the first thanking her for her letter regarding her forthcoming Dictionary of Cat Lovers, but regretting he is unable to help her ('...I have never made a painting or a drawing of a cat, although I am very fond of them...') and wishing her every success; the second giving permission for '...some very beautiful black and white studies of my yellow cat, drawn by Sir William Nicholson...' to be reproduced, 2 pages, filing hole to top left hand side of each, slight spotting and dust-staining, creased at folds, one small tear, 4to (240 x 190mm.), Chartwell and 28 Hyde Park Gate, 3 and 9 March 1949 (2)Footnotes:'I HAVE NEVER MADE A DRAWING OF A CAT, ALTHOUGH I AM VERY FOND OF THEM'.Churchill was a life-long cat lover and shared Downing Street and Chartwell with a number of notable felines (their stories are told in Fred Glueckstein's article 'Cats Look Down on You: Churchill's Feline Menagerie', winstonchurchill.org). The artist William Nicholson was commissioned to paint a (now lost) portrait of the Churchills at Chartwell in 1933 and was subsequently a frequent visitor to Chartwell in the years that followed, during which time he taught Churchill to paint and made several studies of Churchill's cat Tango. Tango also appears in Nicholson's the Study for Breakfast at Chartwell II, where he is shown siting on the breakfast table. Churchill's private secretary John 'Jock' Colville presented him with a marmalade cat, Jock, on his eighty-eighth birthday, and the tradition of marmalade cats residing at Chartwell continues to this day.Christabel Aberconway's A Dictionary of Cat Lovers, XV Century B.C. to XX Century A.D. was published in 1949 by Michael Joseph, who himself was a keen felinophile (it is said he had fourteen at one time). The following year he published his own homage to the species Cat's Company.Provenance: Michael Joseph (1897-1958) publisher; thence by descent to the present owner.For further information on this lot please visit Bonhams.com
Lot 8
BOOK TRADE & BANKINGWarrant signed by George II ('George R'), granting permission to John Baskett ('Our Printer') and Robert Gosling ('...of our City of London, Bookseller...') to search the records and make transcriptions from the archives of the Tower of London, the Houses of Parliament, the libraries of St James's and Westminster and the Paper Office and Parliamentary archives for their '...compleat Collection of all the Acts of Parliament from Magna Charta to this present time, together with the preambles to all the Statutes... six large Volumes in Folio...', two pages on a bifolium, papered seal, dust-staining and small tears, folio (304 x 190mm.), 'Our Court at Kensington', 4 November 1726; with an album of printed and manuscript ephemera relating to the Gosling family including tradesmen's receipts ('Jno. Hinckes Tinn Man At ye Lamp & Crown in Fleet Street', 'William Nelson oylman', 'Samuel Price Shoe Maker', 'James Ward Cheesemonger'), tax and rent receipts, annuity certificates and other receipts pertaining to Sir Francis Gosling, 1760's, insurance certificate for John Pyle from the Sun Fire-Office, his will, printed cheques from Mssrs Goslings & Sharpe, 1760's, etc., c.53 leaves, several leaves excised, dust-staining and marks, original calf, worn, remains of old labels, upper and lower boards detached, lacking spine, folio (266 x 220mm.), eighteenth-century; with indenture appointing Sir Francis Gosling and John Pyle executors of the will of John Walsh of the parish of St Mary le Strand, one sheet of vellum, papered seal and duty stamps, folio (370 x 435mm.), London, 10 March 1766Footnotes:The recipient of the Royal warrant, John Baskett (1664/5-1742) was the King's Printer and became infamous as the publisher of the 'Vinegar Bible'. The present warrant relates to his printing of 'The Statutes at Large, from Magna Charta to the seventh year of King George the Second inclusive', printed in conjunction with stationer and bookseller Robert Gosling (1684-1741), of Middle Temple Gate. Gosling's son Francis, later Sir Francis Gosling (1719-1768), was apprenticed to his father and worked for him until around 1757. In 1742 he became a partner in a bank founded by Henry Pinckney which became known as Goslings Bank, trading at the sign of the Three Squirrels. In the second half of the eighteenth century the bank became Goslings and Sharpe and was one of the banks merged into Barclays Bank in 1896.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
![THOMAS DANIELL (1749-1840), GATE OF THE TOMB OF THE EMPEROR AKBAR, AT SECUNDRA [SIKANDRA], NEAR AGRA, hand coloured aquatint](https://cdn.globalauctionplatform.com/ffd83a27-0862-4248-bb86-af2d0118f850/875c4f7e-ef18-4c67-877d-af2e010542c3/468x382.jpg)
Lot 330
THOMAS DANIELL (1749-1840), GATE OF THE TOMB OF THE EMPEROR AKBAR, AT SECUNDRA [SIKANDRA], NEAR AGRA, hand coloured aquatint from 'Oriental Scenery', engraved by Thomas Daniell, published by Robert Bowyer, November 1795, framed, 43 x 60cm (image) The Daniells visited Sikandra in January 1789. This scene shows the encampment of a large party which the artists had joined on the trip to Agra. See Archer 1980, no.30 & pl.V Provenance: Collection of the late Peter Millett (1925-2016)
Lot 352
A BOMBAY SCHOOL OF ART CHARGER, INDIA, CIRCA 1890, slip painted earthenware, the central scene depicting Dushyant and Shakuntala with caption in devanagari script below, surrounded by a scrolling border of foliage and mythical beasts with kirtimukha at the top and a pair of geese at the bottom, devanagari maker's marks, 'Sri C.R.' on the reverse along with three old labels, foot pierced for hanging, 45.5cm diam. The labels read: 'From Col. Lindsay RE [Royal Engineers] Sale at Queens Gate. Aug 1898'; 'Bought from R.G.Vivian's Sale, Sketty Hall, Swansea 1937, by M. J. Williamson'. A third, fragmentary label seems to be a price in rupees. Provenance: Collection of the late Peter Millett (1925-2016)
Lot 381
Pair: Gunner J. G. Ambrose, Canadian Garrison Artillery British War and Victory Medals (2341377 Gnr. G. Ambrose. C.G.A.) generally good very fine British War Medal 1914-20 (2) (246278 Pte. N. Taylor 38-Can. Inf.; 931085 Spr. W. J. Pleasant. C.O.R.C.C.); together with Victory Medal 1914-19 (2) (17193 Pte. J. E. Aldous 7-Can. Inf.; 793105 A. Sjt. W. S. Fraser. 25-Can. Inf.) and Silver War Badge, reverse numbered ‘121500’ and in scarce numbered box of issue, generally good very fine (lot) £100-£140 --- John Guy Ambrose [sic] was born in Ontario, Canada in June 1880. He served during the Great War with the Siege Battery, Canadian Garrison Artillery on the Western Front. Gunner Ambrose died of illness, 25 February 1919, and is buried in Halle Communal Cemetery, Halle, Belgium. Nelson Colomban Taylor was born in Quinville, Quebec, Canada in February 1899. He was an orphan, and lied about his age in order to enlist aged 16. Taylor served during the Great War with the 38th Battalion (Ottawa), Canadian Infantry on the Western Front. Private Taylor was killed in action on the Western Front, 15 November 1917, and is commemorated on the Ypres (Menin Gate) Memorial, Belgium. Wallace James Pleasant was born in Weymouth Falls, Nova Scotia, Canada in August 1895. He served during the Great War with No. 2 Construction Battalion, Canadian Engineers on the Western Front. John Edward Aldous was born in Winnipeg, Manitoba, Canada in November 1889. He served during the Great War with 7th Battalion (1st British Columbia), Canadian Infantry on the Western Front, and was taken prisoner of war, 25 April 1915. Private Aldous was interned at Munster POW Camp. He died in Vancouver in November 1940. Thomas Grierson served during the Great War with the 7th (Service) Battalion, King’s Own Scottish Borderers in the French theatre of war from 18 December 1915. He subsequently transferred to the Labour Corps (and was awarded the Silver War Badge listed above). Sold with a photographic image of Nelson Colomban Taylor in uniform.
Lot 590
Two Chinese blue and white vases and a small jar, 19th century, the twin handled vase decorated with birds among flowers, the baluster vase with a stepped foot painted with a carp jumping over the dragon gate, the small jar painted with lotus flowers among scroll foliage, the vases each with Chenghua and Kangxi four-character marks to base, 4.5 - 26cm high, the small jar with hardwood stand. (3)清十九世紀 青花瓶兩件及小罐連木座品項報告 Condition report Chips to the mouthrims of both vases. Two hairline cracks present to the surface. General wares commensurate with age. Please see additional images for condition overview.
Lot 94
1914-15 Star (1596 Pte. A. E. Rolfe. 2nd. Co. of Lond. Y.); British War Medal 1914-20 (2) (35563 Pte. J. H. Milner. E. Lan. R.; Lieut. C. H. Sealy.); Victory Medal 1914-19 (3) (Asst. Eng. F. W. Elliott. R.N.R.; G-11641 Pte. W. Johnson. Midd’x R.; R-38354 Pte. D. Burton. K. R. Rif. C.) edge bruising, generally very fine (6) £140-£180 --- Arthur Ernest Rolfe was born at St. John’s, Waterloo, London. Residing in Streatham, London, he attested with the 2nd County of London Yeomanry at their Headquarters in Elverton Street, Victoria, London, for service during the Great War. Serving with ‘C’ Squadron in the Egyptian theatre from 5 November 1914, he died on 4 July 1915. One of just 35 regimental fatal casualties of the Great War, he is buried in Cairo War Cemetery, Egypt. John Holden Miller was born in Blackburn, Lancashire, where he attested for the East Lancashire Regiment for service during the Great War. He was killed in action with ‘W’ Company, 11th Battalion on 28 June 1918, during the Battle of the Lys, and is buried in Aval Wood Cemetery, Vieux-Berquin, France. Charles Henry Sealey was born in Portobello, Midlothian, Scotland on 11 September 1888. He attested for the Army Service Corps in Grove Park, London, for service during the Great War on 19 June 1915 and served on the Western Front from 8 August 1915. Appointed Corporal on 20 June 1916, he was discharged from the ranks upon receiving a commission on 6 December 1916. His Great War medals were sent to him at 75 Prince of Wales Mansions, Battersea Park, London. He died in Carshalton, Surrey, on 9 November 1964, aged 76. Walter Johnson was born in Yarmouth, Norfolk and attested in London for service with the Middlesex Regiment during the Great War. He served on the Western Front with the 12th Battalion, where he was killed in action on 11 August 1917. He has no know grave and is commemorated on the Ypres (Menin Gate) Memorial, Belgium. David Burton attested for the King’s Royal Rifle Corps on 30 March 1917. He served on the Western Front and was discharged due to sickness, whilst serving at home with the 6th Battalion, on 16 June 1918, and was awarded a Silver War Badge, No. 414894.
Lot 210
Suzi Quatro signed 6x4 BBC Radio 2 promo photo. Susan Kay Quatro (born June 3, 1950)is an American singer, bass guitarist, songwriter, and actress. In the 1970s, she scored a string of hit singles that found greater success in Europe and Australia than in her homeland, reaching No. 1 in the UK, other European countries and Australia with her singles Can the Can (1973) and Devil Gate Drive (1974). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 3062
China, vijf verschillende famille rose en Imari porseleinen borden, Qianlong periode (1736-1795), bestaande uit een paar famille rose borden beschilderd met paleismuur en tuinlandschap, een famille rose bord met bloemenmand en twee verschillende Imari borden (kleine chipjes en haarlijnen) [5] China, five various famille rose and Imari porcelain plates, Qianlong period (1736-1795), comprising a pair of famille rose plates painted with palace gate and garden landscape, a famille rose plate with flower-basket and two various Imari plates (condition: the pair of plates both with a hairline rim crack, one Imari plate with a hairline rim crack, all with small minor rim chips)
Lot 200
LEONARD BREWER framed etching titled 'The Upper gate Conwy' dated 1919, 38 x 23cms, ALLAN ROWE limited edition prints (3) titled 'Richmond Castle' (701/1800), 'Dunstanburgh Castle' (1490/2300) and 'Bamburgh Castle' (1403/1880), 26.5 x 38.5cms, 27 x 38.5cms and 30 x 42cms, measurements respectively, W H BARTLETT - Conwy Castle with Suspension Bridge, 23 x 35cms and a decorative print of a pensive young girl, Classical Greek style, 54 x 38cms, the set of three all signed and numbered in pencil
Lot 261
HEAVY ROCK/ METAL - LIMITED EDITION CD ART BOOK SETS. A quality pack of 4 Limited Edition CD/ art book sets. Artists/ titles include Arch Enemy - War Eternal (9983889, 2014 Limited Edition No: 1913. Set contains 3 CDs an extended booklet and a patch), Insomnium - Winter's Gate (88985348262, 2016 deluxe limited edition. Contains 2 CDs and booklet), Katatonia inc The Fall Of Hearts (EBVILE010, 2016 Limited Edition. Contains a CD, DVD, 2x 10" records and the booklet) & Dead End Kings (EBVILE003, 2012 special edition containing a CD, DVD, 2x 10" records and the book). CDs/ DVD discs all appear to be in Excellent condition/ books that house contents all appear to be in Ex+/ Like New condition.
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