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Of local interest - A collection of early 20th Century black & white and colour Bristol and surrounding area postcards. To include; Cabot Tower & Rock Garden, Clifton Downs, Museum art Gallery & University, The Promenade, River Avon and sea walls, The Observatory, Clifton Downs, Clifton Suspension Bridge from Leigh Woods, Bristol Cathedral, Blaise Castle, Eastville Park, St John's Gate, The Dutch House, The New Municipal Buildings and many other examples. Some photographs present, some loose and other in an album. 

CAST IRON GATE GARDEN MIRROR

H/M SILVER 4 BAR GATE BRACELET 13.4 GRAMS

A black painted wrought iron single gate, with scrolling ornament, 57cm wide x 172cm high

Modern New Gate of London mantel clock

A musical jewellery box and contents of white metal jewellery to include a 9ct gold gate link bracelet, approximate weight 5g

A wooden gate measuring approx. 47" wide x 70" tall

A HEAVY DUTY GATE constructed from a 5cm box section with two hinge eyes on one edge and a sliding closer to opposite edge, 6mm bar mesh, width 109cm x height 98cm, hinge eyes 16cm long

AN OAK GATE LEG TABLE, open length 147cm x closed length 49cm x depth 106cm x height 77cm, four chairs, along with an oak side table with two drawers, width 114cm x depth 40cm x height 76cm (condition:-surface scratches, crack to table top) (6)

A MID-CENTURY TEAK GATE LEG DINING TABLE, open length 155cm x closed length 24cm x depth 108cm x height 75cm, and four chairs (condition:-surface scratches) (5)

AN OAK GATE LEG TABLE, six various chairs, along with a Formica top gate leg table (8)

TWO BRACELETS, A BROOCH AND RING SHANK, to include a yellow gold fancy openwork link bracelet, fitted with a spring clasp, hallmarked 9ct London, length 190mm, a 9ct gold gate bracelet fitted with a heart padlock clasp hallmarked 9ct London, length 190mm, a rose gold sweetheart brooch with crescent and ivy leaf detail, hallmarked 9ct Chester, together with a yellow gold ring shank missing stone, hallmarked 9ct Chester, approximate gross weight 8.2 grams (condition report: general light wear, both clasps on the bracelets in working condition, the ring and brooch require some attention)

A LADYS 9CT GOLD 'RICHMOND' 'WRISTWATCH, manual wind, round champagne dial signed 'Richmond' Arabic numerals, subsidiary dial at the six o'clock position, gold hands, within a polished case, stamped .375, inside case back hallmarked 9ct Edinburgh 1960, approximate case width 21.3mm, fitted with a 9ct gold gate bracelet with folding clasp, hallmarked 9ct Birmingham, additional safety chain, approximate gross weight excluding movement 10.5 grams (condition report: watch winds, sets and runs at time of cataloguing, although time keeping is untested, would benefit from a gentle clean, some slight discolouration to the dial)

A CREAM JEWELLERY BOX WITH CONTENTS, to include a silver gate bracelet fitted with a spring clasp hallmarked Birmingham, a silver fob medal with rose gold vacant cartouche, hallmarked Birmingham, a silver Thistle detailed brooch, hallmarked Birmingham, a George V Half Crown coin dated 1920, a small silver Viking ship brooch hallmarked Chester, together with a quantity of beaded necklaces, earrings, brooches, fashion wristwatches etc

A pair of wrought iron garden gates, each gate width 93cm, height 160cm

A St James Gate, Guinness brewery sign, length 154cm

Illustrated and Private Press interest. Includes; The Athenians [1943, Golden Cockerel Press]; Bottomley, Gordon - The Gate of Smaragdus [1904]; The Book of Old Sundials & Their Mottoes [1914] with Jessie M. King cover art. Etc. (12)

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Watcher" Dated: '95 Oil on Canvas. Signed lower right and verso. Size: 13 x 13 in. (199 - 4669) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Female Head" Dated: '71 Oil on Paper. Signed lower middle. Image Size: 12.25 x 9 in. Overall Size: 20.75 x 16.75 in. Framed behind glass. (83 - 4664) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Triple Beam" Dated: '90 Oil on Canvas. Signed and titled verso. Size: 61.5 x 49.25 in. (122 - 4340) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Chris Calle (American, B. 1961) "Boy w/ Toy Locomotive" Signed lower left. Mixed Media on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the United States 29c Toy Locomotive Self-adhesive stamp issued October 28, 1992. The quest begins in early fall. Children cozily ensconced with grandparents, Mom and Dad scout discount emporiums and toy stores in search of the perfect toy train set. Their purchase made, they sneak surreptitiously into the house and lug cumbersome packages down to the basement, a makeshift assembly plant for the next several months. A plywood base is carefully constructed and covered with material simulating the color and texture of grass. Soon rails are attached; crossing signs and station houses go up. If Mom and Dad have been duly industrious, the present is ready for action by Christmas morning. Toy train sets have captivated the hearts and imaginations of children the world over since the first steam locomotive chugged its way into transportation history. First produced in the late 1880s, toy trains were manufactured in large quantities over the next several decades by American companies such as Lionel Corporation, Louis Marx and Company, American Flyer Manufacturing Company and Ives Corporation. As real railroad technology advanced, toy trains became more lifelike, and many aficionados responded by creating elaborate surroundings for their sets. One collector's Lionel model 390E Blue Comet made its way around a diorama which included replicas of New York City's Hell's Gate Bridge and Philadelphia's Independence Hall. A toy locomotive takes center stage in this artwork. Image Size: 12.25 x 12.5 in. Overall Size: 23.25 x 19 in. Unframed. (B14020)

Ben W Essenburg (Florida, Illinois, 1947 - 2018) "Keeper of the Gate" Acrylic on Canvas. Signed and dated ('78) lower right. Inscribed verso on stretcher. Sight Size: 30 x 24 in. Overall Framed Size: 38.5 x 32.5 in.

A Canadian Memorial Cross to 29217 PTE.H.GULLIFORD, 16th Bn, Missing in Action April 23rd 1915, aged 27th, Menin Gate, in box with neck chain

A collection of Military Ephemera including Real Photographs of 1936 Berlin Olympics, Russian Soldiers, Victory Parade of American, Russian and English Soldiers, Brandenburger Gate Damage, also includes Petrol Tokens, Release and Resettlement Pamphlet, Brussels Map, For Leaving the Army Pamphlet, British Troops in Berlin End of War Service Sheet, 1946 Menu's for Allied Forces, Inter Allied 1945 Programme, many more interesting pieces

Large oak dining table, oval drop leaf top, double gate-leg action base, cabriole supportsDimensions: Height: 76cm  Length/Width: 212cm  Depth/Diameter: 152cm

A Mixed Lot of 9ct Gold, comprising - fine box chain, 500mm, flat curb chain, 570mm, five bar gate bracelet with padlock claps, 160mm, fine gold chain with crucifix, 420mm, garnet pendant on fine gold chain, 400mm, opal and gem stone pendant on fine gold chain, 500mm, flower head pendant on chain, 440mm, garnet and opal bar brooch, 40mm, small signet ring, size O, total gross weight 48.9g

A Cast Iron Railway Sign for LNER, "Any Person Who Omits to Shut and Fasten This Gate Is Liable To A Penalty Not Exceeding 40 Shillings", 40ins overall, and two others, "Public Conveniences", 36ins overall, and "Southern Electric", 53ins overall

*PAIR OF 'HOLKHAM' MATERIAL PINE DRIVEWAY GATES, EACH GATE IS 170CM AT HIGHEST POINT X 170CM (W) / ITEM LOCATION: GU8, FULL ADDRESS WILL BE GIVEN TO SUCCESSFUL BIDDER

A cast metal wall mounted sign painted and titled "Any person who omits to shut and fasten this gate is liable to a penalty not exceeding 40 shillings", length 82cm

John Rabone Harvey ( British 1866-1933)A shepherd and dog guiding lone cow and flock of sheep through a gate. Oil on canvas, signed lower right, 64 x 76cm. Together with a similar work by the same hand. A pair (2)

A framed advertising Poster "Bass no. 1", (some water marks), 28" x 22" and a double sided advertising Poster "Jacob & Co." biscuits and "Guinness Extra Stout" (Views of St. James's Gate Brewery Dublin), a/f., 28 1/2" x 17 1/4".

A quantity of topography Maps including Western Kabwet, Tomosko, Mandalay Hill from Rifle Butts, Fort Dufferin, North Gate, etc.

19th century drop-leaf gate-leg breakfast table, oval top raised on spiral turned supports united by stretcherDimensions: Height: 74cm  Length/Width: 105cm  Depth/Diameter: 49cm

19th century rustic oak gate-leg drop-leaf dining table, oval top on turned supports joined by stretcher base with compressed bun feetDimensions: Height: 78cm  Length/Width: 139cm  Depth/Diameter: 50cm

A pair of Hummel pottery mounted treen gate bookends, Boy with Rabbits and Girl with Chicks, (15cm x 11.5cm x 11cm), a Little Boy Seated on a Pull Along Truck, (13cm x 20cm) a Little Girl Feeding Chicks, on wooden stand, a pair of Little Chefs, Dolls Hospital Doctor and a set of six Hummel laminated coasters complete with original box, (a lot)

Silver and stone set silver jewellery including gate bracelets, necklaces and rings, 9ct gold ring and brooch, pair of silver salts, silver napkin ring and a collection of Victorian and later jewellery including bead necklaces, gilt necklace, rings etcCondition Report:9ct approx 1.25gm (back pin not gold), weighable silver approx 57.45gm

A 9CT GATE BRACELET with an engraved heart shaped clasp, and decorative patterned links, length 18cm, weight 29.5gms Condition Report:Available upon request

A 19TH CENTURY SCOTTISH CARVED STONE HERALDIC LION GATE FINIAL with seated lion bearing a blank scroll on a square plinth base, 97cm high Condition Report:Available upon request

A Large jewellery bracelet display box full of gate bracelets, id bracelets etc

Twenty cassettes for the ZX Spectrum, to include Viking Raiders, Stonkers, Nigel Mansell’s Grand Prix, Shape Sorter, Horace Goes Skiing, Blockbusters, Chiller, Finders Keepers, Chequered Flag, Bruce Lee (datasoft), Feud, Commando, Grand National, Pippo, Helichopper, Bruce Lee (Americana), Tank Trax, Voyage Into The Unknown, Time Gate and Everest Ascent.To be sold on behalf on Monkey World, Dorset

Vanity Fair Print. Title Kirby Gate dated 28/11/1901 Approx size 20x14. Good condition. All autographed items come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Assorted old advertising playing cards, for cigarettes and Cow & Gate infant milk

A late Victorian / Edwardian servant/butlers call box from Tower House, Almondsbury, Bristol. Notation for West Wing, Gate Lodge, Reception, Great Hall and more. Set within mahogany case. Measures approx. 26cm x 67cm. 

An early 19th Century Victorian bronze bank teller window grill / gate having two turned supports with finials atop and central bars. Measures approx. 54cm x 92cm. 

Heavy duty farm gate, 10' 1'' long x 46'' high.

dating: about 1880 provenance: Belgium, Long, round, rifled, 320 cal. barrel, with rib and front sight. Grooved, five-shot cylinder, engraved with arabesques and provided with mark of the Liège test bench. Frame decorated en suite with calibre and serial number '13xx', the frame marked 'PATENT HAMMERLESS REVOLVER' on the upper part. Foldaway trigger, loading gate. Checkered, wooden grips. 85% of nickeling. Working mechanism. length 23 cm.

dating: about 1870 provenance: Belgium, Round, rifled, 9 mm cal. barrel, octagonal at the base; browned, six-chamber cylinder with mark of the Liège test bench, frame with geometric engravings on the borders, signed 'E. Lefaucheux brevete', serial number '841xx', folding trigger, loading gate, extractor, wooden grips. Kept in leather holster with old, handwritten label. length 22 cm.

dating: about 1870 provenance: Belgium, Octagonal, rifled, 13 mm cal. barrel, provided with rear sight and front sight, marked 'E. LEFAUCHEUX INV. BREVETE' at the base on the left side; smooth, six-shot cylinder, finely engraved with floral motifs, with mark of the Liège test bench; frame engraved en suite and with serial number '17xx'; loading gate and extractor; wooden butt with checkered base, iron mounts decorated en suite. length 107 cm.

dating: about 1855 provenance: Naples, Round, rifled, 15 mm cal barrel, with high rib signed 'Fratelli Merolla Privilegiati Napoli', front sight, side clutch for the bayonet; grooved, six-shot cylinder, finely engraved with floral motifs, the frame likewise, with a cobweb-shaped rosette on the left side; extractor inside the fore-end, loading gate, wooden butt and fore-end, iron mounts, trigger guard decorated en suite. Rare. length 110.5 cm.

1 Bottle Ardbeg “Twenty Something” 1 Bottle Ardbeg “Twenty Something” 22 Year Old Committee Release Distillery Bottling Vintage 1996 46.4%ABV - Bottled 18.07.2018 “This 22 year old expression has been matured exclusively in ex-bourbon barrels, and is comprised of some of the most limited stock in any Scottish distillery warehouse. With the bulldozers lurking at the distillery gate, and little hope for its future, very few casks were being filled and laid down. These bottlings are a testament to the faith of those who persevered with the operation, and are bottled in honour of the Ardbeg Committee whose mandate is to ensure the distillery never experiences such fears for its existence again. The ex-bourbon casks were distilled in the spring of 1996 in the still that now sits monumentally outside the distillery gates, and they were bottled in July 2018”

18ct gold wedding band, 10ct gold wedding band and a collection of 9ct gold jewellery including gate bracelet, necklace, bracelet and a ringCondition Report:18ct approx 0.5gm, 9ct approx 16.35gm, 10ct approx 1.85gm

9ct gold gate-link bracelet with heart padlock, 7.7g approx

Yellow metal (18ct) and platinum diamond single stone ring, size N approx, together with a yellow metal (9ct) dress ring, horseshoe bar brooch, gate-link bracelet with heart shaped padlock, lady's 9ct gold Rotary wristwatch, etc. 34g gross approx weighable, together with a base metal Ingersol Referee stopwatch and Smiths Empire pocket watch with Albert

Yellow metal (9ct) gate link-bracelet and heart-shaped padlock, 5.8g approx, together with a yellow metal (9K) twisted double Figaro-link bracelet, 19.5cm long, 3.5g approx, together 9.3g approx, (2)

Churchill (Sir Winston Spencer) Typed Letter signed to Sir John Peck, 1p., 4to, 28, Hyde Park Gate, London, 31st May, 1946, replying to his letter "I have happy recollections of our long association" and gifting the enclosed souvenir "as a small mark of my appreciation for all the help you gave me during the intense years of war, first at the Admiralty and then at No.10", punch-hole to upper corner, folds, old tape to verso with some resultant staining to recto; with a cigar case gifted by Churchill (2)

Bottomley (Gordon) A Vision of Giorgione, number 31 of only 60 copies signed by the author (50 for sale), 1922; another, ordinary copy, signed and inscribed by the author to Wilfrid and Geraldine Gibson on front free endpaper, 1922; Gruach and Britain's Daughter: Two Plays, number 39 of only 60 copies signed by the author (50 for sale), 1921; another, ordinary copy, signed and inscribed by the author to Robin de la Condamine, 1921; Poems of Thirty Years, letter H of only 12 signed copies for presentation, from an edition limited to 87, inscribed by the author with 2 long poems to [W.] Graham [Robertson] on front free endpaper, invitation to exhibition loosely inserted, 1925; another, ordinary copy, with 4pp. A.L.s. from the author to a Mrs Matthay loosely inserted, 1925; Scenes and Plays, number H of only 12 signed copies for presentation, from an edition limited to 112, signed and inscribed to [W.] Graham Robertson, original cream cloth, 1929; The Gate of Smaragdus, first edition, plates by Clinton Balmer, signed and inscribed "For Paul Delaney, to remind him of his exploration among the Gordon Bottomley papers, with best wishes from Roger Lancelyn Green..." on front free endpaper, original cloth-backed boards, with the fragile dust-jacket (a little torn and frayed), 1904, occasional foxing, all but the last two in original cloth bindings designed by Charles Ricketts, the special copies in cream cloth blocked in gilt, the others in green cloth stamped in blind or red cloth in yellow, all uncut, most a little rubbed, some spines faded; and 7 others by Bottomley, some signed or with letters, v.s. (15)

9ct hallmarked gold 5 bar gate bracelet - 9.6g - SOLD ON BEHALF OF THE NEW BREAST CANCER UNIT APPEAL YEOVIL HOSPITAL

An antique oak gate leg table, pegged oval top above single frieze drawer, on ring turned and block supports, 105cm wide

Clare WHITE (1903-1997) Boys, Saint-Malo, Brittany Watercolour, initialled, 38 x 50cm.Painted in the 1950s / 60s, this characterful watercolour by St Ives artist Clare White shows a group of young men exiting a gate through the walls of the medieval town of Boys, Saint-Malo in Brittany. She captures the quiet, solid age of the walls and the swagger of the young men who look back at the artist as she works at her easel in the shade. Clare always painted from life and loved to include ordinary people, going about their day, in her engaging street scenes. She spoke fluent French, as well as Italian and German, and visited France regularly, to visit friends and paint.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.

Wooden garden gate, 106 cm long x 92 cm high