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Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Great Stuff" Dated: '94 Oil on Paper. Signed lower right. Image Size: 8.25 x 11.25 in. Overall Size: 14.5 x 17.5 in. Unframed. (243 - 4680)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Suspended Emanation" Dated: '89 Mixed Media. Signed lower right. Image Size: 13.5 x 9.25 in. Overall Size: 18 x 14 in. Unframed. (264 - 4676)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

SIMON PEMBERTON- 'CROWD GATHERED AT A GATE', PRINT 1/10, SIGNED LOWER RIGHT, UNFRAMED, APPROXIMATELY 18.5 x 22cm

Native American related posters, to include a photograph of tribal leaders, Native American Language Issues Institute, print, Indian Court Federal Building 1939 San Francisco Golden Gate International Exposition print (qty)

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: ""M" Garden Gate ["Portail du jardin M"]". Medium: Original color collotype. Date: Composed 1932. Printed 1957. Dimensions: Image size: 8 5/16 x 9 3/16 in. (211 x 233 mm).Lot Note(s): Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition; tipped to conservation support sheet. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23634-2-225]

JEWELLERY - 9 CARART GOLD 5 BAR GATE BRACELET A mid 20th century 9 carat gold 5 bar gate bracelet. Marked 9ccdr, no English hallmarks. 20.49 grams. In perfect, almost unworn condition.  

A collection of Coalport China Cottages to include: Park Lodge, Village Church, The Gate House, Keepers Cottage etc, some with damage noted

Artist: Ansel Adams (American, 1902-1984). Title: "Golden Gate before the Bridge, San Francisco, California". Medium: Original photogravure. Date: Composed 1932. Printed later. Dimensions: Overall size: 5 3/4 x 7 3/16 in. (146 x 183 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Narrow margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): One of Adams’s more popular images, the silver print regularly selling at auction for over $20,000. Image copyright © The Ansel Adams Publishing Rights Trust. [29588-2-600]

Pair of gate hinges

5 bar Gate

Set of cast gate arches

Mixed lot of vintage gate hinges and other assorted items

Large galvanised farm entrance gate with posts, width approx 14ft

Galvanised gate, width approx 290cm

Metal gate, width 300cm

Two silver gate bracelets, 45g

A collection of wooden brushes, knives, one marked Made in Finland, boxes, door plates, etc., one brush from W.H. Johnson, Bridlesmith Gate, Nottingham

A. McArthur, Bridlesmith Gate, Nottingham, 1870, watercolour, 38 x 26cms, framed

Two framed and mounted Walter Edwin Law Etchings, Bartholomew's Gate and one other both signed in pencil.

A "Seiko" lady's wristlet watch having a 9 carat gold gate-style bracelet, the conventional crown-wound movement running at the time of cataloguing.

An Oak gate-leg drop-leaf table standing on elegant turned legs, 40 1/2'' x 15'' extending to an oval 48'' approximately x 27 1/4'' high.

An enamelled iron street sign for Drummond Gate SW1, City of Westminster with iconic black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 83cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear.Note: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

A vintage cast iron sign displaying 'SHUT THE GATE','THE PENALTY IS / FORTY SHILLINGS / FOR LEAVING THIS / GATE UNLOCKED', white lettering on a maroon ground, four drilled holes in the corners for mounting,height 31cm, width 40.8cmCondition: the sign has been repainted, some losses and markings to painted surface and edges IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

A rotating destination sign for a Great Eastern Main Line train,including stations 'Forest Gate' and 'Chelmsford', enamel signs mounted on wooden core with brass rotating plate at one end, length approx. 80cmCondition: some losses to the attached signs as well as general marking and staining, chips and knocks IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

A London Underground enamel station frieze sign for Notting Hill Gate,black lettering on white ground with green and yellow edging for the District & Circle lines,height 22.9cm, width 182.8cmCondition: loss to the enamel above & below 'HILL', some stains and smudges, a number of longer surface streaks and smaller chips to the enamel IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

An enamelled iron street sign for Storey's Gate SW1, City of Westminster with iconic black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44.5 x 71cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Large red spray paint spurge over the S. Rusting to edges. Note: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

An enamelled iron street sign for Stanhope Gate W1,with iconic black and red sans serif lettering first created by Sir Misha Black in 1967height 44cm, width 87cmCondition: Some restoration to the sign on lower edge below 'WESTMINSTER', losses to the edges and corners, other chips and marks and discolouration  

An enamelled iron street sign for Kings Gate Walk SW1, City of Westminster with iconic black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 79Condition: In good clean condition probably never hungNote: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

A Great Western & London & North West Railways cast iron notice,'ANY PERSON OMITTING TO SHUT / & FASTEN THIS GATE IS LIABLE / TO A PENALTY OF / FORTY SHILLINGS, red ground and white lettering, six drilled holes for mountingheight 36.5cm, width 53.5cmCondition: marks and losses to painted surface  IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

An enamelled iron street sign for Kings Gate Walk SW1, City of Westminster with iconic black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 79cmCondition: In good clean condition probably never hungNote: 20 % VAT is payable on the Hammer Price for this item PLEASE NOTE: COLLECTION OF THE STREET SIGNS WILL BE FROM OUR OFFICE IN CHISLEHURST BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE A COLLECTION TIME.

Artist: Damien Hirst (English, b.1965). Title: "Pharmacy Panel (Gold) (1997) (4 panel)". Medium: Color silkscreen and offset lithograph. Date: Composed 1997. Dimensions: Overall size: 36 x 42 1/2 in. (914 x 1079 mm). Image size: 36 x 42 1/2 in. (914 x 1079 mm).Lot Note(s): Signed lower right. Printed with five colors and metallic gold ink. The full sheet. Fine impression. Fine condition. Backed with a conservation support sheet. Provenance: Private collection, Birmingham, England. Comment(s): A panel of wallpaper (the complete pattern). In 1997, for his restaurant called 'The Pharmacy' located at Notting Hill Gate, London, Hirst designed wallpaper (the "wall chart") based on the pharmaceutical giant Merck’s handbook endpapers, showing pills and products and describing them with their pharmaceutical titles. Merck objected and he withdrew it as an artwork of wallpaper, after he had already plastered the restaurant with silver and gold sheets of the material. Hirst's venture gained further publicity thanks to a dispute with the Royal Pharmaceutical Society of Great Britain, which claimed the name, pill bottles, and medical items on display could confuse people looking for a real pharmacy. The name itself breached the Medicines Act 1968, which restricts the use of the word "pharmacy". The restaurant's name was subsequently changed to "Army Chap" and then "Achy Ramp" (anagrams of "pharmacy"). Initial plans to open further restaurants outside London were quietly dropped and the restaurant itself closed in September, 2003. Sotheby's dispersed its contents in 2004. There was a small overrun of the 1997 rolls, from which our example is a part. For the massive Pharmacy sale at Sotheby’s in 2004, though, new wallpaper was designed and made that didn’t offend copyright laws, using biblical titles and references to biblical passages. The 1997 wallpaper is much scarcer and more valuable than the 2004 version. Image copyright © Damien Hirst. [27848-6-1600]

A 9ct gold gate bracelet with heart shaped fastener (Total weight 7g)

A 9ct gold gate bracelet with padlock clasp

A Leonard Squirrell etching print of Wolseys Gate in Ipswich and a pastel of Blickling Hall, both framed and glazed

An 18th Century red walnut gate-leg table, barley-twist legs

A gate link bracelet, stamped '9' and '.375', with a 9 carat gold heart shaped padlock clasp, length 18.5cm . Gross weight 13.2 grams.

A 9 carat gold gate link bracelet with a heart shaped padlock clasp, length 19.5cm . Gross weight 27.5 grams.

Rowland Langmaid, two black and white engravings signed in pencil, two further signed architectural black and white engravings, one of a Gate in Salisbury, the other St Johns Gate Clerkenwell, together with two other black and white engravings (6)

A reproduction mahogany slender bureau bookcase, together with an oak gate leg occasional table (2)

An oak gate leg table. (collect only)

Treated softwood gate post 7'' square x 94''.

A metal pedestrian gate, 36" wide x 42" high.

Domed end gate leg table with barley twist legs.

Lazer level metal tile cutter, tin bath, gate hinges etc.

An old heavy wooden double gate. (collect only)

Hiroshi Yoshida (Japanese, 1876-1950). Japanese woodblock print titled "Daido Gate," depicting a family washing laundry in front of Korea's famous Daido Gate. Pencil signed along the lower right; titled along the lower left. Marked in the plate along the lower left; further marked along the left margin.Height: 11 in x width: 16 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 11 in x width: 16 in.

Certina - Lady's yellow metal cocktail watch, circular Arabic dial, 17-jewel movement stamped Certina 13-22, 20mm excluding crown (detached but present), to a gold gate-link strap, 14.5g gross approx excluding dial and movement

A 9ct gold fancy link gate bracelet, width approx 12mm, length approx 18cm, padlock clasp and safety chain, weight approx 16gms Condition report: good- all links intact, slight wear and tear commensurate with age

Arched wrought iron garden gate, 88cm x 100cm high

Arched wrought iron gate, 81cm x 181.3cm high approx.

A late 17th Century early 18th Century oak gate leg table, plank top, two drop down leaves, turned legs, with end cutlery drawer

A yellow metal gate link bracelet, with a gold heart shaped lock, 26g gross

An oak chest of drawers, width 36ins x depth 20ins x height 32ins, together with an oak gate leg table, width 36ins x height 29.5ins, and an Edwardian style set of shelves, width 27ins x height 36ins

An 18th century William Greatbatch creamware teapot, decorated with Liberty & Prosperity within an iron red and black frame to one side and a building with gate to the other in iron red and black, with flower finial to the domed cover, entwined ribbed strapwork handle with flower moulding, the spout with moulded decoration, height 5.25ins - restoration to lid and to spout

A GOOD GATE BRACELET 9CT - 24.7 GMS

A FOUR TIER GATE BRACELET 9CT - 15.8 GMS

A silver gate bracelet - 28 gms

A pair of concrete wall gate keepers

Oak gate leg table

Edwardian gate leg table & cake stand