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Click here to subscribe1970 Williams Gay 90's pinball machine in good working condition and with original paint. Notable Features: Flippers (2), Pop bumpers (3), Passive bumpers (2), Slingshots (2), Drop targets (2), Kick-out hole (1), Swinging target (1), Left drop lane, Left kickback outlane, Right outlane ball return gate, Up-post between flippers. 3 or 5 ball play. Condition: Good.
1971 Bally Mariner pinball machine, in good working condition with original paint. Notable Features: Flippers (2), Pop bumpers (3), Mushroom bumpers (3), Slingshots (2), Standup targets (5), Kick-out hole (1), Upper right kickback lane, Right outlane ball return gate, Up-post between flippers, Upper left chicane lane awards lit features. Can be converted to add-a-ball. The Mystery Catch-A-Flash Bonus in center playfield changes its values under the control of a continuous stepper unit, stepping once each time the ball hits a 10-point switch, and does not change autonomously as the feature's name might imply. Condition: Good.
1987 Williams Big Guns pinball machine in good working condition. Notable Features: Flippers (4), Slingshots (2), 3-bank drop targets (2), Standup targets (13), Kick-out holes (3), Center Up-post, Left outlane kickback, Right outlane detour gate. Two catapults (kickers that propel ball airborne into habitrails). No pop bumpers. One standup target is behind each set of drop targets. The backbox is very tall. Backbox animation (a captive ball is shot into a bagatelle for a bonus score.) During Invincible/Queen's Rescue (Jackpot mode), the center post is raised, the kickback stays active, and the right gate diverts the ball back to the right flipper for a set amount of time. Condition: Good.
2010 Ferrari 612 Scaglietti 'One to One' CoupéCoachwork by Pininfarina/ScagliettiRegistration no. FJ60 CZYChassis no. ZFFJY54C000172736*Circa 12,000 miles from new*Sold new in the UK*Right-hand drive*Unique specification*Full service historyFootnotes:In naming its new four-seater Gran Turismo after Carrozzeria Scaglietti, Ferrari acknowledged the immense contribution made by its Maranello neighbour and close collaborator over the preceding 50 years. The 612's design brief called for a car capable of accommodating four adults in comfort - rather than being merely a '2+2' - without sacrificing any of the superlative driving dynamics excepted by dedicated Ferraristi. Introduced in 2004, the result was the biggest Ferrari road car ever, yet one that weighed less than the smaller 456M. The 'secret' lay in the 612's lightweight aluminium chassis: a mixture of extrusions, castings and panels, which replaced the traditional sheet-steel monocoque. In styling the 612, Pininfarina paid homage to one of its most famous creations – the fabulous 375MM commissioned by renowned Italian filmmaker Roberto Rossellini for his wife, Ingrid Bergman, and first seen at the Paris Salon in 1954 – the long nose and scalloped sides of which find echoes in the Scaglietti. No content with merely shedding weight as a means of boosting performance, the 612 featured an improved version of the 575M Maranello's 5,748cc 65-degree V12 engine producing 540bhp and 434lb/ft of torque. The F1A transmission too had undergone significant improvement, incorporating extra synchronisation cones for swifter changes, while manual/automatic modes and 1st and reverse gears could now be selected using a gate on the centre console, rather than only by means of the steering-wheel paddles. Lighter, more powerful and endowed with superior suspension and brakes, the 612 Scaglietti lapped Ferrari's Fiorano test track some six seconds quicker than the 456M. Its top speed? 196mph. Sold new by Graypaul Motors, Nottingham to Mr J Studholme of Lincolnshire, the car offered here was ordered via Ferrari's 'One to One' personalisation programme that had been introduced on the 612 at the 2008 Geneva Salon. Thereafter the 612 was only available through this special order process, which was later extended to the entire Ferrari range. This car's unique specification includes the following highlights: HGT2 Handling Package; Electronically adjustable glass roof; Parking camera; Yellow rev counter; Red seatbelts; Chrome grille frame; Chrome satin mirrors; Scuderia shields; NavTrak anti-theft device; Grigio Ferro external colour; Rosso trim and matching steering wheel; Carbon interior trim; Alcantara boot trim Sold to the current owner in September 2015 at 8,890 miles, this unique 612 Scaglietti comes with a V5C document, current MoT and its service booklet, the latter stamped by recognised Ferrari specialists on six occasions, the most recent by HR Owen dated June 2021 (at c.12,000 miles).For further information on this lot please visit Bonhams.com
TOTTENHAM HOTSPUR An official large cheque 7/12/1925 with a scene from White Hart Lane at the top and the club crest on the left, paid £65-16-6 for Gate Expenses on the day Tottenham played Aston Villa. Signed by 2 Directors and the Secretary. Two punched holes and minor tear. Generally good
SOUTHAMPTON Six page programme at the Dell: The Football Match Company v Southampton Amateurs November 1923 (precise date not stated). This match was a Charity match with the gate proceeds going for Free Eye Hospital and Shirley Children's Home. Professional tape repair to spines. No writing. Fair
Anish Kapoor Untitled, 2021 Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Anish Kapoor is one of the most influential sculptors of his generation. Perhaps most famous for public sculptures that are both adventures in form and feats of engineering, Kapoor manoeuvres between vastly different scales, across numerous series of work. Immense PVC skins, stretched or deflated; concave or convex mirrors whose reflections attract and swallow the viewer; recesses carved in stone and pigmented so as to disappear: these voids and protrusions summon up deep-felt metaphysical polarities of presence and absence, concealment and revelation. Forms turn themselves inside out, womb-like, and materials are not painted but impregnated with colour, as if to negate the idea of an outer surface, inviting the viewer to the inner reaches of the imagination. Kapoor's geometric forms from the early 1980s, for example, rise up from the floor and appear to be made of pure pigment, while the viscous, blood-red wax sculptures from the last ten years - kinetic and self-generating - ravage their own surfaces and explode the quiet of the gallery environment. There are resonances with mythologies of the ancient world - Indian, Egyptian, Greek and Roman - and with modern times. Anish Kapoor was born in Mumbai, India in 1954 and lives and works in London. He studied at Hornsey College of Art, London, UK (1973-77) followed by postgraduate studies at Chelsea School of Art, London, UK (1977-78). Recent solo exhibitions include Houghton Hall, Norfolk, UK (2020); Pinakothek der Moderne, Munich, Germany (2020); 'Surge' at Fundación Proa, Buenos Aires, Argentina (2019); Central Academy of Fine Arts Museum and Imperial Ancestral Temple, Beijing, China (2019); CorpArtes, Santiago, Chile (2019); Pitzhanger Manor and Gallery, London, UK (2019); Serralves Museum, Porto, Portugal (2018); 'Descension'' at Public Art Fund, Brooklyn Bridge Park Pier 1, New York, NY, USA (2017); Parque de la Memoria, Buenos Aires, Argentina (2017); MAST Foundation, Bologna, Italy (2017); Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico (2016); Couvent de la Tourette, Eveux, France (2015); Château de Versailles, Versailles, France (2015) and The Jewish Museum and Tolerance Center, Moscow, Russia (2015). He represented Britain at the 44th Venice Biennale in 1990 with Void Field (1989), for which he was awarded the Premio Duemila for Best Young Artist. Kapoor won the Turner Prize in 1991 and has honorary fellowships from the University of Wolverhampton, UK (1999), the Royal Institute of British Architecture, London, UK (2001) and an honorary doctorate from the University of Oxford, UK (2014). Anish Kapoor was awarded a CBE in 2003 and a Knighthood in 2013 for services to visual arts. Large scale public projects include Cloud Gate (2004) in Millennium Park, Chicago, USA and Orbit (2012) in the Queen Elizabeth Olympic Park, London, UK and Ark Nova (2013) the world's first inflatable concert hall in Japan.
Colin Maxwell Parsons (b 1936), a pair of oils depicting figures amongst wild flowers, in oval mounted frames, both signed, each oval 22cm by 17cm together with R Cavallo, figure standing at a gate before a distant church, beneath stormy skies, gouache, signed, verso stamp for Wold Galleries, Cheltenham, Gloucester, 9cm by 13cm
A quantity of guitar pedals, including a box OD1X overdrive pedal; a Boss PS-6 harmonist pedal; a Mojo overdrive pedal; a Digitech drop pedal; JHS Charlie Brown V4 pedal; Electro Harmonix silencer noise gate effects loop; a Soul Preacher pedal; a Dark Matter distortion pedal, a Freqout natural feedback creator; and others, all boxed.
Hughes (Langston) The Best of Simple, first edition, signed presentation inscription from the author "Especially for or Art D'Lugoff - whose Village Gate is full of "simple" fun" to endpaper, original cloth, light raying to tips of spine and corners, dust-jacket, spine ends and corners a little chipped, light creasing to head and foot, surface soiling, 1961; [Another copy], first paperback edition, signed presentation inscription from the author to Zell Ingram to verso of upper wrapper, some damp-staining to upper corner, original wrappers, original wrappers, toning, pencil marks to lower cover, rubbed, 1961, New York, Hill and Wang, 8vo (2)⁂ Both copies with interesting associations. Art D'Lugoff (1924-2009) Jazz impresario whose Village Gate jazz club hosted a number of prominent jazz artists, including Billie Holliday, Duke Ellington, Dizzy Gillespie and Miles Davis.Zell Ingram, artist, Hughes' former travelling companion and possible lover (see lot 234, also lot 243).
Julian Barrow (British, 1939-2013)Isa Khan's Tomb, Dehli signed ' Julian Barrow' (lower left) oil on canvas 30.5 x 25.4cm (12 x 10in).Together with an oil on board by Alan Dodd (British 20th Century) depicting the Gate to St. John on the Rock, Prague. (2)For further information on this lot please visit Bonhams.com
A vibrant Flemish religious tapestry17th centurydepicting the story of The Annunciation of St. Anne, the figure of Joachim, tenderly embracing Anne at the ancient city gate, in the walls of Jerusalem to the left of the main field, the background showing a rustic landscape, the whole within elaborate fruiting foliate borders, bearing the mark of Willem De Pannemaker and Brussels mark 269cm x 211cmFootnotes:The weaving dynasty of de Pannemaker were originally from the Southern Netherlands. Pieter de Pannemaker (Fl.1517 -32) operated from Brussels, the main centre for tapestry weaving in Europe at the time. The Pennemakers were well celebrated for over a century and enjoyed the patronage of a number of Royal European houses including the Habsburgs. Their tapestries were typically resplendent with gold and silver threads.Provenance: Acquired by Della Howard from Franses, London in 2006.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A mahogany drop leaf dining table with gate leg action, on taperered turned legs and brass casters, circa 1940, Retracted dimensions H 72 cms, L 105 cms W 41 cms, Length when extended 155 cms.Condition2 cup stains and black mark to central panel.One leaf has some small deep scratches with age. Does not sit perfectly straight when extended but could be remedied.5cms of convex banding damaged where hinge meets. Good patina.
Various items of silver jewellery to include a vintage hinged bracelet with engine turned band, a gate bracelet, length 20cm, a curb necklace, length 60cm, a chain link bracelet, a silver pendant with crystal cabochon, a small silver ingot on dainty box link chain and a silver pale blue stone cluster ring, size N (7).
Various collectibles of religious interest to include a late 19th/early 20th century plated thurible and oval boat, a Bishop's cross formerly belonging to Fabian Jackson, the Bishop of Trinidad & Tobago (given to the family of the vendor by him), two other crosses, an unusual cross in the form of Christ mounted on a body of a crossbow, on white metal chain, two other crosses on leather strap and beaded strap, a lead figure of Christ, height 9cm, a gilt carved wall-hanging figure of a saint (made in Spain) and two copper and wood printing blocks of religious interest, one titled 'The Golden Gate' with a Middle Eastern design and script, the other depicting maiden riding two horses through water with a ray of light from crescent above (8).
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