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A 1930’s oak oval gate-leg dining table fitted end drawer, & on baluster-turned legs & turned feet with plain stretchers, 52” wide x 29” high.

An old reproduction oak gateleg table,the oval top to a double-gate baluster turned and joint base182cm wide157cm deep71cm highBuying this table at auction could save up to 0.46 tonnes of CO2e compared to buying a new dining table.Condition ReportSome wear to the end stretchers

Original full size framed WW1 poster ‘Veterans Farewell’ By Frank Dadd in 1914, Published - Parliamentary Recruiting Committee, Staker Brothers Ltd,Bishops Gate London. Original artwork for Messrs Abdulla & Co Ltd.  78cm x 54cm

11 BOTTLES MCLAREN VALE SHIRAZ AND 1 CABERNET SAUVIGNONThe Hedonist 2020; Chapel Hill The MV 2020; Village Green 2021; Zonte's Footstep Chocolate Factory 2020; Wakefield Masterstroke 2020; Nigan Estate Single Vineyard 2020; Serafino 2020 and Sorrento 2021; Shingleback The Gate 2020 and Single Vineyard 2020; Wirra Wirra Catapult 2020; Jacob's Creek Reserve Cabernet Sauvignon 2020

TWO SILVER POCKET WATCHES & ANOTHER WITH A LADIES WATCH & SILVER GATE BRACELET ETC

1930's gate leg table with barley twist legs

Cast iron guinness sign St James gate brewery

2 Silver 5 bar gate bracelets

A 19th Century mahogany gate leg table raised on fluted supports fitted single drawer

A teak gate leg dining table

An oak gate leg table together with four chairs

A 9ct gold gate link bracelet with padlock clasp, approx. 7.5gms; another 9ct gold bracelet with padlock clasp, 16gms; and three pairs of ear-rings

AN OLD CHARM OAK CANTED SINGLE DOOR CUPBOARD, width 81cm x depth 33cm x height 71cm, and an oak gate leg table (condition:-water damage to the top)

DENNIS HARPER (BRITISH CONTEMPORARY) 'PONIES AT TATENHILL', a modern British landscape depicting pathway leading to a field with ponies, signed bottom left, oil on canvas, approximate size 49cm x 39cm, together with a modern British landscape depicting fields and trees beyond an open gate by the same hand, approximate size 39cm x 49cm (Condition Report: small dents and scuff to the frames (artist resale rights apply)

A 9CT GOLD ZODIAC AUTOMATIC CHRONOMETRE WRISTWATCH, the circular face with baton hour markers and date dial, to the gate bracelet watch strap, face diameter 30mm, strap with 9ct hallmark, approximate total weight 56.8 grams (condition report: Some scratches to glass, moderate general wear, currently working at the time of cataloguing, time keeping not tested)

Master Humphreys Clock, By Charles Dickens, With Illustrations By George Cattermole and Hablot Browne, London: Chapman and Hall, 186, Strand, MDCCCXL - MDCCCXLI [1840 - 1841], complete three-volume set, first edition, first issue, tall 8 vo., with the imprint of Bradbury and Evans, Printers, Whitefriars [London] on the reverse of the title page, with a dedication page to Samuel Rogers and a two-page preface, “Devonshire Terrace, York Gate, September 1840” on iv in Vol. I, “Devonshire Terrace, London, March, 1841” on vi of Vol. II, and “Devonshire Terrace, York Gate, November 1841” on vi of Vol. III, with all the points of issue called for by Eckel and Walter Smith that make this set a first edition, first issue, with gilt lettering, elaborate gilt tooling, and Roman numerals in gilt on the spine, with the original embossed brown cloth and gilt clock motifs on the front covers, and a neat device on the clocks where the hand of the clock pointed to the volume number for the book; pale yellow endpapers, with the bookplate of Kenneth Rapoport on the front free paste-down of each volume, with 306 pages in Vol I, 306 pages in Vol II, and 426 pages in Vol III; with illustrations by George Cattermole and Hablot Browne and woodcut engravings by E. Landells, C. Gray, Vasey, and S. Williams, after the designs by Cattermole and Browne; Daniel Maclise also drew one of the illustrations on page 108 in the second volume. All of the illustrations are untitled and some are unsigned, while others contain the artist’s initials or monogram, occasionally reversed, and the initials and surnames of the engravers are also appended to the illustrations in most cases (Smith page 49), and all those details are present here, as called for. There are 56 points of issue in the three volumes, according to Smith, and all 56 points are present here; Smith calls them “internal flaws”, but they are just points of issue by another name, and these points of issue make the three books a first edition, first issue set. The yellow endpapers are also important. Many people believe that the first issue had marbled edges and marbled endpapers, but Smith (page 57) quotes Hatton and Cleaver (page 163), who said that copies with yellow endpapers and trimmed edges preceded those with marbled endpapers and marbled edges, so right now the copies with marbled endpapers are considered first edition first issues, but this set with yellow endpapers is considered a first issue set too, and it seems rarer than the sets with marbled endpapers, based on Smith’s observations. And that begs the question: If the copies with yellow endpapers preceded the other copies, does that make the copies with marbled endpapers first editions, but second issues? We don’t know the answer to the question, but it seems to be obvious, and perhaps more research needs to be done here to get the literary community to agree. (Part of the answer seems to be in finding out exactly when the copies with yellow endpapers were first printed and when the copies with marbled endpapers were first printed, and we don’t know if research that way has been done yet.) This is Dickens’ fifth novel and it was issued in three forms - in weekly parts, monthly parts, and the three-volume book form after all the parts were completed, and this is the first time Dickens used woodcuts in his novels; Volumes I and II also include “The Old Curiosity Shop” and Volumes II and III include “Barnaby Rudge”. George Cattermole (1800 - 1868) was a British painter and illustrator who worked mainly in watercolours; he was also a friend of Dickens and many other literary and artistic figures, and Hablot K. Browne (1815 - 1822) was an English artist and illustrator who illustrated many of Dickens’ novels after 1836. Kenneth Rapoport was a noted book collector who amassed many rarities in literature, especially works by Rabelais, Cervantes, Shakespeare, Moliere, and English poetry and drama, according to Swann Galleries in their April 2022 auction catalogue, and his remaining book collection is housed in a separate room at Harvard University’s Houghton Library. The boards measure 10 1/4 x 7 1/8 in. wide; Vol. I has clean text, with light bumps on the right edge of the front cover, tips slightly curled in, and a 1 in. long chip developing on the spine, Vol. II has clean text, with very light bumps at the heel and crown of the spine, three tips are slightly turned in, and Vol. III has clean text and light bumps at the edge of the rear board and small brown oval stains on the fore-edge of the book, the tips are slightly turned in, and light bumps on the crown and heel of the spine. See The First Editions Of Charles Dickens, Their Points and Values, by John C. Eckel 1932; also Walter E. Smith, Charles Dickens In The Original Cloth, A Bibliographical Catalogue Part I, Los Angeles: Heritage Bookshop 1982; and A Bibliography of the Periodical Works of Charles Dickens: Bibliographical, Analytical & Statistical, by Thomas Hatton and Arthur Cleaver 1933 for more information about this set.

19th century rustic oak gate-leg drop-leaf dining table, oval top on turned supports joined by stretcher base with compressed bun feetDimensions: Height: 78cm  Length/Width: 139cm  Depth/Diameter: 50cm

George III mahogany gate-leg drop-leaf side table, rectangular top over square supportsDimensions: Height: 71cm  Length/Width: 79cm  Depth/Diameter: 78cm

Ercol - elm and beech '308 Folding Occasional Table', circular top with gate-leg and splayed tapering supportsDimensions: Height: 40cm  Length/Width: 61cm  Depth/Diameter: 35cm

James Matthews - At Pole Gate looking South, watercolour, signed and dated lower left 1938, 32x40cm, together with one other by the same hand (2)

Immaculate oak gate legged drop leaf table measures approx with leaf down 29 inches tall by 30 inches wide and 14 inches deep

A vintage gold part-textured four-bar 'gate' bracelet on a padlock clasp. Hung with a single 'lion' fob charm (unmarked), the clasp stamped '9ct' & 'J C & S', approx. 15cm long, 19.4g gross.

A large wrought iron garden gate, 130 x 200cm

An 18th Century Oak Pad Foot Dining Table, with single drawer, 138cm by 121cm by 73cm, centre 45cm wideNo wood worm damage. Top leaves split and with butterfly repairs to the underside. One leaf with a shard lacking near the hinge. Gate hinges good with some play. Structurally sound but with some movement.

A Quantity of Jewellery, including a silver charm bracelet, silver gate bracelets, silver locket on chain, simulated and cultured pearls etc

9ct gold paste blue and white stone set ring, silver jewellery including large smokey quartz ring, garnet cluster ring, gate bracelet and ingot pendant necklace and a collection of costume jewellery and a pair of 'Le Jockey Club' binocularsCondition Report:9ct approx 1.8gm

Christopher Hughes (early 20th century school) - St Anne's Gate Salisbury - signed & dated 1913 lower right, charcoal and chalk, framed & glazed, 50 by 63cms.

A hallmarked 9ct gold padlock and gate bracelet 19.80g

A oak gate leg table, drop left top with bevelled edges, with turned wood legs and bracing, 67cm x 60cm x 17cm (folded)

A mahogany faux bamboo gate leg drop leaf table, turned legs on castors, 76cm x 71cm x 26cm

9ct gold jewellery including gate link bracelet with heart padlock clasp, cameo ring, blue stone paste ring, hoop earrings and silver jewellery including rings, necklaces and broochCondition Report:9ct non stone set approx 5.5gm, 9ct stone set 5.8gm, weighable silver approx 35gm

A 9ct gold gate bracelet set with three 1968 gold sovereigns, 48.7g

A 9ct rose gold gate bracelet with twisted and textured detail, 18.4g

A 9ct gold gate bracelet with padlock clasp and safety chain, 16.2g

A 9ct gold gate bracelet, 3.5cm wide, 19g

GARLAND AFTER WILLIAM MULREADY "Shepherd feeding sheepdog with bread by a gate with sheep and cottage in background", oil on canvas, indistinctly signed lower left, bearing name "Mulready" lower centre, 44.4 cm x 35 cm, together with a companion "Young woman with wheatsheaf and flagon, a further figure in background at sunset", oil on canvas, again indistinctly signed lower left, bearing name "W Mulready" lower centre

Galvanised feed trough with brackets for gate or wall mounting, height 17 cm, length 184 cm x 27 cm

Limited edition Judy Boyes print "Lakeland Gate"

A 9CT GOLD GATE BRACELET, APPROX WEIGHT 10G

An antique mahogany gate leg table. 108x72x37 (extending to 125cm)

A pair of square-based cast iron gate-post caps. 49x38cm.

Jewellery - a dragon fly pendant necklace; others, opal and amethyst effect necklace, gold plated gate link necklace, simulated pearls, bangles, silver mounted earrings; others base metal, wrist watches etc

A 9ct gold gate bracelet, 14.2g

1930's medium sized oak barley twist gate leg table.

Brett, (The Hon. Sylvia, Lady Brooke Ranee of Sarawak). 'Pan and the Little Green Gate'. Hodder and Stoughton London 1908, signed and inscribed by the author, two further 1909, 1919 plus Brett, (Reginald B). 'The Yoke of Empire'. Macmillan London 1896, plus Sturgis, (Julian). 'Comedy of a Country House'. John Murray London 1890 plus two further titles. All similarly bound in full and half calf by Bumpus Hatchards etc 8vo b/ps for Oliver Brett, some fading (8)

Hogarth Press: Fry, (Roger) 'A Sampler of Castile', Richmond 1923. Untrimmed pages 4to, decorated boards plus a typed anthology of 'Unpublished Poetry and Prose by various Writers' plus a typed script 'Tragedy in Three Acts' adapted from Tennyson, 49pp blue cloth plus a bound copy of 'The Gate' Magazine 1931, half blue calf plus two further titles, b/ps (6)

Gilbert Browne: a signed limited edition colour etching, "Lock Gate - Grand Union Canal", in strip frame, and a colour print after Will Owen: "Bringing Down a Sitter", in strip frame

Great War 1914-15 Star Medal Trio to a Private in the East Yorkshire Regiment Who Was Accidently Shot by a Comrade Whilst Cleaning his Rifle, 1914-15 Star medal, “2221 PTE. W.S. MURRAY E. YORK: R.”, British War and Victory medals “2221 PTE. W.S. MURRAY E. YORK. R”. Generally good condition. Walter Stanley Murray was born in Hull on 30th December 1877 and enlisted in the 1/4th East Yorkshire Regiment on 1st September 1914. He served in France from 17th April 1915. On 11th June 1915 the battalion was in the trenches at Sanctuary Wood and the war diary records ‘No.2221 Private Murray accidently killed by Private Chester who was cleaning his rifle’. Walter Stanley Murray is commemorated on Ypres (Menin Gate) Memorial, he is also included in De Ruvigny’s Roll of Honour with a photograph.

Great War 1914-15 Star Medal Trio to a Private in the Yorkshire Regiment Who Was Killed in Action a Week After Arriving in France, 1914-15 Star medal, “1649 PTE. S. BONE YORK: R.”, British War and Victory medal medals “1649 PTE. S. BONE YORK. R.” With 2 original issue letters for the British War medal and the Victory medal. 19 year old Samuel Bone from Kent Street, Middlesborough landed in France on 18th April 1915 with the 1/4th Battalion Alexandra, Princess of Wales’s (Yorkshire) Regiment. On the 24th April the Battalion was in the Ypres salient and was detailed to attack across the canal at Wieltie on to St. Julien when they suffered casualties of 10 killed, 59 wounded and 17 wounded and missing. The following day the Battalion were based in the trenches at Potijze with 1 man being killed and 2 wounded. Samuel Bone was reported as missing later presumed killed on or since 25th April 1915 and having no known grave he is remembered on the Ypres (Menin Gate) Memorial, Ypres.

Unno Mitsuhiro (Japanese, 1939-1979)Hydrangea Gate' signed, numbered 94/100 and titled in pencil, red seal stamp, dated within woodblock 1972, and 'Sugimoto Twilight", signed numbered 6/100 and titled in pencil, dated 1978 within woodblock, framed, (2)Each 64.5cm x 48cm.Condition: First fair condition. Marginal toning. Second glass cracked, marginal toning

Two modern silver and painted guilloche enamel snuff boxesboth Birmingham, 1980 by S. J. Roserectangular with hinged lids, one painted with sprung pheasant the other hunting scene with a huntsman jumping a gate, plain sided with foliate rims, the bases engine turned, gilt interiors, (2)each 4.7cm. long, weight approx. 3.51ozt.Condition: Good condition

An Edwardian 9ct rose gold gate bracelet with heart padlock and safety chain approx weight 19.7gCondition: In good overall condition locking well. In need of a clean

A group of 9ct jewellery including 9ct gold four row gate link bracelet with 9ct padlock clasp, a 9ct yellow gold four row gate link bracelet with 9ct padlock clasp, a 9ct gold cross charm, a glass photo pendant with a 9ct frame with securing clasps suspended on a chain, a pink and colourless paste ring marked '9ct', one bar brooch with half pearls and pink paste setting marked '9ct', a 9ct back and front heart shaped locket suspended on a chain (7)Ring size O, weight approx 30g excluding pendant chain and locket chain Condition:

Three 9ct yellow gold necklaces and three 9ct yellow gold bracelets including a gate link with padlock clasp, various designs, (6)combined weight 34.3gCondition:

Witchcraft A Narrative of some Extraordinary Things that happened to Mr. Richard Giles's Children at the Lamb, without Lawford's Gate, Bristol; supposed to be the Effect of Witchcraft. By the late Mr. Henry Durbin, Chymist, who was an Eye and Ear Witness of the Principal Facts herein related. Bristol: R. Edwards, 1800. 8vo, 20th-century black sand-grain cloth, 60 pp., bookplate, title-page slightly browned and with contemporary ownership inscription to head, final leaf browned [ESTC T139120]Note: Note: ESTC traces three copies in UK libraries, and eight in the USA.

Spark, Muriel Collection of works Authors' Ghosts, Seven Poems, Rees & O'Neill, 2004. First edition, one of 20 numbered copies bound in yellow quarter morocco, signed by the author and with a holograph quotation from the text (from the total edition of 56 copies), 4to;A Hundred and Eleven Years without a Chauffeur, Colophon Press, 2001. First edition, one of 125 numbered copies sewn in blue card covers and signed by the author (from the total edition of 157), 4to;The French Window and the Small Telephone, Colophon Press, 1993. First edition, one of 105 numbered copies bound in blue quarter Nigerian goatskin and signed by the author (from the total edition of 123);Doctors of Philosophy, 1963. First edition, 8vo, original cloth, dust jacket, signed by the author on the title-page;The Comforters, 1957. First US edition, 8vo, original cloth, dust jacket;Memento Mori, 1959. First edition, 8vo, original cloth (spine sunned, spotting to cloth), dust jacket;The Ballad of Peckham Rye, 1960, First edition, 8vo, original cloth, dust jacket;The Prime of Miss Jean Brodie, 1961. First edition, 8vo, original cloth, dust jacket;and approx. 39 others, including first editions in dust jackets of The Go-Away Bird (1958), Voices at Play (1961), The Girls of Slender Means (1963, lacking front free endpaper), The Mandelbaum Gate (1965), The Driver's Seat (1970), The Abbess of Crewe (1974), Loitering with Intent (1981), A Far Cry from Kensington (1988), and others including criticism by and about Spark, dust jackets in variable condition with usual rubbing and the occasional nick to extremities, a few ownership inscriptions

Tolkien, J. R. R. [The Lord of the Rings:] The Fellowship of the Ring; The Two Towers; The Return of the King. London: George Allen & Unwin Ltd, 1954-54-55. 3 works, 8vo, original red cloth, spines lettered in gilt, top edges dyed red, folding map printed in red and black to rear of each work, with the dust jackets (each unclipped and retaining original price of 21s), Fellowship with illustrations in text (map of the Shire; inscription on the One Ring; and the gate of Moria), Return of the King with signature-mark '4' and sagging type on p.49. Spines rolled, spotting to endpapers, strips of browning to free endpapers, dust jackets variably marked and with a few nicks and closed tears along edges, jacket spines sunned, scuffed and with light fraying and softening to head and foot; Fellowship with a few light spots to outer text-leaves and to map, tips bumped, jacket front panel with strip of browning along top edge and small hole to lower fore corner; Two Towers jacket with small perforation towards head [Hammond & Anderson A5 a.i-iii]Note: Note: First editions, first impressions, each volume respectively one of 3,000, 3,250 and 7,000 copies only.

Edwardes, Herbert B. A Year on the Punjab Frontier, in 1848-49 London: Richard Bentley, 1851. First edition, 2 volumes, 8vo, original red pictorial cloth gilt, rebacked with original spines transposed, half-titles, engraved frontispiece to volume 1, chromolithographic portrait frontispiece of Nuwab Bhawul Khan and Dewan Moolraj to volume 2, 2 further chromolithographic plates, 3 engraved plates including folding panorama, 2 folding plans, folding manuscript facsimile, 24 pp. advertisements, bookplates of Herbert Charles Fanshawe ICS (1840-1923), ownership inscription to endpapers, covers soiled, light spotting to chromolithographic plates;Napier, Sir William. The Life and Opinions of General Sir Charles James Napier. London: John Murray, 1857. Second edition, 4 volumes, original green cloth, engraved portrait frontispieces (slightly spotted), bookplates and ownership inscriptions, spines faded;Ashmead-Bartlett, Ellis. With the Turks in Thrace. London: William Heinemann, 1913. First edition, 8vo, original cloth, all halftone photographic plates as called for, folding map, bookplates and ownership inscriptions;Buxton, Noel & Harold. Travel and Politics in Armenia. London: Smith, Elder & Co., 1914. First edition, 8vo, original blue cloth, all halftone photographic plates as called for, folding map, plate facing p. 101 working loose, ownership inscriptions to endpapers;Thornton, Edward. The History of the British Empire in India. London: Wm. H. Allen, 1859. Second edition, 8vo, original cloth, folding map, loss to spine-ends, spotting;and 15 others (these not collated), including Gregor Alexinsky, Russia and Europe, 1917, Henry Morgenthau, Secrets of the Bosphrous, 1918, Lord Roberts, Forty-One Years in India, new edition, 1900, R. G. D. Laffan, The Guardians the Gate: Historical Lectures on the Serbs, 1918, and similar, early-20th-century travel and Indian interest, original cloth

Urdu lithographic printing Darbari 'Ilm al-Nisa [The Science of Women] Musannifuhu wa-mu'allifuhu [compiled and composed by] Babu Salig Ram. Lahore: Rifah-i 'Am Steam Press, 1913. 8vo (21.2 x 13.2cm), contemporary green cloth with red calico backstrip, 200 pp., lithographed throughout, text in Urdu, 21 full-page illustrations showing women from different ethnic groups (e.g. Parsi, Bengali, Burmese, Kashmiri), further illustrations including foetuses in utero (several full-page), original wrappers bound in, uniform browning, mild paper-disruption in gutter towards rear. Together with 2 similar works (both lithographic pamphlets in Urdu by one Hakim Gulam Nabi, Medical Practitioner, Mochi Gate, Lahore, with Urdu and English titles to front and rear wrappers respectively, comprising: 1) Seixual Sciench [sic]. [Urdu title: Ikhtiyar al-nasl va-ikhtisar al-nasl], Lahore: Islamic Steam Press, 1903, 8vo, original lithographic wrappers, [4] 60 pp., stitching renewed, a few spots to wrappers and faded ownership inscription to rear; 2) A Manual of Several Sences. A Practical Treatise on Social Sence [sic], Lahore, c.1900. 8vo, original lithographic wrappers, 100 pp., front wrapper tape-repaired, marginal worming to last few leaves)Note: Note: Rare manual of women's health and pregnancy, no other copy traced. The Rifah-i 'Am press in Lahore was established by Mumtaz Ali (1865-1915), an Islamic scholar remembered as a pioneering advocate of women's rights and author of a work titled Huquq al-Niswan ('Rights of Women').

A hallmarked 9ct gold gate bracelet with heart shaped padlock clasp, length 18cm, wt. 14.4g.