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Click here to subscribeA GEORGE II IRISH MAHOGANY CARD TABLE C.1740 the inverted breakfront fold-over top on a single gate support, revealing a baize lined interior, with counterwells and candlestands, above a shaped frieze, on hocked cabriole legs and faceted pad feet 74.3cm high, 88.2cm wide, 43.5cm deep Provenance From the collection of the late Dr. Gordon Pack.
A 19th century oak table bureau, with beaded fall front opening to a fitted interior with pigeon holes and central well with sliding cover, on an associated lowboy table, the plain plank top above a single frieze drawer, raised on canted square supports with narrow shaped front apron, bureau 68cm wide x 40cm deep x 34cm high, table 76cm wide x 36cm deep x 62cm high.Condition report: Bureau: multiple cosmetic marks, rings and stains to the exterior. Left side plank split. Losses/wear to right side fall support aperture. General wear, dints and nibbles consistent with age and use. Shrinkage splits to back boards. Interior has replaced skiver, multiple ink stains throughout, loss to front shaped edge of a pigeon hole, general wear.Table: Appears to have been adapted from a fold-over table as there is evidence of a gate to the back frieze. Top is either original or contemporaneous but appears to have been re-pegged. Shrinkage to top planks. Rear corners both chipped. Chip to front right edge near corner. Deep scratches to rear plank. Rear legs braced with iron brackets. General wear consistent with age and use throughout.
Box of mixed wooden items , to include a pair of shelf brackets , 26 cm high , a pipe rack in the form of a gate , 2 letter racks , wooden book money box , a rocking chair money box , a crumb tray and brush , 3 table place setting measuring sticks and 2 other items . (1 box)Condition , damage to base of rocking chair money box .
Thomas Cooper Moore (1827-1901) - The "Royal Children" Lister Gate Nottingham signed and dated 1890, signed and dated again and inscribed with the title verso, oil on panel, 19 x 27cm and The "Old Coach and Horses" Parliament Street Nottingham, signed, oil on board, 21.5 x 29cm (2) Royal Children - cleaned and re-varnished, varnish yellowing slightly with age, panel undamaged, in modern gilt frame. Coach and Horses - restored with some localised re-touching, varnish requiring a light clean, in modern gilt frame
Nottingham. Miscellaneous framed prints and ephemera, including a lithograph of the Old General, published by Shawe & Sons Wheeler Gate, chromolitho County of Nottingham National Reserve certificate named to Samuel Burton late South Notts Hussars, dated 18 April 1913, War Veterans Coronation Dinner certificate printed in colour and gold with sepia portraits of George V and Queen Mary named to Pete Pte J Hancock, a pen, ink and wash drawing of Castle Terrace Nottingham [demolished 1957] by Lewis Hondle, signed and dated 1957, two pen, ink and wash drawings of the Rock Cemetery caves and another Nottingham caves system by G F Campion, 1937, both signed and a quantity of 35mm colour transparencies by John Lock, miscellaneous subjects, many of Ironbridge, Shropshire
FORTY NINE LILLIPUT LANE SCULPTURES FROM THE NORTH, THE IRISH, THE SCOTTISH AND THE WELSH COLLECTION, with deeds where mentioned, to include Aberford Gate (North Special Event) with leaflet, Holly Cottage, Dale Farm, Old School House, Dale Head, Secret Garden (reglued steeple), The Chocolate House, Sore Paws (deeds), Village School, Wedding Bells, two Brecon Bach, two The Croft, St Columbas School, O'Laceys Store, Fry Days (deeds), Micklegate Antiques (certificate, chip to chimney), Winter at High Ghyll, Claypotts Castle, Eilean Donan Castle (water has been repainted), Stockwell Tenement, Glenlockie Lodge (rubbed), Edzell Summer House, Culross House, Kilmore Quay, two Preston Mill (different designs, one rubbed and chipped), Kinlochness, Carrick House, Culloden Cottage, Hebridean Hame, The Hermitage etc (49) (Condition report: most have some rubbings)
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract. Titled: "Safe Sex" Dated: '93 Oil on Canvas. Signed lower right / Signed, dated and titled verso. Exhibition label verso. Size: 32 x 41 in. (144 - 2724)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Lightning Rock " Dated: '86 Oil on Canvas. Signed and dated lower right. Overall Size: 42 x 54 in.In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Blue Riff" Dated: '89 Oil on Paper laid on Canvas. Signed lower right. Overall Size: 22.5 x 17 in. (109 - 4315)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Georgian inlaid mahogany demi-lune card table, fold-over top banded in satinwood and inlaid with fan motif, the tops hinge to reveal storage compartment, the interior inlaid with concentric stringing, the frieze inlaid with geometric satinwood motifs, single gate-leg action base on cabriole supportsDimensions: Height: 72cm Length/Width: 77cm Depth/Diameter: 38cm
A gate link bracelet, stamped '9CT', length 18.3cmCondition report: The bracelet is in good condition with slight wear commensurate with age. It fastens with a tongue and box catch and features a safety chain. The tongue is stamped '9CT' and in our opinion would test as gold. Gross weight 13.0 grams.
A gate link bracelet, stamped '9CT', length 18.3cmCondition report: The bracelet is in good condition with slight wear. It fastens with a tongue and box catch and features a figure-of-eight catch. There are loops for a safety chain but there is no chain. It is stamped '9CT' and in our opinion would test as gold. Gross weight 12.1 grams.
A very heavy and imposing black stone Mantel Clock with brass framed movement marked '92' by "Jules Rolez Limited, Paris". Striking on a gong and having a mercury-filled temperature compensating pendulum. The gilded Ormolu face with Arabic numerals having a trace-work finished recess with the jeweled anchor escapement visible and with a regulation spindle above the twelve o'clock position. Unusually the pendulum is accessed via a hinging stone door with gate-style hinges and latch and the pendulum is visible through a bevelled glass window to the front flanked by reeded pillars. The dark appearance of the black stone case is relieved by colourful marble details. A Georgian design winding key is present, 13 5/8'' wide x 16 7/8'' high x 6 3/8'' deep.
A Victorian gold engraved gate bracelet circa 1890, hung with various 19th century seals and charms The seals mostly mid 19th century including examples inset with carnelian and amethyst, one in the form of a horses head and charms including an engine turned and carved gold locket, a hinged book charm and a diamond inset bone clenched hand, 17cm long.
Vera Day signed 10x8 colour promo photograph for 1957 film Quatermass II. Day (born 4 August 1935 in London) is an English film and television actress. She was born in London just before the war and grew up in Forest Gate, East London. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
MPH Models, Tim Dyke - A boxed MPH Models #1266 1:43 scale resin and alloy Ferrari TRi 330LM Le Mans Winner 1962 O.Gendebien / P.Hill 2765.58 miles at 115.24 mph. The model was created by the renowned modeler Tim Dyke in April 2000, and is a Limited Edition model numbered 21 of only 25 produced, and comes with hand signed certificate / card. hTe model in the traditional Ferrari 'rosso corso' appears in Mint condition with some dust / mildew around tyres, and features the RN6. With 251 detailed special features including "Headlamps - kit units discarded, body countersunk to accept lenses, MV lenses fitted"; "External mirror - moulded on unit removed, reshaped dowelled, lens recess carved in"; "MPH Etching for gear gate" plus many more fantastic details - some only visible under close scrutiny. The base of the model features details of the model with the MPH branding, and is housed in a plain white, Mint cardboard box with MPH Branding. The box contains ephemera relating to the modifications bestowed on the marvellous model plus details of the actual vehicles racing heritage, as well as a photo etched plaque contained in clear plastic snap bag. (This does not constitute a guarantee)Due to the fragile nature of the model please contact Client Services to discuss delivery options available.
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