Anthony Gross CBE RA, British 1905-1984 - Yellow Gate, Le Zone, Paris, 1930; oil on canvas, signed and dated lower left 'A Gross 30', 53.5 x 64.7 cm (ARR) Provenance: with The Redfern Gallery, London (according to the label attached to the reverse of the stretcher); Lord Eccles, purchased from the above on the 18th April 2000 (according to the label attached to the reverse of the stretcher); private collection Note: The 1930s were an important period for the artist, having returned to Paris in 1928. Here he began working from life and in a freer style, perhaps influenced by his working relationship with Stanley William Hayter. During this period in Paris he designed costumes and settings for ballet, worked with composer Tibor Harsányi and co-directed the short film 'La Joie de vivre' with Hector Hoppin in 1934. He would later have solo exhibitions in Paris at Musée d’Art Moderne de la Ville de Paris and Sagot le Garrec in 1952. A similar work to the present piece is now in the Tate collection, 'Place du Théâtre, Brive-la-Gaillarde, 1929'.
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A George I walnut tea table, c.1740, of demilune outline, with a folding top and a papered well, raised on turned supports terminating in pad feet and castors,71cm wide35cm deep71cm highProvenance: The Collection of the late Rosemary and Theo Cutting.Condition ReportGeneral knocks, wear, old scratches and marks commensurate with age and use. Evidence of replacement to hinges and gate leg action, with some later timbers to the back and underside. Further evidence of breaks and repairs. Wear and damage to papered interior. Hinge action and gateleg functioning well. Castors wheel freely. General knocks and wear to supports.
An early 20th century 9ct gate link bracelet, with heart shaped padlock clasp, 18cm 26.6 grams.***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 9CT GOLD GATE BRACELET, four bar gate bracelet, approximate width 14.9mm, scrolling and polished detail to the links, fitted with a heart padlock clasp, hallmarked 9ct Birmingham, with additional safety chain, length 180mm, approximate gross weight 18.8 grams (condition report: general light wear, clasp in working order)
TWO OPEN FACE POCKET WATCHES, the first a silver key wound, open face pocket watch, round white dial signed 'Arthur Hamer, Preston', Roman numerals, subsidiary dial at the six o'clock position, within a polished case with vacant cartouche, inside case back hallmarked 'Robert John Pike' Chester 1906, movement signed 'Arthur Hamer, Friar Gate' 26796, approximate case width 54.8mm, together with a key and a leather Albert with base metal T-bar, approximate gross weight 140.8 grams, a gold plated 'Sekonda, 23 jewels' open face pocket watch, round white dial, Arabic numerals, blue steel hands, polished case stamped AU 20, movement signed 23 Kamha 2209, 93377, approximate case width 40.1mm, with a base metal snake Albert chain (condition report: silver watch non-running may require some attention, would benefit from a gentle clean and polish, heavily tarnished, sekonda watch working at time of cataloguing, although time keeping is untested, general light wear, we cannot guarantee the working order of any watch)
A 9CT GOLD WIDE GATE BRACELET, twelve bar bracelet, approximate width 41.8mm, fitted with a heart padlock clasp, hallmarked 9ct London, with an additional safety chain, length 180mm, approximate gross weight 26.5 grams (condition report: general light wear, clasp in working order, overall condition good)
AN EARLY 20TH CENTURY OAK EIGHT PIECE DINING SUITE, comprising a gate leg table, open width 145cm x depth 92cm x height 74cm, a set of six chairs and a dresser, the two tier plate rack, with two small lead glazed doors, atop a base with two drawers, above double cupboard doors, width 124cm x depth 49cm x height 181cm x height of base 90cm (condition report: surface marks, scuffs, scratches, stains, discolouration, other wear and usage) (8)
A GROUP OF MID TWENTIETH CENTURY GLASSWARE AND COLLECTABLE COTTAGES, comprising a Simon Gate for Orrefors 'Thousand Windows' design glass bowl and a smaller Orrefors art glass bowl, both are inscribed on the base, five hock glasses, prosecco glasses, a seven piece etched dessert set, a Galway Crystal posy vase, two Coalport porcelain buildings 'Park Lodge' and 'Village Church', Lilliput Lane 'Piggy Bank' and 'Birthday Cottage', a group of turquoise art glass, etc. (Qty) (Condition Report: slight damage to some cottages, glass appears o.k)
29 unboxed Lilliput Lane cottages -Langdale Cottage (signed), Patterdale Cottage (signed), Hickory Dickory Dock, Here We Go Round, Swan Green, Locksdale Cottage, Wedding Bells, Cats Combe Cottage, Fruits of the Forest, The Briary, The Royal Observatory Edinburgh, Little Scrumpy, Temple Bar Folly, Little Bee, Preston Mill, Montacute Crown, Cockington Forge, Chatterbox Corner, Candy Cottage (signed), The Hermitage, Temple of the Four Winds, The Pagoda, Here Comes the Bride, Badger Rise, Mow Cop Castle, Aberford Gate, Smallest Inn, St. Andrew's Square, East Neuk
43 unboxed Lilliput Lane cottages - April Cottage, Milestone Cottage, Wellington Lodge, Wycombe Toll House, Puddlebrook, Daisy Cottage, Bro-Dawl x 2 , Button Down, Inglewood, Farthing Lodge, Robins Gate, Chine Cot, The Spinney, Tanners Cottage, Water Mill (signed), Sweet Pea Cot, Titwillow Cottage, Wight Cottage, Clave Cottage (signed), Wheyside Cottage, Coopers, Woodcutters, The Gingerbread Shop, Sussex Mill, Dale Farm, Pipit Toll (chip), Sweet William, Hampton Moat, Granny Smith's, Millers, Sunnyside, Primrose Hill, The Farriers, Pixie House, Donegal Cottage, Ladybird Cottage, Applejack Cottage x 2, Tuppenny Bun, Fuschia Cottage, Toll House, Pussy Willow
Maurice Utrillo 1883 Paris - 1955 Dax/Landes Le Moulin de la Galette. Um 1915. Öl auf Malpappe. Rechts unten signiert. Verso mit blauem Stift betitelt 'Moulin de la galette Rue Montmartre 18' und bezeichnet 'M'. 45 x 60,5 cm (17,7 x 23,8 in). [EH]. • Utrillo ist einer der bekanntesten Schilderer des Pariser Montmartre. • Le Moulin de la Galette – das traditionsreiche und wichtige Vergnügungslokal am Montmartre. • Seine klar strukturierten Kompositionen stehen als wegweisende Position der Konzeption des Impressionismus gegenüber. • Gemälde von Maurice Utrillo befinden sich u. a. im Museum of Modern Art, New York, dem Hiroshima Museum of Art, Hiroshima (Japan) und dem Musee d'Orsay, Paris. Mit einer Fotoexpertise von Hélène Bruneau, Inhaberin des Urheberpersönlichkeitsrechts von Maurice Utrillo und Suzanne Valadon, Päsidentin des Comité Utrillo-Valadon, vom 19.04.2024. Das Werk wird in den in Vorbereitung befindlichen Band des Werkverzeichnisses aufgenommen. Wir danken Dr. Imke Gielen, Berlin, für die freundliche Beratung. PROVENIENZ: Das Kunsthaus Herbert Tannenbaum, Mannheim. Sammlung Otto Wachenheim, Amsterdam/New York (in den 1920er Jahren vom Vorgenannten erworben, um 1944 Entziehung durch die Besatzer aus dessen Privathaus in Amsterdam, 1946 nach Auffindung durch Herbert Tannenbaum zurückerhalten, bis 1969). Sammlung Helene Wachenheim, New York (1969-1975). Sammlung Martin Landmann (1923-2021), Vancouver, Kanada (1975 durch Erbschaft von der Vorgenannten). AUSSTELLUNG: Für die Kunst! Herbert Tannenbaum und sein Kunsthaus. Ein Galerist - seine Künstler, seine Kunden, sein Konzept, Reiß-Museum Mannheim, 1994, Kat.-Nr. 297 u. Farbabb. S. 83. LITERATUR: Korrespondenz zwischen Otto Wachenheim und der Stichting Nederlands Kunstbezit, 1950, Nationaal Archief Den Haag, SNK-Nr. 174. Sammlungsinventar (Karteikarte) der Sammlung Landmann, Privatbesitz. 'Le Moulin de la Galette' ist schon seit der Mitte des 19. Jahrhunderts eines der überaus beliebten Lokale auf dem Montmartre. Die Pariser liebten es schon damals, hier ein Glas Wein zu trinken und zu tanzen. So war diese Schänke auch bei den Künstlern sehr beliebt und sie ist nicht zuletzt durch 'Bal du moulin de la Galette' von Pierre-Auguste Renoir (1876, Musée d'Orsay) oder auch 'Le Moulin de la Galette' von Pablo Picasso (1900, Guggenheim Museum, New York) fest im Gedächtnis verankert. Maurice Utrillo wählt für sein Gemälde den Moment der morgendlichen Ruhe und fängt die poetische Stimmung des Ortes mit hellen, lichten Farben ein. Utrillo stellt, wie für seine Malerei typisch, nicht das Treiben auf den Straßen, sondern eine Architektur in den Mittelpunkt, mit der er dann eine Geschichte erzählt: Hier ist es das Zugangstor zur Moulin de la Galette an der Ecke Rue Girardon und Rue Lepic, das erst nach der Verlegung der Windmühle in diesen Bereich des Grundstücks 1915 zum Haupteingang wurde. [EH] Aufrufzeit: 08.06.2024 - ca. 19.14 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N), Folgerechtsvergütung fällt an.ENGLISH VERSIONMaurice Utrillo 1883 Paris - 1955 Dax/Landes Le Moulin de la Galette. Um 1915. Oil on cardboard. Signed in lower right. Titled 'Moulin de la galette Rue Montmartre 18' and inscribed 'M' in blue pen on the reverse. 45 x 60.5 cm (17.7 x 23.8 in). • Utrillo is one of the most famous illustrators of the Montmatre in Paris. • The Moulin de la Galette - the traditional and important entertainment venue on the Montmatre • His clearly structured compositions represent a pioneering stance towards the concept of Impressionism. • Paintings by Maurice Utrillo can be found in, among others, the Museum of Modern Art, New York, the Hiroshima Museum of Art, Hiroshima (Japan) and the Musee d'Orsay, Paris. Accompanied by photograph certificate issued by Hélène Bruneau, holder of the copyright of Maurice Utrillo and Suzanne Valadon, President of the Comité Utrillo-Valadon, dated April 19, 2024. The work will be included into the forthcoming edition of the catalogue raisonné. We are grateful to Dr. Imke Gielen, Berlin, for her kind expert advice. PROVENANCE: Das Kunsthaus Herbert Tannenbaum, Mannheim. Otto Wachenheim Collection, Amsterdam/New York (acquired from the above in the 1920s, seized by the occupying forces from his private house in Amsterdam around 1944, returned in 1946 after Herbert Tannenbaum had located it, until 1969) Helene Wachenheim Collection, New York (1969-1975). Martin Landmann Collection (1923-2021), Vancouver, Canada (inherited from the above in 1975). EXHIBITION: Für die Kunst! Herbert Tannenbaum und sein Kunsthaus. Ein Galerist – seine Künstler, seine Kunden, sein Konzept. Mannheim, Reiß-Museum 1994, cat. no. 297 and color illu on p. 83. LITERATURE: Correspondence between Otto Wachenheim and the Stichting Nederlands Kunstbezit, 1950, Nationaal Archief The Hague, SNK no. 174. Collection inventory (file card) of the Landmann Collection, privately owned. 'Le Moulin de la Galette' has been one of the most popular bars in Montmatre since the middle of the 19th century. Parisians came to drink and dance. This tavern was also very popular with artists and is firmly anchored in our memories, not least through “Bal du moulin de la Galette” (Musée d'Orsay) by Pierre-Auguste Renoir, or “Le Moulin de la Galette”, 1900 (Guggenheim Museum, New York) by Pablo Picasso. Maurice Utrillo chose the calm morning for his painting and captured the place's poetic atmosphere in bright colors. As is typical of his painting, Utrillo did not focus on the hustle and bustle of the streets, instead he has the architecture tell the story: here the entrance gate to the Moulin de la Galette on the corner of Rue Girardon and Rue Lepic, which became the main entrance after the windmill was moved to this part of the property in 1915. [EH] Called up: June 8, 2024 - ca. 19.14 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N), artist´s resale right compensation is due.
Ingersoll, Herrenarmbanduhr "Golden Gate", Automatik, rotgoldfarbenes Edelstahlgehäuse, kupferfarbenes Ziffernblatt mit arab. Indizes, Datums-, Wochentags- und Monatsanzeige sowie Mondphase und 24-Std-Anzeige, Gehäuse-Maße: ca. 41 x 38 mm (ohne Krone/Knöpfe), Limited Edition, verso Sicht auf das Uhrwerk, No. 0741, IN5800RG, Lederarmband mit Faltschließe, Funktionsfähigkeit nicht überprüft, leichte Alters- und Gebrauchsspren, in orig. Etui.
A Georgian Mahogany Fold Over Card Table, on scroll carved cabriole supports, 81cm by 41cm by 73cm; together with a pair of Victorian carved Rosewood balloon back chairsCard table - veneer repairs to the top corners of the top, no signs of warping. Large sections of loose veneer to the frieze. The top hinge and gate-action functioning correctly. Structurally sound. Chairs - both structurally sound, some movement to joints. some evidence of woodworm damage.
THALER COIN & SILVER JEWELLERY To include a 1780 silver Marie Theresia Thaler coin pendant on belcher link chain, terrier brooch, gate link bracelet, double curb link bracelet, silver earrings, bangle set with round cabochon amethyst, chrysoprase set ring, and screw top perfume pendant. Total weight 148.9 grams
Eleanor HUGHES (1882-1959) Four etchings Lamorna Gate, c1937, etching, stamped signature, plate 9.5 x 8.5cmOld Watermill, 1938, stamped signature, plate 7 x 9cmRookery, 1939, stamped signature, plate 9 x 12.5cmSycamore Trees and Farm, 1939, stamped signature, plate 15 x 9.5cmA small calendar is mounted below each etchingEach mounted(4) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Eleanor HUGHES (1882-1959) Three small etchings Lamorna Gate, 1937, stamped signature, plate 9.2 x 8.5cm,Trewoofe Orchard, stamped signature, plate 8.8 x 10.8cm,Cottage and Barm, stamped signature, plate 12 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Eleanor HUGHES (1882-1959) Three small etchings Sycamores with Farm in the Distance, 1939, stamped signature, plate 15 x 9.5cmLamorna Gate, c.1930, stamped signature, plate 9 x 8.5cmFarmhouse with Fields, stamped signature, plate 7 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
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