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A 9 carat yellow gold five bar gate link bracelet, alternating plain and twisted links, 15mm wide, fitted with a padlock fastener, approximate weight 10.9gms.

Rotary - a lady's 9 carat yellow gold bracelet watch, oval dark champagne baton dial in a 9 carat yellow gold case fitted with a 9 carat yellow gold five bar gate link bracelet,overall length 18cm, gross weight including movement approximately 18gms, with original box, watch is running at present time although no guarantee is given.

F Gallagar "St Mary's Gateway Leicester" watercolour, 21cm x 34cm, signed and dated 1906, three other watercolours of historical Leicester including Prince Rupert's Gate signed RWC, others signed under the mount, 35cm x 23cm, 30cm x 38cm, (4)

Views of Delhi, silver prints, including Red Fort, Shah Mahal and Moti Masjid within it, Kashmiri Gate and Jama Masjid mosque, 6in. X 8in., titled in pencil verso, circa 1900, G-VG, (16)

A Shew Xit Mahogany Gate Strut Folding Camera, quarter plate, with an Aldis lens, focusing lever, Bausch & Lomb shutter, body F, with three double dark slides

An Edwardian Oak Barley Twist Gate Legged Dining Table, 92cm Wide

An Edwardian Oak Gate Legged Drop Leaf Dining Table with Carved Border, 106cm Wide

An oak barley twist gate leg table

A 1920s starting pistol CONDITION REPORT: Trigger half snapped. Missing loading gate trigger cover. Not locking, trigger sear gone

A 9ct gold gate bracelet.Approx 20g

A 9ct gold gate bracelet, approx 12.6g.

An early to mid 20th Century oak twist gate leg dining table

An early 20th Century mahogany gate leg table

Thomas Koether (New York, Florida / Europe, Australia Born 1940) Large Abstract Painting. Size: 38 x 51 in. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness ? landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France

Thomas Koether ((New York, Florida / Europe, Australia, Born 1940) Large Abstract Painting, with exhibition label verso. Sight Size: 32 x 41 in. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness ? landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida / Europe, Australia) Abstract Painting. Size: 9.5 x 12.5 in. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness ? landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (NY, FL, Europe, B. 1940) 1986 "Red Rocks Quarry" Exhibited Oil on Paper painting. With original exhibition label verso. Overall Size: 19.5 x 24 in. Unframed. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France

Joseph Pennell (1857 - 1926) "Hell Gate Bridge" New York. Pencil Signed and titled in lower margin. Pennell was a member of the New York Etching Club and author of "Lithography and Lithographers, 1900; The Authorized Life of J. McN. Whistler (with Mrs. Pennell, 1910; and Pictures of War Work in America, 1918. He also illustrated a great number of books and was a contributor to the leading magazines of his day. Image Size: 8.25 x 10.75 in. Overall Size: 16.25 x 20 in. Unframed.

Clifton Wheeler (Indiana, 1883 - 1953) Oil on board painting of a winter landscape. Signed lower left. Label verso. Sight Size: 10.25 x 11.75 in. Overall Size: 15.25 x 17 in.Exhibitions: 1921 Cincinnati Museum 1936 First National Exhibition of American Art, International Building, Rockefeller Center, New York 1937 John H. Vanderpoel Art Association Annual Exhibition, Beverly Hills and Chicago 1939 Golden Gate International Exposition 1940 World's Fair, Galleries of Science and Art, New York City also exhibited at Carson, Pierie and Scott, Chicago (solo); Hoosier Salon Chicago and Indianapolis (repeatedly); Hudson's, Detroit; Indiana Artists Club; L.S. Ayres & Co., Indianapolis; Carnegie Annual Exhibition; Pennsylvania Academy of the Fine Arts Annual Exhibition, Philadelphia.

Max Pollak (California, New York / Austria, 1886 - 1970) Etching Titled "New York: Wallstreet". Pencil signed and numbered (43/150) in lower margin. Pollak exhibited at the Golden Gate International Exposition in 1939 and the California Palace of the Legion of Honor in 1940. He won California Society of Etchers awards in 1942, 1944, and 1945, as well as a Chicago Society of Etchers award in 1942. He continued to travel nationally?to Cincinnati, New Orleans, Chicago, and the east coast?and abroad to Guatemala and Mexico. Finally, Pollak settled in Sausalito, CA. Max Pollak's artworks are held in a number of important collections, including the Achenbach Foundation for the Graphic Arts in San Francisco, the British Museum, the Fine Arts Museums of San Francisco, the Freud Museum in London, the Judah L. Magnes Museum, the Metropolitan Museum of Art, the New York Public Library, the Oakland Museum, Princeton University, and the Smithsonian American Art Museum.Image Size: 13.5 x 4.75 in. Overall Size: 23 x 16.25 in. Framed behind glass. (JR1)

Plaque comes with research papers. Sergeant Frank George Stephens was born in Sebastopol, Victoria in 1897 and enlisted 18/8/1914, serving in ‘A’ Coy, 8th Bn. Served Gallipoli in 2nd wave of the 25th April landings, being wounded by shrapnel wound to the foot 4/5/1915, 11 days later being wounded in the right shoulder. Returned to ‘base’ June 1915, so most likely he would have been present with the 8th Bn in their attack on Lone Pine in August. On 18/8/1916 promoted Lance Corporal, temporary Sergeant on 21/6/1917 and Sergeant on 16/8/1917. He was mentioned in despatches for participation for a successful raid on enemy trenches on 30/9/1916 – Signed Major General H. B. Walker. Wounded 26/11/1916. Killed in Action 4/10/1917 during the Battle of Broodseinde, Belgium and has no known grave, being commemorated at The Ypres (Menin Gate) Memorial (Panel 7).

An Oil on canvas of cow gate foot, Edinburgh, indistinctly signed, dated 86, a/f.

An Edwardian silver Albert with T-bar and two clasps by Henry Pope, Birmingham, 42 cm; a silver Albertina with tassels, 50 cm; a silver gate-link bracelet, both with London import marks and two Middle Eastern white metal filigree globular earrings (one damaged) with enamel decoration. Gross weight 104g

Gold six bar gate bracelet, hallmarked 9ct, approx 14.9gm Condition Report Click here for further images, condition, auction times & delivery costs

Early 19th century oak oval drop leaf table, barley twist gate action supports, 150cm x 105cm, H73cm Condition Report Click here for further images, condition, auction times & delivery costs

18th century oak dining table, oval drop leaf top, gate-leg action base, turned supports connected by stretchers, single drawer to end, 1223cm x 130cm, H67cm Condition Report Click here for further images, condition, auction times & delivery costs

Large 19th century wrought metal estate gate, scrolled top, W263cm, H211cm Condition Report Click here for further images, condition, auction times & delivery costs

9ct gold twisted gate bar bracelet & lock.Gross weight approx 7.5g

A Church style small bookcase together with various old books which includes The new gate calendar, Murrayfield golf club, Irish Melodies and History of British India

A 9ct gate link bracelet.

An oak gate-leg drop-leaf table, 140 x 75 x 76 cm

Album of World War photographs belonging to Corporal Basil Ward, Durham Light Infantry, includes a few photographs and postcards from Egypt and Italy but is mainly of service in Germany immediately post war particularly of Berlin, showing the aftermath of the battle there, damaged German and Russian armoured vehicles, battle damaged land marks such as the Reichstag building, Brandenburg gate, Franco Prussian War Victory Column, etc, also photos of the Allied Victory parade in Berlin of British, Russian and American troops, loose photos also included, a fascinating collection of historical photographs, together with a small brass ashtray with a 'Berlin Bear' in the centre and the legend, 'A Souvenir of Germany 1945'

A 9ct gold gate link bracelet approx 26.6 grams, approx 17cm long, in good condition

A 9ct gold gate link bracelet with padlock clasp - approx 16cm long, approx 13.7g - in good condition

A 9ct gold gate link chain bracelet, approx 17cm long, approx 18.6g

A 9ct gold gate link bracelet - approx 19 grams - chain broken

14ct Gold Large Gate Bracelet with round spacers & pierced diamond pattern gates, Austrian touch marks 585, approx. 7 1/2" L x 1 1/2" W

9ct. Gold Gate Link Bracelet with heart shaped padlock clasp

Hummel Figurines: Boy on gate No. 112 1936, Girl on gate, 'First Bloom' & Girl Holding Christmas Tree (4)

An Oak gate leg Dining Table having turned legs, trinket drawer, the top 42" x 16 5/8" extending to an oval 60", approx. 29 1/4" high.

Pair of Reconstituted Gate Pillar Ball Finials, 29cms x 29cms x 40cms high

Early 19th century Mahogany Gate-leg Table, the Square Drop Flaps with Reeded Edges, raised on Square Tapering Legs with Spade Feet, 114cms x 150cms (flaps up) x 72cms high

Two silver gate bracelets, an agate set pendant, a medallion, a coin pendant and three chains

English School, (19th century), 'The Parting', figures and horses by a garden gate, oil on canvas, 27 x 39cm

A 9 carat tri-colour gold gate bracelet, with a hinged clasp, 16cm long

A Waddingtons made ' Dark World ' fantasy war gaming / Warhammer style game ' Dragon's Gate '. Presumed (and appears) complete, including the instructions. Unchecked by us. Boxed. Rare game. 

Twelve Brocklehurst Whiston Macclesfield silks, to include The Goods Wharf, The Spinning Wheel, The Wizard, The Hanging Gate, Gawsworth Hall, Sailing of the Mayflower 1620 and similar Est £40 - £60

A 9ct rose gold gate bracelet with assorted charms and earrings, total weight 20g. S/D.

A 9ct hallmarked gate link bracelet terminating in heart shaped padlock clasp, weight 17g.

A 9ct rose gold three bar gate bracelet terminating in padlock fastener, with a 9ct open work St Christopher and chain, total weight 24.5g. (2)

A collection of OO gauge Hornby Dublo items, mostly pre-nationalisation, including three coaches, ten assorted items of rolling stock, two footbridges, and a selection of other accessories including a tunnel, buffer stops, loading gauges, points, track, etc, with a Wardie models gate, majority boxed.

Group of three 18th century Japanese woodblock prints by Suzuki Harunobu. One depicts two ladies in the snow by a gate; another depicts two women in the snow under an umbrella, c. 1766-1767; the final print is "The Clear Day Mountain Wind of the Fan," c. 1766. Excellent examples of Haronobu's popularization of Nishiki-e, or full-colored brocade prints. Dimensions: Snow with gate; height: 14 1/8 in x width: 9 3/4 in. Women with umbrella; height: 8 1/2 in x width: 5 7/8 in. Clear Day; height: 11 in x width: 8 3/8 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email lia@revereauctions.com with any condition questions.SKU: 01171Follow us on Instagram: @revereauctions

An Edwardian mahogany gate leg table

A 1920's light oak barley twist gate leg table

A Leica IIIc Betriebsk-Kamera No.11 Chassis, engraved to rangefinder housing 'Betriebs-K No.011' and above film gate 'Betriebs.-Kamera No.011''

18CT YELLOW GOLD GATE LINK BRACELET, with safety chain, the concealed clasp stamped "02VI 750 OVP MARCHIO DEP", approx 27.7grams

A 9ct gold gate link bracelet, 4gms

Music autograph collection Alice Cooper signed magazine page, Manhattan Transfer signed by 2, Golden Gate Quartet signed by all band members, James Last signed inside Last Tour Programme, Slade band members signed on irregularly cut magazine pages. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

WILLIAM MELLOR oil on canvas, a pair - flower picking lady in woodland and grazing sheep by gate, 28 x 19cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Original cast iron GWR gate notice sign