BOXED TRIANG RAILWAY ITEMS including R560 Crane Truck, R248 Ambulance Car, R78 Girder Bridge, R52 Tank Loco, R75 Water Tower, R16 Brake Van, R12 Tank Wagon, R10 Goods Truck, R72 Gate Keepers Truck, R88 Water Crane, R63 Platform Units, R71 Footbridge, boxed track etc. Also with a boxed D1 Hornby Dublo Signal Cabin, unboxed die cast toys (Lesney etc), plastic animal figures (Britains etc), Dinky Toys 053 Miniature Figures box (with 10 assorted figures, originally should be 6) etc.
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A collection of 9ct gold and yellow metal jewellery to include a 9ct Albert chain with T bar, length approx. 16'', a gate bracelet, faceted belcher chain, Figaro chain and cross, curb bracelet and GG pin, with a combined total gross weight approx. 67.7gms along with a gilt metal seal fob and ribbon, gold fronted brooch and pendant 1 bag
A GARNET SET BRACELET, the Victorian circular panel centred with a cluster of oval and circular mixed-cut garnets in foil-backed settings, with ropetwist and beaded borders, glazed verso, on a later gate-link bracelet stamped '9ct', (one pink stone later replaced), panel diameter 3.7cm, length 17cm
A COLLECTION OF JEWELLERY, comprising a 9ct gold Latin cross pendant, engraved with foliate scrolls, on a paper-link chain, a 9ct gold gate-link bracelet, a fancy-link identity bracelet, stamped '9ct', a single ear pendant, a 22ct gold wedding band, a half pearl set bar brooch, and three stick pins, (half pearl untested for origin), first pendant length 3.9cm (9)
AN AMETHYST AND HALF PEARL PENDANT, the sinuous openwork panel centred with an oval mixed-cut amethyst and suspending a pear-shaped amethyst drop, with half pearl accents, stamped '9', accompanied by a gate-link bracelet, with 9ct gold padlock clasp, and a pair of ear hoops, (half pearls untested for origin), pendant length 4.5cm (3)
Late 19th century Remington single-shot Vest Pocket Derringer pistol, .41 calibre (obsolete), patent October 1st, 1881-November 15th, 1861, one-piece polished steel barrel and chassis with blued steel cocking hammer and rear hinged loading gate rifled barrel raised foresight, with stained walnut two-piece grips, overall length 5.5" Belgium proof marks
A JAPANESE ORIBE WARE KUNDIKA MEIJI PERIOD OR LATER, 19TH OR 20TH CENTURY The tall body decorated in underglaze blue with a mountainous river landscape, one side with a torii gate before a multi-storey pagoda and with two small boats sailing in the distance, the shoulder, neck and spout decorated with an unctuous green glaze dripping down the body, with old gold lacquer restoration to the neck, 39cm.
A JAPANESE WOODBLOCK PRINT TRIPTYCH, UKIYO-E EDO AND MEIJI PERIOD, 18TH AND 19TH CENTURY The original by Toyokuni III / Kunisada (1786-1864), on three detached leaves and depicting beauties and children celebrating New Year at the Echigoya clothing store, with Mount Fuji visible in the distance; together with two other woodblock prints, one of a beauty gazing at her reflection in a small mirror by Ryuryukyo Shinsai (1764-1820) and the other of two women standing at a gate with children by their side, unsigned, 36cm x 24.8cm max. (5) Provenance: gifted to the current owner by Brian McElney Esq., founder of the Museum of East Asian Art, Bath.
LADDERAX MODULAR LOUNGE SYSTEM, circa 1960s designed by Robert Heal for Staples, 201cms H, 429cms L (as shown), 40.5cms max item depth comprising 7 uprights, 1 x three drawer chest, 2 x cupboard units with sliding glass or wood panel doors, 1 x drop-down front unit, 20 various shelves, drop-leaf gate-leg dining table and one hide seated chair
A 9ct gold door key, London 1966, together with a 9ct gold five row gate bracelet, with alternating twisted and plain bars, to a heart shaped padlock clasp and safety chain, London 1988, and a 9ct gold propelling pencil with engine turned decoration, marked 'Bakers major pointer', Birmingham 1965 9ct gold key and bracelet - 13.30g total
PAIR OF KAKIEMON BLUE AND WHITE VAN FRYTOM STYLE DECAGONAL DISHES, EDO PERIOD, 18TH CENTURY each painted with a view of Scheveningen, the bases with fuku seal marks, 15cm wide Note: the view shown on this plate has traditionally been referred to as Deshima Island (near Nagasaki), which was the V.O.C. headquarters in Japan from 1641-1862. However, it is now thought that it depicts the Dutch coastal town Scheveningen, possibly inspired by a Delft plate by the well-known pottery painter Frederick van Frytom (1652-1702). For a comparable dish from the Groningen Museum, see Jorg, C., Fine & Curious, 2003, no.309. A smaller bowl was excavated at Deshima (Arita 2000, no.73). The Kyashu Ceramic Museum in Arita dates the fuku mark such as those on the present dishes to c.1680-1700. This decoration seems to appear both on contemporary and Japanese porcelain. It is widely published as being of the Deshima Island in the Nagasaki city - not the wet and grassy pasture as on this picture. It is highly likely though that the plate is made by Dutch order and even more likely is that a close previous pattern presented to the Japanese or Chinese might have been a Dutch tile - flies. For a background we need to remember that Japan was first visited by westerners in 1543 and in 1549 targeted by the Jesuit missionary Frans Xavier as the key to the Christening of the closed China. The small fishing village of Nagasaki soon grew to a city with 30,000 inhabitants thanks to the westerners activities. During the course of time the Japanese well founded doubts in the intents of the smelly foreigners insulted in the Dutch traders being confined to a small man made island - Deshima Island - in the Nagasaki harbor. From this the profitable trade with Japan was continued by the Dutch despite a massive distrust. Against this background it is understandable that the decoration of this plate have been supposed to be depicting this important trading station. Unfortunately this does not fit with the reality. One place in the world - also with strong Dutch connections - which does look like this is the city of Gothenburg on the Western coast of Sweden. Gothenburg was built as a trading station by the Dutch on much the same plan as "Batavia" or nowadays Jakarta and actually also "New Amsterdam" - today better known as New York. Everybody familiar with Erik Dahlbergs important Swedish prints collection Suecia Antiqua et Houdierna depicting all cities and building of importance in Sweden by the end of the 17th century, will recognize the central part of the print of the city of GOTHEBORG, published in 1709. Even the cow being lead on a leash by a farmer is present. The odd structure in the left top middle on the plate would then be the Kvarnberget wind mill and the gate in the middle match and explains the main city entrance - The Kings Gate - facing South to "Danska Vagen." The curious and unexplained "half houses" on the dish appears exactly the same on the print by the simple reason that on the print, they have their lower part hidden behind the city walls.

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