A Chinese Vung Tao Cargo blue and white porcelain mustard pot and cover with lion knop finial, Kangxi period, of globular form with loop handle, painted with a uniform design of flowers and leafy scroll stems, cut notch to rim, height 9.4cm, bearing partial Vung Tao Cargo label to base (handle repaired). Note: the cut notch providing room for the mustard spoon was undertaken after firing due to a miscommunication between merchant models and the Chinese potters. The fact that these pots occur in the Vung Tao Cargo with their rims already cut is proof the cutting was not done by the buyer in Batavia or The Netherlands, but prior to leaving China.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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Two Chinese ink wash paintings on paper, in the style of Qi Baishi, one depicting shrimps, 62cm x 29.5cm, the other with crabs, 134cm x 33.5cm, together with another Chinese scroll painting (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese pale celadon jade page turner, late Qing dynasty/20th century, carved with scroll end, length 19.2cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of thirteen Chinese wood stands, late 19th century or later, including a small circular stand with pierced apron, diameter 5.6cm, two circular stands, each with carved and pierced apron on five scroll legs, diameters 11.7cm and 10.6cm, and a screen stand with pierced panels, height 12cm, sizes ranging from 5.5cm diameter to 16cm length.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese spinach green jade fan shaped panel, early 20th century, carved in low relief with pavilions in a mountainous coastal landscape, length 19.5cm, within a hardwood rectangular frame with carved and pierced bat and scroll borders, length 29.2cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese jade censer and cover, 20th century, the squat circular body flanked by carved elephant handles, on three carved mask shouldered scroll legs, the domed cover with Buddhistic lion finial, the stone of greyish pale celadon tone, height 16.7cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese hardwood low table, early 20th century, the rectangular panelled top above a pierced scroll apron and short legs, length 76.5cm, height 28cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese pale celadon jade 'scroll' carving, one side with a flowing prunus tree on a 'brocade' ground and the other side with incense clouds issuing from a tripod and a flying crane above, 8cm high x 6.5cm wide x 1cm deep青白玉书卷形镇Condition Report: in good condition Condition Report Disclaimer
A Chinese blue and white kendi, the globular body decorated with sprays of chrysanthemum and peony, below a prunus scroll at the shoulder, 24cm high; and a blue and white kendi, of elephant form, the tall neck rising from a ruyi band set atop a fringed blanket decorated with qilin, the elephant's head turned upwards and the truncated tusks forming the double spout, the base inscribed with a six-character zhengde mark, 22.5cm high (2)青花"大明正德年制"军持等两件Condition Report: Extensive wear and loss to the glaze, the elephant-form kendi drilled for TL testCondition Report Disclaimer
A Chinese blue and white jar, 18th century, of squat ovoid shape, the exterior painted in the Ming style with dense leafy lotus and peony scroll below a collar of lingzhi around the shoulder, 31.5cm high Provenance: Formerly in a private German collection 清18世纪 青花缠枝莲纹太白罐拍品来源：德国私人收藏Condition Report: Scratches to the surfaceCondition Report Disclaimer
An attractive large pair of Chinese Famille Noire 'Temple' vases and covers, Qing Dynasty, 19th century, enamelled in green with a composite floral scroll surrounded by dense scrolling leaves, all against a black-enamelled ground, approximately 62cm high (2) Provenance: The Property of an English Gentleman Compare with a similar single vase with metal mounts, sold Christies, New York, The Tibor Collection, 10th April, 2019, lot 99 ($10,000) and by repute a similar pair was sold at Dukes auctioneers, house contents sale c.2007 (£12,500). 清十九世纪 绿地墨彩缠枝花纹大罐一对拍品来源：英国私人绅士收藏，类似大罐于2019年佳士得曾拍出10000美元的价格 Condition Report: both with some restoration to rims of each vaseCondition Report Disclaimer
A Group of Chinese Blue and White Porcelain , 18th century and later (6) including , two dishes three cups and one tureen on stand . The largest dish painted with landscape, Ex Helen Espir collection Nr.59, 23cm diameter. One smaller dish cafe au lait decorated on the inside with flowers and a beehive pattern scroll at the rim with four panels of flowers , Three coffee cups two painted with landscapes and one with a shepherd and three goats and gilt rim , on the base a label from Robert McPherson, 6.5cm high , a tureen with a stand painted with flower patterns
Chinese School, Qing Dynasty, a hunting scene, ink and colours on silk, scroll, picture size 153cm high x 78cm wide Provenance: Private collection of a Gentleman, inherited from his father having been in the family, by repute, since at least the 1960's. 匿名（清）《狩猎图》 设色纸本 卷轴拍品来源：英国私人收藏，现藏家父亲购自上世纪六十年代Condition Report: some creases and minor marks and stains surrounding paper borders with tears and lossesCondition Report Disclaimer
A large Chinese bronze heavily cast Guardian figure, Ming Dynasty, with traces of gold and red lacquer and blue details to the hair, the standing robust deity dressed in full military regalia, his rotund stomach shield by a large taotie monster mask secured by belts above and below the belly, the back further tied with a sash edged with a lotus scroll pattern, worn over trousers and boots with inverted monster masks, his left arm raised holding a stupa, his right hand at his side with his index and little finger pointed downward, his full face with a menacing stare framed by an elaborate, draped with a long flowing scarf around the entire body, 38cm high, wood stand and overall height with stand 43cm, approximately 6,000 gramsProvenance: The property of a Gentleman. 明 铜红漆泥金天王像拍品来源：欧洲私人绅士收藏Condition Report: the lacquer and gilding worn and with losses with agemodern wood stand with chip to woodCondition Report Disclaimer
A large Chinese blue and white oval cistern, Qianlong, set at either end with a high relief lion mask handle, painted around the exterior with an exotic bird perched on one leg beside rocks and peony, the interior also painted with peony, complex scroll, trellis and floral borders, approximately 47cm long x 25cm high x 36.5cm deepProvenance: The property of a private English collector, purchased by the current owner at Lawrence's of Crewkerne, Somerset, in c.1990 (£4,180.00) 清乾隆 青花花鸟纹大盆拍品来源：英国私人收藏，现藏家于约1990年以4180镑购自英国Somerset郡Lawrence'sCondition Report: restored around footCondition Report Disclaimer
A Chinese blue and white jar, probably Guangxu or Republic, painted with four panels of flowers, scroll borders, with six character Jiajing mark within double circle, 12.7cm high 青花"大明嘉靖年制"款莲花纹罐Condition Report: very minor firing blemishes to rim and foot but overall goodCondition Report Disclaimer
A pair of Chinese blue and white bottle vases, underglaze blue Guangxu-six character marks, the bulbous bodies painted in the 15th century style with a broad band of composite foliate scroll above a petal lappet band and classic scroll on the foot, with further foliate scroll above a ruyi band on the shoulder and upright leaves rising from a band of key fret on the neck below a wave band at the flared mouth, both drilled through marks, the vases approximately 34cm high, adapted as lamps (2) 青花"大清光绪年制"瓶一对 Condition Report: both drilled through six-character marks to bases and adapted as lamps Condition Report Disclaimer
A Chinese bronze incense burner,Qing dynasty (1644-1911), of tapering form with a flared mouth, on three scroll feet, Buddhist lion handles, six-character Xuande seal mark within a recessed rectangle to base,14cm diameter7.5cm high, 818g, on a hardwood stand (2)清 铜铸铺首耳三足香炉 《大明宣德年制》篆书模款 连木底座Condition report: 818g. Surface scratches and very minor dents.
A Chinese bronze vessel, Ming dynasty (1368-1644), the globular body of oval sections, standing on a tall pierced pedestal foot, and tapering to a waisted ribbed neck and flared rim, decorated with taotie masks in gold and silver against a leiwen ground, between flat scroll flanges, the shoulder applied with ox heads, 34.5cm high, 5kg明 铜错金银牛头尊Condition report: 5000g.Surface scratches. Knocks to edges. Signs of verdigris. Some inlaid missing.
A Chinese agate snuff bottle,Qing dynasty (1644-1911), of tapering form, carved with a phoenix by a blossoming peony branch, the reverse with a butterfly and magnolia, on a jade scroll stand, overall 11.5cm high (2)Provenance: The Peter and Pat Crofts Collection.清 玛瑙雕凤凰牡丹图鼻烟壶Condition report: Snuff bottle glued to the stand. Minute chips to rim. Metalwork of stopper dented. Stand with surface scratches and small chips to edges, the base with three holes.
A Chinese hanging scroll,late Qing dynasty, painted with bamboo by rocks, signed with two artist's seals, inscribed and dated year of bingzi, ink and colour on paper,115 x 40.5cm清晚期 墨竹图 设色纸本 立轴Condition report: Mounting with creases, foxing and stains. Wood bar with chips and scratches.A large tear to the upper left with tape to the back. Creases throughout. Signs of holes with old repairs.
A Chinese hanging scroll,of a lady putting a flower in her hair, inscribed with dedications and signature of Zhang Daqian with artist's seals, ink and colour on paper,132 x 59cm张大千款 簪花仕女图 设色纸本 立轴Condition report: Creases and cockling throughout, stains and dirt marks, some paint losses. The mounting paper with foxing and stain marks throughout the back.
A Chinese hanging scroll,of literati in a pavilion among pine trees and a snowy landscape, inscribed with the signature of Pu Ru and two artist's seals, ink and colour on paper,135 x 67cm溥儒款 楼台雪景 设色纸本 立轴Condition report: Creases to the mounting, paper cockled, some ink marks in various locations. A small hole to the left-hand side.
A Chinese hanging scroll,of an eagle, with a dedication and signature of Xu Beihong with three artist's seals, ink on paper,59 x 97cm徐悲鸿款 鹰 水墨纸本 立轴Condition report: Mounting with foxing and small tears to edges. A hole to the upper left corner. Cut off to the lower section.Paper cockled with creases, stain and foxing marks.
A Chinese boxwood panel, 19th century, pierced and carved with figures in a rocky landscape, 19cm long, and a boxwood guanyin, standing wearing a long robe with a scroll in his left hand, 18cm high (2)Condition report: Panel - Splits and chips to edges. A small split to the pavilion. Guanyin - a small chip to the tip of hair knot. Fingers of right hand, left toe and right foot chipped and missing.
A Chinese hanging scroll, of calligraphy 'Xue Yuan Dong Liu', with a dedication and the signature of Lao She, ink on paper, 82 x 36.7cmCondition report: Mounting tired, repaired, tears and stains in various locations. Paper very fragile, cracking and brittle, very likely to come apart. Taped to the back of lower section.
A Chinese hanging scroll, in the style of Li Sixun, painted with a pavilion in a mountainous landscape, ink and colour on silk, 105.5 x 57cmCondition report: Tears and holes with old repairs, some losses to edges, possibly cut down. Fabric mounting with stains. Paper cockled. One roller end chipped.
A Chinese export famille rose charger, 18th century, painted with a landscape surrounded by the Eight Daoist Immortals, 35cm diameter, and a soup bowl, similarly decorated, 23.5cm diameter, another charger, painted with a vase and a scroll among peony and other flowers, 35.2cm diameter, and an octagonal bowl, with peony and a blossoming prunus tree, enclosed by panels of precious objects, 29.3cm long (4)Condition report: Landscape charger - rim and foot rim chipped. Soup bowl - rim chipped and cracked. Floral charger - minute chips to foot rim. Octagonal bowl - no obvious faults.
A Chinese jade moon flask,mid-Qing dynasty, the compressed circular body rising from a flared rectangular foot, flanked by a pair of scroll handles, well carved in low relief on each of the broad sides with a blossoming tree above rocks, the stone of mottled pale greyish-white tone,12.2cm highProvenance: Acquired by the vendor’s late great grandfather, who was in China c.1900, and thence by descent.清中期 青白玉雕洞石花卉纹抱月瓶Condition report: Small chips to edges and foot rim. Natural streaks to sides.
After Qi Baishi (Chinese, 1864-1957). Chinese scroll painting in ink on paper of bamboo, depicting two hanging branches that stretch across the hanging scroll in the shape of a loose, sinuous ìSî. Although both branches are constructed with almond-shaped, wet splashes of ink, the artist has used two distinct tonalities of ink to give the impression of depth. Signed with two seals of the artist.Provenance: Charlotte Horstmann & Gerald Godfrey Ltd, Hong Kong, China 1987; Collection of Bruce Dayton & Ruth Stricker Dayton, Minnesota.Sight; Height: 64 1/2 in x width: 19 1/4 in. Framed; Height: 65 1/4 in x width: 20 1/2 in.
A Satsuma rectangular teacaddy and coverBy Kobaien, Meiji era (1868-1912), late 19th/early 20th centuryPainted in enamels and gilt, each face with a different scene, one with Fugen Bosatsu (Samantabhadra) reading a scroll seated on a white elephant, another with Monju Bosatsu (Manjusri) on a shishi (Chinese mythical lion), separated by two panels of birds and flowers, one with a peacock perched on a pine tree and the other with a white egret wading in a river, the domed cover decorated with a prancing kirin amidst stylised foliage, a removable en-suite inner lid, signed in gilt on the base with an almost entirely obliterated signature Kobaien with a kao; with a square wood stand. 12.7cm (5in) high. (4).For further information on this lot please visit Bonhams.com
HASEGAWA MASAHARU (CHIGYU, 1913-1993)Showa era (1926-1989), mid/late 20th centuryKakejiku (hanging scroll), ink on paper in silk mounts, inscribed with three Chinese characters probably reading Daishogun (Great General), signed Chigyu sho and sealed Masaharu and Chigyu; with a plain wood storage box and outer sleeve. Overall: 194.5cm x 50.8cm (76 9/16in x 20in); image: 134cm x 33.2cm (52¾in x 13 1/16in). (3).Footnotes:Provenance:A distinguished private collection.Hasegawa Masaharu, who served two terms as Major of Muroran City in Hokkaido, was a member of the Mainichi Newspaper Company Calligraphy Exhibition Committee. He continued to create calligraphies with his left hand even after his right arm was paralysed by a stroke.For further information on this lot please visit Bonhams.com
SENGAI GIBON (1750-1837)Edo period (1615-1868), early 19th centuryMonju Bosatsu (the bodhisattva Monju) riding a lion, kakejiku (hanging scroll), ink on silk in silk mounts, with a 16-character Chinese inscription above: How can one encompass the vastness of life? Do not fall into evil ways but remember that excessive obedience to the rules ends in breaking the rules, too much knowledge ends in ignorance, signed and sealed Sengai at right; the jikusaki (scroll ends) of ivory, with a wood tomobako storage box inscribed outside Sengai Zenshi bokuseki Monju Daishi no zo daichi muchi (Ink painting of Monju by Zen Master Sengai, 'Too much knowledge ends in ignorance') and signed and sealed inside by the economist and collector Awakawa Yasuichi (1902-1977). Overall: 168.5cm x 47.7cm (66 5/16in x 18¾in); image: 88.5cm x 31cm (34 13/16in x 12 3/16in). (2).Footnotes:Provenance: Purchased from S. Yabumoto, Tokyo, 1975.A distinguished private collection.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Nine fuchi-gashira (hilt collars and pommels)Edo period (1615-1868), 18th to 19th centurySeven of shibuichi, one of shakudo, and one of copper, decorated in a variety of chiselling and inlay techniques, the first with masked dancers in shojo (drunken sprite) roles, signed Tsunenao with a kao; the second with Raijin the Storm God in clouds and a group sheltering from the rain, signed Goto Kojo; the third with a tengu-masked armed retainer of Sojobo the Tengu King and a group of men carrying a palanquin, signed Hisamitsu with a kao; the fourth with the race across the Uji River, signed Nara Naoyoshi tsukuru (Made by Nara Naoyoshi); the fifth with the same subject; the sixth with two mounted figures and a bridge; the seventh with the Chinese warrior Hankai with a broken-down door under his arm making a dramatic entrance at the Komon Banquet, signed Saiunken Katsutoshi with a kao; the eighth with the Rashomon demon racing away in a cloud carrying its severed arm and the hero Watanabe no Tsuna, with signature Mito no ju Michitoshi saku (Made by Michitoshi of Mito); the last with Chinese heroes of the Three Kingdoms reading a scroll, with signature Joi and stamped number 53. (18).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Six fuchi-gashira (hilt collars and pommels)Edo period (1615-1868), 18th to 19th centuryThree of shibuichi and two of shakudo nanako, decorated in a variety of chiselling and inlay techniques, the first with monkeys and young and persimmon trees, signed Yamagawa Takatsugu (d. 1882) and Shigetaka with a kao; the second, a rat and hanging scroll and rats and a fan, with signature Yasuchika; the third, the kashira with rats and rice plants, the fuchi with sparrows, signed Ishiguro Masatsune with a kao; the fourth with a tiger and butterfly, signed Seishinsai; the fifth with dragons, clouds, and raging seas, signed Nagamitsu with a kao; the fuchi of shibuichi with peonies on a basketwork ground; the kashira of shibuichi with a spotted shishi (Chinese mythical lion). (12).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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