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A RARE CHINESE BLACK GROUND AND GREEN ENAMELLED DISH, SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 The shallow body with gently flaring sides, painted to the well with a central roundel depicting delicate flowers, lingzhi fungus and fruiting berry sprays emerging from rockwork, decorated to the rim's reverse with a continuous scroll of lotus flowers and foliage, 20.9cm. Provenance: from a private collection in Nottinghamshire, formed in the 1970s and early 1980s. 清乾隆 墨地綠彩花卉碟 《大清乾隆年製》青花篆書款 來源:諾丁漢郡私人收藏,1970-1980年間收藏
A RARE CHINESE GILT BRONZE INCENSE BURNER AND COVER, DING, 18TH CENTURY The rectangular body raised on four scroll-ended feet, with a flange to each corner and with two upright strap handles decorated with chevrons, cast in high relief with panels containing small birds and insects with prunus, pine, lotus and chrysanthemum, all encircled by inscribed leaf designs, the cover depicting elaborate peony flowers and with a Buddhist lion dog forming the finial, 18cm high. (2) Provenance: the property of a Lady of title. Cf. Sawasa, Japanese Export Art in Black and Gold 1650-1800, p.105, where a related incense burner is illustrated. 十八世紀 銅鎏金獅鈕香爐鼎 來源:貴族夫人收藏
A PAIR OF CHINESE FAMILLE ROSE BOTTLE VASES, 19TH CENTURY Each decorated with a stylized lotus scroll, with peaches, other flowers and leafy tendrils and with bats and ruyi-heads beneath the rim, the foot with formal stiff lappets and a blue key fret design, the interiors and bases glazed turquoise, each with an iron-red six character Qianlong seal mark, 33.5cm. (2) Provenance: an English private collection, Surrey. 十九世紀 黃地粉彩纏枝蓮紋瓶 一對 《大清乾隆年製》礬紅篆書款 來源:英國塞里私人收藏
A Chinese Ming dynasty gilt bronze square seal With suspension loop; together with a Chinese Ming dynasty gilt bronze archaic style ram, possibly a scroll weight, seal mark to base. 2.5 cm and 2.5 cm high respectively. (2) CONDITION REPORTS: Both generally in good condition, expected wear, some surface rubbing.
A good Chinese gilt-metal filigree and enamel vase and cover A good Chinese gilt-metal filigree and enamel vase and cover, early 19th century or later, the inverted baluster body with a confronting dragon to each side and the fine scroll ground inset with hard stones, the cover with lotus leaves and flowers, 31cm high -1 十九世纪早期或更晚 鎏金累丝花瓶
A Chinese carved and polished grey agate ewer of archaistic form. With incised triangle band around the rim and with scrolling handle formed as a mythical beast. Ornamented to the spout with a C scroll supporting a separately carved circular loop. Raised on a spreading ovoid foot, 15cm long. Condition Report. To be used as a guide only. No chips or cracks.
19th century AD. A scroll with series of Chinese characters painted onto silk and attached to a paper background; wood pole at the bottom to weigh open when hung; cotton tie to the top. 259 grams; 193 x 50cm overall, 135cm for central panel. (76 x 19 3/4"). Property of a North East Essex collector; acquired in the 1980s. [No Reserve]
BY OR AFTER QIAN WEICHENG (1720-1772) An extensive mountain landscape, the foreground with a group of buildings nestled amongst trees beside a river and bridge, beyond this two scholars are seated in an open pavilion under rocks, above a deep ravine divides the composition with further mountains beyond, signed, sealed, dated and inscribed, ink and colour on paper, 145cm x 48.5cm; mounted as a hanging scroll The right inscription, signed Chashan, mentions a painting in the residence of the Grand Councillor Yu Minzhong (1714-1799) in the style of the Four Masters of the Yuan Dynasty which inspired the artist. The left inscription, signed Weicheng and dated Winter 1766, discusses a plan to give the picture to his brother the following year. Qian Weicheng was a leading Orthodox School painter of the 18th century. He had a distinguished official career, rising to the rank of Vice President of the Board of Works. At the same time the Qianlong Emperor considered him to be one of the outstanding painters of the age. In over twenty years service at court he produced more than 275 paintings for the Emperor. The reference in the inscription on the right of this painting to Yu Minzhong (1714-1799) is interesting. He was a contemporary of Qian Weicheng in the court of Qianlong and several extant works by the artist are inscribed by him. Provenance: An Important Private Collection of Chinese and other East Asian Art.
TANKE GESSEN (1721-1809) 'Shoshi san' en no zu, Gessen-ga' (pine trees, three gibbons) signed Gessen, and sealed Shozan sha and Jakusho shujin, ink on silk, 91cm x 37cm; mounted as a hanging scroll with a patterned silk border in an inscribed softwood box Gessen is recorded in Roberts 'Japanese Painters' page 31. He was a priest and resided at the Jakusho-ji Temple, whose 'mountain name' is Ei-Shozan, Ise. Provenance: An Important Private Collection of Chinese and other East Asian Art.
KISHI CHIKUDO (1826-1897) 'Fuyu' (Winter), the scene depicting a wolf in winter moonlight between two trees, signed Chikudo and also with collectors seal, ink and colour on silk, 116cm x 42cm; mounted as a hanging scroll with a patterned silk border, in a softwood box Kishi Chikudo was a leading Meiji painter who was appointed as an Imperial Craftsman. A comparable painting of a howling wolf in the moonlight is in the collection at the Shiga Prefecture Museum of Modern Art (J-114). Provenance: An Important Private Collection of Chinese and other East Asian Art.
A CHINESE FAMILLE ROSE BLACK-GROUND SMALL DISH finely potted with gently-rounded sides, the exterior decorated with four different types of flowerheads amongst further flowers and leafy tendrils, all reserved on a black ground, the foot with a scroll band, the base with a six-character Yongzheng mark within a double circle in underglazed blue and probably of the period, 11.6cm diameter. Provenance: A deceased Estate, West Dorset. This finely potted and enamelled dish belongs to a relatively rare group of wares exhibiting the same decoration on a variety of objects. A small dish of this size does not seem to have been recorded. For a larger example see Christie's London, 8th November 2011, lot. 433.
A LARGE CHINESE SILK AND GOLD-THREAD EMBROIDERED PANEL, the centre with twenty four Immortals standing within a scroll border on a gold ground, the outer border with similar panels of flowers, late Qing - early Republic, circa 201cm x 164cm. Provenance: Lt. Col. Samuel Chaplin Kirke (1911-1995), and thence by descent.
A CHINESE LONGQUAN CELADON OCTAGONAL DISH, the centre with a moulded flower and two-character mark, within an ogee cavetto and foliate scroll border, the underside carved to simulate petals, Ming Dynasty, 21.5cm diameter. Provenance: Dunt King Hong Kong 1950's. Bluett & Sons Ltd London 1958. An Important Private Collection of Chinese and other East Asian Art.
TWO CHINESE BRONZE SCROLL WEIGHTS, one of a hound, the other a lion with a frog on its back, Ming -Qing Dynasty, 4cm and 5cm long (2). Provenance: The lion Spink and Son Ltd London 1977; the hound Gerard Hawthorn Ltd 2002. Provenance: An Important Private Collection of Chinese and other East Asian Art.
A CHINESE PARCEL-GILT BRONZE 'DOUBLE-PHOENIX' SCROLL WEIGHT, the two reclining winged creatures facing each other and seated on a scroll base, late Ming-early Qing Dynasty, 7.7cm long; on a hardwood stand. Provenance: Spink and Son Ltd London 1977. An Important Private Collection of Chinese and other East Asian Art.
A Chinese hardwood marble topped and inlaid vase stand, 19th century, of rectangular outline, the top inset with grey veined marble and inlaid with mother of pearl fruiting vines, above openwork spandrels, an undertier with scroll carved frieze, raised on square section reeded supports, 45cm wide, 34cm deep, 78cm high.

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17386 item(s)/page