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SCRIBES/ALTAR TABLE, 19th century Chinese elm and lacquered with scroll pierced frieze, 96cm x 85cm H x 48cm.

DONG ZONGZHOU (CHINESE, XX-XXI) - KINGFISHER ON LOTUS Ink and colour in gold flecked paper, inscribed and with two seals, hanging scroll 129 x 31.5cm Provenance: Bonhams, Los Angeles, Asian Art Online, 13-23 October 2020, Lot 181 Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Traditional Chinese scroll 181cm long approx

Chinese Picture on Canvas with an image of a Scroll within a bright orange ground, 50cm x 60cm

A Chinese stained and carved wood circular low urn stand, having a Greek key outer motif, raised on heavy floral scroll and pierced cabriole supports, dia. 39cm

Chinese silk and needle work of ducks, Print of Toads and flowers and hand painted scroll depicting mountain, lake and buildings.

An early 20th Century Chinese small silver tankard with embossed dragon decoration terminating in bamboo style scroll handle, weight 124g, height 8cm, Wang Hing & Co.

Y A SCOTTISH GEORGE III TEAPOT ALEXANDER CAMERON, EDINBURGH 1798 of inverted pear shape, all-over embossed floral and scroll decoration, the cartouches each engraved with armorials, the hinged lid with seated Chinese man, bold ribbed spout, raised on a spreading footDimensions:13cm high, 14ozNote:Note:With non-transferable CITES self-certification number: FX31P6XLPlease be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/

A Chinese gilt bronze flattened ovoid vase, scroll handles to shoulders, shaped base, 23cm high, 19th century

Chinese hardstone carving, seated figure with a scroll, original stand, 16cm, another hardstone carving of a landscape, and an Asian carving, perhaps part of a column, designed with four seated figures, damaged, 12.5cm.Qty: 3

A Chinese hundred bird painted scroll, 239cm high

A Chinese scroll (damaged) and another

ALTAR TABLE, Chinese lacquered and polychrome decorated with scroll top and two frieze drawers, 125cm x 82cm H x 42cm.

A Chinese Hand Scroll Painting by Huang Binhong 20th Century. 96 3/4 x 11 3/8 in.(246cm x 29cm)

A Chinese Scroll Calligraphy by Su Shi Song Dynasty. 50 3/4 x 25 7/8 in.(129cm x 66cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

A Chinese Scroll Painting Signed Liu Haisu 20th Century. 53 1/8 x 26 3/8 in.(135cm x 67cm)

A Chinese Hand Scroll Painting by Yan Liben Tang Dynasty. 353 1/8 x 12 7/8 in.(897cm x 33cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

Four Pages of Chinese Scroll Painting by Badashanren Qing Dynasty. 53 1/2 x 13 3/8 in.(136cm x 34cm)

A Chinese Scroll Calligraphy by Su Shi Song Dynasty. 51 1/8 x 19 5/8 in.(130cm x 50cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

A Chinese Scroll Painting by Su Shi Song Dynasty. 30 1/4 x 14 1/2 in.(77cm x 37cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

A Chinese Hand Scroll Painting by Zhao Mengfu Yuan Dynasty. 362 1/8 x 12 1/2 in.(920cm x 32cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

A PAIR OF CHINESE MARBLE-INSET HARDWOOD PLANTSTANDS, CIRCA 1900 each circular top with a conforming marble inset and a leaf-carved edge, above a pierced and foliate carved apron, raised on slender scroll-form legs, joined by an X-form stretcher. (2) 90cm high

A CHINESE BLUE AND WHITE BUDDHIST PRECIOUS OBJECTS BOWL, JIAJING (1521-1567) with shallow foot ring, the inside having an underglaze blue flower within a double circle and a double circle under the rim, the outside having underglaze blue floral scroll and Buddhist precious objects. 16cm diameter

A CHINESE BLUE AND WHITE 'CHRYSANTHEMUM' JARLET, YUAN DYNASTY (1271-1368) decorated with a classic scroll below the unglazed rim, vibrant central chrysanthemum frieze and below a cash coin band, with the blueish-white glaze stopping just above the unglazed porcelain base. 8cm highFor similar chrysanthemum decoration of the period, but on a small cup, see Sotheby's, 13 May 2015, lot 34.

QI BAISHI (1864-1957), WISTERIA AND GRASSHOPPER ink and colour on paper, mounted as a hanging scrollSigned Jiping Laoren, with one seal of the artist Jie Shan WengCollector’s seal of Yang Longsheng (1916-2013), with inscription and Yang Longsheng’s seal on the title slip55cm by 25cm, scroll mounting 183cm by 39cm Having studied under Qi Baishi in the 1940s and also at Chang Dai-Chein’s studio, Yang Longsheng was a respected collector of Chinese paintings Some creases and surface marks but generally in good condition.

A CHINESE BLUE AND WHITE FLORAL SCROLL MINYAO BOWL, ZHENGTONG (1435-1467) with flared rim and shallow foot ring, the inside having an underglaze blue two-character mark surrounded by a double circle and single circle on the rim, the outside having a vibrantly painted underglaze blue floral scroll decoration and the base and inside of the foot ring being unglazed. 12.5cm diameter

A late 19th century Chinese ebonised softwood jardinière of square form: carved pierced friezes decorated with open-winged birds among blossom; four carved cabriole-style supports with further decorative carving and scroll terminals; square recessed platform stretcher. (39 cm wide x 81 cm high)

A group of three 20th Century Chinese dignitaries or officials holding various implements including a Ruyi, a fan and a scroll, all with blue and white decoration, 20th Century, 44cm high

A 19th Century Cantonese porcelain bowl with fluted rim decorated in typical fashion with panels of Chinese figures and birds within a Famille Vert scroll border, the exterior of the bowl also painted with Chinese figures various pursuits, 26cm diameter

MODERN CHINESE WALL SCROLL decorated with an old man and young girl playing chequers

A large Chinese mirror having carved floral and scroll finials, 199cm h x 159cm wLocation:

A Chinese porcelain scroll decorated vase, now converted to a table lamp, 15" high

A Chinese stacking nest of three huanghuali occasional tables, panel tops, pierced scroll friezes, the largest 68cm high, 42cm square, c.1900

A circa 1900 Chinese hardwood low table, the plank top above a fretwork carved frieze on square supports to scroll feet 95 cm x 95 cm x 50 cm high

A circa 1900 Chinese hardwood low table, the plank top above a fretwork carved frieze on square supports to scroll feet 98.5 cm x 100.5 cm x 50 cm high

A circa 1900 Chinese hardwood low table, the plank top above a fretwork carved frieze on square supports to scroll feet 95 cm x 94 cm x 52 cm high

A circa 1900 Chinese hardwood low table, the plank top on square legs united by upper stretchers on scroll feet 89 cm x 89.5 cm x 50.5 cm high CONDITION REPORTS Basically sound throughout. Top with split centre (join) and further split to one end. Otherwise with wear and tear, some staining etc, surface scratching conducive with age and use. Legs all appear to have a small patch to the corner in a similar area on the corners - see images for further detail

A circa 1900 Chinese hardwood low table, the plank top above a fretwork carved frieze on square supports to scroll feet 94 cm x 95 cm x 50 cm high

Two Chinese carved urn tables, comprising an ebonised example, 153cm high, 35cm wide, 34cm deep, and a small table with scroll frieze, 80cm high, 41cm wide, 30cm deep. (2)

A vintage Chinese wall hanging scroll. 155cm

A late 19th / early 20th century Chinese scroll holder in tube form, constructed from gilt metal being adorned with a hand painted paper mache flora decoration work to case. With push cap end. Measures 34cm (length).

18th century Chinese blue and white baluster vase and cover, lotus scroll decoration, 45cm high, together with a similar coverThe cover has a repair to the rim and some small chips. The vase has scratching to the glaze, a hairline to the rim, and a tiny hairline to the footrim. The other cover has a small rim chip.

An INRI crucifix on a loaded base marked 'Sterling Silver' and other items. Including; a miniature mug with a scroll handle, the marks rubbed, probably Birmingham 1910; two silver mounts from photograph frames; a silver match box holder; two decanter labels 'Brandy' and 'Sherry'; a Dutch import match box holder; an inscribed and engine turned napkin ring; and a cigarette holder case, various dates and makers, approx. 152g of weighable silver; together with a Chinese export small photograph frame with the mark of Wang Hing; a silver pin cushion base; a silver and tortoiseshell mounted desk tidy and other items

A Chinese scroll painting with Chinese characters, 89 x 25cm.

Chinese Scroll in Case, Edwardian Writing Slope, Jewellery case and assorted boxes

A collection of 19th/20th century Chinese scroll paintings.

A 19th century Chinese ancestor scroll painting. 90 x 220 cm.

A 19th century Chinese ancestor scroll painting. 95 x 230 cm.

A 19th century Chinese scroll painting depicting various deities, etc. 90 x 270 cm.

A Chinese scroll depicting figures in a garden. 65.5 cm wide.

A late 19th/early 20th century Chinese scroll painting of two ladies in an interior. 54 x 170 cm.

Chinese School, an extremely large watercolour scroll, 70cm x 675cm; together with another watercolour scroll ancestor style portrait, 115 x 59cm, (a.f).

A Chinese Scroll Painting By Li Keran 20th century. H 38 1/8" W 19" (97 cm x 48.5 cm)

A Chinese Scroll Painting By Liu Danzhai 20th century. H 53 7/8" W 26 3/4" (137 cm x 68 cm)

A Chinese Scroll Painting By Liu Wenxi 20th century. H 39 1/4" W 26 3/4" (100 cm x 68 cm)

A Chinese Scroll Painting By Li Keran 20th century. H 38 1/8" W 19 1/4" (97 cm x 49 cm)

A Chinese Scroll Painting By Qi Baishi 20th century. H 38 1/8" W 18 7/8" (97 cm x 48 cm)

A Chinese Scroll Painting By Gu Hongzhong Five Dynasty. 37" x 20 3/4" (94cm x 53cm)

A Chinese Scroll Calligraphy By Mi Fei Song Dynasty. 48" x 18" (122cm x 46cm)

A Chinese Hand Scroll Painting By Zhao Mengfu Yuan Dynasty. 22 3/8" x 13 3/4" (57cm x 35cm)