Chinese 20th Century Green and White Jade Suspended Vase, the vase of baluster form having green and white inclusions with the centre carved in shallow relief with dragons entwined. Taotie carved extension to base with scroll handles and domed cover with floral carving either side of a lotus bud finial. The vase supported by a solid chain carved with scroll and double dragon bridge. The whole suspended from a natural carved, wooden base, 23 cms(9""). The Jade hanging 27 cms (10.5""), the stand carved with Kylin to the top on an ornate scroll base 45 cms (17.5"").
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A George III gilt brass mounted mahogany musical table clock, The dial signed for Edward Ellicott, London, circa 1790, The substantial five pillar back-wound movement playing a choice of five tunes via a pinned cylinder on a nest of eight graduated bells after striking the hour on an additional larger bell, the backplate incorporating projecting feet to the lower corners and engraved with fine open rococo scrolls around a central basket of flowers within decorative line borders, the convex white Roman numeral dial inscribed EDÂ’WD ELLICOTT to centre and with pierced blued steel hands within outer minute track and slender brass bezel fitted to the 8 inch full-arch white painted dial plate polychrome decorated with dancing musicians beneath applied curved tune selection sector inscribed SONG, JIGG, MINUETT, AIR and COTILLION to arch, the break-arch case with concave sided plinth for the central brass vase finial flanked by four further finials and applied symmetrical rococo scroll cast mounts to the sides of the arch, the front with heavy acanthus cast brass arched door flanked by female caryatids applied to the canted angles, the sides with hinged carrying handles above sunburst mask centred scroll cast arched brass sound frets, the rear with arch glazed door, on cavetto moulded skirt base with scroll feet, 54.5cm (21.5ins) high. Two generations of the celebrated Ellicott family with forename Edward are recorded working in London in around 1790. Edward (I) is listed in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as son of John (II) working from Royal Exchange, London 1753-91, he was appointed watchmaker to the King. His son, Edward (II) is listed as free of the ClockmakersÂ’ Company in 1795 and was appointed Master in 1835 but did not live to see out his term. The current lot is an attractive model clearly made in a workshop used to producing clocks for the Export market. The back-winding is typical of examples made for export to China as the Chinese prefer clock dials to be free of winding holes, and the heavy foliate cast gilt brass front door is of a type more often seen on examples exported to the Middle-East (see Barder, Richard C.R. The Georgian Bracket Clock 1714-1830 pages 160-1 colour plates 22-4).
A Chinese Canton export ivory puzzle ball and stand, 19th Century, with figural surmount, the twelve tier concentric ball carved and pierced to the exterior with dragons and vapours, on an integral knop and figural stem, the circular base carved in relief with bamboo and fruiting vine on a pierced lotus and scroll apron, height approx 34.5cm.
A Chinese export lacquer work box, first half of the 19th Century, of canted corner bombé form, the hinge lid decorated in gilt with a scroll shaped panel filled with a figural scene in an interior setting, supported by a pair of figures within floral and foliate borders and framed by further figural leaf and butterfly shaped vignettes, opening to reveal a compartmentalized removable tray, the sides similarly decorated and fitted with a frieze drawer, flanked by a pair of brass handles, on carved giltwood bat feet, length approx 39cm.
A GOOD LARGE MIRROR PAIR OF 19TH CENTURY CHINESE FAMILLE VERTE PORCELAIN JARDINIÈRES, each painted to its sides with ruyi form panels of dignitaries and of warriors, the panels divided by smaller vase-form panels, the panels reserved on a blue ground embellished with formal scroll-stemmed foliage, between formal borders to each neck and foot, each interior with fish swimming amongst water weeds, each 14.25in diameter & 11.6in high.
Chinese cloisonne enameled covered censer, of oval form with elephant handles suspending loose rings, above a scroll band in hues of red, white, blue and yellow, on a diaper band with raised bosses near the base, the underside decorated with enameled flowers, raised on four scroll supports; the lid pierced with bats and clouds, along with a jade finial carved and reticulated with a chilong,12.75""w
A one-off extensive collection of Chinese bronze gifts and possessions, previously belonging to Albert William Delaney-Lee, Postmaster General in China during the Boxer Rebellion. For keeping the service running and outstanding achievements, following the Rebellion of 1900-01 and the Chinese Revolution of 1911-12, he was commended on 12 March 1913 and awarded by Head of Ministry of Personnel, Xiu Bao-Heng. The lot consists of bronzes including censers, incense burners, a pair of dragon design vases, Photographs of Albert and cultural examples including Chain Gang and coffins awaiting burial. Also, the scroll award presented at the time
An early 20th century Chinese blue and white baluster vase, decorated with two reserves of three courtiers under a tree, each flanked by four bats upon a lotus leaf scroll ground, four character Hongxian underglazed blue mark to the base, height 27cm (damage). Condition Report: Has possibly been dropped at some time and sounds dead when tapped.
CHINESE RETICULATED IVORY VASE CHINESE RETICULATED IVORY VASE,composed of six panels carved with figures in a garden setting, flanked by pierce carved scroll handles, and raised by a circular pierce carved foot. Height 7 3/4 in.Provenance: Doyle New York, September, 14, 1998Formerly from the Estate of Charles Berolzheimer
CHINESE EBONIZED SOFT WOOD SIDE TABLE NO RESERVE - NO MINIMUMPROPERTY FROM A PALM BEACH HISTORICAL LANDMARK HOMECHINESE EBONIZED SOFT WOOD SIDE TABLE, of rectangular form, with three drawers, and raised on straight legs terminating in an outlined scroll. Height 33 in., Width 62 in., Depth 24 _ in. Good condition. Structure is sound. Old finish with loses and imperfections. THIS SALE IS BEING CONDUCTED AS AN ""ABSOLUTE NO RESERVE - NO MINIMUM SALE"". AS A COURTESY, WE ARE PROVIDING YOU WITH A GENERAL CONDITION REPORT FOR THE ITEM(s) YOU INQUIRED ABOUT. PLEASE NOTE ALL SALES ARE FINAL REGARDLESS OF CONDITION. Thank you for the consideration and your expressed interest. A.B. Levy_s NOTWITHSTANDING THIS REPORT AND/OR ANY DISCUSSION CONCERNING LOTS: ALL LOTS ARE OFFERED AND SOLD AS IS"" IN ACCORDANCE WITH THE CONDITIONS OF SALE AS POSTED HERE AND AS PRINTED IN THE SALE CATALOGUE. WE (A.B. LEVY) ARE NOT RESPONSIBLE FOR ERRORS OR ANY MISREPRESENTATIONS CONCERNING THE CONDITION OF ANY OR ALL ITEMS MENTIONED IN THIS REPORT OR ELSEWHERE. Prospective buyers should inspect each lot to satisfy concerns as to condition. Understand that any statement made by us, (A.B Levy) is merely a qualified subjective opinion. We are not professional conservators or professional restorers. Prospective buyers should refer to Important Notices regarding this sale and/or any lot that might be printed in the Sale Catalogue and/or posted On-line.
A GOOD MING-STYLE YELLOW-GROUND CHINESE QIANLONG MARK & PERIOD CONICAL PORCELAIN BOWL, the base with a Qianlong seal mark in underglaze-blue, the interior and the exterior sides painted with leaf-stemmed flower heads, the everted rim with a narrow band of floral sprigs, the underside of the rim with a key-fret border and the foot with a scroll border, both borders applied with a pale green glaze, 10.4in diameter.

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