A Chinese rosewood and mother-of-pearl marquetry two-tier occasional table, late 19th century, the square top with circular marble inset above a profusely carved and pierced foliate frieze and a solid undertier, on square section legs and scroll feet, 81.5cm high, 45cm wide (damage), and another Chinese rosewood occasional table, the square top above a carved and pierced frieze on square section legs, 50cm high (damage, one frieze section lacking, repair) Provenance: Private collection, Sonning on Thames
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A Meissen Tea Bowl and Saucer, circa 1740, each piece painted in purple camaieu, the saucer with an extensive Chinese walled-city landscape, the tea bowl with an equestrian battle scene and a harbour scene, framed by elaborate gilt and puce scroll frames, the interior of the tea bowl with flower spray, crossed swords mark in underglaze blue, the saucer 12.3cm diameter
A Pair of Chinese Export Porcelain Models of Seated Dog and Bitch, Qianlong, circa 1750, both modelled seated on their haunches wearing collars with bells, drop-jawed, the bitch with brown glazed pup on her shoulder, 14.5cm high (heavily restored); and A Pair of Chinese Dehua Fo Dog Joss Holders, Qianlong (1736-1795), the male with brocaded ball, the female with pup, on scroll form raised bases, 7.8cm high (2 pairs) See illustration
A Pair of Chinese Export Porcelain Armorial Salts, early Qianlong (1736-1795), of concave sided octagonal form, the bowls painted with helm and acanthus headed shield armorials, externally with floral sprays tied to a running chain, 8cm wide, 3.9cm high; and An Armorial Mug, cylindrical, with acanthus and floret framed shield armorial, a swan crest to the reverse, with running scroll rim bands, old label on the base inscribed "Fazakerley of Liverpool", 14.6cm high (handle lacking, losses, restored) (2) See illustration
A Chinese blue and gilt decorated export teabowl and saucer, Qianlong period, each decorated in underglaze blue and heightened in gilt and black with a seated maiden fishing at the water's edge, within a fenced garden, accompanied by a dog, framed by a gilt 'Y' diaper and foliate scroll rim, saucer diameter approx 11.7cm. (See illustration)
A Chinese famille rose enamelled ovoid jar and cover, 19th Century, the yellow ground reserved with three powder blue roundels, each filled with gilt stylized crested crane, all within a formal flower scroll design, turquoise enamelled foot and cover interior, seal mark of Qianlong in underglaze blue to base 18.5cm (restoration to cover). (See illustrations)
An ormolu mounted Chinese famille rose export porcelain vase, Qianlong period, the baluster body painted in the mandarin palette with opposing figural scenes within underglaze blue borders of foliage, applied with ormolu rococo scroll mounts beneath a pair of dragon handles, height approx 46cm (faults).
Chinese School 19/20th Century Scroll Painting, depicting a small bird upon a blossoming branch, opaque watercolour on silk, with inscription and one seal, 180x53cm: together with two other 19/20th century Chinese scroll paintings depicting a crane by a bridge and flowers, (2 scrolls) ,(one framed), (3)
A Pair of Chinese School 18/19th Century Scroll Paintings, depicting travellers crossing in a mountain landscape and figures crossing a river in a mountain landscape, black and coloured ink on silk, with inscription and three seals and inscription with four seals respectively, 197x81cm., (2), (scrolls)
A George III silver drum-shaped tea caddy by John Lawford and William Vincent, London 1763, simulating the design of a tea chest engraved with pseudo Chinese characters within four panels with foliate scroll borders, the flush-hinged cover with a finial in the form of a sprig of a tea plant, 13.5cm (5.25in) high overall, 467g (15 oz)

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