We found 17386 price guide item(s) matching your search

A Chinese heavy brass scholars scroll weight in the form of a dragon, length 7cm

A Chinese Late Qing Dynasty Porcelain Blue and White Dish Decorated with Central Scroll Motif Surrounded by Native Trees, Six Character Guangxu Mark to Base, 16.5cm Diameter

An antique Chinese rosewood corner Whatnot / open Shelves, made up of three graduating shelves supported but carved scroll supports, note with damages, losses and repairs, see images, W 62 cm x H 123.5 cm x D 44 cm.

A Chinese Export Silver Belt, With Artisan Mark Qing, Canton and Shanghai, Late 19th/Early 20th Century each side of the clasp decorated with a deity, the twelve links variously shaped and variously decorated with figures, foliage, flowers or auspicious characters, each on a matted ground, all within scroll borders, with three differing additional silver plate links decorated with flowerstotal length 77cm long, total gross weight 4oz 11dwt, 142grTennants are grateful to Dr Adrien von Ferscht for his assistance in identifying the marks.Marked with Chinese character mark on one side of the clasp. There is some overall surface scratching and wear, consistent with age and use. The wear is particularly noticeable as a loss to the silver plate on the three later silver plate links.

A Chinese Porcelain Charger, Kangxi, painted in famille verte enamels and underglaze blue with a crane and deer amongst prunus, pine and peony issuing from rockwork within a foliate scroll and meander border36cm diameterA Pair of Bowls, en suite26cm diameter (3)Charger - large Y-shaped crack across the whole surface with a staple repair. Some chipping to the foot.Bowls - one broken in two and with staple repair. Four long rim cracks. Large rim chips.The other bowl, large Y- crack moving across the base, another rim crack. Numerous rim chips.

A Chinese Celadon and Russet Jade Figural Vase and Cover, Qing Dynasty, probably Qianlong, as an oval section baluster vase with bird finial on the back of a horned and winged dragon 18cm high, on hardwood stand For a related example dated to the 18th century, see Metropolitan Museum, New York, accession no. 02.18.399 Small flakes to the edges of the birds wings (knop). Natural inclusion crack at the birds beak/head and another at the rim. A similar natural hook shaped crack to the main rim of the vase, another to a scroll of one ruyi, to the feet and underside. Stand with some minute edge chips. A photocopy of the original receipt is available to the purchaser.

A Chinese Porcelain Armorial Mug, Qianlong, of ribbed cylindrical form with faux bamboo handle, painted and gilt with the arms of Nassau, Earl of Rochfort quarterly with Zuylestein in pretence below a grey cell and gilt scroll border 12cm highSee Howard (David Sanctuary) Chinese Armorial Porcelain, pg.260 where it is discussed that this service was made for William Henry, 4th Earl of Rochfort of St Osyth's Abbey in Essex, descendant of Henry Frederick de Nassau, Prince of Orange and who was Ambassador at Madrid and Versailles. It is also noted that the correct motto "Spes Durat Avorum" (The Hope of Ancestors Endures) is mis-spelt on some pieces "Spes Durat Amorum" (The Hope of Our Love Endures) Fine hair crack around the lower handle terminal. Slight enamel wear patches. No repair.

A Chinese Porcelain Vase, Qianlong reign mark but not of the period, of flared cylindrical form with waisted neck, painted in famille rose enamels with flowering branches on a yellow ground incised with scrolls and painted with scattered flowers, bears six-character reign mark in red34cm highA Turquoise Glazed Planter, of ovoid form, incised with sinuous dragons within cloud-scroll and wave borders26cm diameter (2)Vase - loss to the rim and with four sections re glued around the rim. Long vertical crack running through one panel. Slight chipping to the foot. Planter - the glaze crazed and with some staining. No cracks or repair.

Small Chinese carved hardwood low table, rectangular top over carved and pierced scrolling frieze rails, on square supports with scroll carved terminals Dimensions: Height: 26cm  Length/Width: 77cm  Depth/Diameter: 41cm

19th century Chinese lacquered hardwood altar table, rectangular top with moulded edge, the pierced and carved frieze decorated with Chinese scroll symbols and a central circular roundel motif with raised scrolling carvings, on rectangular end supportsDimensions: Height: 80cm  Length/Width: 128cm  Depth/Diameter: 51cm

Chinese Longquan type small bowl and cover with gilt rim highlights and a scroll decoration, 8cm high

Chinese Geometric Scroll Urn, with chimera style lid and decorative lacquer base. Measures 32" overall.

A pair of Chinese silk  embroideries, early 20th c, 104 x 13.5cm, a contemporary Chinese scroll painting of birds, 46cm w, and miscellaneous other needlework and fabric

A GROUP OF ORIENTAL/ORIENTAL THEMED CERAMICS, comprising a pale yellow glazed figure of a Chinese dragon with gilt details, length 26cm x height 15cm, a famille rose plate decorated with five figures in a central scene, printed four character mark verso, two porcelain Imari plates (plate with basket has a small chip), a Chinese figure of Fu Xing holding a child and a scroll (small firing cracks), a Chinese figure of Guan Yin, four character marks to base (losses to fingers, small chips on leaf, firing crack on shoulder), two Japanese style female figures (standing figure has a small area of loss to finger and part of an earring missing), a Chinese figure of a man wearing orange robes, a small Chinese figure of a man with a pot, impressed mark to base (small chips and losses) (10) (Condition Report: generally ok, obvious specific damage as stated)

Shunga-Rolle, China, spätes 20. Jhdt. Mit acht erotischen Darstellungen von verschiedenen Liebespositionen bedruckte Rolle. Die Enden mit Ornamenten in Kunstseide verziert. Maße 25,5 x 270 cm. A Chinese shunga scroll, late 20th century A Chinese shunga scroll, late 20th centuryMit acht erotischen Darstellungen von verschiedenen Liebespositionen bedruckte Rolle. Die Enden mit Ornamenten in Kunstseide verziert. Maße 25,5 x 270 cm.Condition: II +

A pair of Chinese brown textile panels machine woven in darker brown with good luck scroll bands and roundels above and below bamboo growing amongst rocks, each. 330 x 136cms

A Chinese export 18th century reverse painted mirrorthe mirror Qing dynasty with signs of refreshment to the decoration in some places, the frame possibly George III periodDecorated with a pheasant perched upon a rocky outcrop and clawing at a toad, with a dragonfly and a tree amidst a florid and riverside rural landscape with buildings in the background and mountains in the distance, within a foliate C- and S-scroll, floral and pomegranate carved surround, 101cm high x 49.5cm wide.Footnotes:A similar reverse painted mirror to the offered lot, likewise dating to the late 18th century, sold Christie's, New York, 19 October 2023, The Collection of Ann and Gordon Getty, lot 61. Other related examples which have sold at auction include one at Christie's, New York, 9 May 2018, The Collection of Peggy and David Rockefeller, lot 212, as well as an impressive pair which sold Christie's, New York, 23 October 2022, The Anne and Gordon Getty Collection: Volume 4, lot 605. Another model sold Christie's, London, 23 May 2012, The English Collector, lot 261.A further comparable, one from a pair dating to the Qianlong period, circa 1760, appears illustrated in G. Child, World Mirrors, 1650-1900, 1990, London, fig. 820, p. 379.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Chinese Bronze Tripod Censer, with pierced cover, 14cm high, together with a similar archiac style vase of knopped form, with mask handles and on scroll supports, 20cm (2)

A Dutch delft charger and two jars, 18th centuryThe charger decorated in Kraak style with a central chinese table with bowl of fruit with auspicious scroll, the two double handle small jars of globular with continuous bands of floral sprays and karakusa scrollwork over a band of stiff leaves on the foot, charger: 35.5 cm diam., jars: 13.5cm high (some chips to the rim) (3)Footnotes:Provenance: The jars with Jonathan Horne Antiques (paper label to the base)For further information on this lot please visit Bonhams.com

Early 20th century Chinese red lacquer opium table cabinet, the rectangular top with scroll ends over asymmetric arrangement of panels and cupboard doors decorated with prunus blossom and courtly musicians and dancers to each side and conforming frieze drawer to either end, raised on bracket supports, 127cm x 51cm x 46cm high

Chinese blue and white porcelain dish painted with peonies and bamboo to the reserve, 23cm diameter; together with a pair of miniature plates, each decorated with concentric scroll and chevron bands, 5cm diameter (3)Ex John Drew Collection

A Chinese pewter souvenir oval plate, Shanghai, 28cm, boxed; other souvenirs of China, miniature mask group, boxed; resin chess set; two fans; reproduction scroll, boxed; miniature painted story books; resin novelty teapot, boxed; coin cover; qty

China, fine art – Giles (Professor Herbert A., LLD), An Introduction to the History of Chinese Pictorial Art, Shanghai, Kelly & Walsh, 1905, 8vo, x + 171pp, 15 plates, rebound brown boards, pages carefully strengthened; Baller (Frederick William), The Sacred Edict, with a Translation of the Colloquial Rendering, 2nd rev. edn., Shanghai, American Presbyterian Mission Press, 1907 8vo, vii + 216pp, rebound half calf over green boards, 5 raised bands and gilt lines and titles on red reserves to spine; Lewis (Elizabeth Foreman), Portraits from a Chinese Scroll, illus. Virginia Hollinger Stout, calligraphy Chen Chao-Ming, Chicago, John C. Winston, 1938. 8vo, xi + 267pp, black boards, gilt Chinese character, spine titles on red reserve; Burling (Judith & Arthur Hart), Chinese Art, New York, Bonanza 1953, roy. 8vo, 384pp, monochromatic plates, bound red cloth over black boards, black spine titles; Lee (Sherman) Chinese Landscape Painting, Cleveland Ohio, Cleveland Museum of Art, 2nd edn., n. d. roy. 8vo, 139pp, monochrome plates, bound half black cloth over green boards, gilt Chinese titles and in English to spine, spine faded (5)

Old Chinese scroll painting with tiger/text decor + signature. 20th century. Some moisture stains. Dimensions: L 167 x W 70 cm. In fair/good condition.

A carved white jade cylinder with a hollow interior and lid, designed to hold fine incense sticks. The shape is completely slender, elongated and rounded, with the exterior adorned with a continuous incised scene of a beautiful pond filled with bamboo leaves and blooming lotuses where a pair of mandarin ducks ‘鴛鴦’, a symbol of eternal love and happiness, swim peacefully. At the top of the lid, a small carp with a curled-up body can be seen diving into the water next to a reed. Along the rim of the body and lid is a decorative border with geometric motifs. The ‘香筒’ (xiāng tong) incense tubes are usually shown in cylindrical or scroll form and are usually decorated with sacred texts, landscapes or relief details, and are sometimes accompanied by decorative cords. Incense, in the Chinese tradition, has been used since ancient times for spiritual and purification purposes. Height: 17.2 cm; Diameter: 3.8 cmWeight: 370 g

Two 19th century Chinese porcelain vases, one of ovoid form with shallow narrow neck, the body with two panels of academic scenes with scroll and floral fill, with four-character mark to base, 21 x 10cm, together with a small bottle vase with slender neck, the body with two panels of interior scenes with fruit and flowers, and vase, with infill of flowers, with four-character mark to base, 15 x 8cm (2).Condition Report: The vases were inspected under UV light, the largest vase has some scuffing to the body and wear to glaze, the smaller vase has some firing marks to top and bottom rim

A Chinese cork picture, of a tree and cranes, in a circular frame on scroll base, 25cm wide.

A Chinese scroll painting and scroll rubbing. Condition - poor

A Chinese scroll painting of a falcon, 163cm long. Condition - good

A pair of Chinese scroll pictures. Condition - fair

Chinese Shoushan stone carved animals, a green stone foo dog and bronze fish scroll weight

‡&nbspA STAFFORDSHIRE WHITE SALT-GLAZED STONEWARE 'LANDSKIP' TEAPOT AND COVER CIRCA 1755-1765, PROBABLY WHIELDON OR WEDGWOOD With recumbent lamb finial, foliate and beaded spout and foliage scroll handle, moulded with a puce and turquoise house, yellow sheep, brown cows and green trees on shaped panels of diaper and bands of beading 11.5cm high  Provenance: A.C.J. Wall CollectionSee the example formerly in the Garbisch collection at 'Pokety Farms', Cambridge Maryland, sold Sotheby Parke-Bernet Inc., 22nd-23rd May 1980, lot 28 where acquired by Herbert and Sylvia Jacobs, sold to Robert J. Kahn, Villanova, PA in their eponymous sale at Christie's, New York, 24 January 1994, lot 50 and subsequently sold in his estate sale at Christie's, New York, 29 January 2002, lot 465 C.f. A 'Landskip' teapot, circa 1765 probably by Josiah Wedgwood, W.B. Goodwin, collection no. 65., Christie's, English pottery and Chinese Export Art, 28th January 2003, lot 319Note: The attribution of these so-called 'Landskip' teapot has been extensively debated. See Robin Reilly, Wedgwood, Vol. I, fig. 153 for an example with identical handles and spout; also see fig. 150 for a closely related block mould now at the Wedgwood Museum, Barlaston. Based on an invoice 11 January 1764 from William Greatbatch to Josiah Wedgwood which lists payment for a 'Landskip Tpt, Saus Bt., Cream Bt. & Sugr. Box' and on the rediscovery of related blocks at the Wedgwood factory in Etruria, the origin of the block design was tentatively ascribed to William Greatbatch. To date, there is no archeological evidence to support that Greatbatch made landscape-molded wares. Shards in this pattern have been found at several sites in Staffordshire, suggesting that Wedgwood was not the only potter making wares in this type. Condition Report: restoration to tip of spoutPossible crack to underside Small rim chips to cover Please see additional images for visual reference to condition Condition Report Disclaimer

A 20th century Chinese rosewood altar table of typical form, with carved scroll ends and Greek Key blind fretwork decoration, raised on carved lion paw style supports, 123cm wide

A Chinese scroll painting of chrysanthemums, early 20th century, with extensive inscription and seal mark, approx. 127cm x 65cm.  Further details: stained, creasing, spotting, edges ragged, wear and water damage etc.

A Chinese green lacquered two handled scroll casket / case, decorated with bird, butterfly, flowers and foliage with gilt script to reverse, fitted interior,  approx 56cm long  Further details: creases to borders, craquelure to top section  Provenance: The Old Vicarage, Breedon-on-the-Hill, Derbyshire 

Two lacquered cupboards Chinese, scarlet and gilt leaf scroll fronts with brass lock plates, 56cm wide x 76cm high and 50cm wide x 69cm high. General wear and tear to the lacquer.

A Chinese Ningxia golden throne mat, late Qing Dynasty, decorated with butterflies amongst blossoms within a lotus scroll broad border75 x 76cmProvenance:Christie's, 9th October 2006, Lot 189

A CHINESE TRANSITIONAL STYLE `WUCAI' VASE AND COVER (3)Of baluster form, painted with dignitaries and attendants on a terrace, one seated at a table with a scroll, the reverse with cloud scrolls, beneath a blue `cracked ice' border, the neck painted with flowers and rocks, the cover with boys at play, 42cm high, wood standVery minor wear to the enamels

CHINESE SCHOOL, 19TH CENTURY, TWO HAND SCROLL SECTIONS (2)Ink and colour on paper, painted with celestial scenes, each 88cm by 139cmOverall in poor condition. Both heavily stained and creased. One with rips along the end baton

A CHINESE FAMILLE-VERTE DISHKangxi Painted with a woman seated holding a scroll, a boy standing beside carrying a chime, apochryphal six character Chenghua mark, 23.75cm diameterThe dish has been broken into three pieces and repaired. There are some losses along the edges of the breaks and three rim chips. There are two haircracks to the rim, the longest approx. 4cm. Some small wear to the enamels and some specking to the glazeProvenance:  The Collection of Mr. Marcus Linell Further details on the Bellmans website here

A GROUP OF NINE CHINESE SCROLL PRINTS (9)Various subjects, including birds in branches, bamboo and flowers, largest 93cm by 32cmOverall in good condition with some minor markings to the paper in places

LIU JIYOU 刘继卣（1918-1983） Two Rabbits and a Pineapple Ink and colour on paper, hanging scroll. Signed, with a seal of the artist, dated 1947. Size: 69.5 x 46cm NOTE: Liu Jiyu, influenced by his father Liu Kuilin from an early age, had a deep passion for painting. In 1936, he enrolled in the Western Painting Department of the Tianjin Municipal Art Museum to study. A native of Tianjin, Liu Jiyu was an outstanding Chinese painter and a master of comic art. He is renowned as a pioneer in animal and figure painting in the history of modern and contemporary Chinese art. Liu Jiyu was one of the few modern Chinese painters adept at meticulous realistic painting, heavy coloration, small-scale freehand style, and large-scale freehand styles. His subjects were diverse, ranging from figures and animals to flowers and birds, as well as landscapes. His achievements in meticulous figure painting and expressive animal painting were particularly outstanding.

A GEORGE III GILTWOOD AND GESSO WALL MIRROR CIRCA 1770, AFTER DESIGNS BY THOMAS JOHNSON OR MATTHIAS LOCK The two piece plate within moulded slip and cross stretcher surmounted by a figure of a huntsman with rifle and pheasants within a pagoda on "C" scroll foliate supports, above pierced foliate sides in the chinoiserie taste, mounted with figures of hounds, the apron centred by a hare 205cm high, 100cm wide Provenance: Abbotswood House, Stow-on-the-Wold, Gloucestershire Grosvenor House Antiques Fair, June 1971, Mallett The combination of Chinese Ho-Ho birds, Rococo scrolls and rocaille carving is a style popularised by Thomas Chippendale in The Gentleman and Cabinet-maker's Director (1754-1762). This 'Chinese Chippendale' style was adopted by many other top London makers of the mid 18th century including Ince & Mayhew, Thomas Johnson and Matthias Lock. A mirror frame design incorporating pagodas and a seated Chinese figure, as seen in the present lot, can be found in Thomas Johnson's Collection of Designs, 1758, plate 32 and One Hundred and Fifty New Designs, 1761. For a related 'Pier Glass' by Ince & Mayhew, see The Universal System of Household Furniture, 1759, Reprint by Alec Tiranti, 1960, plate LXXXII.For a similar mirror of the period, see Christie's, London, Julians Park and Six Private Collections, 8th June 2021, Lot 123 (£37,500). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various minor splits and chips to frame. Some hairline cracks following the underlying joints of the frame. Some minor old repairs. Including small tack repair to secure the bird in the man's hand. Some chips of loss to carving in places. One slightly larger chip of loss to the carved leaf detail at the top of the cresting. The gilt with areas or rubbing and surface wear throughout. The frame appears to have been cleaned and the gilding sympathetically refreshed in areas overall (but retaining its antique appearance). Any skillfully replaced elements to the frame would be virtually impossible to detect due to the cleaned/ restored finish. Mirror plates with depletion, sparkle and some areas of losses. Mirror in restored/retail condition from when it was last purchased. There is a plywood panel of recent manufacture secured to the reverse of the mirror plate. The underlying panel is therefore not visible and we cannot comment on the originality of the underlying panel. Please refer to additional images for visual reference to condition.   Condition Report Disclaimer

Chinese porcelain inverse baluster vase with flowering prunus blossom on a blue wash ground, four-character Kangxi mark to base, 30cm high and a Chinese cloisonne enamel cylindrical brush pot with dragons and flaming pearl, on a blue cloud scroll ground, 11.5cm high (2)  Condition Report Chinese vase - in good order, some very minor wear. Cloisonne brush pot - cracked to rim to interior, further small areas of losses and minor discolouration, typical minor wear. 

A Chinese Imperial Edict scroll, Daoguang Period (1821-1850)dated by inscription to 1845 and of the periodThe edict is written on a polychrome blocked woven silk brocade with a pattern of clouds, the text arranged in standard form from right to left in Chinese characters and repeated from left to right in Manchu. It is dated to the fifteenth day of the tenth month of the twenty-fifth year of the Daoguang reignThe text opens with a four-character brocade title in a vertical line reading, fengtian gaoming, ‘by command of Heaven’, flanked by a pair of dragons, followed by an inscription written in Chinese characters from right to left, and repeated from left to right in Manchu, conferring one higher rank to the parents of Yiyu. The two seals are the same, reading "zhi gao zhi bao", seal of instruction or seal of edict in Chinese and then repeated in Manchu.The longer text concerns the success of the ‘secretary of the grand secretary’ and his promotion being thanks to the guidance and teachings of the parents of Yiyu. This is also to promote acts of kindness and to express respect and love for the contributions of families, and to show respect for such model parents who have set good examples for their children.Together with a further fragment of a scroll in Manchu script (2) Ombersley Court, Worcestershire Golden ribbon trim detached in some areas, backing paper worn and losses in parts as pictured, oil marks to back, paper with foxing and fragment with some old worm damage and spotted / moisture damage and discolouration. Writing rubbed in part, scattered spotting and discolouration.

A large early 20th century Chinese silver epergne, with four trumpet shaped receivers decorated with prunus and three hanging hexagonal baskets, on a circular dished base, with floral stems, on three foliate scroll feet, height 52.8cm, 69.6oz.**conditionreport**One arm on two of the baskets appear to have been repaired. Two of the leaves have a gilded appearance to the base?? Minor nicks and surface scratches in places. Overall condition is otherwise good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A pair of early 20th century Chinese Export pierced silver cake baskets, by Wang Hing, Hong Kong, decorated with dragons and scrolls, with engraved inscription to each handle (lacking inserts?), on four pierced scroll feet, length 29cm, 31.4oz.**conditionreport**Slight tarnishing and minor surface scratches in places, otherwise in good condition, Marks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Chinese School, 18th century, a scroll painting on silk of figures on a boat, signed Qiu Ying, image 72 x 43.5cm**conditionreport**There is minor discolouration and creases to the reverse of the backing cloth. There are also some general minor horizontal cracks to the paintwork on the silk canvas.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Two large 19th century Chinese blue and white temple jars and domed covers, painted in rich tones of underglaze blue with a similar continuous lotus scroll design between ruyi-head and lappet banding, late Qing dynasty, 64 cm and 62 cm high  Previous auction label - 'Sotherby's Una Importante Collezione Milano November 2003' Smaller example with extensive damage/losses to cover and small rim chip

antique Chinese scroll with a "snow landscape" painting || Antieke Chinese scroll met schildering met sneeuwlandschap - 186 x 48

antique Chinese scroll with a "stones composition" painting || Antieke Chinese scroll met schildering met compositie met stenen (rotsen) - 185 x 38 cm

A quantity of Chinese scroll paintings (af).

An 18th Century Chinese Export Octagonal Blue and White Meat Plate, landscape design within foliate scroll border, 46cm by 38cmSeveral large chips and one hairline crack

Decorative 20th Century Chinese Ceramics, including a pair of blue and white bottle vases, two jars and covers, a small twin-handled pot, two wooden stands etc., together with a scroll painting (10)

A Chinese scroll picture of flowers. 83" x 18".

A Chinese cherry wood trunk with fielded panels opening to reveal a lined interior on carved squat cabriole supports to scroll feet, 101 cm wide x 50 cm deep x 58 cm high

A mid-century 14ct white gold, cabochon cornflower blue sapphire and diamond cluster ring - stamped '14K' and with a Chinese mark, the 12 x 9.5mm oval cabochon sapphire within a pierced scroll setting with eighteen single cut diamonds, over bifurcated shoulders, size P/Q.

A Chinese export porcelain tankard - late 18th / early 19th century, cylindrical form with tapered base and flared foot, painted with peonies in iron red, with later white metal scroll handle, 16.3cm high, gilt painted filled chip inside the rim.

A Chinese patinated bronzed model of a stag, decorated with gilt scroll designs and character marks, 39cm high x 20cm wide LOC: 5-1

A group of three oriental paintings, to include: a Chinese traditional ink painting hanging scroll with a b/w porcelain end, framed on silk, 1999, titled 'Yingge' (Birds Singing), depicting a riverside landscape with boats, houses, trees with blossoms and egrets, artist signed 'Buyi Shanhan Laogeng Jimaonian Winter painted at East Suburb of Beijing', with two red seals, 96cm x 50cm (the picture only); a Chinese watercolour on silk hanging scroll, 1986,  titled 'Changchun Fugui Tu' (Spring and Prosperous Forever), depicting peacocks on blooming Magnolia tree and accompanied with peonies, signed 'Bingan', with five red seals, 57cm x 120 cm (picture only);  and an early 20th Century Japanese silk watercolour hanging scroll depicting a bird resting on a blooming chrysanthemum, framed on a beautiful greenish shimmering silk of clouds pattern, 132cm x 40cm (picture only). Along with Two Japanese  framed and glazed woodblock on silk prints, oban triptyque. One depicting a couple in kimono walking under an umbrella in snow, artist signature 'Painted by Suzuki Harunobu' (1724-1770), a well-known Ukiyo-e artist at Edo period (1603-1868), 21cm x 27.5cm (the picture only); the other, dated 1897, depicting the story of Minamoto no Yosghitsune, the commander and a Samurai of the Minamoto clan of Japan in the late Heian and early Kamakura periods (794-1333) artist signature 'Toyohara Chikanobu' (1838-1912), an influential Ukiyo-e artist between Edo and Meiji periods, 34cm x 23cm (picture).