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A 19th century Chinese porcelain jar and cover painted in underglaze blue with two quatrilobed panels depicting vase of flowers and other objects, on a prunus blossom blue ground, bears underglaze blue four character Kanxi mark to base, height 20cm (lid af), two similar smaller examples, a prunus decorated jar with hardwood cover and a 19th century small porcelain moon flask, painted to the two medallions with an official and attendant in a fence landscape scene on a lotus scroll ground with ruyi sceptre, bears underglaze blue four character Kangxi mark to base, height 15.5cm, also three hardwood stands (8). CONDITION REPORT: Chip to the rim of the moon flask, the lid of the largest ginger jar has been broken and reglued in three pieces, there is significant nicotine staining throughout, otherwise the other jars and the base of the large jar are in good condition.
A late 19th/early 20th century Chinese white metal circular bowl with foliate and bead decorated border, chased with animals and floral motifs, with scroll decorated borders beneath, engraved with a carp within a circular shaped border, and hallmarked to the base, diameter 20cm, approx 16ozt.
A 19th century Chinese huali wood floor standing gong frame, profusely carved throughout with blossoming prunus, with carved and pierced lobes above scroll decorated feet and within frame, 97 x 61.5cm (one lobe missing). CONDITION REPORT: A few minor surface scuffs. Back left bracket missing.
An early 20th century Japanese shallow bowl for the Chinese market painted in the Kakiemon palette, with floral sprays and a geometric square reserve inside a lotus scroll border beneath rim, with cafe au lait rim, decorated to the underside with bamboo, pine, prunus and peony sprays, bears spurious underglaze blue six character Jiaqing mark to base within a single ring, diameter 34cm. CONDITION REPORT: Minor surface wear to decoration, but no chips or cracks. Generally very good.
AN UNUSUAL PAIR OF CHINESE PARCEL-GILT OCTAGONAL STANDS, and associated English glass rummers, the stands with open-work panels showing vases of flowers, on a scroll base, with impressed marks underneath 'Shun Fa', late Ming/early Qing, the glasses of urn form with faceted lower bodies, late 18th/early 19th century, 12.5" high overall (2)
A COLLECTION OF CHINESE CLOISONNÉ COVERS AND SCONCES including a rectangular cover with a lion finial and archaistic decoration, 5.75" long; a circular openwork cover, 3.5" dia., eight small circular covers with scroll decoration, 2.25" dia.; eight circular sconces with foliate decoration, 2.25" dia.; and two prickets, 3" long; all Qing, 18th/19th century (20)
A RARE CHINESE PORCELAIN-INLAID LACQUER LARGE TABLESCREEN, one side decorated in gilt with a warrior-guardian, the other side with a porcelain-inlaid calligraphy poem relating to tea drinking, the giltwood stand with scroll supports and a foliate-carved apron, Qing, 17th/18th century, 44.5" high overall. Provenance: Private collection, West Dorset. Porcelain-inlaid calligraphic panels are very rare, making the present lot an exciting discovery. It has been suggested that the technique was first used by the renowned kiln supervisor Tang Ying (1682-1756) owing to several extant examples bearing his signature. It seems likely that this tablescreen is near contemporary with Tang Ying's period of operation. For a discussion of the subject, see Huang Qing-Hua, 'The Forgotten, Excellent Tang Kilns: A first look into the couplets and hanging panels for Tang Ying porcelains', The National Palace Museum Monthly of Chinese Art, no.363, June 2013, pp.110-119. For a related pair of porcelain-inlaid lacquer calligraphic panels, see Sotheby's, Hong Kong, 8th October 2013, lot 3081.
A CHINESE BLUE AND WHITE MOON FLASK, each side decorated with a central spiral motif surrounded by eight tapering ogee panels with Buddhist symbols, the shoulder and sides with flower sprays beneath scroll handles and a garlic-form neck, Qing, 18th century, 10.25" high. Provenance: The Collection of Edward Cozens-Smith, Esq. (1834-1925), 16 Kensington Square, London. Acquired by the Cozens-Smith family at the Maple & Co. March 26th 1928 auction of the contents of the property following his death. Thence by descent within the Cozens-Smith family. The present lot almost certainly formed part of lot 543 in the above mentioned auction in 1928. It was described in the catalogue simply as a 'Nankin Pilgrim bottle' and can be seen in the centre of the mantelpiece in the photograph opposite showing the dining room at 16 Kensington Square around 1928. This vase exemplifies the revived interest in 15th century ceramics during the 18th century and clearly refers to Xuande and Yongle prototypes.
A CHINESE DOUCAI BOWL SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The ogee-shaped bowl decorated with a central six-pointed medallion formed from ruyi-heads, the rim with six lingzhi motifs, the exterior painted with a continuous flowering lotus scroll, beneath the eight Buddhist Emblems, the foot with a band of lappets, 22cm. Provenance: a private collection in the south of England, purchased in Shanghai in the 1920s, and thence by descent. Cf. Catalogue of the Special Exhibition of Ch’eng-Hua Porcelain Ware, 1465-1487, p.180, no.188, where a prototype of this design is illustrated. See also Christie’s, 19th March 2008, lot 623, for a similar Qianlong bowl of this design. 清乾隆 鬥彩如意花卉折腰盤《大清乾隆年製》青花篆書款來源:英格蘭南部私人收藏,1920年代購於上海
A CHINESE MOTHER OF PEARL INLAID BLACK LACQUER STAND MING DYNASTY The top decorated with a scene of figures meeting on a terrace amidst clouds, the shaped apron decorated with birds, flowers and complex diaper designs, all raised on four scroll feet, 19cm x 64cm x 37cm. Cf. Tokyo National Museum, Exhibition of Mother-of-Pearl Inlay in Chinese Lacquer Art, no.81, for a comparable example. 明 黑漆嵌螺鈿山水人物故事紋底座
A SCROLL PAINTING BY CHEONG SOO PIENG SIGNED AND DATED 1960 Depicting an abstract scene of fishing boats and huts in a water landscape, the reverse inscribed: ‘Singapore 1960 Exhibition, bought from the painter on his return from Borneo and Sarawak by Lieut. Commander David Joel, Royal Navy, in command of HMS Woolaston, Far Eastern Fleet, signed in Chinese but he added his name in ‘English for me’, framed and glazed, 94cm x 45cm. Provenance: from the collection of Lt. Commander David Joel, purchased directly from the artist. 鐘泗濱(新加坡1917-1983) 《溪:抽象》 設色紙本作於1960
A CHINESE SCROLL PAINTING ON SILK AFTER HUANG QUAN 19TH CENTURY In the Song style, with birds amidst flowering camellia and bamboo, with two title inscriptions and twelve artist’s and collectors’ seals, including an oval mark which reads Qianlong yu lan zhi bao, 32.5cm x 334cm. Provenance: Hinton Daniell Stewart (1835-1926) of Strathgarry, Perthshire, and thence by descent. Hinton Stewart went to China as a young man and is believed to have acquired this piece on his return to the UK in the 1880s. He founded the firm of Stewart Thompson and Sons, Manchester Cotton Merchants. 黃荃(傳) 《花鳥》 水墨設色絹本題識:成都黃荃來源:Hinton Daniell Stewart(1835-1926)收藏,Hinton是Stewart Thompson公司的創始人,早年曾去過中國,在1880年代獲得并帶回此件拍品
A PAIR OF CHINESE FAMILLE ROSE WINE CUPS GUANGXU 1875-1908 Each painted with a ferocious scaly five-clawed dragon amongst clouds and with flaming pearls of wisdom, a smaller dragon defeated in the waves beneath, with a six character Qianlong mark to the base, and a blue and white 18th century ovoid jar, painted with a continuous scroll design, 12.5cm. (3)
A CHINESE FAMILLE ROSE SAUCER DISH REPUBLIC PERIOD Brightly enamelled with five shou characters encircled by stylized dragons and with a continuous lotus scroll, all reserved on a pale green ground, the rim with a wide band containing beribboned Buddhist emblems, the reverse enamelled yellow and with a six character Qianlong seal mark, 18.7cm. Provenance: from the collection of Major Beale-Brown (d.1965), who was stationed in Hong Kong with the Royal Army Service Corps c.1935.
A Chinese red cinnabar lacquer cover and a later stand, the cover 18th/19th century, of quatrelobed form, the cover profusely carved with three dragons chasing a flaming pearl against breaking waves inside key pattern borders, the stand with four scroll supports, (a.f), 30cm.wide. Illustrated
A Cantonese ivory box (damaged), 24cm wide, a pair of small Chinese shoes with gold thread decoration, a Cantonese fan (damaged), a Japanese scroll etc Condition Report: Cantonese box needs re-assembly, slight damages to joints. Slippers - Look a bit tired, threads coming loose. Fan - some sticks broken off at ends. Paperknife - Snapped in two pieces. Chinese shoes - deteriorating, threads coming loose, poor. Japanese scroll - fraying to margins, creases, yellowing.

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17386 item(s)/page