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A TIBETAN CARVED AND PAINTED LOW TABLE OR CHOGTSE 16th century or later, the front frieze carved with a central flowerhead amongst foliage, on scroll legs, 26cm high x 59cm wide x 21cm deepProvenance: Purchased from Duke's, 9th May 2013, Lot 273. Formerly of the James Yarrow Collection of Chinese and Tibetan Furniture. Note: For related early Tibetan tables dated to the 15th and 16th centuries, see "Wooden Wonders: Tibetan Furniture in Secular and Religious Life", Pacific Asia Museum, 2004, exhibits 7, 8 and 9, on pages 184 and 185.
A collection of English porcelain armorial plates, 19th century, comprising a Rockingham Porcelain plate, circa 1835, with outstretched arm holding a pickaxe and family motto 'Ductore Deo', possibly for the Pickett family, with green printed 'C' scroll border, standard printed mark, 23cm diameter; a Spode plate, circa 1814, with relief moulded border painted with flowers, centrally painted with a crest of a Turkish man with spear, inscribed 'M Lachman 1814' to the reverse, 21.5cm diameter; a Chamberlain's Worcester plate with blue border and central coronet, impressed marks, 25cm diameter; a Copeland Late Spode soup plate with Clan Farquharson crest and family motto, together with a shield with entwined initials, blue printed factory marks, 23c diameter; a further Chamberlain Worcester plate and a Chinese export porcelain plate (some damage, stapled repairs) (6)
A Chinese soapstone standing figure of Guanyin, 18th century, holding a scroll in her left hand, standing on a lotus base, later slate plinth, old inventory number in black ink ‘C.S.14’, 23.5cm, head reattached***CONDITION REPORT***Head broken off and reattached, chip to hem of robe, other occasional tiny chip losses to the edges of the robes and to the edge of the lotus base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese gilt bronze qilin scroll weight, 17th/18th century, in recumbent pose, 7cm across***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese blue and white wine ewer and cover, Kangxi period, the pear-shaped body painted with antiques, the s-scroll handle and spout with ruyi shaped clouds, 13.8cm high, crack to base of handlecf. almost identical wine ewer in the Fries Museum, Netherlands.***CONDITION REPORT***Very small chip to underside of pouring lip; lower handle joint cracked; cover good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese bowenite jade scroll weight/seal 19th / 20th century***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Large pair of Chinese Blue and White Goldfish Brushpots. The Carp are painted in a pond scene. Greek Key and Scroll Borders. Both have six character reign marks to the bases in underglaze blue, but likely later. Condition - Both appear in good condition with no major damage or restoration detected, minor imperfections. Both measure 26.5cm high.一对大中国青花金鱼笔筒。鲤鱼是在池塘场景中画的。希腊键和滚动边框。两者的底座上都有六个字符的釉下蓝色统治标记,但可能会晚一些。状况 - 两者均状况良好,未发现重大损坏或修复,也没有发现轻微缺陷。两者高 26.5 厘米
A CHINESE CARVED HARDWOOD TWIN-PEDESTAL DINING TABLE, CIRCA 1930S. Of shaped rectangular form, with key pattern and scroll carved apron, on twin baluster supports with under tier, on scroll bracket feet carved with Shou characters, H77cm x W146.5cm x 76.5cmIn good order overall. some surface scratching (some old) to top, very minor dark staining, with remnants of old glue visible to underside around pedestal supports and apron, minor and typical wear and overall.
A CHINESE BLUE GROUND AND GILT DECORATED DOUBLE GOURD PORCELAIN VASE, 19/20TH CENTURY. Well decorated with various crane medallions on lotus scroll ground between bands of ruyi heads, lappets and key fret. Double ring mark in underglaze blue to base. 29cm tall.Single hole drilled to centre or base previously used as a lamp base. Otherwise in good condition with no cracks or chips and no signs of repair. The gilt work in nice condition.
A LARGE CHINESE LUOHAN DAY BED CARVED IN THE MING STYLE WITH RATTAN BASE, QING DYNASTY. The removable gallery well-carved with panels of dense scrolling dragons and waves, with similar dragon and scroll circular roundels, with woven rattan base and similarly carved scroll apron, on scroll fish tail and ball supports and pad feet, H90cm x W228cm D134xmProvenanceAcquired from C.L. Ma Furniture, Hong Kong, 1997 for $12,000.Overall in good decorative order and is sturdy. With original bowed supports to the underside, the rear apron (not carved) with some later replacement sections, with some old repairs to legs, joints at legs and some old in-filling to legs and feet where old repairs have taken place. Some typical wear and scuffing to extremities. The rattan base is in good overall condition.
China - - Sammlung von 6 Bildrollen. Überwiegend 20. Jh. Versch. Techniken, darunter Tusche, Aquarell, Holzschnitt. Je auf tls. seidenbezogene Bildrolle mit Holzstab aufgezogen. Die Darstellungen teilweise in chinesischer Sprache beschriftet. Enthält: Fu Baoshi. Ein prächtiger Blick auf das Hibiskusland. Farbholzschnitt auf Reispapier. Bildmaße ca. 68 x 48 cm. Roter Siegelstempel und Schriftzeichen, sowie verso auf der Rolle mit Schriftzeichen. - Reproduktion Nr. 82-196-A in Chinese Wood Block Prints, 1983. - Anonym, Vertikale Landschaft (shanshui lizho), Reproduktion des 20. Jh. - Blick auf einen Obstgarten in Yichuan im Norden der Provinz Shaanxi. Farbholzschnitt tls. handkoloriert. - Ansicht von Yan'an. - Abstrakte Landschaft mit Darstellung von zwei Bauern. - Genreszene mit einem Gelehrten. - Vereinzelt mit kl. Einrissen u. tls. minimal fleckig. Insgesamt wohlerhaltene Sammlung in kräftigem Kolorit. Collection of 6 picture scrolls. Mainly 20th c. Various techniques: ink, watercolour, woodcut a.o. Each mounted on a (silk-covered) scroll with a wooden stick. The depictions partly inscribed in Chinese. - contains: Fu Baoshi. A magnificent view of the hibiscus country. Coloured woodblock print on rice paper. - Reproduction no. 82-196-A in Chinese Wood Block Prints, 1983 - Anonymous, Vertical Landscape (shanshui lizho), 20th century reproduction - View of an orchard in Yichuan in the north of Shaanxi province. Coloured woodcut, partly hand-coloured. - View of Yan'an. - Abstract landscape with two farmers. - Genre scene with a scholar. - Occasionally with small tears and minimally stained. Altogether well preserved collection in strong colouring.
Two 19th Century Chinese embroidered panels A/F mounted on card having a gold ground with embroidered garden images to include pagodas, figures, birds and bridges, each panel measuring 53cm x 11cm, areas of deterioration, together with selection of mid to late 20th Century Chinese embroidered panels on silk to include one on a scroll mount together with a Chinese watercolour on silk of bamboo plants signed lower left hand corner and a Victorian fireside bell pull having an attached crotchet purse for notes and coins for the staffLocation:
A collection consisting of a pair of blue and white bottle vases, 19th century, the globular body below a tall cylindrical neck and decorated overall with pheasants flying amongst floral sprigs below a diaper band encircling the neck, base with apocryphal four character mark of Kangxi, 34cm. Condition: one with neck broken in several places and restuck, other OK.A small blue and white bottle vase, 19th century, the pear shaped body tapering to a short slender neck and painted over all with young men at play and an entertainer, all observed by an older man, between lappet borders encircling the foot and rim, base with apocryphal four character mark of Kangxi. 15.3cm.A Chinese Imari teapot and cover, 18th century, the globular body finely painted with a stylised lotus scroll below a wavy diaper border encircling the rim, the lightly domed cover similarly decorated, Condition: 17cm. Cover broken and restuck from several pieces.A blue and white Ewer and Cover, the ovoid body with a long serpentine spout and joined to the tall slender neck by a loop handle and decorated on each side with a dragon chasing a ‘flaming pearl’ amongst clouds, base with apocryphal six character mark of Kangxi, 23cm.A blue and white cylindrical box and cover, circa 1800, painted around the sides with figures in a continuous lake landscape with mountains and pavilions, the flat cover similarly decorated, 9.5cm. Condition: a few minor glaze Frits to upper rim of cover, otherwise good.
A Chinese Export silver opium pipe, the rounded rectangular base incised with insects, fish and crustaceans amongst a floral scroll, base with indistinct maker’s mark,23.3cm. together with a brass opium pipe incised with birds perched on branches, 22cm., 62.4g Condition: Good apart from some tarnishing
A CHINESE SILVER EXPORT MUG MARKS OBSCURED With a dragon scroll handle, chased with grape vine decoration and engraved with a monogram within a circular reserve 11.5cm (4 1/2in) high 199g (6.4 oz) Condition Report: The right hand front leg of the dragon is completely missing.Condition Report Disclaimer
宋徽宗 A Chinese Scroll Calligraphy By Emperor Huizong Of Song. Song Dynasty. Dimensions (Sight/Painting View): 52 3/4 x 13 3/8 in.(134cm x 34cm). The collection originate from Edward Hobart Seymour's uncle's family. Source: From the collection of Edward Hobart Seymour. Edward Hobart Seymour (1840-1929) was the grandson of Sir Michael Seymour. He studied at Radley College in Southsea and Eastman's Royal Naval Academy, joining the Royal Navy in 1852. He became a Royal Navy officer and the first overall commander of the Eight-Nation Alliance during the Boxer Rebellion. In 1857, Seymour came to China, participating in the Second Opium War, but he returned to Britain due to health reasons. In 1860, he returned to China to suppress the Taiping Rebellion and visited its capital, Nanjing. During the Boxer Rebellion in 1900, Seymour, stationed in Tientsin (Tianjin), ordered "appropriate and practicable measures" to protect British nationals in China. When the Boxers reached Beijing, Seymour initiated military action. In June 1900, the Eight-Nation Alliance formed, appointing Seymour as the commander-in-chief. His forces were blocked at Langfang. Later, he engaged in battles at Shanghai, Nanjing, Wuchang, Shanhaiguan, and Qinhuangdao. The command was later assumed by the German General Waldersee. Seymour was promoted to Admiral in 1901 and returned to England in August of the same year. He visited China three times, receiving numerous art pieces as gifts from the Chinese government and acquiring artworks during the suppression of the Boxers. These artifacts were transported back to the UK with his fleet. Admiral Seymour received the Order of the Bath and the Victoria Cross. He passed away on March 2, 1929, at the age of 88, unmarried and childless. After retirement, Seymour organized his collection and affixed his signature to some items, also sealing them with his family crest. He sold and donated parts of his collection in his later years.
米芾 A Chinese Scroll Calligraphy By Mi Fu. Song Dynasty. Dimensions (Sight/Painting View): 52 1/4 x 15 7/8 in.(133cm x 40.5cm). The collection originate from Edward Hobart Seymour's uncle's family. Source: From the collection of Edward Hobart Seymour. Edward Hobart Seymour (1840-1929) was the grandson of Sir Michael Seymour. He studied at Radley College in Southsea and Eastman's Royal Naval Academy, joining the Royal Navy in 1852. He became a Royal Navy officer and the first overall commander of the Eight-Nation Alliance during the Boxer Rebellion. In 1857, Seymour came to China, participating in the Second Opium War, but he returned to Britain due to health reasons. In 1860, he returned to China to suppress the Taiping Rebellion and visited its capital, Nanjing. During the Boxer Rebellion in 1900, Seymour, stationed in Tientsin (Tianjin), ordered "appropriate and practicable measures" to protect British nationals in China. When the Boxers reached Beijing, Seymour initiated military action. In June 1900, the Eight-Nation Alliance formed, appointing Seymour as the commander-in-chief. His forces were blocked at Langfang. Later, he engaged in battles at Shanghai, Nanjing, Wuchang, Shanhaiguan, and Qinhuangdao. The command was later assumed by the German General Waldersee. Seymour was promoted to Admiral in 1901 and returned to England in August of the same year. He visited China three times, receiving numerous art pieces as gifts from the Chinese government and acquiring artworks during the suppression of the Boxers. These artifacts were transported back to the UK with his fleet. Admiral Seymour received the Order of the Bath and the Victoria Cross. He passed away on March 2, 1929, at the age of 88, unmarried and childless. After retirement, Seymour organized his collection and affixed his signature to some items, also sealing them with his family crest. He sold and donated parts of his collection in his later years.
米芾 A Chinese Scroll Calligraphy By Mi Fu. Song Dynasty. Dimensions (Sight/Painting View): 48 x 18 in.(122cm x 46cm). The collection originate from Edward Hobart Seymour's uncle's family. Source: From the collection of Edward Hobart Seymour. Edward Hobart Seymour (1840-1929) was the grandson of Sir Michael Seymour. He studied at Radley College in Southsea and Eastman's Royal Naval Academy, joining the Royal Navy in 1852. He became a Royal Navy officer and the first overall commander of the Eight-Nation Alliance during the Boxer Rebellion. In 1857, Seymour came to China, participating in the Second Opium War, but he returned to Britain due to health reasons. In 1860, he returned to China to suppress the Taiping Rebellion and visited its capital, Nanjing. During the Boxer Rebellion in 1900, Seymour, stationed in Tientsin (Tianjin), ordered "appropriate and practicable measures" to protect British nationals in China. When the Boxers reached Beijing, Seymour initiated military action. In June 1900, the Eight-Nation Alliance formed, appointing Seymour as the commander-in-chief. His forces were blocked at Langfang. Later, he engaged in battles at Shanghai, Nanjing, Wuchang, Shanhaiguan, and Qinhuangdao. The command was later assumed by the German General Waldersee. Seymour was promoted to Admiral in 1901 and returned to England in August of the same year. He visited China three times, receiving numerous art pieces as gifts from the Chinese government and acquiring artworks during the suppression of the Boxers. These artifacts were transported back to the UK with his fleet. Admiral Seymour received the Order of the Bath and the Victoria Cross. He passed away on March 2, 1929, at the age of 88, unmarried and childless. After retirement, Seymour organized his collection and affixed his signature to some items, also sealing them with his family crest. He sold and donated parts of his collection in his later years.
黃庭堅 A Chinese Scroll Calligraphy By Huang Tingjian. Song Dynasty. Dimensions (Sight/Painting View): 43 1/4 x 24 3/8 in.(110cm x 62cm). The collection originate from Edward Hobart Seymour's uncle's family. Source: From the collection of Edward Hobart Seymour. Edward Hobart Seymour (1840-1929) was the grandson of Sir Michael Seymour. He studied at Radley College in Southsea and Eastman's Royal Naval Academy, joining the Royal Navy in 1852. He became a Royal Navy officer and the first overall commander of the Eight-Nation Alliance during the Boxer Rebellion. In 1857, Seymour came to China, participating in the Second Opium War, but he returned to Britain due to health reasons. In 1860, he returned to China to suppress the Taiping Rebellion and visited its capital, Nanjing. During the Boxer Rebellion in 1900, Seymour, stationed in Tientsin (Tianjin), ordered "appropriate and practicable measures" to protect British nationals in China. When the Boxers reached Beijing, Seymour initiated military action. In June 1900, the Eight-Nation Alliance formed, appointing Seymour as the commander-in-chief. His forces were blocked at Langfang. Later, he engaged in battles at Shanghai, Nanjing, Wuchang, Shanhaiguan, and Qinhuangdao. The command was later assumed by the German General Waldersee. Seymour was promoted to Admiral in 1901 and returned to England in August of the same year. He visited China three times, receiving numerous art pieces as gifts from the Chinese government and acquiring artworks during the suppression of the Boxers. These artifacts were transported back to the UK with his fleet. Admiral Seymour received the Order of the Bath and the Victoria Cross. He passed away on March 2, 1929, at the age of 88, unmarried and childless. After retirement, Seymour organized his collection and affixed his signature to some items, also sealing them with his family crest. He sold and donated parts of his collection in his later years.
An Early 20th Century Chinese Liuyedao (Willow Leaf Sabre), the 77cm damascined steel blade with a curved single edge, two narrow fullers, engraved with a dragon and with a recessed square panel of script, with reinforced ricasso, brass inverted cup guard, black lacquered square section grip and black lacquered wood scabbard, the brass mounts with engraved scroll and dotted decoration, 100cm; a British Trade "Endure" Machete, the 46cm clip-point steel blade with three narrow fullers, stamped "ENDURE", JOSH. BEAL & SONS, BEST CAST STEEL SHEFFIELD, M1129, with leather grip, brass pommel and Tuareg leather scabbard with boss mounts, tassels and hanging straps, 60cm (2)
A selection of mid to late 20th Century Chinese embroidered panels on silk to include one on a scroll mount together with a Chinese watercolour on silk of bamboo plants signed lower left hand corner together with a Victorian fireside bell pull having an attached crotchet purse for notes and coins for the staff. Location:BWR
H&R Daniel - A group of earthenwarescomprising an oval twin-handled sauce tureen stand, with a hexagonal well, transfer-printed in the 'Chinese Scenery' pattern (type C), printed 'Scroll China' mark, 20.8cm wide; a small 'Japan Groups' platter, pattern 1906, associated printed blue factory mark, 25cm wide; and a similar 'Japan Groups' plate, pattern 1929, 25.5cm diameter and also a standing comport, pattern 1902, printed mark and numbered, 14cm high; a 'Japan Stone Ware / Lion and Scroll Pennant' pattern plate, transfer-printed in and green and red with hand-colouring, printed factory mark, 23.2cm diameter; a 'Polychrome Birds' plate, of 'plain-edge' form, transfer-printed, with underglaze blue Arms mark with 'Daniel' scroll, then over-printed in black with Mason's Patent Ironstone mark, 25.5cm diameter; a Shell-Shaped dish, numbered 1763, 22cm diameter; an 'Oriental Vases' dinner plate, 26.5cm diameter, printed in brown/black, printed 'Ne Plus Ultra' factory mark, 26.5cm diameter; together with speculative items comprising a plate, with printed pink border, printed and handcoloured flowers, numbered 4573 in iron red, 22.2cm diameter; and a tureen stand, printed in red, faint impressed mark, 21cm wideProvenance: The Michael Berthoud Collection.Condition:Chinese Scenery sauce tureen stand - Two chips and one nibble to foot rim.Shell shaped dish - Rim chip, cracked.Japan Groups platter - Hairline crack to rim, one further shorter crack, some scratching and light staining. Japan Groups plate - Small foot rim chip. Japan Groups comport - Large break to rim with associated crack.'Japan Stone Ware / Lion and Scroll Pennant plate - Hairline crack to rim, approximately 3.4cm long. Crazing throughout.'Polychrome Birds' plate - Glaze fault to rim and a few losses to the green ground. The well is quite scratched from use.'Oriental Vases' plate - Stress cracks to underside of rim.Speculative plate - Large rim chip, stained, crazed. Further smaller chips and a hairline.
Two Chinese hardwood urn stands, each of square section, one with central undertier lacking, over a further fret work carved tier, raised on square legs, 78cm high, 38cm wide, 38cm deep, the other with a single undertier, raised on square legs with scroll detailing, 76cm high, 42cm wide, 42cm deep.

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17386 item(s)/page