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A FINE 19TH-CENTURY CHINESE BUDDHISTIC SCROLL PAINTING in watercolour and bodycolour, depicting a lady of high status sleeping at the feet of a fearsome warrior deity, perhaps Kuan-ti, under a flaming nimbus, on paper 84.5cm x 37.5cm, (33.25in x 14.75in) laid down on a black paper wall scroll with wooden ends having embroidered terminals, 144cm x 44.5cm, (56.75in x 17.5in) overall.
A pair of Chinese export blue and white sauceboats, Qianlong, (1736-95) each of oval pedestal form decorated with birds, a fenced garden with internal scroll borders, the exteriors florally decorated with diaper borders to the foot rims, crack and rim chip, 9" long and two Staffordshire blue and white sauce ladles (4)
A Chinese export blue and white porcelain tureen and cover, Qianlong (1736-95) of canted rectangular pedestal form decorated with peony and other flowers in a fenced garden within diaper and spearhead borders, the cover with scattered floral sprigs, scroll handle and applied flowerhead handle to each side, straw work borders, the tureen 12" long
A Chinese famille rose plate, decorated with a vase, flowers and yellow scroll border, a yellow ground bowl decorated with butterflies, and a famille rose saucer dish decorated with a flowering gourd vine, 18th and 19th century, 28cm. Max. (3) Small rim chips to the plate, the saucer dish restored.
A Pair of Chinese Enamelled Porcelain Circular Plates, Qianlong, circa 1740, each of circular shape, the central reserve painted with butterflies alighting on pink peonies, within a floret and lozenge diapered cavetto, the border with four lotus, pomegranate and finger citron sprays, C scroll borders in iron red, {39cm diameter} .
A Chinese "Famille Verte" Enamelled Porcelain Circular Plate, Kangxi period, 1662-1722, the central reserve painted with a lotus within a roundel of orange, blue and yellow flowerheads, the border with twelve half florets opposed to ogival arches, Koro mark in underglaze blue within a double concentric circle, {22.5cm diameter}; and Two Similar "Famille Rose" Porcelain Circular Plates, Qianlong, each centrally painted with a blossoming peony within pomegranate outline borders enriched with further peonies and C scroll repeat motifs, circa 1750, {32.7cm diameter} (3).
An unusual George III silver cruet stand, the central spiral twist handle with loop knop, fitted with ten cut glass bottles, each with titled silver cover, including 'chian pepper' and 'lemon pick', within round holders, pierced with Chinese style fretwork, one with a scroll cartouche, with armorial, the border with pierced roundels, as recesses for the covers, on five lion paw feet, 19.5cm high (7 3/4"), London 1762 by Edward Aldridge
A 17th century Chinese black lacquer cabinet with ornate shaped and engraved brass strap hinges, mounts, escutcheon and carrying handles, decorated in gilt with bamboo, egrets and pavilions by a lake, the red lacquer finish interior now fitted one shelf, 34.5ins wide x 22. 5ins deep x 29.5ins high, mounted on late 19th/early 20th Century carved giltwood stand of 17th Century design, the deep apron and sides boldly fretted and carved with a standing figure of putti, leaf scroll and floral swags, on bold cabriole legs with V-scroll and floral ornament and scroll toes, 62ins high overall (stand somewhat knocked and chipped, with two pieces of apron loose)
A Lowestoft teabowl, painted in underglaze blue with a fence, bamboo and flowering branches, in Chinese style, the interior with a diaper band, decorator's numeral 3, circa 1780, and a Lowestoft saucer, painted in blue with a Chinese landscape, circa 1780-85 (some damage) A Lowestoft baluster shaped cream jug, with 'S' scroll handle, painted in coloured enamels with flowers and leaves, beneath an iron red looped band, 7.6cm high (3"), circa 1785 (crack)
A Chinese blue and white exportware meat dish, Qing dynasty, Qianlong (1736-1795), of lozenge form, painted with a dragonfly and willow tree within an elaborate scroll border, 33.5cm, frits to rim; together with a canted rectangular blue and white meat dish, painted with pagodas upon islands, 41cm, damaged and repaired
A Chinese 'famille-rose' exportware part tea and coffee service, Qing dynasty, Qianlong (1736-1795), each piece painted with figures at a table within floral sprays and scroll borders, comprising: a teapot and cover, a sparrow-beak milk jug and four cups, some chips and cracks, cover to jug missing
A W Barker & Son Pearl China 'Chinese Scroll' pattern part dinner service, each piece printed and coloured with a chinoiserie pattern of a vase of flowers within a fenced garden, comprising: a tureen, cover and stand, two sauce tureens, covers, stands and ladles, two vegetable dishes and covers, an oval dish, seven oval meat dishes in sizes, thirty-nine plates in three sizes and eight soup plates, impressed and printed marks, some damage
A rare George II, mounted Chinese famille rose porcelain mug, (probably originally a Qianlong brush pot) with rich polychromed geometric patterns and an upper and lower frieze of repeating trefid shaped lappets and a leaf capped double scroll handle, inscribed around the rim "From Brice Fisher to Henry Earl of Lincoln 1753", unmarked c.1753 (minor chips to enamel), 5.25" (13. 3cm) high.
A Late 18th Century Chinese Export Porcelain Famille Rose Teapot and Cover, of compressed spherical form, painted to the front and reverse with Manchu families on verandas, in typical vivid enamel colours enriched in gilt, against pink scale scroll reserved grounds, the domed cover with pear shaped knop, bearing old label "Simmons, 8 New Oxford Street", circa 1780, (16cm high) (gilding badly rubbed); and Another, similar (cover badly chipped, small chip to spout, hairline crack in handle)
A Chinese Cloisonne Enamel Square Tray, Qianlong, with central lotus roundel within repeat flowers and dense tendrils against a turquoise ground, ogee shaped border, floret border to the underside, on scroll pierced angled bracket feet, circa 1750-80, (22.5cm) (one corner bent, numerous sections of enamel loss)
A Mid 19th Century Chinese Export Black Lacquer Tea Chest, rectangular, each panel painted with mandarin figures gathered in a palace complex within a scroll frame and foliate ground with butterflies in tones of gilt, side carrying handles, internally with pewter hinged lidded single container, the lid with turned ivory mushroom handle, and engraved with three Daoist gods, (20.5cm high, 35cm wide)
A Chinese Bronze Two-Handled Pedestal Vase, late Yuan or early Ming Dynasty, the flared neck with four pointed leaf tips over a band of taotie masks, with mask and scroll shoulder handles, the compressed spherical body on a short swept circular foot ring with a further band of taotie masks, (28cm)
A Newhall Porcelain Shallow Saucer Dish, printed and painted in famille rose style with a Manchu family within pink trellis scroll and landscape vignette borders, (19cm diameter); A Caughley Porcelain Blue and White Transfer Printed Custard Cup, in Willow pattern, printed S mark in underglaze blue, (5cm) (rim chip); A Derby Porcelain Inkwell, of two-handled campana urn form, decorated in "Imari" pattern, painted crown, crossed batons, D and dots in red, circa 1810, (8.7cm high) (liner and lid missing); and A Late 18th Century Chinese Famille Rose Sugar Bowl, painted with panels of Manchu family groups on verandas against a pink scale ground, (14cm diameter) (4)

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17386 item(s)/page