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A CHINESE BLUE AND WHITE 'LADIES' BALUSTER VASE AND COVERKANGXI 1662-1722Painted with ladies admiring a scroll painting and playing musical instruments, before boys at play in a garden of rockwork and bamboo, together with a wood stand, 36cm. (3)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.Provenance: from a British collection, Kent.
LARGE CHINESE PORCELAIN FAMILLE ROSE VASE LAMP 19TH CENTURY of baluster form with a domed cover, decorated with a fence with ruyi motifs, and with rockwork, flowering peonies, chrysanthemums and weeping willow, below a foliate ruyi border, mounted on an ormolu base with foliate details and scroll feet, now mounted as a lampDimensions:56cm high (excluding fittings)
A Chinese blackwood writing tablelate 19th centuryin two parts, the upper section with an openwork gallery above central pigeonholes, two drawers and a cupboard door, the cleated top above two drawers and a shaped scroll carved apron, on cabriole legsDue to the size of this item, please note that it MUST be collected from our auction venue at Farleigh Golf Course by 3pm on Friday 17th November. For further information please contact our office on 020 8468 1010height 121cm, width 93cm, depth 58cmCondition: There is shrinkage to the panel to the top. The left corner by the drawer has a crack which means the top moves. The joints have a little movement back to front which would need attention. Gallery sits well but has some movement
A set of four 18th century Chinese Export famille rose plates Qianlong period each painted with an unfurled scroll design panel containing bamboo, peony and rockwork, dense foliate and scroll borders containing lobed reserves containing scrolls and auspicious objects, ochre rims, (4)diameter 23.2cmCondition: Good condition. Free from hairlines, chips or restoration. Some light rubbing to rims of three plate, another with very slight fleabites to rim edge
An early 20th century Chinese export silver three piece tea servicestamped Wn for Wing Nam, artisans mark of compressed circular lobed from decorated with alternating panels of chrsyanthemum, flowering prunus branches and flowering prunus, on splayed a footrim with shaped outline comprising teapot with loop handle with ivory insulators hinged domed engraved with foliate design and scroll finial, engraved with presentation inscription dated Hong Kong, 1912, a twin handled sugar basin with hinged cover and a cream jug, (3)teapot handle to spout 24.5cm., weight approx. 37.34oztCondition: Teapot with old solder repair to handle joints. Inscription shallow. Overwise knock to shoulder of cream jug Good condition. Old silver residue IMPORTANT NOTE:License applied for from the UK Ivory Act 2018. Ivory declaration submission number reference: 54PEGAL6
Yu Youren (Chinese, 1879-1964). A fine piece of calligraphy on paper.Huaxin; height: 54 1/2 in x width: 12 1/2 in. Scroll; height: 79 in x width: 19 3/4 in. />Condition: The scroll is in overall good condition with no tears, major stains, losses, or repairs. The paper is slightly toned and there are areas of light accretions and/or foxing. Light wear as expected from age and use. Light wear including a few creases to the silk lining.
A LARGE AND IMPOSING CHINESE BLUE AND WHITE ‘BAJIXIANG’ MOONFLASK, BIANHU SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95Finely painted on both sides in underglaze blue with eight lotus petal-shaped panels, each enclosing one of the Eight Buddhist Emblems which radiate from central raised bosses. The narrow sides are decorated with bands of stylised lotus scrolls. The neck is flanked by a pair of scroll handles and painted with lingzhi scrolls and with a key-fret band to the rim, which is similarly repeated on the foot, 50cm. Provenance: formerly in the collection of Ted and Gladys Roberts, and according to the family records, the present vase is one of a pair inherited in 1947. These large Qianlong flasks are based on fifteenth century prototypes, which had a single convex side that was decorated and a flat unglazed back with a countersunk medallion in the centre. An early Ming dynasty Yongle example in the Freer Gallery of Art, is illustrated in Oriental Ceramics, The World’s Great Collections, Tokyo, vol. 9, no.94. These fifteenth century blue and white flasks were themselves based on silver-inlaid brass prototypes. See also Good Fortune, Long Life, Health and Peace, A Special Exhibition of Porcelain with Auspicious Designs, Taipei, 1995, no.11 for an example in the National Palace Museum, Taipei. Another in the Nanjing Museum is illustrated in Qing Imperial Porcelain of the Kangxi, Yongzheng and Qianlong Reigns, p.295. 清乾隆 青花佛教八吉祥抱月瓶 《大清乾隆年製》青花篆書款 來源:泰特及格拉迪斯·羅伯特伉儷舊藏,據家族史料記載這尊抱月瓶原為一對,由泰特·羅伯特於1947年從祖母處繼承。
ATTRIBUTED TO TANG YIN (QING DYNASTY) A PLEASURE BOAT IN A RIVER LANDSCAPE A Chinese hanging scroll painting of scholars on a boat in a mountainous river landscape, ink and colour on silk, inscribed with a date Zhengde dingchou qiu eighth month, and a signature which reads Wumen Tang Yin with two artist's seals, 69cm x 27cm. Provenance: acquired in London in the 1990s. 唐寅(款) 山澗泛舟 設色絹本 立軸 題識:正德丁丑秋八月既望書,吳門唐寅。 鈐印:兩印渙漫不清。 來源:1990年代購於倫敦。
ATTRIBUTED TO ZHU DERUN (MING DYNASTY) EAGLE AND TIGERA Chinese scroll painting, ink and colour on silk, signed Zemin Zhu Derun hua, inscribed, signed and dated Hongwu yuan nian, 193.5cm x 91cm. Provenance: from the estate of the late Baroness von Hohenberg, formerly, from the collection of Baron Eberhard Bodenhausen-Degener (1868-1918) of Schloss Neubeuern, Bavaria; by descent to Baroness Juli (Luli) Bodenhausen Degener, who married Baron Gottfried von Meyern Hohenberg; by descent to Baron Gottfried Eberhard von Meyern Hohenberg, and thence by descent.Baroness Juli Bodenhausen-Degener (1902-51), was a German-American actress also known under the name 'Luli Deste'. She grew up at Schloss Neubeuern, Bavaria. The castle was owned by her uncle, Jan von Wendelstadt (1856-1909), who was an avid art collector. He often invited her father, Baron Eberhard Bodenhausen-Degener (1868-1918), to stay with him at the castle. Under Jan, the Schloss also became a cultural centre with many German artists and intellectuals visiting him. Jan brought back a large number of souvenirs from his trips to the East, including Chinese bronzes, Japanese screens, and porcelain. A massive pair of Chinese lion dogs were displayed in pride of place in the gardens of the castle. 朱德潤(傳) 鷹虎圖 設色紙本 立軸 王璲題識:左松偃蹇翠含煙,五嶽真人太白僲,白日臥游陵八極,瑤池桃熟已千年。洪武元年羅人王璲題。 款識:澤民朱德潤畫 鈐印:一印漫漶不辨 來源:德國巴伐利亞州Eberhard Bodenhausen-Degener (1868-1918) of Schloss Neubeuern男爵收藏, 之後由其女兒Juli (Luli) Bodenhausen-Degener (1902-1952)女男爵收藏, 其後Gottfried Eberhard von Meyern-Hohenberg收藏後由現藏家繼承。
AFTER ZHAO MENGFU (QING DYNASTY)LANDSCAPEA Chinese scroll painting, ink and colour on silk, depicting a mountainous landscape with scholars and a village in the distance, with inscriptions on the left, signed Daoxue Shanren Ziang, and two artist's seals, framed and glazed, 166cm x 51cm. Provenance: an English private collection, given to the present owner as a present in the 1980s.趙孟頫(款) 山澗聽泉 設色絹本 鏡面題識:古人繪理無不精美,及觀長康筆,而知諸家只有作為矣。此《秋嶂橫雲》,幽深微妙,殆不似從人來,唯當局者知之。松雪道人子昂。鈐印:松雪道人、子昂來源:英國私人收藏,是現藏家於1980年代獲贈的禮物。
ATTRIBUTED TO QIU YING (QING DYNASTY)SCHOLARSA Chinese scroll painting, ink and colour on paper, depicting scholars gathering in a mountainous landscape with a pavilion, with a signature of Qiu Ying Shifu, one artist's seal and four collectors' seals, one of them for Qian Jingtang, 121cm x 60cm.仇英(款) 文會圖 設色紙本 立軸款識:仇英實父製、十州鈐印:雲間錢培鈞子和氏鑒藏金石書畫記、石經閣、嘉興馮十三登府伯雲氏所得圖書金石記、話語樓貳百餘年之物
A RARE CHINESE IMPERIAL ‘HEHE ERXIAN’ TROMPE L’OEIL INCENSE DISHSIX CHARACTER JIAQING MARK AND OF THE PERIOD 1796-1820Painted in yangcai enamels, the twin Gods of Harmony and Unity stand holding a slightly open box, they wear blue and iron-red robes and have Liu Hai’s three-legged toad climbing up their backs. The dish is enamelled turquoise and is applied with eight auspicious Daoist emblems including silver and gold ingots, gold, yellow and red coins, a horn and a branch of red coral, all within a square scroll pink border, 12cm.Provenance: the collection of Miss Elizabeth Augusta Grosvenor Guest (1879-1960), grand-daughter of Richard Grosvenor, 2nd Marquess of Westminster (1795-1869), and grand-daughter of Lady Charlotte Guest (later Schreiber, 1812-95).The Hehe Erxian were believed to preside over happy marriages and are derived from two famous poet-monks of the Tang dynasty, Hanshan and Shide. The Imperial Workshop Records, (Huoji dang), note that in the forty-fifth year of Qianlong (1781), eighty incense dishes with the same trompe l’oeil designs were sent to the Imperial court from Jiujiang guan as tributes, half with a yellow ground and half with turquoise ground. Two examples are held by The National Palace Museum Collection in Taipei also set with ingots, coins and coral but one with a spotty horse to the centre on a yellow ground, the other with an elephant on a turquoise ground. Cf. Chih-en Chen, Fooling the eye: trompe l’oeil porcelain in High Qing China, figs.11 and 12, where the above dishes are illustrated. The present dish has an iron red Jiaqing mark so cannot be one of the forty turquoise ground dishes of 1781, but may be either part of a later order, or a replacement to the Qianlong dishes.See also Daguerre, 25th September 2020, lot 59, for a damaged example of the Qianlong prototype. The standing figures set in the centre of this dish also relate to figural snuff bottles with similar modelling and treatment of the robes. Cf. Hugh Moss, Victor Graham and Ka Bo Tsang, a Treasury of Chinese Snuff Bottles, The Mary and George Bloch Collection, vol.6, nos.1226, 1227 and 1228. See also Sotheby’s Hong Kong, 29th November 2019, lot 555.清嘉慶 御製粉彩合和二仙香插《大清嘉慶年制》礬紅篆書款來源:伊麗莎白·格羅夫納·格斯特女士(1879-1960)收藏。
A LARGE CHINESE ROBIN'S EGG GLAZED SCROLL BOWL, JUANGANG SIX CHARACTER QIANLONG MARK AND POSSIBLY OF THE PERIODRobustly potted with rounded sides and a protruding slightly everted lip, the body coated inside and out with an even blue and crimson flecked glaze, the base with an incised mark, together with a European ormolu base, 33cm dia. (2) 清乾隆(可能) 爐鈞釉卷缸及歐式鎏金底座 《大清乾隆年製》刻款
A CHINESE PALE CELADON JADE 'DRAGON' SCROLL WEIGHT 18TH CENTURY The long rectangular slab worked with curved ends, carved in relief with two scaly dragons contesting a flaming pearl, one beast emerges dramatically from crashing waves whilst the other descends from the sky above, each sinuous creature depicted with two horns and long whiskers, the pale creamy stone with a fine polish, 23.8cm. Provenance: formerly the collection of Vice-Admiral Sir George John Scott Warrender of Lochend 7th Bt (1860-1917), who fought in the Boxer Rebellion in 1900 and when by repute acquired this jade; and then the Lawrence Collection of jades and hardstone carvings, purchased from Spink & Son prior to 1959. The imagery of two dragons contesting a pearl is known in Chinese as er long xi zhu. An interpretation of this motif is that one dragon is male whilst the other is female, and the jewel is their egg. The symbolism is thus associated with harmony and reproduction. During the Ming and Qing dynasties, this image was frequently used as decoration on objects belonging to ladies of the court, and so it is possible this scroll weight previously belonged to an Imperial concubine. Cf. B Bronson & C Ho, Splendors of China's Forbidden City: The Glorious Reign of Emperor Qianlong, p.86, no.88 for a similar piece; see also The Complete Collection of Treasures of the Palace Museum, Jadeware (III), p.213, no.173 for a comparable item; see also The Complete Collection of Treasures of the Palace Museum, Jadeware (II), p.240, no.200 for another related example.十八世紀 青白玉浮雕趕珠龍紋鎮紙來源:George John Scott Warrender of Lochend上將(1860-1917), 曾經在1900年參加過太平天國戰爭。勞倫斯珍藏玉石,1959年前購於Spink & Son。
A Chinese Jade Vase and Cover, in 18th century style, of flattened pear form with scroll handles and bands of taotie17cm highA Jade Snuff Bottle, in the form of a fruit carved with leaves6cm longA Coral Bottle Vase and Cover, of flattened baluster form, carved in relief with foliage14cm hghA Turquoise Figure of a Fawn5.5cm long (6)Jade vase - good condition. No chips or cracks.Snuff bottle - stopper lacking. Small chips and losses to the leaves and tendrils.Coral vase - glued to the base. Small chip to the cover. Some losses to the tendrils on the main body.Fawn - loss to left ear.
A Chinese Hongmu screen, Qing dynasty, late 19th century, the front panel carved with a dragon facing a flaming pearl, the framed with pierced foliate scrolls, 80cm high x 53.5cm wide x 33cm deep 清十九世紀 紅木雕龍紋插屏及底座 Condition Report: overall in presentable conditionsplit to panel top centre about 8cm longloss to top of scroll on one of the openwork flanges Condition Report Disclaimer
A Chinese hardwood low table, late Qing Dynasty, with craved scroll ends terminating in well carved lingzhi fungus, floral and leaf carved legs, 35cm high, 120cm wide, 43cm deep晚清 硬木如意雲頭小桌 Condition Report: in very presentable condition with only minor knocks abrasions and wear commensurate with age Condition Report Disclaimer
A large Chinese lacquered wood figure of the Shou Lao, Republic, finely detailed, the God of Longevity with his pronounced bald head and long beard, and he carries the 'peach of immortality' and holding a staff with gourd attached, on separate openwork scroll base, height of figure 53cm and overall height including staff 64cm 二十世紀初 木雕壽老像 Condition Report: the detachable branch staff with cracksthe figure with crack centre bottom about 8cm long Condition Report Disclaimer
A Chinese agate scroll weight, the top carved with a bat and lingzhi fungus using the darker inclusions, 7cm long x 3cm high x 2.5cm deep; a Chinese agate ovoid snuff bottle, with gilt metal and red glass stopper, 6.3cm high; a quartz archer's thumb ring, 2.8cm high and a clear glass shell-shaped shallow brush bowl, 8.5cm long (4)瑪瑙鼻煙壺及茶晶鼻煙壺等四件
A Chinese Qingbai vase, Yuan dynasty, moulded prunus branch, scroll handles, 18.5cm high and a Chinese Doucai vase, Kangxi, 22cm high (2) 元 青白釉模印梅紋雙耳瓶清康熙 鬥彩描金花卉紋蒜頭瓶 Condition Report: handles with repair on the Yuan vasethe doucai vase with damaged neck and piece missing and and piece glued on neck Condition Report Disclaimer
A RARE CHINESE WHITE-GLAZED 'OPEN-WORK' 'LOTUS' BOWL, QING DYNASTY (1644-1911) the deep rounded sides rising from a short straight foot to an everted rim, finely pierced around the body with a broad lotus scroll band and covered overall in a translucent white glaze, 11cm diameter.Provenance: From the collection of Dr Bellerby (according to paper label).Property from a Private Collection, England.OFFERED WITHOUT RESERVE 清 白釉通花纏枝蓮紋碗
A LARGE AND IMPRESSIVE CHINESE 'CIZHOU' SGRAFFIATO 'PEONY SCROLL' JAR, YUAN DYNASTY (1279-1368) the baluster body rising from a recessed base to a rolled everted rim, freely carved through the layer of dark brown slip to the creamy-white layer beneath with a broad peony scroll band above a narrow leafy band, 49cm high元朝(1279~1368年) 磁州窯牡丹紋剔花大瓷罐
A LARGE CHINESE ARCHAISTIC JADE CEREMONIAL BLADE carved in the Neolithic style, of slightly tapering rectangular shape, pierced to one end with a circular aperture and carved in low relief with taotie mask and scroll bands, the stone of celadon colour with russet inclusions, fitted box, 42.5cm longOFFERED WITHOUT RESERVE仿古大玉璋
A CHINESE EXPORT ARMORIAL DEEP DISH, QIANLONG PERIOD, CIRCA 1775 famille-rose enamelled to the interior with the arms of Foulis of Collinton, all within an iron-red and gilt spearhead band and a rococo-style leafy scroll at the well, 25.7cm diameterFootnote: For another piece from this service, see D.S.Howard, Chinese Export Porcelain, vol.1, p.374.约1775年 乾隆 外銷家徽瓷盤
A large Chinese agate plaque, Qing dynasty, 19th century, carved in archaistic style, 22cm wide x 13cm high x 8mm deep, carved hardwood stand清十九世紀 瑪瑙雕福壽紋插屏 Condition Report: the agate looks to be overall in good condition but with possible inlet repair to small scroll top right the stand with 1.5cm chip piece missing to one end Condition Report Disclaimer
A good Chinese embroidered silk scroll, Qianlong, finely worked in subdued tones on a soft green silk ground with a bird perched on a blossoming pomegranate symbolising abundance with a peony tree rising above a garden rock and flowers, and with another bird in flight in the upper corner, with painted details on the trunk and original scroll brocade border, 141.5cm x 40cmProvenance: From a private collection in the West Midlands.清乾隆 玉堂富貴圖宮繡拍品來源:英國西密德蘭郡私人紳士收藏 Condition Report: with general losses, fading and scattered tearsWater stains to the fabricCondition Report Disclaimer
A Chinese blue and white saucer dish, 17th century, centrally painted with ducks, scroll border with brown line rim, the base with Jiajing six-character mark in underglaze blue within double circle, 17cm diameter明十七世紀 "大明嘉靖年制"款青花蘆雁圖盤 Condition Report: three hair cracks to rim 3cm long and 2.5cm long and 1.5cm long the base with firing crack which does not go through to surface minor firing blemishes Condition Report Disclaimer
A good Chinese green-enamelled 'Dragon' plate, mark of Kangxi and of the period, nicely enamelled in rich tones of green at the centre with a five-clawed dragon depicted in pursuit of a flaming pearl, amidst stylised cloud scroll, the exterior with two green five-clawed dragons striding in mutual pursuit of flaming pearls, the base inscribed with a six-character kangxi mark and of the period, 18.3cm diameterCompare with a green-glazed dragon dish, Kangxi, Lot 393, Christie's, New York, 19th September, 2006Provenance: Property of a lady and by family decent清康熙 "大清康熙年制"款綠彩龍戲珠紋盤拍品來源:英國女士私人珍藏 Condition Report: minor wears and scratches to the enamel and surfaceone small chip to the rim, approximately 6mm x 1mmone hairline crack to the rim, approximately 4.5cm Condition Report Disclaimer
A Chinese blue and white 'Lotus' moon flask, Qianlong, the circular body rising from a short splayed foot to a cylindrical neck flanked by a pair of S-scroll handles, nicely decorated with a broad band of meandering leafy lotus scrolls, the sides of body also decorated with flowering sprays, 29cm high Provenance: From a private collection in the West Midlands.清乾隆 青花纏枝蓮花卉紋抱月瓶拍品來源:英國西密德蘭郡私人紳士收藏 Condition Report: body suffused with firing cracks and one side to the centre of the vase with two firing cracks through the glazeCondition Report Disclaimer
A Chinese Famille Rose 'Bats' plate, Qianlong, enamelled to the interior with a peach branch, surrounded by four bats and lotus scroll, the exterior also painted with four bats in iron red, the base inscribed with a six-character Qianlong seal mark, 20.2cm diameterProvenance: From a private collection in the West Midlands.清乾隆 " 大清乾隆年制"款青花粉彩福壽纏枝蓮紋盤拍品來源:英國西密德蘭郡私人紳士收藏 Condition Report: one star crack to the baseone body crack approximately 2cm to the surfacesmall chips to the rimCondition Report Disclaimer
A Chinese bronze two-handled censer, 17th or 18th century, of an unusual flared square shape, standing on four elephant head feet and with openwork handles with scroll moulding, the base cast with an apocryphal four-character Xuande mark, 9.3cm high x 10.5cm wide handle to handle, 528 grams十七至十八世紀 "大明宣德年制"款象足雙耳銅爐 (克重528克) Condition Report: some surface wear and some corrosion to the interior and with some green green Verdigris throughout Condition Report Disclaimer
A pair of Chinese hardwood hexagonal stoolsLate Qing dynasty/Republic periodThe hexagonal tops with floating panels above recessed waists and shaped aprons carved in shallow relief with leafy scrolls, separating reeded corner legs terminating in scroll-end feet above hexagonal stretchers.44.5cm wide x 49cm high (2).晚清/民國 木雕八方束腰鼓凳一對
A Chinese red lacquered and gilt leather trunk on hongmu standLate Qing dynasty/Republic periodDecorated in relief and gilt to the front with stylised shou roundels and bats flanking the brass mounted clasp, the short sides mounted with brass handles, all supported by an elegant hongmu stand with hollow centre, beaded edges and scroll feet.The trunk, 66cm wide x 44cm deep x 25cm high, the stand, 69.4cm wide x 47cm deep x 17.5cm high.晚清/民國 木漆紅描金可壽字紋底座
A Chinese huanghuali and burrwood low table, kangLate Qing dynastyThe top set with rectangular burrwood panel above reticulated apron decorated with archaistic scroll motifs raised on corner square supports terminating in scroll feet38cm high x 91.5cm x 46cm清晚期 黃花梨及榴木雕回紋羅鍋杖炕桌Condition Report: Expected old wear, areas of shrinkage and age cracking, with circular stain to top.
A group of Chinese wood standsLate Qing dynasty/Republic period and laterIncluding a hongmu scroll-shaped stand and a hongmu hexagonal stand; together with an English hardwood square-section tiered stand (7).The scroll-shaped stand, 40.5cm wide.晚清/民國 木雕底座一組Condition Report: All with expected old wear including some staining, nibbling to edges, marks, scuffs and some scratching. The shelf-shaped stand with some cracking to the reverse. One of the large rectangular stands withy foot re-attached.Additional images at this link: https://roseberysauctioneers-my.sharepoint.com/:f:/g/personal/rassennato_roseberys_co_uk/ErDTv5j7ng1BnVtdPi9ICxkBAxc_eYfDHe65HAUqYv2yYw?e=W3eXY0
Tomioka Tessai (1837 – 1924)A Japanese painting, ink on paper, mounted as hanging scroll, depicting orchid within the canyon, signed by the artist with three seals, together with a certificate of authentication from the Tomioka Tessai Authentication Society, no. 000529.151.5 x 47cm, with two fitted wood boxes.cf. Tomioka Tessai is regarded as the last major artist in the Bunjinga tradition and one of the pioneers of the Nihonga style. He was educated as a scholar in classical Chinese philosophy and literature and the Japanese classics.Condition Report: Some creasing to the painting, one of the scroll end came off. Otherwise good condition.
Tomioka Tessai (1836 - 1924)A Japanese landscape painting, ink on paper, mounted has hanging scroll, depicting two scholars sitting on a cliff admiring the rushing waterfall, inscribed and signed Tessai Gaishi with two seals of the artist and two other seals.130 x 63cm, with inscribed fitted wood box.cf. Tomioka Tessai is regarded as the last major artist in the Bunjinga tradition (also Nanga, under the influence of Chinese wenrenhua, literati paintings) and one of the first major artists of the Nihonga (Japanese style). Condition Report: Creases to the painting, otherwise good condition.
A small Chinese black and yellow ground famille verte garden seatLate Qing dynastyDecorated around the mid-section with a scholar and his boy attendants gathered by a table on a fenced terrace, with three ladies bringing a scroll, a ruyi, and a hare on a platter. 32cm high.清晚期 五彩繪人物故事圖紋鼓凳Condition Report: A very large section broken off and then re-glued, with associated long hairlines running across.Expected surface wear and rubbing/flaking of enamels. Some expected firing imperfections.
A large Chinese blue and white dragon and phoenix scroll jarQing dynasty, 19th century, apocryphal Kangxi markPainted to the exterior with alternating dragons and phoenixes amidst ruyi clouds below a band of ruyi heads, underglaze blue Kangxi mark to base.26.5cm across.清十九世紀 青花繪龍鳳紋卷缸Condition Report: Four chips to the mouthrim, the largest of 3cm across. Star crack to the base which progressed to loop hairlines to the lower body and restored with staples, a chip to the centre of the crack.

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